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What I Wore: how a good biker jacket — along with some intricate jewellery — can spice up any outfit

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Throwing on a good black leather jacket, especially of the motorcycling kind, can edge up any outfit. Case in point: when myself and some other fashion bloggers in the city were asked to wear Rachel Rachel Roy to the designer’s recent appearance at The Bay, each and every one of us showed up with a black biker jacket overtop of our RRR dresses of choice. Basically, it’s a no-brainer for making anything look extra cool, and it’s so easy to throw on.

This outfit was all about giving more of an edge to a sexy — yet fairly classic — black lace dress from Leilanni that I was wearing out to an event. The challenge was to make it look younger and cooler. It always looks beautiful on its own, but this time around I wanted to have a little more fun with things. Adding a harness-like necklace from local designer Dolorous Jewelry definitely helped shake things up. The intricate work from this line has caught my eye for some time, making me wonder how a simple chain could be turned into something so mind boggling and amazing — like modern day body armor. 

While I stuck to a new piece from the FW12 collection, one that was easier to put on than some of her other multi-layered pieces, the overall result is a look that reminds me of the vampires who show up to crash Buffy’s prom in the 1992 classic, Buffy The Vampire Slayer. In other words, I love it.

What I Wore: vintage leather jacket from Penny Arcade, harness necklace by Dolorous Jewelry, black lace dress and skirt slip by Leilanni, sunglasses by D&G, vintage clutch, shoes by Alexander Wang from TheOutnet.com.

Gracie Carroll is a Toronto-based freelance writer whose work has appeared in ELLE UK, ELLEcanada.com, Plaid magazine and FILLER magazine. Keep up with her daily blog at www.graciecarroll.com.

Massive condo growth destroying city budget

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The budget practice of the current city administration is to make a fetish of the shortness of money, then to snip and chop away at existing city programs. The budget process was not always so cynical.

City budgets used to be the occasion for the mayor and councillors to talk about new priorities and how programs might be reshaped to serve people better. No one ever claimed that city hall was swimming in money, but since politicians seemed to feel there was a reasonable balance between needs and financial resources, they could wax eloquent about future possibilities. 

What has changed? Why does city hall constantly claim poverty?

One reason is that in recent years city council has deliberately starved itself of the money it needs. You may remember the 1997 campaign when Mel Lastman ran on a platform of freezing the property tax.

Barbara Hall said that you couldn’t do that without cutting programs, but Lastman got elected. He froze property taxes in 1998.

A property tax rate increase equal to the rate of inflation brings in roughly an extra $25 million. The tax freeze in 1998 meant that in 1999 the city couldn’t count on that $25 million as part of the revenue base on which it could build. As well, the city had to cope with inflationary costs of its own.

Lastman then froze taxes again in 1999 and yet again in 2000. By 2001, the city was short about $75 million in its base revenue, as well as having to pay the costs of downloading imposed by the Harris government. After making serious cuts, city hall still had to rely on provincial handouts to make ends meet.

Once elected in 2003, Mayor David Miller re-established regular property tax increases, but he could never get back the lost base revenue from the years of the tax freeze. City council was forced to continue snipping away at various programs to balance the budget.

Mayor Rob Ford was elected promising a tax freeze, which was imposed in 2011. Eliminating the car registration tax meant another $64 million in revenue was lost. So the city’s revenue base is now about $160 million short of what it would have been if tax rates had kept even with inflation.

For next year, Mayor Ford is proposing a tax rate increase at about half the rate of inflation. Freezing taxes and cutting sources of revenue have caused major problems, which is why city hall is constantly trying to chop back programs, particularly programs designed to serve those with the fewest resources.

But there’s another factor at play — the explosive growth of condos in the city. To accommodate growth the city must build new capital facilities – transportation improvements, parks, recreation centres, libraries, water, sewage and waste facilities.

City council’s budget for growth related capital expenditures this year is $659 million; $811 million in 2013; and $568 million in 2014. Council imposes a development charge for each new unit of housing, but the total revenue from development charges is budgeted at just $91 million this year and smaller amounts for the following years. The shortfall in meeting the costs of growth is well over a half-billion dollars a year. And the property taxes collected from these new units is not expected to pay for the operating costs of the new facilities. All that growth is causing a major financial problem.

City council has painted us into a position where the base revenue is not there to restore funding to the services the city needs. To deal with the revenue shortfall, Toronto could follow the lead of Mississauga, which imposed a 7.4 per cent property tax increase this year, but could Toronto ever admit that Hazel McCallion got it right? It’s a lot more difficult to face up to the costs of growth.

Until there are some bold steps at city hall to restore lost revenue, it looks like we’re on a downhill journey.

Post City Magazines’ columnist John Sewell is a former mayor of Toronto and the author of a number of urban planning books, including The Shape of Suburbs.

Toronto’s wake up call

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There are three types of people on Toronto’s roads at 4 a.m. on a weekday. There are the garbage collectors picking up the trash, the taxi drivers taking home last night’s stragglers, and then there are the breakfast TV hosts on their way to work.

Liza Fromer is one of the latter. Fromer is host of The Morning Show, Global TV’s chatty accompaniment to your breakfast. Though she makes a career from being bubbly at some ungodly hour, when Fromer picks me up at Dupont and Spadina at 4:15 a.m., she looks like the rest of us in the morning: her hair has been hastily swept back in a clip and her right hand is glued to a large travel mug of coffee.

“It’s just like any other commute to work, except it’s at 4 a.m.,” Fromer tells me as we drive down the empty streets. Fromer stops at an intersection in a residential part of town, and co-host Dave Gerry emerges from one of the houses. He jumps in and, while the rest of Toronto sleeps in the darkened homes around us, we head off to the studio at the corner of Bloor and Church.

Fromer and Gerry front a bold experiment in breakfast TV. Since being launched a year ago, The Morning Show has been bringing viewers a daily mix of news, travel, entertainment and lifestyle stories with a heavy dose of banter between the hosts. Along with newscaster Kris Reyes and weather reporter Rosey Edeh, the pair spend much of the show chatting to guests around a large table. The aim, say producers, is for the show to feel like a dinner party — just one that’s crammed with lively and witty celebrity guests.

Both life and wit are in short supply when we make it to the production office a little after 4:30. A few of the producers are already there, but the office is quiet. There’s some talk of Madonna’s concert at the ACC the previous night, but most people are staring at e-mail inboxes or lurking in the kitchen in search of caffeine. “That’s the thing with morning people,” says Fromer, “we’re just in our own little world.”

By the time the 5 a.m. pre-show meeting starts, a division has emerged. As the eight-or-so producers and presenters gather around a kitchen-style table at one end of the office, those who will be in front of the camera have had their hair and makeup done and are looking radiant, while the off-screen guys clutch mugs of coffee bearing the logo of McCafé, the show’s sponsor, and try to stifle their yawns. Fromer, her vibrant pink shirt still untucked over a black skirt, paces back and forth in bare feet as the team rattles through the running order and the morning’s news.


From left: 4:49 a.m.: “It takes a lot of make-up for the 3 a.m. eyebags,” says Fromer, 9:44 a.m.: After the show, the studio becomes an impromptu gym, 12:05 p.m.: The afternoon agenda includes groceries — and a nap

As the clock ticks toward the show’s transmission time, Fromer makes her way to the studio. It’s at ground level and two walls are given over to floor-to-ceiling windows that allow passersby on Bloor Street to see what’s going on within. The idea is to make the show literally a part of the cityscape.

But at just before 6 a.m., the cityscape isn’t ready for company and Bloor Street is all but deserted. 

Inside, the atmosphere is quiet as the crew manoeuvre equipment into position. Fromer — who has put on a pair of towering heels at some point without me noticing — sits down at the main desk with co-host Gerry. The floor manager starts counting down seconds and making hand signals that would be alarming in any other context. Then the screens around the studio flicker into life and we’re off.

Over the next three hours, Fromer and Gerry banter their way through interviews with guests, including actress Katherine LaNasa, who has a film at TIFF; an editor from The Kit, who gives out advice on cross-border shopping; and Raptor Jamaal Magloire, who impresses everyone with his huge hands. In the breaks the cast and crew get their pictures taken with their guests, refuel on coffee or, in Gerry’s case, put their feet on the desk and read the paper.  

This is Fromer’s third stint in the morning slot, having previously been on Citytv’s Breakfast Television and Newstalk 1010’s Moore in the Morning. Though she tells me later she’s not a morning person at all, you’d never think it from her breezy chat and ready laughter. It’s a style that’s deliberately light, since Fromer and Co. know their audience consists of people with half a mind on doing their teeth or getting dressed or mobilizing the kids for school. “I’ve made peace with being wallpaper for people’s mornings,” she says. 

At just before 9 a.m. the show plays out with two of the producers being press-ganged into dancing Madonna’s “Vogue” onscreen. In an hour, there will be another meeting where the team will thrash out plans for tomorrow’s show and beyond. As the crew mills about shutting down equipment and doing technical-looking things with the cameras, Fromer and Reyes, the newscaster, vanish. They reappear in a moment with a personal trainer called Ray Ortiz, two yellow bars and some hefty metal balls that look like they might have been used in medieval warfare.

In the middle of a studio that a few minutes earlier was broadcasting live to the GTA, Fromer and Reyes proceed to grunt, groan and curse their way through a workout that is probably best described as harrowing. It’s also surreal. Not least because there are a half-dozen technicians going about their business seemingly oblivious to the two sweaty presenters turning the air blue in the middle of the room.

Apparently, this post-show workout is a regular occurrence. The only person who seems as bemused by it as I am is Cheryl Hickey, the ET Canada host who was on the show earlier to talk about TIFF and who has been lured back to the studio to investigate the strange noises.  

Fromer and Reyes are still in their workout gear by the time the 10 a.m. meeting rolls around. After the meeting, there’s some discussion of what to do for the show’s one-year anniversary on Oct. 11, then Fromer gets changed and answers some e-mails. By noon the work day is done, and we’re released into a city that’s only just getting ready for its lunch.

Afternoons for Fromer follow a regular pattern: grocery shopping, meeting with friends, a nap and then some family time at her home at Bathurst and St. Clair. At 7:30 p.m. Fromer puts her two young children to bed, then heads that way herself.

Though she says that morning hosts get into a groove, waking up at 3:30 a.m. is never easy. So why, I ask, does she do it?

Fromer pulls out her cellphone and shows me a photo of her meeting author Salman Rushdie. “When I struggle to get out of bed,” she says, “I look at that, and I think, ‘I’m so lucky to have such an amazing job.’ ” 

You say you want a revolution?

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According to the Mayan calendar, we’re pretty darn near the apocalypse, but actress Tracy Spiridakos is not even the tiniest bit apprehensive.

“Obviously I would never want something like that to happen, but at the same time, there is a part of me that I consider a warrior and a fighter, so I’m not scared of it,” she says. “If it comes it’ll come, and I’ll deal with it.”

What makes this 24-year-old Canadian so confident about her ability to weather any storm? Well, for starters, she plays an apocalypse survivor on TV.

Spiridakos, a newly minted Toronto resident by way of Winnipeg, Man., stars in this fall’s most anticipated TV drama, Revolution (Mondays on Citytv).

On the show, she experiences life after our civilization’s collapse, and Spiridakos (actually, her character, Charlie Matheson) is every bit the fighter she has to be to live through the chaos.

For this first major leading role of her career, Spiridakos has fallen in with the right people. Revolution is the brainchild of celebrated producer J. J. Abrams — creator of hit shows such as Alias, starring Jennifer Garner, and Lost — and TV gurus Eric Kripke and Jon Favreau.

The series’ plot line is set in motion by an electromagnetic pulse that disables each and every electronic device on earth. Blackberry? Dead. Laptop? Kaput. Refrigerator? Fat chance.

The show’s trailer even depicts airplanes whirling earthward. But life goes on, and 15 years later, humanity has adapted to its new circumstances.

Charlie is now a teenager with little memory of the good old days before the lights went out. Unfortunately, her life is upended yet again when her younger brother Danny is kidnapped by the ruling militia (led by Breaking Bad’s Giancarlo Esposito).

Charlie is charged with rescuing her brother, and step one is tracking down her estranged ex-Marine uncle Miles (played by Billy Burke of Twilight fame).

What’s more, she and Danny are of special interest to the bad guys since their father was the only person on earth who held the solution to restoring power to the planet.

Speaking from Toronto’s annual Fan Expo, where the Revolution pilot screened to the largest audience in event history, Spiridakos reveals that she, too, was quick to fall under the spell of the show.

“I was down in L.A. for my first pilot season when I read the script, and I was instantly just in love,” she says. “I wanted the part so desperately.”

“If it comes it’ll come, and I’ll deal with it.”

The appreciation was mutual: although Spiridakos was a relative unknown to Abrams and Co., they saw something in her audition tape that fit the bill and summoned her to meet in person. As intimidating as that sounds, Spiridakos sailed through her tryout.

“The whole audition process, I’m very lucky to say, was a very positive one,” she says. “Eric is an amazing, fantastic guy, and so is Jon. I felt like they were my friends from the minute I walked into that room, which is always really cool.”

It’s evident that Spiridakos is right for the part from the way she describes her character. (It also doesn’t hurt that she looks like a young Angelina Jolie.)

In the actor’s eyes, there’s more to Charlie than her kick-ass fighting moves and deadly aim with a crossbow.

“I think she’s smart and she’s a fighter, and she’s not the jaded warrior that you usually see when people have gone through so much,” Spiridakos explains.

“They get very jaded and hard, whereas Charlie still wants to be positive. She still wants to love, and she will give people a chance, which is what ends up getting her into trouble.”

Although she identifies with Charlie’s optimism, Spiridakos admits that being involved with Revolution has forced her to look to the future with a bit more anxiety.

“When we were filming the pilot, I remember sitting in Atlanta, sitting in my hotel room and thinking, ‘Wow, I’m away from all of my loved ones right now and they’re all in different places. Where would I go if something like this happened? Which way would I go first?’ ”

Now that she’s had some time to formulate a game plan, Spiridakos has resolved that, in case of disaster, she would head to the ’Peg.

“I have family in Toronto — who I love very dearly,” she says diplomatically, “but my immediate family, my brothers and my parents, are in Winnipeg. So I would need to get to them.”

With the filming of the first season of Revolution underway, Spiridakos is picking up survival skills from Charlie left, right and centre. And she’s having fun doing it.

“The cast and crew get along so well together,” she raves.

“Even if we’re working from first thing in the morning to the wee hours of the night, there’s still always laughter on set.”

She also knows how fortunate she is to be working with some of TV’s top scribes.

“Every script that I get to read, I read it, and I think, ‘I can not wait to get to this part,’ which is so cool. I’m so lucky to have that opportunity as an actor to do something that I’m so passionate about.”

Whether you count yourself among the future fans of the show or not, Revolution might just be prudent watching for everyone because Spiridakos suggests that the sci-fi premise of the show is more real than you might think.

“What’s really cool is that Eric and the rest of the team have asked the powers that be if this concept — the idea of all the power going out — could actually happen, and they said that it is very possible,” she says.

“That’s kind of interesting to think about.”

It sounds less interesting to those of us not trained in shooting a crossbow, but in case of apocalypse, Spiridakos, for one, will be ready.

Drink This: Sidecar’s new autumn cocktail

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Hogtown is in the throes of a throwback cocktail fever — something for which Sidecar is partially to blame. Situated on Little Italy’s main thoroughfare, this restaurant was one of pioneering forces behind Toronto’s resurgence of Prohibition-era tipples. Four years ago, when the bar opted to eschew ’90s-style beverages, people would send back their drinks, proclaiming they were too strong for their saccharine palates. Now, of course, people can’t get enough.

We opted for the Autumn Sidecar, which is part of the brand new fall menu. Bartender Jason Barajas uses Calvados, pear cognac and Benedictine along with fresh lemon juice and Angostura bitters for this signature drink. Noting that the Benedictine has “more of an apple finish, which brings out all the spice,” Barajas double-strains the beverage and pours it into antique glassware dusted with a cinnamon-sugar rim.

Sidecar, 577 College St., 416-536-7000


Other must-try Toronto cockails:

The elderflower martini from Park Hyatt Toronto
The Viuda Blanca from Campagnolo

The Streetcar from Weslodge Saloon

Morning Throwback: in the ’20s, firefighters were ballin’

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Okay, you guys look ballin’ in that car, we’ll concede that. But seriously, your headlight is out. You could get a fine.

Meet a Comedy Troupe: Sex T-Rex

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There’s a lot to be said about a comedy troupe that would name itself after a line uttered by wrestler-turned-actor-turned-politician Jesse Ventura, especially one that conjures a rather intimate image involving one of the most dangerous creatures to walk this Earth. But, that’s Sex T-Rex for you: spinning improv on its head with its ambitious and physical — and of course, funny — prowess.

We chatted with cast member Colin Munch about being “smart and unpretentious,” rolling around in derelict furniture and how dinosaurs have sex.

How did you guys get together?
We all met at theatre school, except for Robin [Toller] and myself who have been buddies since high school. Julian [Frid] was pretty entrenched in the improv scene back then and suggested we jump into a competition called Cage Match [held by the Impatient Theatre Co.] that came with a $1,000 Grand Prize. We performed our first shows in that tournament, which we ended up winning.

So where did the name come from?
Predator. There’s a scene at the beginning of the film when Jesse Ventura is extolling the virtues of chewing tobacco. He says it will make you a “sexual tyrannosaurus” just like him. It’s really worked well for us. I think the name “Sex T-Rex” gets us more gigs than our reputation as comedians!

Do you ever wonder how dinosaurs had sex?
No, I’m pretty sure they were too busy eating everything that moved and didn’t really see the point in sex, knowing that the meteor was coming. 

What’s your favourite dinosaur?
Ankylosaurus — the armored guy with the club tail. He’s one of the many dinosaurs that seem to have been designed by an eight-year-old boy. Actually, that may describe all dinosaurs.

How would you describe the style of your show?
We’ve been described as “smart and unpretentious,” which I always really liked. We’re casual enough to keep the audience on board with us, but we have some pretty ambitious narratives and crazy staging for an improv show. We all have theatre backgrounds and that really sets us apart from most improv teams, which tend to be mostly made up of comedians. We’ve got a sixth sense for “theatre magic” that is really unique. We also do a lot of action, fight scenes, slow-mo and car chases — not something you get in your average Harold.

Where do you get your inspiration for your sketches?
We’re mostly an improv team that has gotten incredible mileage out of asking for movies as a suggestion. Then we base our set off the movie’s summary. Last spring we wrote our first play, Callaghan, that is essentially Indiana Jones and the Uncharted video games on stage. It blends our theatre training with our comedy experience, creating a blockbuster action/adventure movie using stage combat, dance, improv and puppetry. 

You’ve been to a bunch of festivals (including Big City Improv Fest next week). What’s a memorable experience from one of them?
One that jumps out at me was at Boston’s Geek Week festival where we rolled around the Harvard Campus in derelict office furniture.

Who would you love to have as a guest performer?
Any of the classic movie villain actors: Malcolm McDowell, Ronny Cox, Rutger Hauer, etc. I think we could make a kick-ass set revolving around one of those guys, and all they would have to do is be evil and throw curveballs at us. Could you help us out with that? Make some calls?

It’s five years into the future. Where are you guys? What are you doing?
Conor is working at the ’80s cafe in Hill Valley, California. Julian is piloting giant mecha in Neo Tokyo. Colin prowls the rainy streets of post-war Los Angeles hunting down rogue replicants. Seann is leading the human resistance against SkyNet’s armies (also, somehow, in LA). Robin is the head of a small group of survivors hiding in a London ravaged by dragons.


The details:

Year established: 2008
Cast members: Conor Bradbury, Julian Frid, Colin Munch, Seann Murray, Robin Toller
Influences: Great stories, fun times and Radiohead.
Next gig: Short Notice Show, Magpie,  831 Dundas St. W., 647-350-8305. Oct. 10, 8pm.
Big City Improv Fest, Comedy Bar,  945 Bloor St. W., 416-551-6540. Oct. 20, 8pm

Toronto Style Radar: LOULOU Magazine, KOOPDEKOUR, Nowhereland, 69 Vintage, Ann Taylor

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Every week, we round up the best events from the city’s fashion scene. In this edition: a shopping extravaganza in and around Yorkville, a pop-up shop for a popular online retailer, a charity event at Canada’s first Ann Taylor store and more.

Shop ’Til You Drop with LOULOU Magazine

When: October 10, 5-9 p.m.
Where: Bloor St. and Yorkville
Details: If you missed out on Toronto’s very first Fashion’s Night Out, here’s your chance to make up for it. LOULOU Magazine is hosting a shopping extravaganza along Bloor Street and throughout Yorkville — teaming up with everyone from Holt Renfrew to the GAP — to offer discounts and sweet deals during this one-night-only event. The only catch is that you have to register to take part, so don’t forget!


KOOPDEKOUR FW12 Pop-Up Shop

When: Oct. 11-25
Where: Love of Mine Boutique, 781 Queen St. W.
Details: Toronto based e-tailer KOOPDEKOUR.com is setting up shop for its first ever pop-up. Offering on-trend and affordable women’s clothing and accessories, the shop will continue on straight through until Oct. 25.


Nowhereland Haz Party

When: Oct. 11, 7:30-11:30 p.m.
Where: Burroughes Building, 639 Queen St. W. (main floor)
Details: After the success of its first pop-up shop, ShopNowhereland.com has moved over to another Queen West location for an extended shopping opportunity. The opening night party will include refreshments and 10 per cent off everything in stock.


69 Vintage Presents: One Night Stand (Vintage Fashion Market & Party)

When: Oct. 12, 5 p.m.
Where: 109 Ossington Ave.
Details: 69 Vintage has rounded up the city’s best vintage dealers and lovers to create one night of all things vintage. This is your opportunity to shop the best of rare, one-of-a-kind finds all in one place. You will also get to eat well since catering is being provided by Parts and Labour — not too shabby at all.


Ann Taylor Charity Event

When: Oct. 13
Where: Toronto Eaton Centre, Level Three
Details: Iconic American womenswear retailer Ann Taylor opened its first international flagship store in Toronto earlier this month. If you missed the grand opening party, there is another event happening at the brand spankin’ new space this Saturday. The party will include a DJ, refreshments and a gift with any purchase over $100. The best part? Ten per cent of the proceeds will go to the Breast Cancer Research Foundation.

Grace Carroll is a Toronto-based freelance writer whose work has appeared in ELLE UK, ELLEcanada.com, Plaid magazine and FILLER magazine. Keep up with her daily blog at www.graciecarroll.com.

Friday Restaurant Recap: Nu Bügel, Playa Cabana Cantina, Paintbox Bistro, Crown Cooks, Keriwa Cafe

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Friday Restaurant Recap rounds up the week’s Toronto restaurant news. In this edition: Montreal-style bagels, cupcakes on wheels, Texas-style barbecue, a new spot for chef Grant van Gameren and more.

Opening soon

  • Nu Bügel will be serving up Montreal-style bagels in the heart of Kensington Market within the next month.
  • Playa Cabana Cantina, a sister venue to Playa Cabana, is setting up shop in The Junction, providing fresh cocktails and healthy dose of Mexican food. [The Grid]
  • Chef Grant van Gameren is opening a new restaurant called Crown Cooks at 797 College Street. [The Grid]

Newly opened

  • Paintbox Bistro brings career training and work opportunities as well as great food to the residents of Regent Park.
  • Get your cupcake fix on the go with Pretty Sweet, Toronto’s new mobile cupcakery.
  • The Crazy Tomato adds a family friendly, homey-style trattoria to St. Clair East.
  • Triple A Bar is saucin’ up Old Town Toronto with some Texas-style barbecue.
  • Chef Daniel Boulud’s new endeavor, Cafe Boulud, opens at the Four Seasons today. [Toronto Life]

Closing

  • After three years in business, Leslieville Cheese Market will be closing its Queen Street West location. [The Grid]

Changes

Gentleman’s Choice: a skinny-fit pea coat from Topman’s new downtown location at The Bay

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Wandering the racks of the new Topman at The Bay on Queen Street, it’s easy to get overwhelmed by some of the shop’s trendier pieces. But if there’s one thing the English do well, it’s the classics.

Free of unnecessary zippers, prints and questionable contrasting, Topman’s navy wool skinny-fit pea coat sells for $156. Topman took the original sailor’s garb and narrowed it down — good news for slimmer guys who can take advantage of its physique-enhancing double-breasted design without sacrificing a tailored look.

Wooden anchor buttons complete this callback to nautical heritage, but if you’re feeling particularly salty, earn major style points by asking your trusted tailor to switch them out for brass originals. It will be well worth it.

$156. Available at Topman at The Bay, 176 Yonge St.

Must-see Movie: Dial M for Murder in 3D

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We consider ourselves lucky whenever we catch a flick of Alfred Hitchcock’s on TV — in measly 2D — so we were pretty excited to hear that his 1954 classic, Dial M for Murder, is screening tonight at the TIFF Bell Lightbox as originally intended: in 3D.

While 3D is the cinematic form du jour, the medium fizzled out pretty quickly back in the ’50s, so this film was screened in regular old 2D. Hitchcock himself was said to have disliked the form, dismissing it as a fad (which explains why Dial M for Murder is Hitch’s only 3D movie), but, being the masterful director that he was, his first and only attempt at 3D is apparently pretty phenomenal.

The flick is also better than ever with digitally-restored colour and sound, so it’s a perfect opportunity to discover — or rediscover — the thrill of the scissor scene or the breathtaking beauty of Grace Kelly up-close-and-personal.

Dial M for Murder (3D), TIFF Bell Lightbox, 350 King St. W., 416-599-8433. Oct. 5-11