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City supports Rosedale home demo

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The future of a controversial development application to demolish a heritage property in order to build a modern condo building at the site of 5, 7 and 9 Dale Ave., in the South Rosedale Heritage Conservation District, is closer to being decided. 

The property at 7 Dale Ave., one of three bungalows up for demolition, was built between 1944 and 1945 by prominent Toronto architect Gordon Adamson. In August 2016, an application was submitted to the city for a four-storey condo at this site by Vista Platinum, a real estate developer.

A new residents group, My Rosedale Neighbourhood (MRN), was formed to help protect 7 Dale Ave. and lobby for the City of Toronto to upgrade the home’s heritage designation from a category C to B, to elevate it to a property of citywide significance. According to heritage conservation district (HCD) bylaws, a category C building can be demolished if its proposed replacement is equally, or more, consistent with the heritage character of the district. 

Separate reports from City of Toronto, Planning staff as well as the Heritage Preservation Services (HPS) opposed the demolition of the building, based on the initial development plans. 

The last time Toronto City Council deliberated on this property was in July, when it was revealed a new settlement proposal, ahead of a possible Local Planning Appeal Tribunal hearing, was being negotiated between staff and the developer. 

“There is no question among all the experts that 7 Dale has significant heritage value.”

New plans were resubmitted by the developer, which planning staff deemed satisfactory. The adjusted plans include reusing existing paving materials and retaining certain heritage characteristics, as well as increasing setbacks. 

“The settlement offer responds to the concerns raised by HPS and satisfies the guidelines regarding the demolition of the three Category ‘C’ buildings,” states the report. 

Staff identified similar buildings built along Dale Avenue, which justified the height of the proposal. 

“HPS staff have concluded that the demolition of 5, 7 and 9 Dale Avenue and the replacement building are acceptable,” the report states. 

“We were obviously very disappointed especially because there is no question among all the experts that 7 Dale has significant heritage value,” said Kathy Lee, founder of MRN. 

City council will vote on whether to support negotiations toward the settlement when it returns in December. 

Vista Platinum did not respond to requests for comment.

 

The best holiday markets in Toronto

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The holiday season in Toronto is about to head into full force in the coming weeks, and with that, we’ll see a wide array of markets popping up throughout the city. Some may be your tried and true, while a few new festivals make their way onto the scene this year. Regardless of where you go, there’s sure to be lots of festive treats, Christmas carols, mulled wine, and more.

Toronto Christmas Market
One of Toronto’s most attended holiday festivals, the Distillery District’s Christmas Market is back for it’s 9th year. Meant to emulate Europe’s famous, traditional holiday markets, the Distillery District’s will host European food items, heated outdoor beer and mulled wine gardens, holiday giftables, and a 50ft+ white spruce tree with over 40,000 lights.
Where: Distillery Historic District
When: November 15 – December 23
Admission: $6.00 *Free weekdays until Friday at 5pm​

A Nutcracker Christmas at the Castle 
Casa Loma’s holiday exhibit will include a dazzling display of lights, sugar plums, life-sized nutcrackers along with daily performances and an outdoor market. Plus visitors can stroll through the century-old castle’s light display from Dec. 17 to 23.
When: Dec. 1 – Jan. 6
Where: 1 Austin Terrace
Admission: $24

Aurora Winter Festival
Escape to this magical winter wonderland within the city, where you’ll see a Luminous Forest and Arctic Retreat for light displays and giant sculptures; skating on the frozen pond; and the opportunity to ride down a 180-foot slide. The village will have market vendors and food trucks, and Santa’s Workshop will host Santa and his elves, as well as crafts for kids. To round it all off, there’ll be an amusement park.
Where: Ontario Place, East Island
When: Nov 29 – Dec 30
Admission: $14.99+

The Eco Lifestyle Market
What: An eco-friendly market for those looking to clean up their holiday shopping this year. Browse over 55 vendors offering sustainable, eco-friendly, and wellness goods. There will also be a selection of local eats to fuel you. Don’t forget to bring your own bag to take away those gifts for your Secret Santa (and maybe for yourself too).
Where: The Great Hall
When: Dec 2
Admission: Free

Etsy Made in Canada Holiday Market
The Toronto Etsy Street Team is back with their popular markets, this time for the holidays. Expect lots of great prints, knitted goods, handmade cards, ornaments, vintage and more. This market will have two rooms of vendors to check out.
Where: St. Stephen’s in the Fields
When: Dec 22
Admission: Free

Holiday Fair in the Square
The Nathan Phillips Square is a great combination of a traditional holiday market with a classic winter fair. Bring your family and friends to check out some rides, play a game, and grab a snack or the perfect gift from the many vendors. Bring your skates (or rent them!), and then hang out in the evening for a glass of wine from the Jackson Triggs wine bar.
Where: Nathan Phillips Square
When: Dec 1 – 23
Admission: Free

Evergreen’s Winter Village
The Brickworks are transformed over the holiday season into their yearly Winter Village. Take the family skating, and have lunch from one of the food vendors and trucks. You can also shop the market, and pick up your own sustainably grown Christmas tree to ring home. This year’s Winter Village will be held in the redeveloped Futures City Centre surrounding the skating rink.
Where: Evergreen Brickworks
When: Weekends in December, Dec 24th, and Dec 26-31
Admission: Free

Junction Holiday Market
What: A neighbourhood wide holiday pop up in locations throughout the Junction. Vendors will be hosting parties, shopping events, and offering discounts, holiday treats, and more. Receive complimentary giftwrapping, enjoy musical performances, and watch out for the Creative Children’s Dance Centre’s holiday show in the windows of local businesses. As per tradition, Santa in the Junction will be there once again, so be sure to visit the info booth at the Train Platform to grab a free ticket for photos with St. Nick.
Where: Dundas West from Keele Station
When: Nov 30 – Dec 2

The best party dresses in Toronto

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A) RUST OVER RED
“I adore this rust colour, it’s so rich and warm. I would take advantage of the band around the shoulders and put a brooch on that.”
Brian Bailey, Bayview Village, $1,495

B) GREEN WITH ENVY
“The way it’s cut, the way it’s draped, Zac Posen really knows how to fit a woman’s body.”
HazelLily Designer Consignment, 510 Eglinton Ave. W., $1,195

C) SPARKLE IT UP
“Bill Blass, what an iconic designer, and these gorgeous sequins are done in a beautiful graphic pattern.”
Rewind, 577 Mt. Pleasant Rd., $450

D) AN ARTFUL TOUCH
“Lucian Matis is an artist first and foremost. This really has a hand-painted feel to it with the elegance of the roses.”
Andrews, Bayview Village, $835

E) LEOPARD LUXURY
“I love this velvet devoré fabrication with this stunning coloration.”
Roxy Earle x Le Chateau, Le Chateau, Promenade mall, $139.95

F) FRINGE FUN
“This is just fantastic for those of us who love fringes. It’s so well made with the beautiful mesh up top, it’s got a beautiful flow.”
Want, 1788 Avenue Rd., $779.95

G) SEQUIN GALORE
“I have rarely seen such a magnificent display of sequins teamed with this rich plum velvet. It is to die for. You will stop traffic in this dress.”
Milli, 231 Avenue Rd., $7,595

H) SEXY STUDS
“This is a very edgy dress, the studs are fantastic. It’s got a high sexy slit and a wonderful amount of stretch.”
Poor Little Rich Girl, 2094 Yonge St., $299

I) BEADED BEAUTY
“This is absolutely sexy and has a real glamorous feel to it with a vintage vibe. It’s beautiful with the little black beads all over.”
Freda’s, 86 Bathurst St., $875

Dream of the ’90s is alive in Toronto

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For many of a certain vintage, the ’90s represent a watershed time in Canadian music: a time when indie rock was the best show in town and concertgoers flocked to venues such as the Horseshoe Tavern, Rivoli and El Mocambo. It was a time when people collected shirts of their favourite bands, not their favourite craft breweries, and gig posters advertising bands from the Sarcastic Mannequins to Me, Mom and Morgentaler were wrapped around every vacant pole in sight.

This month, Toronto has slipped through a weird indie rock time portal as some of the best bands from that era are back in town for our collective nostalgic entertainment.

Here’s a guide to who they are and why people still care.

The Watchmen
This Winnipeg band’s energy and work ethic were characterized by lead singer Danny Greaves, who brought a lunch pail onstage for every show. In other words, he was ready to work. The band’s ferocious debut album, McLaren Furnaceroom, named for their DIY rehearsal space in the bowels of a landmark Winnipeg hotel, rocketed the band to acclaim. And it only got better with the 1994 follow-up In The Trees, which went platinum in Canada.

After a lengthy hiatus, Greaves and company dipped their toes back in the water a few years back with a show at the Horseshoe Tavern, which quickly sold out.

“It was a pretty big deal, and it was obvious once we all got in the same room that we all missed it, and we didn’t want it to stop, you know,” Greaves says.

As band members dispersed around Toronto, Greaves did film and TV work but also got into the bar business, opening up Motel in Parkdale. Apparently, it’s the place to be in town when the Winnipeg Jets play.

Now the band plays for fun, and Greaves has come to realize that the ’90s were a special time.

“The ’90s didn’t seem like it was going to last as long as it did or that people would be nostalgic about it 20 or 30 years later. It was really a lot of hard work,” he says. “But now that we’ve had the opportunity to step back from it and realize, God, after three decades people are still coming out, and now they’re bringing their kids.”

The Watchmen play Danforth Music Hall on Dec. 14. 

The Skydiggers
The first few chords of “Slow Burning Fire” transport many a Torontonian back to a time when the Skydiggers played numerous local stages, beginning with the old Spadina Hotel. The one-two punch of Andy Maize and Peter Cash along with Josh Finlayson turned out some of the best songs of that era, including “I Will Give You Everything,” “Monday Morning” and “Penny More.”

The band plays its annual holiday shows at the Horseshoe Tavern, Dec. 21–22.

The Lowest of the Low
Few bands are quite as quintessentially Toronto as the Lowest of the Low. When the band released Shakespeare My Butt, it was unlike anything else of that era. Songs are full of cheeky and introspective lyrics that swirl around the story of a failed romance played out while the romantic hero traipses around the streets of Toronto from the Only Café to Chinatown, a tin of Guiness in one hand, a Bukowski novel in the other. So influential was the album that singer and songwriter Ron Hawkins is still quite able to pack any sized Toronto room with crooners eagerly willing to sing along to every cherished word. But the story doesn’t end there. Indeed, the band has had some serious recent success, and the new album could be Hawkins’ best work yet, culminating in a massive seven-album collection called Shakespeare My Box released last month.

The Lowest of the Low plays Lee’s Palace on Dec. 29. 

Big Sugar
Not many bands could master the sheer sonic assault of Big Sugar and its singer and guitarist Gordie Johnson. With a 1991 self-titled debut, the band fused incredible bluesy rock with a wisp of reggae style to create something unique and fresh and utterly Canadian. Sadly, the band lost one of its cherished members recently, Garry Lowe, and is intent on sending him off to that great sound studio in the sky in style with a big show at the Danforth Music Hall on Dec. 28.

Joel Plaskett Emergency
In the ’90s, bands from the East Coast of Canada were some of the best. First to lead the way was Sloan, who established Murderecords and initiated a steady stream of killer acts like Eric’s Trip and the Hardship Post. One of the best on the label was Thrush Hermit. This explosive, indie rock band introduced the country to a fella by the name of Joel Plaskett, and we kinda lost it on this guy when he went solo and released his debut Down at the Khyber. He plays with his band the Emergency at the Danforth Music Hall on Dec. 21.

The Tea Party
Sure, we thought he might have been pushing the Jim Morrison thing a bit too far, but when he got out the violin bow and started playing guitar, there was no denying the special talent of Jeff Martin. This trio was formed in Toronto at the Cherry Beach rehearsal studios and went on to international acclaim on the heels of memorable Middle Eastern–influenced tunes such as “The River.” The Tea Party plays the Danforth Music Hall on Dec. 27 and 29.

Dreaming of chicken sticks and silver bells

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Although it originally aired during the 2017 holiday season, the charming documentary film Dreaming of a Jewish Christmas is having something of a resurgence. It airs on the CBC documentary channel tonight (Dec. 4), and it will now also be aired on the BBC in England, PBS in the U.S. and in Japan on HK. In addition, there is a free screening of the film at the Hot Docs Theatre on Dec. 18 at 7 p.m. The film chronicles the Jewish composers that brought to life some of the most cherished Christmas songs of the 20th century. Throughout the documentary Toronto musicians, such as Steven Page, perform said holiday classics in legendary restaurant Sea-Hi Famous Chinese Food. It’s pretty magical and a very Toronto-centric tale. Can’t wait until tonight? The film lives online right here.

Post City caught up with director Larry Weinstein and asked him about the film, and about his love of Sea-Hi.

So tell me about your involvement with this project and how it came about?
The two producers from Riddle Films, Liam Romalis and Jason Charters, had the idea in January 2016 with the working title The Jews Who Stole Christmas… But since we have Trump as president, you don’t want anything like that. I just thought it was a wonderful idea for a film to look at the Jewish composers of Christmas songs.
I love that Jewish composers wrote most of the most famous 20th century Christmas songs, just like I love that atheists wrote the greatest requiem for the church. I love that kind of irony. And it became this semi-autobiographical kind of situation.

Okay, so your family dined out at Sea-Hi, that’s where that came from?
The guys had the idea to do a Chinese restaurant near the top. The film proposal was actually made in the form of a Chinese food menu with soy sauce stains and everything. But, yes, Sea-Hi is an authentic 1950s restaurant in North Toronto where I used to go with my parents.

And you must have loved it.
I did love Sea-Hi. They had the same things, that golden Buddha, that weird blue paint and the menu was like standard Canadian-North American Chinese food and the menu hasn’t changed. They still have egg rolls as opposed to spring rolls and they still have chop suey — who has that? And they still serve raw egg noodles you dip in the plum sauce. These are all remnants of the ’50s and ’60s that haven’t changed at all.

Was that also where you went Christmas Eve?
The truth is, I did not do the Chinese Christmas Eve thing, we would get Chinese food at home instead. Although ironically, I am planning to have every Christmas Eve at Sea-Hi. I already booked my table this year, and we went last year.

How open were they to being involved in the project?
It was like a film set, we basically rented their restaurant and supplemented some of the appearance of the restaurant, which they like so much they kept a bunch of it.
The owner Stanley, he was delighted with the film, and got a nice bump in business.

It’s a great film, I’m sure most enjoy it. 
People in general really love it. The warmest comments often come from Christians who celebrate Christmas and didn’t know this stuff. We also touch on the whole idea of Christmas as a non-religious holiday and how the Christian puritans actually banned it for many years because they thought it was hedonistic.

What are you hoping people take from the film?
Because I come from music films, mostly, and I’ve done a lot of these big performance films, I really wanted to weave the performance aspect as the main ingredient throughout the documentary. It’s something CBC really doesn’t do anymore. Hopefully people really luxuriate in the music and have fun with it.
It’s Christmas, and humanity wants to share joy. People want to have joyous occasions and don’t want division in the Trumpian time of our existence. We want to celebrate as human beings, and that’s what the film is about.

How They Met: Diana Bentley and Ted Dykstra on a love story all their own

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Diana Bentley and Ted Dykstra are the duo behind the Coal Mine Theatre. This month, Bentley will be producing The Wonder Pageant, an improv holiday show from Dec. 2 to 23, while Dykstra is directing The Father, a play about the realities of living with Alzheimer’s. The pair met at the theatre, of course. Dykstra was directing a show that had just opened, and Bentley was acting in a show that was running next door. Here, Bentley dishes on their love story’s beginnings.

The first date 
Our first date was at the AGO. We were both very nervous and pretended to be interested in art. We walked to dinner at Czehoski’s on Queen West after. Somewhere on the way from the gallery to dinner Ted dropped one of his gloves. It was winter and rush hour and the streets were jam packed with people. Ted was upset (I would learn later that Ted has a knack for losing things) because he had bought them in Newfoundland, and they were sheepskin. I assured Ted that if we retraced our steps we would find them. He thought I was insane and said that would never happen. Sure enough, in the middle of Chinatown I found the glove. At that moment something clicked and we both shared a Jerry Maguire “You complete me” moment.

The courtship 
When I met Ted I didn’t know he played piano or had a show called 2 Pianos 4 Hands or anything like that. I just knew that he was a director in the theatre. So, needless to say, the first time Ted got up to play piano at a salon, I was absolutely stunned. I’ll never forget it as long as I live. He played “Great Balls of Fire” and “Bennie and the Jets,” and when he sat back down at the table, I couldn’t speak.

The proposal 
We were in New York City for a few days. It was late fall, and we had just finished up at MOMA, and we strolled into Central Park. Ted got down on one knee and proposed, and I ugly cried. No, really ugly cried. I also let out this sound that was a combination of a goose and a foghorn. I was so relieved, excited, thrilled, nervous and in love.

“Ted and I love collaborating and share the same passion: theatre.”

The wedding 
We got married at our theatre, the Coal Mine in January of 2017. Our friends and Coal Mine family helped us convert the theatre into our dream wedding venue, and it was just that: a dream wedding. Getting married in the theatre that we had built together felt like the perfect expression of who we are.

The honeymoon 
The next morning we took off to Madeira and rode around on a scooter for a week up in the hills.

The kids 
I feel very blessed to be the stepmother to Rosie, 15 and Theo, 17. Step-parenting is simultaneously the hardest and most rewarding thing I have done in my life. Every day is a new challenge to be a better version of myself. We are also the proud parents of Henry who is just two months old. He arrived on Sept. 23 and is delighting and entertaining the four of us endlessly.

Balancing work and marriage
Ted and I love collaborating and share the same passion: theatre. When we met, I was producing site-specific independent theatre and Ted was — well he was Ted! When we launched the Coal Mine in the fall of 2014 with The Motherf**ker with the Hat, we had no idea that the theatre would grow into what it has today. The Coal Mine challenges us, but more so it brings us joy, laughter, artistry and depth. Because of it we are surrounded by the most open-hearted and beautiful array of people that we are now lucky enough to call our family. We both have many days where we just dwell on how incredible that is, and that keeps us grounded, connected and humble.

Life after retirement 
Retirement? What’s that?! We try to stay in the moment and allow ourselves to be shown what’s next. We both believe in “letting our lives live us” and not the other way around. It’s a tough practice sometimes, but we both are getting better at trusting it. Plus it means we’re continually surprised by what’s in front of us, and that keeps life fun!

Opinion: One parent on what happened at Bishop Strachan School

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Bishop Strachan School

­It’s been more than a month since Bishop Strachan School (BSS), a prestigious private school for girls where my daughter is a student, “parted ways” with its head of school and, eventually, issued a genuine apology after Grade 11 students and some parents witnessed a controversial, clearly anti-Semitic, touring adaptation of Shakespeare’s The Merchant of Venice.

I’ve had some time to reflect. The school, typical of most private schools, characterized the aftermath of this production as an isolated and unanticipated incident.  

Previously, the play was performed at a private school in the U.K., where no one batted an eye. Whatever the intention may have been, how could any Jewish student or any student, really, or teacher not have been appalled when being prompted to cheer, “Hallelujah,” in response to statements like “Burn the Jews”?

Many asked if I was going to pull my daughter from BSS. That was never an option. My daughter is proud to be a BSS student, even as she told me how everyone was discussing the fallout, dividing the close-knit student population. On a private alumni Facebook page, there was a heated discussion about the incident with some saying it was too harsh, with others clearly disagreeing. 

Do I think the school did the right thing? Yes. I do have confidence this was ultimately dealt with in an appropriate manner. The school will be educating the students on the Holocaust, in February.

I had encouraged BSS to reach out to Avi Benolo, director of the Canadian Friends of Simon Wiesenthal Centre (FSWC), and Bernie Farber, both with a lifelong mission to educate people about the Holocaust, in an effort to combat anti-Semitism. I also spoke, at length, to Josh Cooper, formerly VP of the Jewish National Fund (JNF), now head of the Baycrest Foundation, for advice on how I could become more involved. I took a tour of the Simon Wiesenthal centre and was very moved. 

I am angry that the school did not take these people up on their offer to visit BSS and talk to the students immediately after the play. Why wait?

Private schools, generally, are protective of their reputation and tend to try to deal with incidents like this internally. “Keeping it in the club,” as some would say.

My daughter’s father and I have been donors for years. I received an email this week from BSS, asking for a donation, but no, not this year. I believe my charitable gifts are better directed to funding organizations such as the FSWC, JNF or the Baycrest Foundation.

BSS’s motto is “Girls can do anything.” 

I’m doing all I can, as a BSS parent, to educate myself and advocate against anti-Semitism. All BSS parents, faculty and students should be asking themselves what they should be doing now.

Rebecca Eckler is the executive editor of SavvyMom.
 

Laughter each day keeps the arguments away

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Steven and Chris

They’ve hosted some of Toronto’s favourite home decor shows, from Designer Guys to So Chic with Steven and Chris to their current CBC hit show, simply titled Steven and Chris (airing weekdays at 2 p.m.).

It seems like they’ve been handing out tips on how to bring your personal style to your home forever, and Steven Sabados and Chris Hyndman celebrated their silver anniversary this year.

To commemorate the occasion, they reflected back on how they first came into each other’s lives and how they found the success they share today. This design duo, who have called Leslieville home for many years, know what hard work really means, and they found a way to combine both their personal and working relationships to allow them to flourish in both areas.

How they met
Steven: We actually met at a nightclub 26 years ago when our friends introduced us. We’d both had a couple of cocktails.
Chris: I’m not gonna lie: there was a little bit of liquid courage involved!

The first date
Steven: A week after meeting, I took Christopher to a restaurant called Stardust on Parliament Street for our first date. It was a really small and charming place that made amazing souffles.
Chris: I was a naive young guy from Newfoundland who was very impressed by how chic and sophisticated Steven was. And, to be honest, I didn’t have a clue what the hell a souffle even was!

“There was a little bit of liquid courage involved. ”

Their lives now
Chris: Working in TV and having a furniture product line keeps us both incredibly busy, so we’re lucky we get to work together; otherwise, we’d never see each other!
Steven: When we do have time alone, our favourite thing to do is walk our great Dane, Maxi, or spend time with friends or family.

How they work together
Steven: We’ve really learned to compromise, to pick our battles and to always remember to laugh.
Chris: It would be impossible to keep our work relationship separate from our personal relationship. And I agree with Steven, especially about the laughter. Things are never as bad as they seem when you’re able to laugh about it.

Secret for success
Steven: We really do make each other laugh every single day, and that is, at least for us, the thing that has kept us together for so long.

Relationship advice
Chris: After all these years, we’re still learning how to be a better couple, so we’d prefer to keep our advice to paint colours and furniture!

Anniversary celebration 
Chris: We had a little party with our parents because they were so proud of us for being together for that long — or they were shocked, we’re not sure — but it was a very special day.

Inside Toronto’s new cannabis club for moms

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­So just how accepting were mothers when it came to ordering cannabis online for the first time after marijuana became legal just over a month ago? And did legalization create new cannabis users who happen to be mothers? The answer is a resounding Yes!

Most surprising was that not one of the mothers interviewed for this article, let’s call them the First Timers’ Club, were at all worried about what their children, relatives, friends or even their spouses may think about them buying and enjoying, occasionally, the high life. Not once did the subjects bring up their children.

However, there was one commonality: the interest in keeping knowledge of cannabis use away from their employers. Hence only first names are used.

For example, Alison is a mom of two school-aged children and also happens to be a teacher. She ordered from the website three days after cannabis was legalized.

“Please don’t use my last name,” she asked. “I’m a teacher so…”

Although the stigma surrounding people who use cannabis recreationally may be lessening, many mothers are rightly concerned about their employment situation and the judgement or even the possibility, however slight, of losing their jobs. But that didn’t stop them from ordering.

“I have never ever done pot before. When it arrived three days later it was beautifully wrapped, but it was in full pot form. I had no idea what to do with it,” Alison said. “I’m not a skilled smoker! So I walked over to my good friend’s house, and she taught me how to roll. I had ordered ‘harmony and balance.’ I can truly say that I felt both balanced and harmonized. I loved it.”

Those in the First Timers’ Club also had another important decision to make: who would they partake with for the very first time? Tara is a mother of two children, ages 15 and 17, and her first time smoking was on Oct. 19, two days after legalization. With whom did she enjoy her purchase? Her 80-year-old aunt.

“I wouldn’t put my last name in please, but it was so funny,” she said. “We were sitting around at Christmas a few years ago and somehow the topic of who had ever smoked pot came up. It turned out that it was only myself and my aunt who hadn’t ever tried it. So we made a pact for her 80th birthday that we would try it together.”

Her aunt turned 80 in September, but Tara couldn’t make it to her aunt’s party.

“At 45, I just wanted to also see what all the fuss was about. I really enjoyed it. I smoked with my husband, and it was a very intimate and bonding evening. We needed it!”

“So we did it Oct. 19, at my cousin’s wedding. I liked it. And so did she. She suddenly wanted a piece of cake really badly. I couldn’t stop laughing. We laughed a lot that night and it was a bonding moment!”

How did she know what to order, since most of the mothers I spoke with are far from skilled smokers?

“I asked my friends what type to order and they said the indica strain,” she said. “I couldn’t believe they had pre-rolled when I went to the site on the day it went live! So I ordered online and it came in two days. I’m not sure what everyone was complaining about with long waits.”

Many early adopter moms stayed up until midnight on Oct. 17 to be the first to order.

“I ordered 15 pre-rolled joints from the OCS [Ontario Cannabis Store] on Oct. 17 just after midnight,” Sarah, a mother of three, said. “I wanted to be part of history, but I actually don’t even smoke, so not sure what I will do with them. I still haven’t opened the box it was delivered in.”

Helena, mother of a 14- and 12-year-old, said she wanted to spice up her date night with her husband of 16 years.

“I ordered on the day the website was up. I wanted to do it with my husband on his birthday, which was about a week after I ordered,” she said. “I thought he would want to try it with me for his first time because now it is legal and I had never done it. My husband was not into trying it at all. He thought I was joking when I said I bought some, until he saw the credit card bill.”

A number of people who ordered for the first time wanted to try cannabis as a sleep aid or to help with anxiety.

“I have been having trouble sleeping, and I heard about how cannabis can help you be less anxious to get a better sleep,” said Michelle, a mother of two kids under five. She ordered a bottle of cannabis capsules and said, “They are way better than pharmacy pills.”

Some mothers are now also saying they are turning to cannabis instead of alcohol at the end of a long day, or, as we say in the parent world, many moms are swapping their “mommy juice,” for cannabis.

“I’m tired of chugging wine and having a hangover plus all the calories in wine,” another mother said. “At 45, I just wanted to also see what all the fuss was about. I really enjoyed it. I smoked with my husband, and it was a very intimate and bonding evening. We needed it! I’ve already placed another order.”

Many who have tried cannabis in the past, even if it was 20 years ago, still wanted to be part of history.

“I have my clandestine ways of getting weed. But I waited up, just so I could see what the government was offering on their website,” said Liz, a single mother of a 10-year-old. “My first order was in by 12:15 a.m.,” she said and laughed. She enjoys her heightened experience with her husband, as well as with some of her other mother friends.

“I bought randomly. I bought two different strains. My husband bought oils. So it was my first time using the marijuana oil. I had the best night’s sleep! But now I’m worried that the government has my private information and also my credit card number. So I may go back to the old-school route.”

Catching up with the John Butler Trio playing in Toronto on Sunday

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The John Butler Trio are the best-selling independent Australian artists of all-time. Butler is an astounding guitarist and vocalist whose music combines elements of blues, rock, hip hop and folk. He has a history of speaking out on environmental and political issues through his music, but has looked inward in recent years for inspiration. In September, Butler released Home, which could be his most introspective and powerful work to date. The John Butler Trio plays the Danforth Music Hall on Nov. 25. Post City caught up with Butler and asked him about creating music with positive messages in an era marked by negativity.

We live in a crazy time, it’s very negative. As a socially-conscious artist, how has that impacted your live show?
Having been politically and socially active through my music, sometimes I felt, personally, that my music career was not enough to tell you the honest truth. When I started my career, I was surrounded by forest activists who were laying their lives on the line to protest forests with hundreds of years old trees from being wood-chipped and sold off overseas. And it seemed a worthwhile way to live your life to protect your culture, your land and your country from corporate greed and dodgy politicians. And here I was looking at pictures of myself and designing posters for my album launch and it felt a little vacuous and I felt like I needed something else. I thought that if my music could be a vehicle of positivity that I could do this, and it wouldn’t feel so vacuous and self indulgent.

What do you mean self-indulgent?
I mean what does my music even do? I’ve created thousands of tonnes of carbon flying and driving around everywhere. I post pictures of myself on Facebook that seemed to be liked more than really important shit. And, you know, I’m telling my stories and there is a lot of contradiction.

So how did you come to terms with it?
I’ve worked out that I’m in the business of giving people the chills. When I go to a live show and get the chills I feel connectivity, I feel love and I feel divinity, magic and wonder. To me, that’s the spice of life. That breaks down barriers and walls and erodes fear. I don’t think you have to be literal in your political leanings in your lyrics or what you do at your shows. If you’re creating love and connectivity and giving people the chills, then you’re doing a good job. And that’s all I try to do nowadays, because it is so convoluted otherwise. That’s my deal and that’s all I can do. That’s all I got.

I know you worked on this new album a lot on your own before hitting the studio. And, it’s more introspective. What was on your mind when you set to work?
I mean, the journey was different. Things are always changing, preferences, styles. What I was trying to achieve 10 years ago, I’m not trying to achieve now. But, in some ways I’m still trying to find the sweet spot of folk, rock and hip hop. But I’m not a rock artist. I’m not a hip hop artist. I’m basically a folk artist who doesn’t like listening to folk.

Tell me more about your internal journey and how music helps you through that. 
Music is amazing, the poetry, the chords. It is amazing how powerful it is in conveying the unexplainable and the difficult and the profound. I think that’s why I am a musician to this day because I’m still kind of mesmerized and bewildered by the process. That being said, every album seems like an autobiographical journey about where I’m at. Ten or 15 years ago, I was becoming a father and it was the beginning of me having to become a man. The real journey is about who I am and what it is to be a man, and this album is the latest chapter of that in a lot of ways.

And, of course, it is called Home, tell me how the concept of home resonates. 
Home is a physical but also a spiritual place. It’s a state of mind. It’s people as well, my family, my children, my friends. Home, the song, is about being away, but the album is more about what it’s like to be home in the shell I’m currently occupying you know. How can I be at home with it, and just exploring that idea.

How has your approach to songwriting changed over the past two decades?
In the early days, the song would serve me and I felt very entitled. I don’t mean that in a literal way. I wasn’t some psychotic weirdo who speaks to his songs. But, I think I approached it that way. It was very literal. And, now I see it has inverted, where I am the servant of the song and whatever the song wants, the song gets.

What about lyrically?
I am always trying to write better lyrics and bring the listener more into my world, but also to bring myself into their worlds. You want to create an avatar essentially where the listener hops into your song and experiences what you feel you know but they are in your body when doing it. To do that, that’s an alchemy. I don’t claim to understand it, but I’ve done a couple things I’m proud of, and lots that I’m not, and it was like wow that was cool. And I want to do it again. That’s how it’s changed.

How do you stay grounded when you’re touring so much?
I go running, a.k.a. chasing the crazy man around. I meditate. And then just try to control my mind, to tell you the honest truth. My mind is pretty active. Strange thing about being on the road, it’s very regimented. It’s not a very rock n roll lifestyle. I’m always figuring out if I get enough sleep, drank enough water, need to plan lunch and dinner so I have the right amount of carbs and energy. You need to be regimented enough so when you flip that switch at 9:30, you’re ready. The biggest party is always on stage. The biggest priority is that I’m worth it for the audience who have decided to share their hard earned cash with me, and gotten babysitters. I mean, we live in a busy fucking world you know, I want to make sure it’s worth while.

Great Lake Swimmers’ hometown show in Toronto

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Tony Dekker began his musical life in Toronto as Great Lake Swimmers 15 years ago, first as a solo artist turning out poetic and thoughtful work such as 2007’s Ongiara. As collaborators and band members were carefully selected, the Great Lake Swimmers sound grew first with Lost Channels in 2009, followed by New Wild Everywhere (2012) and A Forest of Arms (2015). With the band’s latest effort, Dekker decided to change things up a little, looking inward for guidance and to Toronto’s musical community for inspiration. The result is a beautiful new Great Lake Swimmers album The Waves, The Wake that pushes the band’s sound to new sonic territory. The band plays a big hometown show on Nov. 22 (7:00 p.m.) at the Danforth Music Hall. Post City caught up with Dekker to find out more about his latest project.

The album was recorded in part at the Bishop Cronyn Memorial Church in London, Ont., where you spent your university years. How did that come about?
It started with us playing at the Aeolian Hall, I guess almost two years ago now. The organizer of the show was telling me about a space they’d started managing and were developing a music program out of. They said it was a beautiful acoustic space and would we like to have a look at it and I said yes absolutely.

And, it didn’t take long to figure out the spot was special?
I think I knew pretty much immediately that I wanted to record something in the space. It’s a beautiful old church. It sounds great. A lot of old wood and high ceilings. It’s just very ornate and beautifully designed for sound, including a fully functioning pipe organ and they’d moved a grand piano in the space as well, which sounded beautiful. It was really quite an ideal workspace.

How did the recording go? Any issues?
We did an initial three-day weekend to try it out, and we discovered that we were probably going to get the best sounding stuff, especially the quiet parts of the recording, late at night. There was still quite a bit of outdoor street noise. So we ended up recording a week or 10 days in two separate chunks of recording, and most of that was overnight.

You decided to change things up and do the songwriting for this album without your usual acoustic guitar. How did that work out?
It’s opened up so many avenues of collaboration that I wouldn’t have thought of initially. I think it was the most immediate way to try and directly do something different in putting down my main instrument and then sort of imagining other instruments to fill in the acoustics. It’s still very much an acoustic palette that we were working from, but it freed us up to think a little differently in terms of arrangement and orchestration and instrumentation on the whole thing.

That sounds like a positive experience. 
It worked, but also it helped me to look forward to the next thing too. It feels like we turned a little bit of a corner and there is still lots of room to go even further and deeper. I just feel there was a lot of great energy around all of that in general.

And you had a lot of collaborators perhaps as a result of this new way of doing things, right?
I feel like the Toronto music community was the de facto backing band for this album because we really drew heavily on a lot of the talent that is within the city and it was surprising the level of skill and skilled musicians in the city we were able to call upon. It was eye opening in a way, but also reaffirming that Toronto is a great music city and there are so many great musicians. It was a real collaboration with the music community, and bringing the project to London was obviously important as well.

So you’ve had a few very big changes, including the birth of your child and heading out of town down to Niagara. How are things, and how has this upheaval impacted your creative process?
Things are really good. Things just seem to be constantly changing. When you embrace change in that way it can be a really good thing. I just feel like creatively and in life, I feel like I turned a corner somehow and I think, becoming a parent is a big part of that. But I think it was maybe more of a confluence of things and new parent being a part of that. It sort of changes how you see the future and maybe how you see the present moment in some ways and that was a bit of a catalyst for the overall change in perspective and viewpoint.

For this project, although it was a collaboration, the way it unfolded came from something deeply personal. 
The journey for this album was more of an internal one. Previous albums, there have been some pretty awesome external factors, that weighed on the creative process and recording. This one, it felt like more an introspective thing.

The album is so beautiful, and thoughtfully arranged, and of course the orchestration is wonderful. How are you going to translate that sound to a live show?
As much as we’d love to have a woodwind ensemble or marimba on the road with us, the space in the van is already pretty tight.

But I imagine you’ll have some guests for the show in Toronto?
Oh yes, we are going to have some guests, I’m pretty excited. My approach the whole time was to approach the live show the way we approached recording the album and I think it will translate. To focus more on a minimalist approach, allowing the song to breath. It’s a pretty chilled out album and we’ll be presenting it in a pretty chilled out way.

Small plates, big taste at the new Sara in Toronto

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Sara, a sleek new sister restaurant to the Food Dudes’ popular Rasa, is reminiscent of a Stockholm speakeasy tucked away in someone’s attic.

We select a tidy nook and, once settled, are told that the dining experience is meant to push diners outside of their comfort zone. Phones are to be banished into the burrow in the centre of the custom tables. It almost works: the Caesarstone lid is so heavy, it’s a pain to remove phones.

Tasty decisions
Our congenial server tells us the format is small plates; we should order eight to 10 dishes to be satisfied.

Stretching our $100 budget as far as we can, we settle on five dishes and a duo of drinks.

Karolyne is drawn to the Supaisu cocktail (gin, anise, cardamom and vanilla for $16). Other Caroline opts for a simple $6 Aperol on the rocks.

Savoury delights
We fall hard for the not-your-average-fries ($14). Potatoes are grated, slow cooked in duck fat, then pressed into rectangles and flash fried a second time in chicken fat before being topped with Kewpie mayo, kimchi and bonito flakes. A bit of math tells us it’s $3.50 a “fry,” but these? Worth it.


Not-your-average-fries ($14)

The laksa, chewy egg noodles in a thick coconut curry, get a thumbs-down from Caroline. At $19 for five slurps of noodle, you want something dynamic and exciting. But the $14 snap pea and Asian pear slaw redeems: fresh, tart and salty with pucker from the umeboshi dressing.

Then comes the pair of scallop-stuffed squid ink dumplings, topped with hunks of king crab and drowned in hollandaise for $20. These are some of the best — and most decadent — mouthfuls either of us has enjoyed this year.

A sweet end
Dinner concludes on a playful note. We opt for the PB+J ($12). The spoon arrives ahead of the dessert itself. The long, two-headed utensil is another custom make for Sara and invites neck craning from the surrounding tables. A glass vessel cradles two peanut butter mousse swirls, buried in flash-frozen shards of strawberry ice cream. Gussied-up Dippin’ Dots? We think so. Laughing, we feed each other spoonfuls, wishing that all desserts were such fun.


Ellacott trying the PB+J

RECEIPT
Supaisu $16
Aperol $6
Not-Your-Average-Fries $14
Laksa $19
Snap Pea Slaw $14
Scallop and Crab Dumpling $20
PB+J $12

Sara, 98 Portland St., 416-985-5721