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Toronto’s Nicholas Hoare bookstore is closing in April

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After closing its stores in Ottawa and Montreal, independent bookstore Nicholas Hoare has announced that its flagship Toronto location will close on April 1. The store is known for its unique décor, its finely curated book selection and its British charm.

Owner Nicholas Hoare has decided to retire and move to his 350-acre estate in Nova Scotia, which, if all goes to plan, will soon house a vineyard and an 18,000-volume library. It’s a fitting and bittersweet ending to this portion of Mr. Hoare’s story.

Concert Review: The Tragically Hip at the ACC

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While The Tragically Hip may not be a traditional Valentine’s Day choice for the Air Canada Centre (John Mayer and Jon Bon Jovi have both had couples flocking to the ACC on previous V-Days), it was oddly appropriate to have them on stage. After all, Thursday night’s show could have been considered a love affair between the Canadian icons and the 13,000 strong in attendance.

By now, the band’s diehard fans know what they’re in for. They know to expect no shortage of irreverent silliness from lead singer Gord Downie, along with a couple of solo efforts from guitarist Paul Langlois. They also know to expect an inspired effort that still resonates, even after 30 years in the business. And locally, they know to erupt on cue during “Bobcaygeon,” when Downie sings, “That night in Toronto…”

The recipe for the type of strong bond that the band shares with its audience is two parts good music and one part shared cultural heritage. There is no mistaking the quintessential Canadian-ness of a Hip concert, from the references to all things red and white in the songs to the sea of hockey jerseys that appears out in the crowd. Oh, and the ever-flowing beer, too!

On Thursday, Downie and the Hip seamlessly meshed the old with the new, banging out plenty of classics (“Ahead By a Century,” “Music at Work,” “Gift Shop” and the aforementioned “Bobcaygeon,” among others) while also promoting some pleasing, if unfamiliar, works off of their new album, Now for Plan A.

The fans, who spent most of the evening out of their chairs, were keen to let their bodies flow to just about any sound the band put out. The widely held belief that Downie likes to alter and rework Hip favourites live didn’t gain much traction at the ACC, with most songs delivered as fans remembered them.

It was by no means a perfect show. Bringing out fellow local talent Sarah Harmer during the first encore seemed like a good idea in theory, until it slowed down the show’s tempo and killed a good portion of the crowd’s momentum (show openers the Arkells, on the other hand, provided a major early energy boost).

Downie limited his dialogue in between songs, which was surprising. Still, it didn’t detract from his fan interaction that much; at one point he even taunted some of those stage-side with a sweat-drenched handkerchief.

But whatever flaws the show may have had didn’t matter to the horde of Hip fans on hand, who were simply there to dance, drink, party and bask in the evening’s plentiful Canadiana.

Our top picks from TIFF’s Next Wave Film Festival

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For a film series that’s geared towards young film lovers, the second annual TIFF Next Wave Film Fest is surprisingly mature and wise, delightfully filled with optimism and charm. The three-day event, which kicks off tonight at TIFF Bell Lightbox, has plenty of variety for the young filmgoer and for the young-at-heart filmgoer. Here are our top picks from the fest.

 

Fame High

This documentary follows the trials of four students — a harpist, a pianist, a ballet dancer and an actress — at the prestigious Los Angeles County High School for the Arts. Filled with youthful exuberance and palpable tension, the film oscillates between bright-eyed optimism and ever-mounting pressure as these teenagers work at a pivotal point in their lives while still being kids (read: goofing off, falling in love).
Feb. 16, 12:00 p.m.

 

The Breakfast Club

It’s the simplest of scenarios: five high school students, of the stereotypical variety, spend an atypical day in detention. John Hughes’ brilliant 1985 film is one that every teenager needs to watch at some point.
Feb 16, 7:15 p.m.

 

Ferris Bueller’s Day Off

Those who love this generation-defining movie, and those who have never experienced it (but need to), now have another chance to check it out on the big screen. Really though, it should be playing on Tuesday, around 1 p.m. or so, just in time for sixth period.
Feb 16, 9:30 p.m.

 

Earthbound

A romantic sci-fi comedy, Earthbound finds a young Joe Norman discovering that he is an alien, growing up with all the problems and confusions of any normal youngster. When he meets the lovely young Maria, he has an opportunity to save his alien race, but of course, love gets in the way. Simultaneously embracing and subverting sci-fi conventions, Earthbound is full of charm and wit, and when Joe and Maria start to discuss love and sex, their ideas are gleefully simple and honest, ageless and universal.
Sun. Feb. 17, 1:00 p.m.

 

Family Weekend

When a savvy, self-reliant, overachieving daughter of a well-to-do family snaps over her family’s continued fighting, lethargy and overall strangeness, she takes her parents hostage for a weekend of family bonding. A bit less absurdist than it sounds, but still purposeful and clever, Family Weekend is, well, the best family movie this weekend.
Sun. Feb. 17, 3:00 p.m.

TIFF Next Wave Film Festival, TIFF Bell Lightbox, 350 King St. W., 416-968-3456. Feb. 15-17

Tony Aspler’s Weekly Wine Pick: a fantastic white from a celebrated South African winery

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This is one of my favourite South African producers, with an almost unpronounceable name. This wine is straw-coloured with a minerally pear nose. It offers good weight on the palate with well-defined pear and quince flavours.

Food match: trout in almonds, ripe Camembert

 

Boekenhoutskloof The Wolftrap Viognier/Chenin Blanc/Grenache Blanc 2011, South Africa, $13.95. LCBO #292532

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards. He can be heard on 680News.

Weekend Warrior: Canadian International AutoShow, Winterfolk XI, Sips and Nibbles, Hate Love Art Show

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Start Your Engines

Celebrating its 40th anniversary, the Canadian International AutoShow makes its way back to the Metro Toronto Convention Centre this weekend for another grand showcase of cars from the past, present and future. The 600,000-square-foot space will showcase everything from eco-friendly vehicles to customized hot rods to Bugattis and Rolls-Royces.


Get Warm With the Music

With over 100 artists on four stages over a three-day span, Winterfolk XI will give fans more than enough roots and blues memories to last the year. And though the word “festival” usually denotes large outdoor spaces, all of Winterfolk’s stages are indoors, with quiet listening rooms for the audience to hear every note. Heads-up: most of the festival is free, but there are a few premium paid stages. Be sure to check.


Sips and Nibbles

Forget making restaurant reservations this Saturday and head to the Toronto Underground Market’s Sips and Nibbles event instead. For a fee of $75, sample unlimited (we repeat, unlimited) food from 10 hand-selected vendors, including La Carnita, Rock Lobster Food Co. and Fidel Gastro’s. And though it’s at the Steam Whistle Brewery, this is a cocktail party, so semi-formal attire is required.


Mature Snow Fun

Keep your eye on the sky, because this is one event we hope does get snowed out. If you’re looking for something different this Sunday, head over to the Humber Arboretum for an adults-only snowshoeing event (meaning, leave the kids at home). Just because snowshoeing is a stereotypical Canadian activity doesn’t mean that it won’t be a raucous good time.


I Hate You… I Love You…

The Creatures Creating Collective’s Hate Love Art Show explores the duality of love and hate. Starting on Valentine’s Day, the show runs until Feb. 20.

Chef & Me: some wine for your Valentine

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On one of my first dates with Chef, he brought over a bottle of wine for us to share while watching a movie. To me, the date went fine, but apparently (as I only recently learned) I had in fact committed something of a deal breaker on that date.

Turns out the wine was fancy, with a price tag hovering at around $100, and therefore it was not right to a) pour the wine into multicoloured plastic cups from Ikea, b) drink it with the same enthusiasm as one would boxed wine and c) suggest keeping the leftover to use as cooking wine. 

Chef likes wine, and I… I like to add maraschino cherries and cola to Maria Christina on special occasions. So whose palate is really better? Could mine be that different from his? Last night, I went to visit Chef at his restaurant, where we tried to uncover an answer to this question over five samplings of wine.

Being a wine bar, his restaurant’s bounty made for ideal pickings. Of course, for those planning to spend their Valentine’s Day at home, you can pick up any of our selections from the LCBO or directly from the local wineries.

Below, our he-said, she-said guide to finding the perfect bottle to share with that special someone this Valentine’s Day. Who’s palate will you trust?

Hidden Bench, 2010 Chardonnay

Colour
Chef: Deep yellow.
Me: Pretty yellowish.
Smell
Chef: Butterscotch, banana medicine and oak. 
Me: Baked goods and butterscotch.
Taste
Chef: There’s a whiskey quality to it, with some oak and banana. 
Me: Week-old shortbread cookies and/or almost-stale Werther’s Originals.
Rom-Com Movie Character Most Likely to Drink It
Chef: The mother from Monster-In-Law (Jane Fonda). Tough lady.
Me: Olive from Popeye (the ’80s movie). She seems older than she is.

Cave Spring Cellars, 2009 Chenin Blanc

Colour
Chef: Pale with a green tinge.
Me: Almost clear like water, but coloured with something like a drop of spun sugar.
Smell
Chef: Floral, with stone fruit.
Me: Hmmm… grapes, with some hay… smells pretty alcohol-y.
Taste
Chef: Lots of peach and potpourri notes.
Me: Immediate burning; leaves a lingering tartness.
Rom-Com Movie Character Most Likely to Drink It
Chef: The wife from Love Actually (Emma Thompson).
Me: Rita Hayworth in Gilda, a bold femme fatale with a memorable sting.

Rosehall Run, 2009 Cuvée County Pinot Noir

Colour
Chef: Very light, cherry red.
Me: Thin, like purple grape juice with added water.
Smell
Chef: Chalky, waxy notes, with cherry.
Me: Vinegary.
Taste
Chef: Very light on the palate, with some cooked cherry. Unusual chalkiness, though not unpleasant.
Me: Reminds me of red Twizzlers. Not that strong in flavour, and it leaves a warming sensation.
Rom-Com Movie Character Most Likely to Drink It
Chef: Amélie from Amélie (Audrey Tautou). She’s offbeat in an interesting way.
Me: Kate Hudson in Something Borrowed. Her idea of luxury goes over the average person’s head.

Cave Spring Cellars, 2008 Cabernet Franc Dolomite — His pick!

Colour
Chef: Deep burgundy, light.
Me: Deep red, very thin.
Smell
Chef: Jalapeños, black pepper and cherry. 
Me: Slight scent of nail polish remover.
Taste
Chef: Jalapeños, black pepper and cherry. (Note: I think he cheated and read the bottle.)
Me: Chocolate flavour, with some light burning and a bit of woodiness. (Note: Chef corrects me here. Apparently instead of “woodiness,” I meant to say “vegetal character.”)
Rom-Com Movie Character Most Likely to Drink It
Chef: Adam Sandler in Spanglish. This is a chef wine.
Me: Zooey Deschanel in 500 Days of Summer. She seems perfect at first, but her deeper complexity is too much for some to handle.

Colaneri Wines, 2009 Stellucha RieslingHer pick!

Colour
Chef: Golden with a green tinge. 
Me: Light, slightly golden tone.
Smell
Chef: Green apple.
Me: Hmmm… grape (again)… sweet grape, and maybe some honey.
Taste
Chef: Green apple Jolly Rancher, with a tartness to it.
Me: Tart, with bit of apple, and no burning.
Rom-Com Movie Character Most Likely to Drink It
Chef: Drew Barrymore in 50 First Dates. She has an easy going and light personality.
Me: Ginnifer Goodwin in He’s Just Not That Into You. She’s sweet, but not a total pushover, she’s got character.

Toronto-based writer Jennifer Lee is the editorial director of FILLER magazine, an online fashion and culture journal. She is also the co-editor of Hardly magazine, an arts-centric online teen publication for Canadian girls.

Dater’s Ed: what every parent needs to know when their teen starts to date

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Growing up is already hard to do. But growing up in today’s social media-driven world? That’s exceptionally difficult. Add to that a hormonally fueled navigation through the dating world as a teenager, and, well, that’s, like, totally hard. And any parent of a teenager knows how challenging it can already be when a teen becomes interested in dating.

“The effects of social media on teen dating are huge,” says Sara Dimerman, a Toronto-based therapist and parenting and relationship expert. “Getting to know or dating someone without the rest of the world looking in is a thing of the past, and teens today seem to be just fine living in glass houses, so to speak.”

Technology, like Twitter, Facebook and Instagram, has made teen dating a very public display of affection — so public that posting private information is de rigueur for teens, who are putting the ups and downs of dating out there for everyone to see, tweet, like and comment about.

“No sooner than their dating relationship has been defined, they make a public announcement on Facebook for their friends to see,” says Dimerman. “Unfortunately, one of the downsides of such an overt display of relationship can leave the couple open to comments and a myriad of emotional responses from others. It does not allow much room for them to learn about one another in a private way, so it removes a sense of intimacy.”

Parents are also feeling the brunt of the technology — and sharing — overload.

“Because a lot of what teens are orchestrating in terms of plans are covert — such as when they text each other — we are often in the dark in terms of who our teens are going with and where.”

That’s why the big C-word — “communication” — is so important for parents to help teach their children how to date defensively and wisely.

“Communication is vital,” says Dimerman. “It’s your right and responsibility to know the person your son is dating and to also know who the parents are of who he’s dating.”

Toronto dating coach Laura Bilotta, who runs the website Single in the City, concurs.

“It’s important, when your child gets home from her date, to talk about it. You want to talk about the good and bad things and ask questions.”

And, of course, sometimes talking to your teen about dating will lead to the Talk.

“Listen to cues of readiness to hear more about the birds and the bees and relationships as children grow,” says Dimerman. “And most importantly, if a child approaches you with a question, no matter how uncomfortable, don’t tell her that she is too young to know. She will find out the answer from someone else.”

“You’ve got to have the sex talk,” says Bilotta, who believes that teens should be taking things slow when they date. “Dating should be fun, especially in your teenage years. It should be about having a date to go to a party with and developing bonds. It shouldn’t be about sex. Once you introduce sex into the picture, the situation becomes very adult-like.”

So what’s Bilotta’s advice for keeping teenage dating fun and frivolous?

“Putting together a puzzle, baking, cooking something together, those are fun and cute things to do at home,” says Bilotta. “Going skating is another great thing to do this time of year. Hiking, bowling and going out to the movies are great ideas for group dating, too.”

But what about the teens who aren’t interested in dating? Dimerman says, for the most part, don’t sweat it.

“Dating isn’t for every young teenager,” she says. “Some are slower to develop emotionally and physically and may have less desire to date. If your child seems fine with this, then don’t make an issue of it.”

For the teens who may seem left out of the dating scene because he’s too shy to approach his crush, Bilotta says social media does have its charms for teen dating.

“Facebook is a great way to flirt,” she says. “Flirting for teens might not be easy face to face, so it’s a lot easier to joke with someone via a wall post, like a funny picture. It breaks the ice. ”

And how should parents handle those inevitable moments of teenage heartbreak?

“Talk to them about the possibility of rejection prior to the first date,” advises Bilotta. “Let them know it’s OK if someone doesn’t want to spend any more time with them, that you’ll meet new people in your lives. Dating is about having fun and meeting new friends.”

First Draught: Nostradamus, a Belgian strong ale that’s perfect for winter stews

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Last week’s First Draught focused on a Belgian-style saison from an Ontario brewery. This week, for contrast, and to demonstrate the diversity of Belgian brewing traditions, we have a beer from Brasserie Caracole in Belgium, one that’s made in the quite different Belgian strong ale style.

Nostradamus pours auburn brown with an impressive off-white and rocky head. The cap slowly fades and leaves behind those fine strands of bubbles on the sides of the glass, which official-sounding tasting notes refer to as “lacing.” The resilient head limits the aroma, but faint notes of dark fruit (raisins and dates) and a touch of bubblegum manage to sneak through. The taste continues the fruit theme with an additional hint of ripe banana. From the middle to finish I tasted a bit of alcoholic heat that should fade with a bit of aging.

For a country with a population less than Ontario’s, Belgium has an impressive list of “national dishes.” Chocolate, waffles, moules frites and carbonnades flamandes all have iconic status. That last one, a beef and beer stew that should really be known by its Flemish name, stoofvlees, could do a lot worse if you poured a bottle of Nostradamus into the pot. Other braised or roasted meat dishes — lamb tagine with dates, for instance — will go very well with this ale. 

Nostradamus is one of the last members of the LCBO’s class of winter releases still on shelves in strong numbers. At over 9 per cent alcohol, and with a limited dependence on hops for its flavour, this beer won’t be hurt by its time spent in stores.

In predicting this beer’s future, I think it’s safe to say that it should find more complexity and a calm confidence after a year in your cellar.

Brasserie Caracole’s Nostradamus, $3.40 for a 330 mL bottle, LCBO #307553

In addition to covering beer, new restaurants and food trucks for Post City, David Ort writes about food and drink for several Toronto publications including Spotlight Toronto and his own site, Food With Legs. For more of his thoughts on food, beer and life in general, follow him on Twitter.

Grab of the Week: a limited edition boot from Dr. Martens and Yohji Yamamoto

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We’ve got good news and bad news for Dr. Martens collectors and Yohji Yamamoto fanatics in Toronto. The good news is that Dr. Martens has collaborated with Yohji Yamamoto’s Y’s Collection to create a new limited edition boot exclusively for women, and there are 16 pairs available at the Dr. Martens store on Queen West. The bad news is that it’s going to cost you close to $1,000 to own just one of those 16 pairs. But, as every good boot collector knows, it’s not about the price, it’s about the product.

Dr. Martens x Y’s Collection, $915. Available at Dr. Martens Toronto, 391 Queen St. W., 416-585-9595

Gracie Carroll is a Toronto-based freelance writer whose work has appeared in ELLE UK, ELLEcanada.com, Plaid magazine and FILLER magazine. Keep up with her daily blog at www.graciecarroll.com.

The Toronto Black Film Festival debuts tonight

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The inaugural Toronto Black Film Festival kicks off Wednesday with a slate of feature films, shorts and documentaries in tribute to Black History Month and, of course, quality filmmaking. The festival has a wide variety of themes to showcase, but we liked the flicks that follow youth in Africa best. Here are our top picks.

Nairobi Half Life

Set against the backdrop of Nairobi, a populous city of both opportunity and despair, David ‘Tosh’ Gitonga tells a familiar story of youthful idealism impugned by the harsh realities of life. Joseph Wairimu is the charming young George Mwas, dewy-eyed with a bright smile, who is led to the city where his dreams of being an actor can be realized. Robbed and thrown in jail, Mwas soon finds opportunity in both the world of crime and college, but he gets in over his head.
Feb. 13, TIFF Bell Lightbox, 7 p.m. $15

 

War Witch/Rebelle

Previously shown at TIFF, this film by Canadian filmmaker Kim Nguyen presents a melancholic and beautiful story of youthful innocence tarnished through war. Rachel Mwanza is captivating as the 14-year-old Komona, a girl kidnapped by rebels following the murder of her parents. From its staggeringly powerful open, the film slowly transforms — not unlike its female lead, Komona, who, despite some unusual powers, meets a boy her age and has the opportunity to still be a child. As told to her own unborn child, Komona’s story of her time with the rebels is unforgettable.
Feb. 14, Carlton Cinema, 5 p.m. $10

 

Lost in Africa

Another film with an uncanny ability to seamlessly switch between the funny and the grave, this Danish entry highlights the stark contrasts of life between the rich and the poor in Kenya. While visiting his birth country with his adoptive parents, young Simon loses his prized soccer ball over a fence, and his trek to get it back takes him to the nearby slums. His carefree nature still remains while he plays with a group of kids, but corruption and danger are not far behind. Vibeke Muasya’s drama is effectively unnerving yet enchanting. A great performance by its young lead carries the film, but an impressive supporting role by Lars Mikkelsen as his father makes you care about the family from the start, and it keeps the film grounded in emotion.
Feb. 15, Carlton Cinema, 7 p.m. $10

 

Back to Square One

Now for something different entirely: this genre-bending French film is funny, fantastical and very charming. Reminiscent of last year’s brilliant The Intouchables, we find an anti-hero in Joel, recently released from prison for petty theft, who insists that all his problems are due to racism (hint: it may be his laziness). His half-brother Regis is the yin to his yang (or white to his black), but when they ignore a significant gesture from their dying father, Regis and Joel are punished by their mystic aunt, who sends them back in time to the age of slavery. The premise is one that would probably be ruined by Hollywood, but the French make it work with better jokes, pacing and likable characters. This slavery comedy may not be better than Django Unchained, but at least it’s shorter.
Feb. 16, Royal Cinema, 7 p.m. $10


Case Départ – Trailer – english subtitles by Myfrenchfilmfestival

 

The Toronto Black Film Festival, Feb. 13 – 17

Meet a Comedian: Andrew Chapman

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In a sea of raunchy comics who abide by a “the more expletives, the better” mantra, Andrew Chapman’s comedy is refreshing. Much like Jerry Seinfeld (one of Chapman’s comedic influences), Chapman’s routine is clean, polished and “semi-observational,” which probably helped land him a slew of gigs at YTV, including the new show, Extreme Babysitting. We chatted with the Toronto comic about his first standup performance, Rich Little and Hollywood’s oldest stuntman.

Were you the class clown growing up?
No, I wasn’t the guy that got sent to the office or goofed around. My answer would be a combination of what Dr. Allan Pearl (Eugene Levy in Waiting For Guffman) said: “People ask me if I was the class clown. No. I wasn’t. But I sat next to him and I took notes.” And what Billy Crystal has said, that he wasn’t the class clown, more the class comedian. If there was ever a chance to get up and perform though, I would do it in a nanosecond.

Describe your first standup performance. Where was it and how did it go?
First time I ever did standup was when I was 16 at a high school coffee house/talent show. I was at a track and field meet that day and it ran long (didn’t mean to have that sound like a joke). So my mom drove me back to school — the show had already started — and I changed into my suit as we’re driving. We get to the school, I run out of the car, run back stage and they tell me we’re just coming back from intermission and the host of the show isn’t doing the rest of it, so can I host? And I’m on in two minutes. So no introduction, I walk out and the auditorium is packed with my peers and I say, “Hi,” and then the next seven minutes is a blur; everyone’s laughing at what I’m saying, I’m comparing school to jail, making fun of Celine Dion, then I go into an impression of how Richard Nixon is really Jimmy Stewart (I know, what is this, Rich Little in Vegas in the ’80s?) and for some reason everyone liked it. I introduced the next act and went backstage and my friends were all congratulating me, slapping me on the back and telling me that I “killed,” and I remember my reaction being, “Yeah. Great. OK.” Almost as if I was saying, “Well, isn’t that what comedians are supposed to do?”

Where do you find inspiration for your routine?
Talking, mostly. Just talking to people and funny stories would just happen and you’d say funny things and whatnot. Also, comparing things and observing things seems to be on my brain, I suppose. I just watch and listen to comedy all the time, so I think your brain just adapts to that, soaks it in and starts thinking “funny.”

How would you describe your brand of comedy?
Clean, polished, insignificant. Semi-observational. Pretty tame, but, hopefully, also pretty funny.

You also host a couple of YTV shows. How is it balancing performing for a way-young audience and performing for an older audience?
Well, I started telling jokes and doing standup way before YTV, but because my comedy has always been clean, it’s not that hard to adjust. Granted, I won’t do the jokes I do for YTV on a comedy stage because that just wouldn’t make sense. But I would do a joke I’ve done on stage on YTV if it called for it. The only hindrance I’ve noticed from time to time is when an MC will introduce me as, “You may have seen him on YTV…”  and it sets it in the audience’s head, “Oh boy! Here comes the rainbows and puppy dog and SpongeBob jokes” without even hearing one joke. So that’s the only “tough” thing.

What or who makes you laugh the most?
Lots of things. My friends, Adam Downey and Mark McIntyre. My brothers. And just stupid silly things. There’s a thing that happened on the old Late Night with Conan O’Brien show. It was Hollywood’s oldest stuntman sketch. Oh man, check it out on YouTube.

What’s your favourite funny movie?
Liar Liar.

What’s your favourite joke of all time?
This is really stupid.  It’s the “Why did the chicken cross the road?” joke. Because it’s not a joke. The other person makes it the joke. But it’s not. And it’s probably the first joke we all learn, but it’s a non-joke. Also, a man falling down is really funny to me, and may be the first joke ever.

Where do you see yourself in five years?
In a mirror?


The details:

Year started stand up: 2002
Influences: Jerry Seinfeld, Bill Cosby, Jim Carrey, Eddie Izzard, Johnny Carson

Wanting Mo: East Coast phenom Mo Kenney hits the Rivoli tonight

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Although she’s still living at home with her parents in Waverley, N.S., singer-songwriter Mo Kenney has taken a huge step in her evolving musical career — she quit her day job at the Dollar Store. That’s big time.

With a catchy new tune called “Sucker” getting steady radio airplay across the country and a revered rocker by the name of Joel Plaskett showcasing her skills and producing her debut album, Kenney, playing at the Rivoli in Toronto on Feb. 13, is fast approaching Next Big Thing status. But it hasn’t happened overnight.

Kenney has been in love with music for as long as she can remember, even going so far as going to sleep with her guitar on her chest as a kid.

“I’ve just always been obsessed with music since I was a kid,” she says.

Her first exposure to the music that would end up influencing her own direction was through movies such as The Royal Tenenbaums, where she first heard Elliott Smith. The late American singer-songwriter would have a major impact on Kenney.

In her teens, Kenney and a number of other Nova Scotia bands played some demo recordings for Joel Plaskett. A few years later, Kenney was offered a spot in songwriter Gordie Sampson’s writing camp thanks to a recommendation from Plaskett.

The collaboration was afoot, and Plaskett signed on to produce her album at his Scotland Yard studio in Halifax, even co-writing a few songs with Kenney.

The album, released in late 2012, written over a number of years, reflects a few different periods of Kenney’s young life, but it tends to gravitate to the sadder side of things. A product, she explains, of her penchant for using her songwriting as a form of therapy.

“I feel really good when I write,  but it usually comes from a darker place, I guess, even if the songs are upbeat,” she says. “I guess I’m kinda like that, and I like that kinda music. It is the stuff I write that is most true to me and genuine.”

Since the album’s release, Kenney has received a number of accolades from the press, in addition to a few from heavyweight Canuck crooners such as Ron Sexsmith.

“I’m just in my room writing these songs and hoping that they are good, but I don’t really know,” says Kenney. “Having that affirmed by Ron or Joel, it makes me feel good because I know that I’m on the right track.”

Mo Kenney at Rivoli, 334 Queen St. W., 416-596-1908. Feb. 13