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Don’t forget (to marry) me

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Alan Frew and Marcy Mihalcheon couldn’t have chosen more different career paths: Alan’s the Juno winning (and Grammy nominated) frontman of Canadian band Glass Tiger (he also wrote the song “I Believe” for the Vancouver Olympics), and Marcy’s entrepreneurial inclinations ultimately led her to start her own booming business, Marcy’s Gourmet Croutons.

Alan and Marcy tell their story:

How they met

MARCY: We met on a blind date back in 1988. I’m an Edmonton girl, and while travelling through Toronto, I had dinner with a good friend who was working on Glass Tiger’s “I’m Still Searching” video. During the meal, she wouldn’t stop bringing up the fact that Alan and I should meet. I nonchalantly said, “I’m leaving for New York in the morning, so if you think we should meet, ask him to fly there. ”The next day, however, I decided I wasn’t interested in a blind date and told my friend to call the whole thing off.

ALAN: Too late. The damage was done. I had called her hotel.

The first date

ALAN: On the day of our first meeting, which ended up being in Toronto, I had a snooker charity event for United Way and called Marcy to say that I would pick her up around 2 p.m. — but she nixed that idea immediately.

What happened?

MARCY: The night before the big date, my sister and I went to a record store and purchased a Glass Tiger cassette and squinted to see which one he might be (we should have bought the LP!). On the day of the event, I entered the hotel and saw Alan; my heart leapt, and my tummy had a whirl of butterflies, which remained for the duration of the date. And the rest is history!

ALAN: When she came down that escalator she gave me a feeling that screamed, “You have never met a woman like this before.” We have been together ever since that day.

The courtship

MARCY: We spent a few years doing the long-distance courtship, which was tough on the both of us. Yet we always managed to find a way to make it work.

ALAN: We’re spirited and passionate partners who have most definitely had our tough moments, but we’ve never, ever let those hardships and strong-willed dynamics overshadow our depth of caring and love for each other.

The proposal

ALAN: Which proposal? There have been two proposals and three engagement rings!

MARCY: Alan first proposed at Fairy Lake in Newmarket, at a picnic table right beside a path. I was in a state of bliss — I showed my engagement ring to anyone who would give me the time!

ALAN: That proposal just never quite cut it (and the ring? Well I made the mistake of soliciting help from one of her friends who was supposed to know here taste in rings …WRONG!).

MARCY: Because of an illness in my family, the wedding was never planned. So on my 40th birthday, when we were in Italy, Alan proposed again. After that proposal, though, we had a baby! When our daughter turned two, we finally tied the knot.

The wedding

MARCY: We married in our backyard with dear friends and family around us. The day was enchanting, and well worth the 19- year wait.

ALAN: The bride was escorted by a Celtic/Cajun trio. Our little daughter was our flower girl, and she spent the ceremony in her mommy’s arms,much to the delight of all. The evening then began with a dinner created by Massimo Capra, under a large tent adorned with magnificent flowers.

MARCY: The celebrations continued into the night with the sounds of a Glenn Miller orchestra. The groom sang two Frank Sinatra numbers at his own wedding.

ALAN: That night I got the two things I always wanted: 1) sing with a big band like Glenn Miller, and 2) to marry Marcy.

 

Sound advice

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Toronto native Dr. Jerry Chapnik is an ear, nose and throat man: an otalaryngologist at Mt. Sinai Hospital and assistant professor at the University of Toronto Faculty of Medicine.We tracked down Dr. Chapnik to ask him a few questions about ear health.

I’m thinking about getting my son an iPod for Xmas, but isn’t their some danger to his ears?

From a physical point, 80 decibels is the maximum you can be exposed to for eight hours a day without getting damage. But the louder the sound, the less exposure time it will take for damage to set in.

A rock concert can be around 100 decibels and at that point can cause permanent damage. If you’re using a Walkman or an iPod, the trick is to make it not too loud. If someone else standing beside you can hear the music, it’s too loud.

Is any type of earphone better than another?

The better the quality of the headphone, the less need you have to play the music loudly. I think Apple makes some pretty good headphones. And of course anything you buy at the dollar store is probably worth a dollar.

Have you ever had a patient with something stuck in their ear?

Many times.

What’s the weirdest object you’ve found?

Live insects: beetles, ants, flies. Often people will come in because they hear a buzzing in their ear and it turns out to be a fly. We usually put some alcohol in and that kills it.

What’s the most common object?

Cotton batton. You know, someone is cleaning their ear and they just push it in too far.

How do you get it out?

Usually the doctor will syringe it out.They force water in through the syringe and just draw it out. But we have high-powered equipment, too.

How should people keep their ears clean?

Leave them alone. Well, you should never insert anything into them.You can wash them in the shower and dry them with a towel, but no Qtips. Otherwise you are just pushing wax and residue into the ear canal.

So no ear candling?

I’m glad you brought that up because it is a completely bogus treatment. It’s invented solely to benefit the ear candler [business].

What causes earaches?

An earache is just pain in the ear. It could be from something wrong in the ear,like an ear infection,or as the result of something wrong outside the ear,like a toothache or pain from arthritis of the neck that has radiated. In the same way as a heart attack, sometimes you don’t necessarily feel pain in your heart, you feel it down your left arm.

What about ear infections? What’s the best way to avoid them?

It depends on the kind of infection.

You can have something that concerns the external ear, and that usually comes from excessive sweating or from water in the ear. The best way to avoid that is to dry your ears after you get them wet. You can use alcohol drops to dry up the moisture or you can pat your ears dry with a towel and use a hair dryer. Middle ear infections are the most common, and they’re the type that children usually get. They’re usually associated with upper respiratory infections,which are common in the winter. The best way to avoid them is to prevent colds; wash your hands well, humidify the house to keep things moist; keep a healthy diet; and for adults, avoid alcohol and smoking.

Are there any other major medical conditions that ear pain is a symptom of?

Throat cancer, although usually there will be others symptoms, like throat pain or change of voice. We sometimes see it with acute thyroid inflammation or cancer of the tongue, if it’s toward the back.

So what’s the best advice for keeping ears healthy throughout the winter?

There’s not really much you have to do. Cover them, if you’re worried about frostbite, but if you’re dealing around zero degrees, you don’t really have to do anything.

Can ear piercings become hazardous to ear health?

Usually not. I mean, everybody has their ears pierced.The only group of people we sometimes see problems with is people who have scarring.

 

There are plenty of small fish in the sea

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When the six-year-old daughter of David Suzuki Foundation sustainable fisheries analyst Scott Wallace returned from a birthday party excited about the hockey cards she got in her loot bag, her dad asked, “What players did you get?” She replied she got the “sardine twins”from the Vancouver Canucks.

Most Canadians are aware of the value of the Sedin — not sardine — brothers to the Canucks, but we don’t know much about the value of eating sardines and other small fish.

Last month, renowned UBC fisheries scientist Daniel Pauly and his colleagues released a study in National Geographic magazine that looked at the global “seafoodprint,” a measure of all the plant matter required to sustain seafood production. The higher up the food chain a seafood product occupies, the more photosynthetic energy is required to produce it, and the larger its seafoodprint.

For example, eating a pound of tuna represents roughly 100 times the seafoodprint of eating a pound of sardines. As long as harvests are tightly controlled to ensure that only a small portion of the total mass of living organisms is taken, eating species lower on the food chain takes much less of the world’s ecosystem energy and is therefore more sustainable.

Sardines, anchovies, herring, and mackerels — collectively categorized as small pelagic fish — already make up about 37 per cent of all fish landed from the ocean. The data are varied, but it appears that only about 10 to 25 per cent of small pelagic fish caught in the world are directly consumed by humans. Aside from their merits as a sustainable food source (visit SeaChoice.org), small fish are inexpensive, typically caught without using a lot of fossil fuels, and among the healthiest foods a person can eat.

Health Canada recommends that pregnant women eat sardines and similar seafood because they are valuable sources of omega-3 fatty acids, vitamins, calcium, and protein.

Because these fish are found in tight schools, capturing them requires little chasing around, dragging of nets, or setting of lines, so their carbon footprint is low. Some research suggests that small pelagic fish may be the most efficient protein system in the world in terms of the energy used to capture them.

In 2009, B.C. sardine fishermen received about three cents a fish. I could go to Port Hardy during sardine season and buy a truckload for the price of an average Canucks ticket, $150.

You’d think that any food that is tasty, healthy, sustainable, and cheap would be a preferred consumer choice, but direct per capita consumption of these types of fish in North America has dropped steadily since about 1985, and last year, the only remaining sardine and herring canning plant in the United States shut down.

The trend in the U.K. and Europe is the opposite. There, these types of fish are steadily growing in popularity. In the U.K. alone, demand for the Cornish sardine went from seven tonnes a year to 1,800 tonnes in less than 15 years, an increase attributed to consumers wanting local, nutritious, and sustainable options.

Sardines are the second-largest fishery in Canada’s Pacific waters.

But about half of the British Columbia catch is sold as bait for the high-seas long-line fishery for tuna — ironically, a highly unsustainable enterprise. Less than a fraction of a per cent is actually eaten by Canadians.

Sardines are a true rarity: a guilt-free food item. Every serving is one less used as bait or eaten by a pig or farmed salmon.

Given the nutritional value of sardines and other small fish, it’s possible that eating them is one of the secrets to the success of the Sedin brothers. After all, they’re from Sweden where small fish have always been a popular food choice.

 

Big Ben visits Little Israel

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Exploring the Little Israel area of the city, that place on Bathurst above Lawrence where the Mitzvah bus line passes by, is like stepping into my past.

I’m from Sheepshead Bay, the Thornhill of Brooklyn, and so seeing a “for lease” sign where the sales representative is named Tzemach Avraham makes me feel right at home.

The first place I go into is Gryfe’s Bagels where the women at the counter are all from the Philippines and a bagel and cream cheese is two dollars. On a message board taped to the fridge is a handwritten note: “Let us drive you to Florida.”

I call Fred Ormston, who has a 905 number, to inquire about his “personal services,”but I get his answering machine, and he doesn’t return my call. Maybe he’s already in Florida. Anyway, on a one-to- 10 cream cheese scale,I give Gryfe’s eight scoopfuls. I’m actually wiping my mouth when I walk into Grodzinski Bakery, where the man behind the counter wears a kippah.

“It’s what we eat in Israel for Chanukah,” says Ester Rokach, feeding me an Israeli doughnut called a “sufganiyot,” and I walk around Grodzinski with two Orthodox men. “I’m not sure exactly what I’m in the mood for,”jokes one man to Rokach.“Let me get two or three or four hundred tastes.”

Rokach is darling, and while I’m chewing the sufganiyot, she feeds me rugelach and challah bread and tells me about her son, a doctor.

“He’s a Benjamin also,” she tells me. “My little son Benji …ahh,but he’s not so young.”

I’m thinking about my grandmother, who I lived with for a while back in New York, when I meet Moshe Joseph, who owns the Aleph Bet Judaica shop and tells me business is off.

“Costco, it’s ridiculous,” moans Joseph, who says that the rarities in his store are now sold all over town. “People can now get their Chanukah plates at Winners! At Winners! It’s not an easy way to make a living, that’s for sure.”

I’ve been to Winners before, and who doesn’t love Costco? However, I have to go out on a limb and say the $3.99 plastic Aleph Bet stencils aren’t available at either place. It’s like everything on this part of Bathurst Street is from some other time. But nothing could prepare me for what I find next.

“Do you have any ID?”asks the man at the door at Milk ‘N Honey, a Jewish restaurant where the imposing man at the front centre table wears a long grey beard and a firm black hat.

The restaurant is dead silent and, while a waitress scurries about with a pitcher of orange juice, each man seems to be peering at me.Everyone in the restaurant wears the same undertaker’s drab black clothes and sinister beard.

Of course, I don’t have any ID, but thank God (no disrespect), a Post City Magazines box isn’t far.I show the man at the door my column, and he hands me a blintz.

“Oyyyy,I’m supposed to deliver food to a shiva house,” says a modern-Orthodox woman with a gorgeous smile in line before me who tells me her brother caught the Jerusalem syndrome.The man behind the counter is named Moshe Zombek,and Milk ‘N Honey is hosting a private party, and the cheese blintz is delicious.The area is bustling because it’s Friday afternoon and everything closes for Shabbat at sundown.

I hustle into Negev Importing,adjacent to Kosher City, and the man at the counter is watchful. I sneak past rows of books on theology and kosher law and take in the tchotchkes, the menorahs and mezuzahs,the Chanukah dreidels and the ephemera I haven’t seen this closely since I was back at my grandmother’s house.

“The lady here got all frustrated with the dreidels,” I overhear him say, reprimanding someone on the phone. “I don’t know why you can’t get in here at 10. That’s when we open.Why is that so hard to do?” I love this man, who turns out to be named Morty Kaplan, and then I find the best thing in the world:“Mazel Tov to you!” scream the bright pink greeting cards, and I smile broadly. Every single member of my family will laugh at these cards.

Tov-Li next door is a hangout spot,and I sit between two 1,000-year-old women and a group of five kosher pizza–eating teenage girls. I meet the owner’s son, David Epstein, 32, who wears an Adidas tracksuit and big sunglasses and tells me I look familiar.

I don’t think I saw him last night at Harry Potter and the Deathly Hallows, but it could be. I sit behind the girls and this is what they say: “Because we love each other, OK?” “I’m friends with her,that’s why I know she’ll come to my sweet 16.” “The girls way older, no offence, are a bunch of bitches, OK?” “I want to go to L.A.”

Kosher pizza tastes pretty good, lots of garlic, and I try to initiate conversation with the kids.

“I’ve been to L.A.,”I say,and their table goes quiet. I realize I seem like a pervert. OK: Next place.

Daiter’s was first opened in Kensington Market in 1937, and Stephen and Joel Daiter, one at the register, one behind the cheese counter,swear they get along.

“The only thing worse than working with a sibling is working with a spouse,” says Stephen, and he assures me that Daiter’s has the city’s best Chanukah latkes. I buy a dozen and a six pack of black cherry Dr. Brown’s soda.

I gather my riches and head back onto Bathurst and get sad. Opposite the Baycrest Hospital is a granite memorial factory store where Jewish tombstones can be custom made.

In the window, there’s one engraved “Holocaust survivor,” and as the Medi-Vac vans go in and out of the hospital, it’s hard not to get a little bit wistful about all I have to be thankful for.

Next door to the tombstone factory is a place called Chocolate Charm,and inside the smell nearly knocks me over. It’s dark chocolate with an almost peppermint bite, and I see a chocolate lollipop that says, “Love you.”Maybe I didn’t say that to my grandmother enough. Maybe I should say it to my father-in-law. Little Israel north of Lawrence on Bathurst Street is an unusual neighbourhood. It’s also one of the best there is.

Ben Kaplan is a features writer for the National Post

 

Böhmer's beautiful Ossington bistro is lacking

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The Ossington restaurant strip is back in the news with the end of a moratorium on liquor licences and the reopening of Salt Wine Bar, and its new neighbour Fishbar.

That’s good news for diners who had to shoe horn themselves into the overpopulated and undersized eateries heating up the street such as Pizzeria Libretto, Delux, Foxley. All big on flavours and crowds but short on space.

The would-be ace on the strip, the man with the (one-time) last liquor licence before the moratorium and a large enough room to spread his wings and actually take reservations, is Paul Boehmer. His (sort of) eponymous restaurant (actually Böhmer) was to be the spot, the one that pushed the area over the hump to become the top restaurant destination in the city. But, he’s not there yet.

With substantially more seats than his neighbours, Boehmer will need to attract diners from across the city who are willing to make his restaurant a destination. And with a reputation built on numerous stints in the city’s best kitchens, you’d think I was in for something special … not so much.

The space looks great, and the restaurant’s environmental ethic — wood chandeliers, reclaimed wood, reusable water bottles for the table — is an ideal match for the simple, seasonal Canadiana menu.

Everything on the carte sounds fabulous until I read that house baked bread is $5.Who do we have to thank for this disturbing trend?

The baby beet salad with Ontario goat cheese and Niagara cranberry vinaigrette ($13) epitomizes the season. Greens are nicely dressed with just enough acidity to contrast both the creamy goat cheese and colourful baby beets.

The panseared scallops, in a pool of bisque sauce ($18) are plump, masterfully seared with a golden crust but a moist and tender interior. Sauce is rich with notes of brandy coming through.

All good in the ’hood so far.We dine on.

The Quebec pan-seared foie gras with glazed Mutsu apples ($22) is so miniscule that we can’t even share it. The outside is charred and falling apart while the fat has totally rendered out making it greasy and unpleasant. The nicely turned poached apples offer little consolation.

For mains, the turf-braised veal cheeks with mashed and Brussels sprouts ($32) looks dreary on the plate and is light on flavour.Taking to the water proves even less exciting as the Arctic char, served with potato rosti and shallot hollandaise, ($28) is overcooked.

Even the rosti is greasy. The service is very friendly, and I like their commitment to serving filtered water, either flat or bubbly, from the in-house system with washable bottles. But, I have to ask.

Is this the Paul Boehmer who showed so much promise after apprenticing with Michael Stadtländer at the venerable Eigensinn Farm? The same Boehmer who dazzled us while working the Rosewater Supper Club kitchen?

Bottom line: the food shows a lack of finesse and dimension.

Böhmer needs serious work, and fast. And $5 for bread? It’s bread!

2/5 stars

93 Ossington Ave., 416-531-3800 $125 Dinner for two

 

British boutique joins Ruins on Queen West

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British designer Oliver Spencer has opened his first Canadian shop, bringing his utilitarian-style menswear to Toronto. 

For a designer who is all about details, the colourful Queen West area was a natural home for his unique brand, says owner Jeremy Logan. 

The space is designed to echo an old classroom, he says, adorned with desks and test tubes.  Looks in the current fall/winter collection are peasant-inspired, echoing the 1600s and 1700s.  In addition to Spencer’s line, the shop carries Quoddy, a brand of shoes that are handmade in Maine, and Il Bussetto, a brand of leather wallets. 

With the holiday season upon us, Logan says Oliver Spencer’s beautiful sweaters and scarves are great gift options. 

Right next door is Ruins, a boutique that is also relatively new to the Queen West neighbourhood. 

Oliver Spencer, 962 Queen St. W., 647-351-0960

 

New Italian bistro for former Eglinton Ave. restaurateur

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Even an ulcer couldn’t keep Michael Pagliaro, former co-owner of Il Mulino on Eglinton Avenue West, away from the restaurant business.

Diagnosed while on a winetasting tour in Italy, Pagliaro initially decided it was time to put an end to his 45-year restaurant career.

That changed when his daughter Monica quit her job at the Bank of Montreal and professed interest in “joining the family tradition.”

Enter Carisma, the Pagliaro family’s new restaurant, a classic Italian eatery on the corner of King and Jarvis Streets. Pagliaro enjoys being back on the scene.“As long as I make customers happy, as long as I can make their night, I’ll keep doing it,”he says.

Carisma is located at 73 King St. E., 416-864-7373.

 

Q&A with Chelsea Handler and Stuart McLean

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JINGLE BELL SHOCK

CHELSEA HANDLER, COMEDY SHOW

Tell us something that you, as host, saw backstage at the 2010 MTV Video Music Awards.

I got pretty close to Lindsay Lohan. I’d never seen that shade of orange before.

Your book Chelsea Chelsea Bang Bang came out the same week as Karl Rove’s. Yours hit number one. What would you care to say to Mr. Rove?

I’m not someone to gloat. At the end of the day, I just know how to make Bush sound more interesting than he does.

Chelsea performs at Massey Hall, Dec. 11 

JINGLE BELL TALK

STUART MCLEAN, VINYL CAFE

What’s new with Dave and Morley?

I’m working on the story now. It has taken a serious turn. Sam just turned to Dave and said, “That wasn’t much of a Christmas story.” He was recalling cutting down a tree that maybe he shouldn’t have cut down.

“Dave Cooks the Turkey” has become a holiday tradition. What is your holiday tradition?

To spend time with family and recuperate from the tour.

Stuart performs at Convocation Hall, Dec. 10 to 12

 

T.O. Sales Roundup: Deals on Dandi Maestre, Hudson

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With sales this weekend on jeans, men’s vintage and bold jewelry, it’s not hard to get into the giving spirit. PostCity.com gives you our top five best bets for deals this weekend.

Over The Rainbow

Yorkville’s denim epicentre is offering $35 off your purchase of $100 or more. All you have to do is print out this coupon.

Until Dec 24, Over The Rainbow, 101 Yorkville Ave.

Off The Cuff

Everything in this fine menswear consignment shop is 30 per cent off, but the sale ends Saturday. Find blazers, designer jeans, cashmere sweaters and more.

Off The Cuff, 5 Broadway Ave.

Leigh and Harlow

Queen West Boutique Leigh and Harlow offers denim and clothing – think Scotch and Soda, Alternative Apparel and Hudson – for 20 to 50 per cent off.

Leigh and Harlow, 634 Queen St. W

Holt Renfrew

The designer sale is here! Snag up to 60 per cent off clothing and accessories.

Holt Renfrew, 50 Bloor St. W

Dandi Maestre

For the holidays only, accessory designer Dandi Maestre opens a pop-up shop on Huron St. Think chunky, ethnic jewelry and unexpected statements.

Dandi Maestre, 386 Huron St.

T.O.’s top comedy export since Howie Mandel & Jim Carrey

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In a recent TV interview, Canadian comedy megastar Russell Peters was asked how things were going for him. “Well, I’ve got nine cars and five houses,” he replied.

A comment that in anyone else’s hands would normally seem shallow, but coming from Peters just seemed innocent, as if no one were more surprised at his success than the comedian himself.

It’s this self-effacing quality that is one of the reasons for his success, and it can be found in plenitude between the covers of his new autobiography, Call Me Russell.

Those looking for a joke-a minute tome will be disappointed — not much is played for laughs here. But what you will find is a candid story of the life of Canada’s biggest stand-up comedy export since Jim Carrey and Howie Mandel.

What do we learn? The man loves his family,especially his father, and that nothing in Russell’s early life would have indicated that superstardom was in his future.

Barely passing high school, and in a vocational school at that, he admits he even sold drugs for a short time to get by, a nervy admission from someone who crosses borders so often. And there are some stories about adolescent bullying and racial epithets that might explain his obsession with race in his work.

Race is Russell’s big theme, and he has to be credited with revitalizing a tired topic.

At his best, his keen eye for multicultural nuance equals that of some of our very best travel writers. But there’s also a reductive tendency in his work that perpetuates stereotypes as much as he deconstructs them. He has found an audience, and a global one, but not necessarily one that demands a lot of sophistication.

His rise is inauspicious, at first, with the usual dreary one-nighters in bars for little or no pay. He works his way up to headline status and a few Canadian TV specials, but it isn’t until someone posts them on the web and they go viral that Russell becomes a global brand.

To his credit, he acknowledges the part that luck has played in his career.

But midst all the good fortune and success, a sourness creeps into the narrative.

He doesn’t have very nice things to say about the Canadian comedy industry that nurtured him — only that everyone “undersold” him, which is exactly what happens when anyone starts out.

And this grousing is odd, given his nice-guy image.

Throughout the book, he tells stories of people who didn’t appreciate him during his struggling years: a comic who didn’t let him do a guest spot on a show in Mississauga, a booker who made him listen to her penny ante critique, an agent who just didn’t see his true value, the critic who didn’t like his TV special. And on and on.

Now here’s the weird part. He names these people, even though they are unknown outside of the small circle of Canadian stand-ups.

His legendary friendliness devolves into settling old scores. But the stories would have worked just as well without naming those names. At this point, can’t he just take the high road?

Ah, but this is a book written, or at least co-written, by a comedian. You can have world fame, rank on the Forbes list, have nine cars, five houses and be the nicest guy in the world, but a comic’s a comic, and that means the pain, the insults, the grievances, no matter how tiny, will never go away.

 

Two one-woman shows from two very different worlds

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When major theatre critics across the city give a one-person show rave reviews, one’s ears should perk up.When the subject is intriguing, if not downright irresistible, it is time to book some tickets.

And that is definitely the case with The Silicone Diaries, playing at Buddies in Bad Times until Dec. 11.

The Silicone Diaries relates the story of a man who longs to change to the sex he always felt he should have been (hardly a new or even rare happening and always at risk of being prurient or clichéd).

What creator/performer Nina Arsenault does is astounding — literally acting eight years and 60 surgical procedures, describing in intimate detail her quest to not only become a woman, but to become the woman.

To quote from the play: “Pamela [Anderson] is a caricature of a woman,and I am a caricature of her.” Certainly, our response to body image has given birth to endless changes over history.

But based on the evidence, The Silicone Diaries is sure to be a captivating production.

With its short run and low-priced seats ($19 to $33) at Buddies in Bad Times, 12 Alexander St., it certainly sounds like a very safe bet, even if dozens of illegal surgeries in Mexico may not have been.

The brilliant Seana McKenna in a so-so, if honoured play

Are you familiar with the rich, literate writing style of the American author and scriptwriter Joan Didion? You need not be familiar with the writing style of Didion to be attracted to and moved by her theatrical adaptation of her award-winning novel The Year of Magical Thinking.

Toronto’s venerable Tarragon Theatre is featuring a production of the play starring the one-and-only Seana McKenna and directed by the esteemed Michael Shamata on stage until Dec. 12.

Didion’s book was a best-seller, described as “devastating,” and the famed author chose to turn it into a play, which did well on Broadway starring Vanessa Redgrave. But the Tarragon production left an uneasy feeling. For all the brilliance of one of Canada’s foremost performers, Seana McKenna, this theatrical version of Didion’s memorable piece of non-fiction failed to move me as much as the exquisite book.

On the bare stage (save a chair in its centre and a small table on stage right, holding an open copy of the author’s book), in front of dark, mirroring glass, the beautiful McKenna stares out at her audience and declares, “It will happen to you. And it WILL happen to you. That’s why I’m here.”

The lines, such as “Grief has its place, but also its limits,” are powerful, but the frequent repetition of actress McKenna calling out to her daughter — as if to save her or bring her back from tragic death — “You’re safe! I’m here!” ultimately became too selfconsciously poetic for this writer, who expected a good cry.

What moved me most was an echo of a Christian hymn I’ve always loved, about faith in a personal God whom we expect will protect us from such nightmarish losses: “His eyes are on the sparrow / And I know He’s watching me.” Several times it was used to great effect, including in McKenna’s last line: “No eye is on the sparrow.” Truly devastating as loss of faith should be.

But, for most of the 85-minute play, and for all the excellence of Didion’s writing and McKenna’s performance, I kept thinking, “I’m glad I’m experiencing this, but it is simply not a quality piece of theatrical writing.”

 

T.O. star gets Grey’s Anatomy lesson

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When you see the kids of Jersey Shore or its forthcoming Toronto-set spiritual spinoff Lake Shore valorized for their smug, empty-headed charms, it’s easy to get depressed about the current state of celebrity.

Sure, we’ve never expected our stars to be Rhodes Scholars, but could it be possible that they’re actually dumbening? Wait, is “dumbening” even a word?

Well,despair not.There’s another, brainier strand emerging in our current celebrity culture, and Caterina Scorsone, the Toronto native whose star is rising thanks to her regular role on Private Practice and a crossover role on its sister show Grey’s Anatomy, is at the head of the pack.

Born in Toronto in 1981, Scorsone spent her youth in the Annex, living just a short walk away from St. George subway station, before moving to the Queen West area as she was entering high school.

Currently based in Los Angeles, Scorsone fondly remembers her childhood spent in downtown Toronto. “It was great walking to school every day and seeing the seasons change,” she recalls.

“It’s really a change from Los Angeles. If you’re an East Coaster, every time it’s fall you know for sure that you’re older. Here you just get a memo from your agent.”

Scorsone attended Holy Rosary Elementary School before transferring to Cardinal Carter Academy for the Arts in North Toronto for middle school.

As a child actor who had been working steadily since the age of eight (when she appeared on beloved CBC kids show Mr. Dressup), balancing a busy work schedule with school was always tricky. So for high school, Scorsone attended Subway Academy II, an alternative school formerly located above Future Bakery at Bloor and Brunswick.

“It was an alternative school that accommodated kids that had unique situations,” she says.

“I was doing a show called Power Play for CTV, and my schedule pulled me out of school a lot, and they could accommodate for that. It was almost a one-on-one thing with the teachers there.”

After high school, she faced a tough decision. Would she attend university or dive headfirst into the often unforgiving world of professional acting?

“I’d been in the industry since I was a kid, and I really wanted to step back and decide if acting was really something I felt passionate about or if it was just this inherited profession I had defaulted into.”

At the end of the day,she enrolled at the University of Toronto. And it made sense, especially coming from a family with a very strong academic background.

“Academic curiosity was always a priority in my family,” she explains. “Both my parents are academics. They met in grad school at the University of Toronto and got their PhDs there. One of my sisters is an Egyptologist who works at the ROM, and another one studied theology and is now a chaplain with the armed forces.”

While at U of T, Scorsone pursued minors in comparative religions and philosophy, but her major was an esoteric program called literary studies. “It’s not English lit,” she clarifies.“It was basically a greatbooks program that started with the epics and went through colonial literature and the avant-garde, then in the last year became a kind of postmodern theory program. It was sort of a literary philosophy program. It was an interesting program. It was very small for U of T, and I met some interesting people.”

Studying the theory of literature and storytelling allowed her to come to her own realization of why exactly she wanted to perform professionally.

“I’d always been involved in storytelling. It’s what I do professionally. But I needed to go at it from a literary perspective and also a philosophical perspective. I needed to come to an adult understanding of why I came to storytelling for a living.”In acquiring this nuanced understanding of her craft, Scorsone also netted herself a degree from Canada’s finest university (depending on who you ask).

Exercising her intellect also couldn’t have hurt her chances of landing her role on Private Practice where she plays neurosurgeon Dr. Amelia Shepherd, sister to Grey’s Anatomy heartthrob Patrick Dempsey’s Dr. Derek “McDreamy” Shepherd. (That she does bear a striking resembling to Dempsey, making their brother-sister rapport that much more believable, probably helped, too.) As a fan of the show, she really sunk into the role. “I had watched Grey’s Anatomy from season one, so I was very connected to the characters just as a fan.

Going on the show was pretty fun. And especially working with Sandra Oh, who’s Canadian — and Patrick Dempsey. It was kind of nice to enter that world that I’d been a part of as a fan.”

And while playing a neurosurgeon requires an ability to pronounce a whole slew of tricky words, Scorsone’s degree in literary theory probably did her some favours there, too. After all, if you can manage to pronounce Gayatri Chakravorty Spivak’s name correctly, there’s not much that can trip you up.

For her part, though, Scorsone is quick to mention she only plays a doctor on TV, and making it convincing required both her considerable talents and some help from the staff on Private Practice and Grey’s.“They really help us out,” she says. “At the beginning of every episode, we’re given a breakdown of all the medical terminology.It tells us what precisely it is that we’re doing and what part of the body is involved and a phonetic chart for the pronunciation of all these polysyllabic words.”

Her recent promotion to series regular on Private Practice keeps Scorsone pretty firmly entrenched in Los Angeles where she has lived for the past four years. Long enough that it’s become a blur.

Or as she puts it, “long enough that I can drive with confidence but not long enough that I don’t still consider Toronto home.”

She does relish the moments when she can sneak away back to her old Hogtown stomping grounds and was back in town for the Gemini Awards last month where she was nominated for best performance by an actress in a leading role in a dramatic program or miniseries for her starring role in Alice, a 2009 reimagining of Lewis Carroll’s Alice in Wonderland stories. It was another great turn in a very cerebral series and more proof that Caterina Scorsone is getting more and more popular, without having to dumben herself, attracting audiences and earning critical acclaim in the process.

Cast of Lake Shore, eat your stupid hearts out.