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Iron Chef Amanda Cohen has veggie roots

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When Amanda Cohen walked onto the stage of Iron Chef Canada this summer in Toronto, it wasn’t her first time in Kitchen Stadium. But it felt like it.

“That first battle was as terrifying as being a competitor,” she says. “There are a lot of people just looking at you, expecting you to do well. It’s pretty damned exciting.”

In 2010, she went up against the legendary Iron Chef Masaharu Morimoto as a competitor chef in a vegetable battle on Iron Chef America. She was the first vegetarian chef on the TV show, but the three judges deemed that Morimoto’s cuisine reigned supreme.

Cohen vowed never to return, at least as a competitor chef.

Which is why the owner-chef of New York’s much-loved Dirt Candy has instead returned as an Iron Chef on the Food Network. She’s one of five celebrated Canadian chefs to don the black jacket in the first season of Iron Chef Canada, joining Lynn Crawford, Susur Lee, Rob Feenie and Hugh Acheson, as they compete against culinary challengers each week.

Another reason Cohen said yes to returning was that she thought she could win.

“When they asked, I’m like, ‘It’s been almost nine years. I think I’m a chef that could possibly win even going against an Iron Chef. I’ve certainly grown.’ ”

Raised in Toronto, Cohen became a vegetarian as a teenager (she isn’t one now) and later moved to New York for university. She went to culinary school, too, and worked mostly in vegetarian restaurants; although, she did spend two years frying chicken wings at a Harlem diner.

The spark for her own vegetable-forward restaurant really came during a dinner with her parents at a chic New York eatery. The chef promised her a “grand vegetarian tasting,” but it was just salad after salad.

She vowed to do better and did, opening Dirt Candy in the East Village in 2008. The tiny 18-seater was all about putting the vegetable front and centre. But it wasn’t your standard vegetarian restaurant; it wasn’t about those politics or that lifestyle. It was all about the food and not being boring.

Think dehydration techniques and vegetable noodles and fruit leather. Think was grits topped with pickled shiitakes and a tempura poached egg; lemon-sage gnocchi tossed with brussels sprouts and brown butter; popcorn pudding; sesame-caramel cake.

There was nothing like it in New York at the time, and Dirt Candy quickly became one of the hardest restaurants to get into in the city (they famously turned away Leonardo DiCaprio).

“I think I’m a chef that could possibly win even going against an Iron Chef.”

Over the next seven years it became the first vegetarian restaurant in 17 years to receive two stars from the New York Times, was recognized by the Michelin Guide five years in a row and has won awards from Gourmet Magazine, the Village Voice and others.

In 2015, Cohen moved Dirt Candy into a bigger space on the Lower East Side and made headlines by eliminating tipping, adding a 20 per cent administrative charge to each cheque instead and raising the salaries of all of her staff.

Accolades continue to roll in. This year alone, New York Magazine named it the “Absolute Best Restaurant on the Lower East Side,” and Wine Enthusiast named it one of the 100 best wine restaurants in America.

Instead of the à la carte menu of the early days, the choice at Dirt Candy is now between two tasting menus — The Vegetable Patch and The Vegetable Garden — which have included everything from shanghai shoots with fermented black beans and crème fraîche, to portobello mousse with sautéed Asian pears, cherries and truffle toast, to brussels sprouts tacos with lettuce wrappers.

As acclaimed as her food is, she told a New York Times blogger in 2012 that she got “a lot of grief” for not being a traditional vegetarian restaurant.

And today?

“It’s definitely levelled out,” she says, “but we definitely have some people who expect us to fit more into a traditional vegetarian mould,” which for Cohen is often brown rice, steamed vegetables and not a lot of flavour.

The great leveller has been time, she says. With all of that attention came more people who know what Dirt Candy is all about.

Cohen admits that all of that attention can still be pretty intimidating.

“But we kind of just put our heads down and do what we do here. We just want to be better than the day before.”

She and her sous chefs used a similar strategy during their three episodes of Iron Chef Canada this summer. After walking into Kitchen Stadium for that first episode and experiencing all of that terror and excitement, they hit their groove, says Cohen.

“By the time we walked in the second time and third time, it was like, ‘Oh, we’re home. This is our kitchen.’”

Sounds like fighting words.

Iron Chef runs Wednesdays at 10 p.m. on Food Network Canada.

Overreacting moms don’t make for confident children

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I ran into a male friend, 45ish, last week, and he told me a story that made him sad.

His wife was dropping their 10-year-old daughter off at school. She saw the other girls turn their back on her daughter. She called her husband, crying.

Now he’s upset, for two reasons. One, obviously he’s worried about his daughter. Two, he asked his wife if their daughter saw her crying and she said: “Of course, she looked at me in the car and saw me burst into tears.” So now he’s also upset because their daughter saw her mom crying.

We know, as parents, that our kids constantly (often covertly) check on our reactions to their life events.

This is such a Catch-22. In this family, as in many, mom does most of the parenting. Has she lost perspective? Kinda.

Would she have more perspective if dad shared the parenting? We can only guess.…

Also last week, I talked to two moms who used the word “devastated” in reference to things that had happened to their kids.

One was being put in a different class from her old friends and the other was not getting invited to a birthday party.

Both concerned me. Then my own daughter reminded me of the times I phoned the school to advocate for her when she was struggling.

Two decades later and she’s still bringing this up — not in a flattering light. What she means is: You were a drama queen too.

I was.

It’s really hard, as a mom, not to over-identify with our kids, not to experience their hurts as our hurts, not to feel ouch at their booboos, both physical and emotional.

Let’s imagine that I had been able, in those hard moments in my daughter’s early life, to be more of a coach and less of a player.

What if, when she suffered, I’d said: “What do you want to do about this?… How do you think you might get there?” And: “I believe in you, and I’m pretty sure you can figure out how to solve this problem. Do you want to talk it through with me?”

aWould I have raised a more confident and resourceful child?

And what is the cost when we over-identify with our children and feel their hurts as our hurts … and let them see that we’re hurting for and with them?

I think the costs are quite high. When we do that, we telegraph to them that we too are wounded by their struggle, which unfortunately makes them feel less safe in the world — because one of the things kids need most is to perceive their parents as strong and able.

When they see us as wounded, especially about something pertaining to them, it scares them. Our vulnerability about them pulls the rug out from under their feet.

Another cost is how our emotional display makes them feel about themselves in the situation.

In their minds it plays something like: “Wow, mom is really upset about this. That must mean it’s really big and bad. And it sounds like she doesn’t think I can handle it, or she wouldn’t be so upset.”

So we have, unawarely and unintentionally, communicated, one, that their problem is huge and awful, and two, that we don’t have confidence in our child to handle it.

Not exactly a recipe for growing confidence and resilience in our kids.

So what do we do when our kids’ bumps ’n’  bruises, both physical and emotional, tear at our heart?

First we have to remember not to burden them with our emotional reaction, to keep our feelings private — from them.

Unload on your spouse or a friend. Around the kids, project equanimity and confidence in their resourcefulness.

Sometimes in parenting, it’s as simple as: What we expect is what we get.

Design star Debbie Travis' new book all about transforming her life

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Interior decorator Debbie Travis has been gracing television screens across Canada for more than two decades. She became a household name long before the likes of celebrity designers Sarah Richardson and Hilary Farr, with shows such as Debbie Travis’ Painted House and Debbie Travis’ Facelift.

In 2011, Travis made an unexpected move and bought a property in Tuscany. There, she redesigned a 13th-century farmhouse into a retreat and spent her days picking olives and such. It’s not exactly the path that most interior design personalities take, but it was the one that was right for her. And that brings us to her next adventure: Travis is releasing a book on Nov. 20 called Design Your Next Chapter, all about how she transformed her life and how others can do it too. 

It’s carnival time in Toronto

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Etienne Charles grew up with the sights and sounds of carnival in and around his childhood home in Trinidad and Tobago. But it was in the decidedly chillier climes of Toronto in the company of a certain uncle that he heard the music that would set him on course to becoming one of the most exciting new jazz composers and performers on the planet.

Charles brings his most ambitious musical project to date, Carnival: The Sound of a People, to the Toronto Centre for the Arts on Nov. 16.

“When I was little, my sister and I and my mom went to visit my uncle in Toronto,” says Charles. “He pulled out a sax and played it for us, and he let me try it. And from then on, I was hooked on making sounds. That same uncle gave me a trumpet many years later, so yeah, Toronto has a big role to play in my becoming a musician.”

But, back to Trinidad and Tobago, where carnival, an annual festival that dates back hundreds of years, incorporates numerous artistic traditions, always centred in music.

Three years ago, Charles, who is also a professor of jazz studies at Michigan State University, got a grant from the Guggenheim Foundation to compose a suite of music inspired by carnival, and he returned home to immerse himself once again in this tradition.

He travelled across the country, meeting and recording artists on the streets and used these sessions to inspire and inform the album.

“It was always about introducing them and their sounds and their traditions, and then showing my musical reaction to it as a composer and improviser,” says Charles. “It is really a dialogue.”

Charles has made a wonderful habit of taking musical traditions from the past and putting a modern jazz spin on them, as demonstrated on his latest (and fourth) album, Creole Soul.

“A lot of people want to focus on what’s new, but the thing is there is nothing really new,” he says. “In music, as a composer, I am way more inspired when there is a story or an event or a series of events.

Like, with carnival, there is just such a rich tradition that has so many different influences and is always evolving because it is a dialogue with a society over more than 200 years.”

Indeed, as Charles points out, one could actually trace the history of Trinidad and Tobago through carnival.

He intends to showcase some of that history for Torontonians this month, who will get the first taste of the carnival suite of music but also get a look at some of the incredible costumes and dances that characterize the festival. Charles will also screen some original videos that showcase the musicians and events from his field recordings in Trinidad and Tobago.

“You’re going to hear the music and see some of the costumed performers onstage dancing with us, so people can see what inspired the composition,” he says.

Toronto middle schooler Canada’s smartest kid?

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Mateus Soto may seem to be an average, video game–loving 11-year-old, but it’s his keen intellect and impressive array of skills in piano, robotics and computer programming that truly set him apart from the crowd.

This fall, as a competitor on CBC’s Canada’s Smartest Person Junior, Mateus is determined to prove just how extraordinary he really is.

FOR THE LOVE OF ROBOTS

The proud and self-proclaimed nerd can often be found raiding his middle school’s wood shop but not for the reason you’d think. He uses the tools he finds in order to take apart and remake household items. The end result is often actual working robots.

Viviana Rueda, his mom, notes that her son has been known to take apart a toaster or two, but it’s hard to be anything but incredibly supportive when your son shows this much promise.

“As long as he doesn’t make too much of a mess,” Viviana adds playfully.

IT STARTED WITH A VIDEO GAME

What started as a penchant for Minecraft, a popular building-based video game, spawned a passion for computer coding and programming. And with the help of CodorDojo, a volunteer-led collective dedicated to fostering a love of coding, Mateus is now a relative master in computer programming.

AN EXCITING COMPETITION

Filming the show was some of the most fun Mateus has ever had.

“You could see it all over his face,” says Viviana. “Every day he would come home so happy.”

“It’s not like school, no offence to school,” Mateus adds cheekily. “I knew every time I would go to film that it’s always going be good and fun no matter what!”

Through this incredible experience, Mateus has gained enough memories to last a lifetime and a network of friends from all over Canada who are still lighting up their private contestants-only group chat on the daily.

A BRIGHT FUTURE AHEAD

In the future, Mateus wants to pursue robotics engineering, while still keeping his options open to computer programming and piano, of course. Did we mention that this incredible young man is also a classically trained pianist, having received first class honours for his playing and theory?

Surely anything is possible for this decidedly special kid. Be sure to catch him, along with the whole cohort of young Einsteins, on CBC, Wed., Nov. 14 at 8 p.m.

Alma is a delicious one-woman show

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SCENE: The small 32-seat space is carefully adorned with minimal art. Foodies and families alike visit for the Canadian fusion fare.

RECOMMENDED DISHES: Flat bread and dip, fried cauliflower with curry, fermented pepper and honey, cabbage dumpling with plum sauce, Parisienne gnocchi with zucchini, mint, lemon and pecorino.

DRINKS: A short-but-elegant cocktail menu, some French. Italian and Niagara region wines and local beers (Burdock brewery is just next door).

PRICE: $120 for two.

OPEN: Wed. to Sat., 6 to 11 p.m.; Sun., 10:30 a.m. to 2:30 p.m. and 6 to 11 p.m.

RESERVATIONS: Online through OpenTable.ca

I sometimes think there are too many restaurants in Toronto. They’re opening all the time, and it’s hard to keep up with the latest flavour du jour. But just when I think there are too many, I try to get a reservation at the newest hot spot and it’s sold out for two months. As in, just try getting a table at the new Alobar. Dream on. So go elsewhere till it cools down. Be strategic, I tell myself.

Hence my delight at copping a table at the hot new Alma in Bloordale. This is the love child of chef Anna Chen, a diminutive sprite with big ideas. Chef Chen previously cooked at Figo, Buca Yorkville and Scaramouche, where she added French and Italian chops to her Hakka Chinese upbringing in India.

This is what cosmopolitan tastes like, and it is the dynamite core of what defines the Toronto dining scene. Alma’s menu reads like a world tour — always influenced by Chef Chen’s daily market visit and her commitment to making everything from scratch.

Dinner starts with chef’s own warm flatbread. I find it pleasant although too thick, and chef’s rapini sunflower seed dip could be less astringently bitter. Good honest effort though.


Alma’s fried cauliflower

Her cauliflower is a masterwork, especially in a town gone nuts for fried cauliflower; this rendition is ungreasy, carefully flash-fried and lightly dressed with curry and fermented pepper, with just enough honey for a flavour-dance. Her fresh browned artichokes sit in a seductive pool, a dazzling purée of raw garlic, sourdough bread and almonds. Cabbage dumpling with plum sauce is chef’s veg homage to dim sum, a melt-in-the-mouth flour wrapper ‘round long sautéed gentled cabbage.

She makes a quick trip to France with Parisian gnocchi, the trad sautéed potato dumpling that is so easy to mess up, thanks to gnocchi’s vulnerability to toughness in general, and fried gnocchi’s additional propensity for toughness. Not here! Chef Chen’s fried gnocchi are toothsome gems, made more fun by fried zucchini and just enough lemon, mint and pecorino to be jazzy.

Funny, her only misstep is so close to home: Her rendition of the classic Chinese sticky rice in lotus leaf is badly overstated. First off, she marinates the chicken in soy sauce – a mistake because the salt in the soy draws the water from the chicken and toughens it, while adding too strong a flavour. Second, she cooks the rice in shiitake broth, which kills the subtlety of the rice flavour. And finally, putting fermented rapini on top is adding yet another too-strong flavour. Death to delicacy. Chef sometimes shoots herself in the foot by layering on flavours that are too strong.


Alma’s minimalist dining room

But all else delights at Alma, including the charming service. Servers know the menu, wines and ingredients and are proud to serve it. The room is pleasantly minimalist, comfy enough with few gewgaws to distract from the food. When the chef herself comes out of the kitchen to deliver your food, which happens often, you know you’re in the presence of a control freak artist. Alma is a delightful one-woman show.

Alma Restaurant, 1194 Bloor St. W., 647-346-1881

Toronto's non-greasy spoons reinvent a classic

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Aloette, Spadina

In our city of neighbourhoods, every neighbourhood has a diner –– and most of them have been around from time immemorial, beloved by the communities they cater to. But two new restaurants have elevated the concept, offering pedigreed cooking and expertly crafted cocktails with a side of Formica coziness.

Le Swan, the new project by Jen Agg, is a veritable culinary time machine, designed to send diners back to 1960s Paris, the epitome of cool. 

Meanwhile, Aloette, chef Patrick Kriss’s down-to-earth answer to the world-renowned Alo two floors up, perfects greasy spoon offerings with a refined perspective. Both have been able to avoid the pitfalls of pastiche when it comes to revamping the diner concept while staying true to tradition. 

SEPIA-TONED SOPHISTICATION AT LE SWAN

Under the meticulous supervision of a post–Black Hoof Jen Agg, the perennial Trinity Bellwoods hangout Swan Restaurant has been reincarnated. 

Less the retro-’50s greasy spoon of its former life, Le Swan is ’50s new wave bistro-cool. 

Gone is the “Have a Coke” sign, and in its place is a vintage Aix-Les-Bains poster from the absinthe era. The space feels somehow naturally sepia toned upon entry. 

Soft vintage lighting, gleaming white tiles, burgundy-hued booths and a playlist that is Charles Aznavour–infused (RIP) transform all patrons into characters from a Godard film, not a chignon out of place (and the return of turtleneck season certainly assists the vibe). At Le Swan, anyone holding a smartphone seems like  an anachronism.

The menu pairs French bistro comfort fare with diner staples: on offer are the gravy-drenched hot chicken sandwich and also its sophisticated cousin, a whole Parisian-style rotisserie chicken, quartered and served as rustic as they come: au jus with a handful of roasted veg and potatoes, alongside a basket of crusty bread ends.


The tuna melt at Le Swan

 

Similarly, a refined diner may opt for the smoked trout rillette, whereas the comfort craving customer can order a perfect, pillowy tuna melt, all creamy-centred goodness with crispy, cheesy edges, and douse it themselves with accompanying Tabasco sauce. 

892 Queen St. W., 416-536-4440 

DINING CAR CHIC AT ALOETTE

The first-floor, pedestrian-friendly Aloette may bill itself as an American diner, but one step inside its narrow, wooden interior indicates an elevated experience. 

Indeed, Aloette promises a menu that is stocked with French and American bistro classics, but a few ambitious gourmet touches are thrown in. 

The iceberg wedge salad, for example, is not the cherished wedge of yore. For one thing, it’s not even a wedge. 

It’s a hemisphere, topped with creamy avocado, Parmesan, crunchy pepitas, shaved radish, evenly distributed chive cream and wild rice. 

The finely engineered burger is a better burger: juiced up with aged beef fat, cooked medium rare by default and topped with a thick slab of Beaufort, and a wispy mound of lettuce and pickled onions. The messy marvel is served alongside hand-cut frites. 

The interior of Aloette eschews all the pretension of its upstairs forerunner. 

Closer to a diner of the train car variety, it’s all smooth, rounded edges; arched ceiling; booths steeped in natural light; and a long, narrow aisle separating bar patrons and booth tabletops. And unlike Alo, there’s no months-long waiting list –– in fact, with its walk-ins-only policy, there’s no waiting list at all. 

Aloette, 163 Spadina Ave., 416-260-3444

Animal prints make a big comeback this fall

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The biggest style story of the season is animal prints, and if you haven’t jumped aboard, it’s time to do so. Here, we asked Jeanne Beker to pick her favourite pieces from T.O.’s top boutiques to help you dive into this trend whether it’s leopard, snakeskin or zebra that’s catching your eye.

A) TOE-TALLY ON TREND
Call It Spring, Vaughan Mills, $79.99
“Such an incredible boot for the price. They’re sexy and they’re beautifully styled.”

B) SAFARI CHIC
Milli, 231 Avenue Rd., $1,495 
“The beautiful pastel shades for this season are really refreshing and ultra feminine.”

C) EASY ON THE EYES
Thursdays, 1130 Yonge St., $228
“A great way to give a nod to the trend with these Ray Ban animal print glasses with a very ’60s styling.”

D) SEEING SPOTS
Snapdragon, 604 Mt. Pleasant Rd., $165
“I love the idea of a clutch that’s in an animal print. It’s a very subtle print, and I love the red zipper.”

E) ZEBRA STYLE
Canopy Blue, 2582 Yonge St., $750
“This looks really substantial and cosy and very warm. It’s got that sensational zebra print that adds a little drama.”

F) RUNWAY GLAM
Rewind, 577 Mt. Pleasant Rd., $295
“This is Lanvin. It’s a tuxedo-style jacket, and the price cannot be beat for something of this quality. It’s really right off the runway.”

G) SPOTTED STUNNER
Andrews, Bayview Village, $495
“The Smythe girls have collaborated with Augden for this beautiful little sweater. It feels like alpaca.”

H) LEOPARD LOVE
Intermix, 130 Bloor St. W., $288
“If you want to just dip your toe in the animal print story, this is a great way to do it. It’s a great, classic belt, very subtle.”

I) FAUX FUN
Parpar, 1766 Avenue Rd., $265
“It’s great to see John and Jenn of Line fame, and they’re doing faux fur with this great little jacket.”

J) FANCY PANTS
Cloakroom, 1177 Yonge St., #17, $118
“These are fun, a totally great pair of pants with a nice flow to them. It’s almost like a palazzo pant.”

K) CHIC CHAPEAU
Intermix, 130 Bloor St. W., $540
“This little newsboy hat is very mod. It’s a nod to Chanel with that nice chain detailing.”

L) DOUBLE DUTY
Rewind, 577 Mt. Pleasant Rd., $695
“This is leopard print on shearling, and it’s reversible, so you get two coats for the price of one.”

M) ’70S STYLE
Intermix, 130 Bloor St. W., $635
“I love this little miniskirt, animal print on real leather this time. It’s A-line, classic ’70s styling and would look great with a pair of high boots.”

Toronto gets a new vegan Italian restaurant from a bona fide MasterChef champion

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At 304 Richmond St. W., nestled in a cluster of row homes turned businesses, sits Stella, the new collaborative restaurant venture from Dino Luciano, the vegan chef who won Season 8 of reality-TV show MasterChef, Lookout, and the 5700 Inc. (the Toronto-based creators of Vegandale).

Stella is Toronto’s first contemporary Italian vegan pop-up, which will only be gracing our fair city for a mere three months starting on the first of November and ending Jan. 31, 2019.

A short staircase brings you to Stella’s unassuming second floor interior. The functional, minimalist space seats an intimate 36 guests, and is punctuated with warm natural accents. A red brick wall parallels caramel-colour wood paneling, while the long narrow room is lit with the Toronto restaurant industry requisite Edison bulbs.

The team didn’t have to change much upon entering the pre-structured resto, as it used to house the popular and recently closed watering hole, Thoroughbred. “Just a few cosmetic tweaks here and there,” says Jared Cook of Lookout.

Luciano, a passionate chef and artist, started in restaurants at the age of 16 washing dishes and serving tables, but his Sicilian grandmother was teaching him the ins and outs of the kitchen long before that.


Chef Dino Luciano

“My grandmother used to tell me that she was teaching me to feed an army,” says Luciano. “With her I learned the speed, technique and consistency that helped me later.”

The Brooklyn, New York native has been catering or working as a personal chef for much of his career. “I’ve done a lot of cooking for men in suits,” he jokes. Stella marks Luciano’s first stab at monetizing his modern vegan take on Italian-inspired cuisine.

Stella’s modest menu features six dishes of the best, and possibly only vegan Italian food you will ever have. The Three Mushroom Capellini ($19) delivers a rich coconut cream vodka alfredo accented with mushrooms and truffle oil and balanced with fresh dill and edible flowers.

The Sicilian Porridge ($12) is a soup that combines delectable winter squash and farro with a nearly Moroccan spice palette.

While the Cannoli ($16) is so crisp and decadent, you won’t even notice that the dairy is missing.

Other dishes include a rather unique take on nonna’s traditional favourite with Luciano’s Cherry Risotto ($22).

As well as, another gorgeous twist, with the Caprese Crostini ($13).

As far as beverages go, the cocktail list is inspired by Italian classics and infused with some modern cocktailing tricks. Try the “My Ferrari’s a Lemon!” ($15), a delightful bittersweet libation with counter-balancing notes of citrus, Pimms No. 1, Campari and Fernet Branca.

Ben Shirinian and Jared Cook of Lookout have combined their love of food with their love for crafting narratives through film in a sumptuous food short they’ve created that goes far beyond food porn.

The short video, which can be found on Stella’s Instagram @stellaresto, features Luciano’s romantically lit, tattoo-clad hands delicately chopping mushrooms and herbs while an Italian classic croons in the background.

“Food like this deserves a narrative that equals the experience of eating it,” says Shirinian. “We wanted to express the level of intimacy Chef Luciano relates through the medium of food.”

You can make your dinner reservation using Stella’s website, stellaresto.com, or through the Open Table app. Doors open daily at 5:30 p.m. and each night will have three separate seatings. Openings are limited, so act quickly if you want to get a taste of Chef Luciano’s contemporary vegan Italian fare before January 2019, when it may be gone for good.

Last weekend to catch Soulpepper’s The Royale

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The Royale, on now at Soulpepper until Nov. 11, is a story told in a boxing ring over six rounds. And it is stunning.

You may know little about the historic tale of world heavyweight champion Jack Johnson, upon whom the story is based, and won’t know all that much more after seeing it. But the issues are so real and relevant and the characters so engaging and powerful that it hardly matters.

The play, written by Marco Ramirez of Orange Is the New Black acclaim, tells of the costs of making history.

Here, a black boxing champion rises up to yet unknown heights of fame to challenge the white champion in the Jim Crow era. But what is the fight really about and what are the true costs of victory?

The play is wonderful. Each and every actor just fully embraces the character to provide incredible performances.

The star of the show, Dion Johnstone, is triumphant as Johnson, with both raw power and emotional depth. Alongside him is Alexander Thomas who offers up a moving portrayal of Johnson’s trainer Wynton.

That’s why we go to the theatre, now isn’t it? For moments such as these.

Catch this production before it closes.

Indigenous origin stories performed by Toronto dance company in world premiere

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Delving into Indigenous cosmology and origin stories is the backdrop for the latest production by groundbreaking Toronto dance company Red Sky Performance.

Trace gets its world premiere this month as part of the Canadian Stage season. It runs from Nov. 1 to 11 at the Berkeley Street Theatre.

“I was thinking about what our origin story is, where we come from and how different cultures look at that,” says Sandra Laronde, the founder and creative director at Red Sky. “The Indigenous perspective is very similar to the big bang theory, only it’s a big bang with a purpose behind it.”

Laronde grew up in a creative family of artists and musicians from the Teme-Augama-Anishinaabe in Temagami, Ontario — a land home to 1,600 islands, thousands of kilometres of shoreline and 500 people.

It’s a land that piqued her imagination and continues to inform her work to this day.

“I am deeply inspired by the transformational power of nature, and I mean that in a very electric way as opposed to how we often perceive nature,” she says.

Trace will feature six dancers and three musicians accompanying with an original score.

Laronde founded the company 18 years ago and has become one of the central voices in a burgeoning Indigenous cultural renaissance growing by the day.

“Some of the most exciting artistry coming out of Canada is being created by Indigenous peoples in a lot of different artistic forms,” she says.

“When you look at what is deeply Canadian and what is deeply inspired by this soil, it comes from Indigenous peoples. We are not out to imitate a form. We really want to find a new way, which is really a very old way.”

For info go to Canadianstage.com.

Furniture Bank charity gala in Toronto features jazz crooner Matt Dusk

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Toronto jazz crooner Matt Dusk is the headline performer for the Furniture Bank’s 8th Annual Chair Affair gala and silent auction on Nov. 2, 2018.

The registered charity is on a mission to help eradicate furniture poverty by redistributing gently-used furniture and housewares to those in need including women and children leaving shelters, the formerly homeless and refugees and newcomers to Canada.

“Listen, everybody has donated furniture of some kind forever,” he says. “There’s a lot of really good furniture they take in, and then donate it to those who need it, or just raise money through direct selling. So, they asked me to take part in this event and we’re just trying to get people to come out and raise awareness for people to not throw out their furniture. If it’s in good condition, it’ll go to a great place. And come out and have some drinks and dance and help out a good cause.”

It’s the Furniture Bank’s 20th anniversary this year, and the need is still great. In 2017, it provided more than 10,000 individual gifts to those in need.

At the gala, which will be held at Casalife furniture warehouse (350 Evans Ave.), there will be a silent auction featuring one-of-a-kind furniture pieces upcycled by some of Canada’s top designers such as Colin & Justin and Jane Lockhart. The event is hosted by HGTV’s Todd Talbot, with Dusk providing the entertainment.

“We’re hoping they pass around the hors d’oeuvres and the cocktails first so we can get people on the dance floor by nine,” says Dusk. “We find that libation usually helps move the party along.”

Dusk is set to release his new album Jet Set Jazz on Nov. 9, which he says is an homage to the one-and-only Frank Sinatra.

“It’s kinda weird, because I don’t know anyone that makes records anymore,” he says. “Me and Kanye, that’s it.”

Dusk is also gearing up to play five shows at Roy Thomson Hall next month, Dec. 11-15.