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The Rock ‘n’ Roll Revival Hour: Sleepwalk Guitar Festival, Metric, Deadmau5, The Darcys, Barenaked Ladies

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Metric rules

Nov. 21 has been announced as the new date for the “physical retail release” of Metric's remix album, Fantasies Flashbacks (proceeds donated to the Centre for Addiction and Mental Health). According to an announcement on the band's website, the album was supposed to be released a couple weeks back, but has to be pushed back due to the fire at the Sony/PIAS Distribution warehouse in London following the recent riots. That's the bad news.

The good news is that the band has signed on to work with acclaimed film composer and Toronto native Howard Shore to score David Cronenberg's latest flick, Cosmopolis. And it doesn't end there. The band also announced a new album is currently in the works, and it should be released early next year. That is huge news, my friends. What, no rumoured break-up or anything? Weird but wonderful.

Check out this cool surf guitar remix of “Satellite Mind” from Fantasies Flashbacks, complete with theremin.

The six-string incident

It’s looking like the Sleepwalk Guitar Festival, Nov. 4-6 at The Great Hall, could be one of the more exciting and enjoyable musical outings in Toronto this weekend. Sleepwalk is the brainchild of musician Luke Doucet, who is acting as the festival's curator.

The event brings together some of the finest guitar players across the land who are getting together to put on concerts, give some workshops and generally worship the six-string. For an inaugural year, Doucet has managed to amass an impressive and diverse group of musicians including J Mascis (of Dinosaur Jr. fame) in concert on Friday night, as well as The Sadies, Ian Blurton, the Richard Lloyd Trio, Colin Cripps and many more.

Mau5-keteers

Toronto's dance music phenom, Grammy Award-nominated Deadmau5, hits the Rogers Centre for a sweat-bath of a show on Saturday night, Nov. 5, as tens of thousands of people will fill the facility to the rafters for a non-stop move-a-thon. Joel Zimmerman, the 30-year-old originally from Niagara Falls, is a global musical powerhouse known for his progressive house and electronic music as well as the giant, electronic mouse head he wears during performances. He is considered one of the top DJs in the world, although he doesn't consider himself a DJ, preferring to produce and play his own music. For social media watchers, his Facebook page has more than 4 million likes and over 627,000 people follow him on Twitter (Leslie Feist has around 18,000, for those keeping score).

When he performs in his hometown, it is an event. An event you should consider attending. Here's a taste:

The Darcys — free music

Top-drawer local shoe-gazing band The Darcys have offered up their latest self-titled album (Arts & Crafts) via their website, and a seriously good album it is. Go to the band's website, plunk in your email address and get it quickly, before they change their minds. The moody quartet of Jason Couse, Wes Marskell, Mike le Riche and Dave Hurlow, are in fine form with their unique brand of plush atmospherics draped over inventive harmonies. They even rock out on a few tunes. Highlights include the churning “The Mountains Make Way” and the gorgeous “I Will Be Light.” The band officially releases the album at their show at the Horseshoe Tavern on Nov.18. 

Did anyone notice?

In the “completely missed it” department, did anyone notice that the Barenaked Ladies released a greatest hits album last month? Yeah, me neither. Ah well. When the press material bills the album as a new “mid-price hits collection” you know their hearts probably aren't in it.

Men, meet Ben Sherman, the latest addition to your emerging clothing mecca on Queen West

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Ben Sherman has landed in Toronto. The iconic British brand has set up its first free-standing store in Canada on Queen Street West. Since 1963, the menswear brand has been famed for suiting up musicians and other dapper-dressed gentleman, as well as being the first to produce the beloved Oxford button-down shirt.

The new space brings an innovative approach to contemporary retail, playing host to “The Shirt Bar” (a counter dedicated to making the task of finding the perfect shirt an easy and enjoyable experience) and an interactive window display, where passersby can select articles of clothing to be rotated for closer inspection.

Taking up around half the space is the new contemporary line Plectrum by Ben Sherman. Think less traditional suiting and more colourful chinos, plaid shirts and tweed hunting jackets.

Situated only steps away from Klaxon Howl, Nomad and Buckler, this block is fast becoming a hub for some of the best in menswear shopping this city has to offer.

Ben Sherman, 734 Queen Street West, 416-603-7437

Tony Aspler’s Wine Pick of the Week: Jacob’s Creek Reserve Riesling 2010

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A delicious stand-up sipper. I usually don’t look to Australia for Riesling, but this wine surprised me. Straw colour; developing petrol notes on the nose; lime and grapefruit with a honeyed note; slight spritz on the palate with a sweet and sour flavour; initially off-dry and then dries out on the finish with lively citrus acidity. Food match: pork chop, Thai dishes.

Barossa Valley, $16.95, LCBO #212704.

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards. He can be heard on 680News.

The Breakfast Hub: the potential for bike lanes on Richmond and Adelaide, Doctor Cherry, bringing back the Fort York bridge

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Committee members at City Hall voted unanimously for an environmental assessment that could pave the way for permanent bike-only tracks along Richmond and Adelaide streets by 2013.
[Globe and Mail]

Not everyone believes that Don Cherry deserves the honorary doctorate bestowed upon him by the Royal Military College. Professor Catherine Lord has criticized the decision in a letter to the media. Besides, Dr. Cherry just sounds weird.
[Toronto Sun]

Plans for a Fort York bridge for pedestrians and cyclists are alive and well. A more cost-efficient alternative has brought new life to the project, but it will likely be built two years later than originally expected.
[Toronto Star]

In October, Canada saw the biggest monthly job loss since 2009, as jobless rates rose to 7.3 per cent.
[Globe and Mail]

The Highway 407 expansion through Durham region means that time is running out for heritage homes in its path.
[Toronto Star]

The city mulls over enacting permits for re-paving driveways. Residents of the former city of Toronto and North York already pay the $129 fee. Other areas of the city would be aligned with the same bylaw.
[National Post]

Band of the Week: Pidgin

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And now for something completely different. Last week we brought you The Danger Bees, a band very much bounded inside the traditionalist songwriting and singular vision of David Macmichael. Here at the other end of the spectrum lies Pidgin, a local five-piece act that relies on intuitive composition and operates almost completely outside of the realm of language and established genre constraints.

Well, okay. Before we go ahead and unilaterally award them the Nobel Prize for innovation, it bears mentioning that Pidgin are, at their core, still a rock band. Nor is the idea of bringing an orchestral compositional style into the rock context completely their own (ahem, Godspeed You Black Emperor). But what makes Pidgin an interesting listening experience is that there really isn't anybody in Canadian music doing precisely this — not with these chords, or with these melodies, or with this level of jazzy schmaltz.

Like Godspeed, Pidgin are a self-styled "punk" band that don't sound very much like anybody's conception of punk. Keys, horns and washed-out effects drizzle jazz chords, while subdued scat vocal sequences space out their big instrumental swells. If there is anything punk about their ethos, it's their insistence on breaking the rules entirely and simply playing what feels good to them. Except, instead of playing loud, fast and aggressive, they simply violate every songwriting convention in the book (an approach that might find them branded as post-rock once they garner a little more attention).

That contradiction (punk for all the least punk reasons) is borne out in their name as well: "pidgin speak" is the third language that happens when a non-native speaker reconstructs a foreign language with only some regard for the rules. The irony being that vocalist/guitarist and composer Jason Li found this name — meant to convey the band's preference for musical language over other forms of language —  in an Ernest Hemingway book. I caught up with Corey Wong (guitars, keys and production) and Li to have a suitably abstract chat about their music.

You've said that Pidgin is “an attempt to communicate by any means necessary.” What is it that you're trying to communicate, if you had to put it into words?
CW: Well, I think it really has to do with place, with where you came from and an attempt to capture that place. We really like Portishead, and they named that band after the Scottish town they were from. That dark sound seems to evoke a particular place really well.

Isn't every person's perception of a place fairly individual to them? Like, mightn't my perception of Hamilton sound a lot like your perception of Niagara Falls?
JL: Everyone has their own personal absorption or intake, for sure… I mean, I guess in this case it's kind of like not asking for directions.

CW: It's about intuition, and finding your own way instrumentally. Naturally, that way is going to be individual. We want it to be individual, actually.

JL: This is something I think about frequently, and there's… well, we do feel road blind a part of the time. It's not like we aren't self-aware like that. Of course we're always asking ourselves the question, is this self-indulgent? Are we going to be perceived as idealists? But I prefer to think about the whole thing as a musical pilgrimage.

Well, how do you measure success with something so personal? I mean, if you're sitting down to write a pop song, you write two verses, a chorus, and a bridge, and then you can say, “How exciting is the chorus? How well did I tell the story in the verse? How does the bridge transit into the last chorus?” But with Pidgin, there's no road map.
JL: I really feel like it comes down to sincerity. The question for me is, can I dedicate myself to this material? Am I completely dedicated to it?

CW: With our live shows, we really try to give it everything we have. When the performance is over and you're soaked in sweat, that's how you know that you've done a good job. Every time we go out there, it just has to feel totally sincere and passionate, because, like, this is my shit, you know? Maybe, again, it sounds idealistic, but the material really does need to feel that way for me. Another thing that we value highly is spontaneity. When the material just appears, when we find it intuitively, that's the stuff that feels the most authentic to us.

What's next for Pidgin?
CW: We're going to record another E.P. pretty soon. I'm proud of this one, but the next one's going to be even better. And you can catch us at El Mocambo on Nov. 10th.

Recommended track: Untitled

Pidgin are:
Jason Li — vocals/rhythm guitar
Corey Wong — lead guitar/keys
Taylor Wong — drums
Matt Cumberbatch — bass
Matt Boudreau — saxophone

The Royal Ontario Museum announces a new executive chef (hint: he’s from Restaurant Makeover)

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This kind of came out of nowhere, but the ROM has a new executive chef: Corbin Tomaszeski. The announcement was made in a press release sent out this morning. In addition to his 20-plus years of experience as a chef (his latest gig was as executive chef at Holts Café), Tomaszeski is also known at a television personality from shows like Dinner Party Wars and Restaurant Makeover.

Tomaszeski is designing new menus for C5, Food Studio Café and the ROM’s catering service. C5 patrons can expect to see such fare as truffle potato chips with fleur de sel, a lobster B.L.T salad and a classic pot pie with free range stewed chicken. Buzzwords for the new menu include “simple” and “accessible.”

Meanwhile, C5’s former executive chef, Ted Corrado, has been promoted to regional executive chef for Compass Leisure (a subsidiary of Compass Group Canada, the foodservice company behind C5). He will provide culinary advice for leisure sites across the country.

We’re excited to see what Tomaszeski has in store, but Corrado’s always-interesting cuisine will be missed.

The Breakfast Hub: making Front Street more pedestrian friendly, the poppy box thief, hiring security guards for police officers

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Front Street may soon be more pedestrian friendly. A proposal is being examined by the city to expand pedestrian pathways and reduce the number of car lanes in the area around Union Station.
[The Grid]

Times must be really tough if you’re stealing poppy donation boxes.
[CBC]

York Region police in Aurora are hiring a private security firm to monitor their own building. Apparently, it’s cheaper than having police do the job. Primary Response Inc. has been awarded the $700,000 three-year contract.
[Toronto Star]

A la carte cable could be coming to Ontario soon. Rogers has announced that it plans to test out the idea with select customers in London, ON until March 2012.
[Toronto Sun]

Toronto got another glimpse of royalty last night as Prince Albert and Princess Charlène of Monaco attended the opening of the Grace Kelly: From Movie Star to Princess exhibit at the TIFF Bell Lightbox.
[Globe and Mail]

Trust is earned and Ford has a long way to go

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Finding someone you can trust about financial decisions is not always easy.

If someone shows they can’t manage their own money well, does that mean that we shouldn’t trust them with someone else’s money? That’s the kind of question raised by Mayor Rob Ford, as he says he wants to put the city’s finances in line. His record on a personal level leaves a lot to be desired.

Mayor Ford got elected with a mayoralty campaign that has raised a blizzard of important financial questions.

His election expenses have been reviewed by the compliance audit committee, established under the Municipal Elections Act, and it decided a full audit should be done of those expenses. But Mayor Ford’s lawyer has appealed that decision on the need for an audit, and the appeal will not be heard by the court until next April.

Which means we do not have all the answers.

“Can you trust someone who decides to spend so much more than he can raise trying to get elected?”

But we do know a few things, and they don’t provide much comfort that Rob Ford is the guy to trust with the money. The mayor’s campaign cost about $1.7 million, an amount way over what he was able to raise in contributions.

In fact, the campaign ran a deficit of about $800,000.

To help out candidates Rob Ford and Rocco Rossi, former premiers Mike Harris and David Peterson, along with radio host John Tory, held a Harmony Dinner in January, where they sold tickets and raised $1 million, of which about $60,000 went to pay off the Rossi deficit and $775,000 to the Rob Ford campaign.

That almost cleared off the mayor’s campaign deficit.

Can you trust someone who decides to spend so much more money than he can raise trying to get elected to public office? And there are questions of detail about expenditures.

The law doesn’t allow you to spend money before registering as a candidate — yet the campaign expenses show a bill for $23,000 incurred the day before he registered.

The law says that a campaign can only borrow from a registered financial institution, such as a bank, yet the holding company of Doug Ford, the mayor’s brother, paid a $77,000 bill for the campaign and wasn’t repaid until a few weeks later.

The law sets a limit on the amount that can be spent on the campaign apart from fundraising expenses, on which there is no limit. (Yes, it is a big loophole.) For a Toronto mayoralty campaign, that’s about $1.3 million.

The Ford campaign moved an expense of $102,000 to the fundraising side even though it is shown to be for direct mail, telephone canvassing and fundraising commission.

There are questions about whether his rental of an RV for the campaign was in fact a contribution from a corporation — and in Toronto, donations from corporations are not permitted.

More recently, in early October, the mayor filed some more election expense documents, claiming he held three fundraising events in June to produce another $71,500, mostly to pay for the lawyer representing him on the campaign audit appeal. But contrary to the law, he shows no expenses for these three events, as though the money just drifted in.

It is not a pretty picture, and because the mayor has appealed the audit, we don’t yet have a full and accurate picture of whether these questions have good answers or not.

But the big question that begs an answer now is perfectly clear: Is Mayor Rob Ford someone who can be trusted to make wise decisions about the city’s finances when his personal campaign’s finances seem so muddled?

Post City Magazines’ columnist John Sewell is a former mayor of Toronto and the author of a number of urban planning books including The Shape of Suburbs.

Take your La-Z-Boy and shove it!

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I had to get out of the house. My boyfriend is moving in, part-time at first. But all his stuff is moving in full-time.

He had told me what time the movers would be at my house (Our house?). I had a knot in my stomach for most of the day. It wasn’t the fact that I was going to live with a man for the first time in years, but I was more than concerned that my pristine environment would be turned into some sort of frat house man cave.

I like clean, uncluttered spaces. I like contemporary furniture and art. I have nothing that lives and breathes in my house (except for me, my daughter and Miss Rosie II, our goldfish). My boyfriend’s favourite possession is his La-Z-Boy recliner (I’m not kidding). And … he loves plants. Plants!

He is bringing couches that are really comfortable. I don’t do comfortable couch. My couches hurt but they look great. He is also bringing antique tables and his dark brown bedroom end tables that most certainly will not match my all-white, spa-like bedroom.

The truck is so big that, for those few hours of unpacking, I am one of those annoying neighbours that blocks half the street because the truck only half fits in my driveway. And my boyfriend had falsely advertised to me. He had told me he hired the company Two Men and a Truck, which I took to mean two college kids and some sort of pickup truck.

Um, no. There were three men and the truck was gargantuan.

I realized I had to get out because I kept telling them to move everything into the basement. The movers had a good laugh, but I knew what they were thinking: “Good luck living with her, man!”

When you move in at an older age, you not only have baggage, you have stuff. A lot of stuff. Literally, my boyfriend was moving his home into mine, and two homes can’t really fit into one. Something had to give.

There are some positives. We now have six televisions, and I now have a lawn mower and a tool box — and, most importantly, someone to mow the lawn and, well, fix stuff.

But I freaked out when I saw that he had put his ugly brown end table in my room. My room!

“Come on,” I yelled. “Even you can see that it looks awful!”

I needed to speak to someone, so I called Forest Hill resident Dee Dee Taylor Eustace, an architect and interior designer who runs her own firm (Taylor Hannah Architect) and will be launching her own HGTV show in early 2012 called Real Designing Women (plus, she’s been on Oprah!).

Certainly, as a woman, she’ll be on my side. Um, not so much.

I complain to her that I’m a contemporary person and he’s more vintage.

Surprisingly, she says, “I like a blended interior. You can take some of the Victorian pieces and give them a makeover, either lacquer up or recover.” But she does side with me on the La-Z-Boy.

“La-Z-Boys are not allowed,” she says. “But there are fantastic companies that make sleek modern recliners that swivel.” Her answer to this dilemma is “Go shopping together for a new one in clean white leather.” (Clean white leather! Are you listening?)

I forgot to mention that my boyfriend has more clothes than I do. When I saw all his clothes, I immediately wanted to become a monk and give up all material possessions because it made me physically sick. He had 12 boxes of clothes — and a suitcase of socks!

“Can you just give me three of your drawers,” he pleaded.

“No. I can give you one.”

“How about two?” he asked.

“Fine, you can have two, but that’s it!”

Then he got on my ass about how many clothes I had and why couldn’t I get rid of some of them?

“Not happening,” I answered. “But thanks for all the socks. I need some more.”

Again, Dee Dee shocks me by saying, “It’s an equal world out there, and you are lucky if he has style.” (I’ll admit that he does.)

“Divvy up the closet space and even start sneaking his sweaters for an over-your-tights look with sexy boots.” Hmm, I like it.

Next up, the art collection I love and how ridiculous it would be to put up a framed Tiger Woods photo alongside it.

“Art is a big one,” says Dee Dee. “Honestly, why don’t you leave the walls blank and slowly build a collection together?” But I already have a collection. How about he uses his “art” to decorate the basement? It’s not like I go down there anyway.

Dee Dee says I’m not alone with my angst.

“I find this is a common problem, and my suggestion is that you both listen and compromise … if you are more concerned about his end table over him, it’s not going to be a comfortable ride.”

His end table stays. Oh, the things we do for love.

Post City Magazines’ columnist Rebecca Eckler is the author of Knocked Up, Wiped!, and her latest books, How to Raise a Boyfriend and The Lucky Sperm Club.

Susur and sons

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Cheeseburger spring roll. Mexican goat cheese tart. Chinese doughnut fritters. If there are two things Toronto’s acclaimed celebrity chef Susur Lee’s creations do, they get people talking and mouths watering.

When word broke online that Lee was sniffing around the burgeoning Dundas Street West strip, the twitteratti went wild with speculation. Turns out they were right. Lee has a new project in the works — this time, his kids will be front and centre. The creator of Lee and Lee Lounge on King Street West has pulled almost his entire family on board. Lee’s eldest two sons, Levi Bent-Lee, 21, and Kai Bent-Lee, 20, will manage the new venture while his wife of 26 years, Brenda Bent, will design the interior. (Lee’s youngest son, Jet, is 13.)

Lee says this venue — set to open in spring 2012 on trendy Dundas Street West — will be more about his sons than him. “My part will be making sure the food is good,” Lee says. “They’ll be running it.”

The celebrity chef sounds confident and a tad protective about the family endeavour.

“They [Levi and Kai] grew up in restaurants and have travelled around the world eating at different restaurants,” he says. “They’ve been really mature for many years. I want them to have ownership — to be responsible and see how they grow and perform.”

Although much is to be decided about the new restaurant, Levi Bent-Lee says they are leaning toward serving food with a mixture of Japanese, Latin and European influences.

“No one else will be doing the same style of food,” Bent-Lee says.

The space, which is in the process of being designed, will be “small and intimate.”

“When I did fusion food, no one else was doing it in the world — I hadn’t even heard the word ‘fusion.’”

Susur Lee started working in restaurants at the age of 16, as an apprentice at Hong Kong’s luxurious Peninsula Hotel.

Born in a working class neighbourhood in Hong Kong, Lee says it was his father who helped spark his interest in food by taking him out for dim sum.

“My father loved eating in restaurants because my mom is a terrible cook,” Lee says.

Once Lee started working in the industry, he wanted to be one of the best in his field, a mindset he says is rooted in his heritage.

“In Asia, learning a skill is considered a life skill — like a watch-smith or a jewellery maker — like a master,” he says. “I thought, ‘I’ll be a chef, I’m going to be cooking, I’ve got to be good.’ ”

But although he was always a hard worker, Lee says it was arriving in Toronto at the right time that gave him the chance to stand out.

“I thought, ‘If I go back to Hong Kong, I will be just another stationed chef,’ ” Lee says. Although he didn’t have family in Toronto, Lee says working at restaurants had its own communal feel.

He found work in the kitchens of the Westbury Hotel and Le Trou Normand. When Lee was hired on as head chef at the Queen Street West fixture Peter Pan in 1984, he met Brenda — a waitress at the restaurant and a fashion design student at Ryerson. When he opened his own restaurant, the legendary Lotus, in 1987 — a 12-table boutique-style establishment — Lee really began to find his way and make a name for himself. The work was so all-consuming, Lee lived above the restaurant with his family. “It was crazy,” Lee says about the lifestyle.

Critics swooned as the chef became known for his cuisine that merged Chinese and French.

“Back then I felt I could do anything with cooking,” Lee says. “When I did fusion food, no one else was doing it in the world — I hadn’t even heard the word ‘fusion’ until a critic wrote it.”

At the time, Lee says restaurant-goers wanted to try new things, which drove his creativity and curiosity when it came to inventing dishes and pushing the boundaries of traditional cuisine.

But a decade after Lotus opened, Lee closed its doors and moved his family to Singapore.

He took on work as a culinary consultant for a group of hotels and restaurants and “re-energized” for about three years. “It was the best thing that happened to my family,” Lee says.

Upon returning to Toronto, Lee opened Susur on King Street West, the restaurant where he was lauded by critics at home and internationally for the next eight years. Zagat labelled him a “culinary genius” and Food & Wine magazine called him one of the “ten chefs of the millenium.” Susur made Restaurant Magazine’s list of the top 50 restaurants.

Not one to hide from the spotlight, Lee appeared on Food Network’s Iron Chef America battling Bobby Flay and was a finalist on Top Chef: Masters.

With celebrity and success has come opportunity for Lee, who owns restaurants in Singapore and Washington.

Although pulled in different directions geographically, Toronto is home for Lee.

“When I arrive in Toronto, the feeling is ‘Ahh, thank God I’m home,’ ” Lee says. “It’s very emotional to me.”

Although he spends time at each of his restaurants, Lee tries not to be gone for longer than two weeks a month. Still, the culinary adventures feed his creativity, and he connects with his heritage through cooking.

“More and more my philosophies are going back to where I came from,” he says. “I’m always learning about Asian ingredients — flavour and combination — and I’m looking for new ingredients.”

Lee’s menus at his side-by-side King Street West restaurants offer, for the most part, sharing plates that no doubt add to the convivial ambience. His sons Levi and Kai are already helping to manage Lee and Lee’s Lounge.

“I’m excited more than anything,” Levi Bent-Lee says about running the new restaurant with his younger brother. “We [he and Kai} grew up in the environment and it comes naturally to us.”

His father agrees. “They’re calm and they’re still liking it.”

Q&A: Joan Baez on religion, the Occupy movement and her rare T.O. concert appearance

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She kick-started the career of a then little-known singer named Bob Dylan, marched with Martin Luther King and sang to Nelson Mandela. Along the way, she’s released 50 albums and won countless awards and tributes. Joan Baez is a living legend, and for the past 53 years has attempted to make the world a better place the only way she’s ever known: by singing. She plays at Roy Thomson Hall tonight.

You’ve done so much over the years. What would somebody be surprised to learn about Joan Baez?
I’ve got the voice of an angel and a mouth like a dock worker.

You’ve played in Toronto before, at Massey Hall. Any fond memories?
Well, I remember they used to have everyone stand for “God Save the Queen,” and I had to stay backstage because I wouldn’t stand up for anybody.

What is success to you?
Probably, these days, managing to cook some applesauce, because I’ve forgotten how to cook.

Do you feel like people just want to hear the old classics and relive their own glory years?
People never want to hear anything new. The tricky part is to find a way to introduce a song. I have to know ahead of time if it is new to their ears, make it listener-friendly and not too complicated, something that I know will take.

Will you be playing mostly from the last couple of albums?
Well, the key is to keep it fresh. Even the old songs have to be fresh. I bring one musician with me, a good creative mind. So we do a couple they’ve never heard before and some they’ll recognize from things along the way and some old chestnuts, of course, because I owe it to them, you know.

Occupy Wall Street is probably the biggest thing to happen in activism in years. What were your initial thoughts?
My initial take was how exciting, how very, very exciting… I’m aware that I’m from another time period, and I need to respect that I’m from another time period and how can I be useful in this extraordinary moment — a movement against all odds.

True. Despite your reputation, I guess the last thing they’d want to hear is ‘This is how we did it in the ’60s.’”
Yes, the last thing, and I don’t blame them.

You started out singing ballads. What was your baptism into protest songs?
One of the first things I did when I started moving out of my ballad period was do a benefit for SANE, an anti-nuclear benefit, with Pete Seeger. And we all had eggs thrown at us. That was it.

You were raised in the Quaker tradition. Does that still hold true to you?
I think probably what held over was two things. One, the Quakers are really serious about not killing anybody. It is the only religion, including Buddhist, that doesn’t follow the call to arms and accept the consequences for refusing to kill. The other thing is the silence.

Joan Baez, Roy Thomson Hall, Nov. 2

Little Italy’s Carpano (better known as Negroni) is closed; sold to new restaurateurs

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For the past year and a half or so, Bill Sweete and his team held an interesting trifecta on College Street with Sidecar, Toronto Temperance Society and Negroni. This past summer, the latter of those venues had undergone a modest renovation and a menu change to become Carpano. But despite a positive reception in the area, Carpano has closed, Sweete tells us, and it’s been sold to a couple of “young restaurateurs.”

Sweete says that a number of factors contributed to the decision to sell the restaurant. Changing the name from Negroni to Carpano may have confused loyal customers, he says, as business waned in the wake of the change.

“It was a mistake,” he says, although he admits that Carpano was starting to pick up right around the time it was sold.

On top of that, managing three venues along with a family was becoming too much for him to handle, so selling the venue will allow him to focus on his remaining two ventures. He did not disclose who the new owners are or what, exactly, they intend to do with the space.