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This Week in Sound: The Juno Awards, Sally Shapiro, The Strumbellas, Rococode, Cold Specks

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Every Monday, we round up the most exciting music news happening in Toronto. In this edition: a look the nominees for the 2013 Juno Awards, Sally Shapiro drops a new album and The Strumbellas play at Caplansky’s Delicatessen.

Despite what the Juno Awards might have you believe, Carly Rae Jepsen is not the greatest musician Canada has to offer. Jepsen may have been nominated for five awards, but there are some under-the-radar artists that deserve props too, including The Weeknd, Metric, Japandroids, Said the Whale, Stars, Walk Off The Earth, Great Lake Swimmers, Elliott Brood, The Pack a.d., Bahamas, Serena Ryder, Hannah Georgas, Crystal Castles and Yukon Blonde. While the Juno gods may have made some questionable picks (ahem, a Rod Stewart Christmas record for International Album of the Year?), we’ll be crossing our fingers for those who don’t get as much radio play.


The famously shy Sally Shapiro has a new album out on Feb. 26 via Toronto label Paper Bag Records. Somewhere Else is a wistful electro dream, punctuated with elements of old school disco and new wave dance music. Though her mellow, ethereal voice lends itself well to the electronica sound, Shapiro remains coy; even her stage name is a pseudonym, and she’s pretty much given up on performing live. You can hear her let loose on the new record here, before it drops, and you can attend the album release party in the comfort of your flannel pyjamas.


Local roots-folk mainstays The Strumbellas will be playing an intimate session at Caplansky’s Deli on March 1. The band just released their debut album, My Father and The Hunter, which is up for a Juno award, so the smoked meat sandwiches won’t be the only reason to check out this Friday night gig. Tickets are $10 at the door.


Vancouver indie rock band Rococode announced last week new March tour dates and a new single, which is slated for release on March 13. The band will be playing a doubleheader in Toronto in March as part of Canadian Music Week. Rococode mysteriously released a sneak peek video, and any group that can make “Bootylicious” sound incredibly gritty is okay by us. Crank your speakers for this one.


Cold Specks, yet another Juno nominee, just dropped a brand new video for “When The City Lights Dim.” For those of us who are jaded by the death of what MTV used to be all about, here’s an uncluttered video that shines the spotlight on the music, and devotes itself solely to the beauty that is Cold Specks’ voice.

T.O.’s best spaghetti and meatballs

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Top Toronto chef Grant van Gameren tucks into the GTA’s best spaghetti and meatballs, the classic old-school Italian comfort food.

 

WINNER: LOVE AT FIRST BITE (pictured above)
The Big Ragu, 1338 Lansdowne ave., $16
“This one smells delicious,” van Gameren says. He happily reports that the sauce has a nice acidity, the meatballs are the perfect consistency, the noodles are properly al dente and the salt is spot on.

Meatballs like Nonna makes
Abruzzo Pizza, 9010 Yonge St., $10 + $1 per meatball
The flavourful sauce in this dish stands out right away. “The meatballs’ consistency is like a Nonna’s meatball,” van Gameren finds. “It’s more like an emulsified, Mortadella texture, which I really like.” The meatballs are really traditional, he adds, with a good, fine grind. This dish is a definite runner-up.

Lots of love in sauce
Hey Meatball!, 719 College St., $11
“The sauce looks like there’s been a lot of love put in to it,” chef says. The noodles are nice and bouncy, and the meatballs spiced and moist. He wishes there were a tad more salt, but it’s also a close runner-up.

A homemade basic
Cafe Diplomatico, 594 College St., $10.99 + $3.29
“This one looks homemade,” van Gameren says. It’s a basic take on spaghetti and meatballs, he says, for anyone who doesn’t like a lot of spice or seasoning. Van Gameren finds it a bit lacklustre.

On a citrus note
Camarra Pizzeria Ristorante, 2899 Dufferin St., $11.95 + $4.95
The combination of spices in these meatballs is quite unique, van Gameren says. He’s not a big fan of the citrus note he detects in this dish’s flavour profile. The pasta, however, is cooked to perfection.

Chunky sauce adds spunk
Paisano's, 116 Willowdale Ave., $15
Van Gameren appreciates the chunky tomato sauce in this dish. Though the meatballs are nice and moist, he finds them a bit bland. The pasta’s nice, van Gameren adds, but the sauce could be cooked a little longer.

Meat lover’s delight
Rossini Restaurant, 1988 Avenue Rd., $13.50
This is the only dish that has a Bolognese sauce, van Gameren says. “The more meat, the better.” The hearty sauce is a hit, but he finds the noodles overdone, and overall, this dish doesn’t leave the warmest impression.

Flavour’s the spice of life
Quattro 4 Ragazze, 1792 Danforth Ave., $11
Van Gameren immediately comments, “The meatballs are super tender and moist.” They have a strong taste, which he suspects is either aged beef or a game meat. The meatballs are sweeter than he would like, but they complement the tasty, original spice blend well.

Shop Talk: Davido Afnani, a chic menswear boutique, opens on King West

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Though Davido Afnani opened his eponymous menswear boutique on King West only two months ago, he has already garnered a few affluent Toronto names for his clientele. Aside from the expected Bay Street regulars that frequent his boutique, Toronto Raptor Jamaal Magloire and hometown rapper Kardinal Offishall have been known to drop by the “one-stop shop,” as Afnani puts it.

Walking into the shop, patrons are greeted to a small but welcoming space. The room is furnished with two LED televisions; one steadily rotates pictures of Afnani’s look books for reference. Meanwhile, an antique full-length mirror hides the change room.

“I like to be hands on,” says Afnani. “People will walk in looking for a suit, and they’ll walk away impressed by not only the price points, but the full styling service they receive.  I’ll dress them in everything from the shirts, to the jackets, to the shoes.”

The boutique stocks a high-end listing of brands, including his own line and some that are exclusive to Toronto, such as Zingal Riche and Edward Morris.

Among the standouts is a two-button, 100 per cent wool suit by Edward Morris ($899, pictured above) with pink silk lining and hand-stitched details on the lapels. Afnani’s own line is also nothing to scoff at. Produced and manufactured in Italy and Turkey, his suits and blazers start from $400. A 100 per cent wool burgundy suit with white pinstripes ($799) is meant to work well with a complementary charcoal overcoat ($449) that has burgundy pinstripes to match.

Besides the suits, Afnani houses just about anything a gentleman may need: shirts, ties, belts, bags, bracelets, shoes, even hand cream and cologne, which includes the ultra-exclusive Amouage fragrance.

Davido Afnani, 766 King St. W., 647-213-4824

Too Close To Call: Bay Street Video vs. Videoflicks

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With Academy Awards upon us, we take a look at Toronto’s biggest two purveyors of Oscar-winning movies. Bay Street Video and Videoflicks are independents still thriving in a world dominated by iTunes and Netflix. But who comes out on top?

Michael ‘Apocalypse Now’ Bernick

vs.

Joe ‘Cabaret’ Carlino

Bay Street Video (172 Bay St.)
Michael Bernick, 1993.
Shop, owner(s) & year opened:
 
Videoflicks (1701 Avenue Rd.)
Joe Carlino and Steve Cohen, 1981.
25,000 in rentals, plus 25,000 for sale. Number of titles in stock: 50,000 in rentals.
$4.95. Cost to rent one new release: $4.43.
It’s not a growing industry, but independent stores with good selections and knowledgeable and friendly staff are doing well. In the Internet era of instant access to thousands of free movies, how’s the video rental biz? I’m asked at every cocktail party: “How much longer do you think you have?” I don’t see a downward trend for at least five to eight years.
Apocalypse Now. Favourite flick: Cabaret.
If it were an action film — only because my wife likes them so much — Jason Statham or Bruce Willis. What actor would play you in a movie? Seth MacFarlane … somebody light and breezy and witty and fun.
Pistachios. Preferred movie snack: Popcorn.
I haven’t seen any of them because they haven’t come out on DVD yet! What’s your pick for best picture at the Oscars? I think Lincoln will probably win. It’s historical, it’s Spielberg, it’s King’s Speech–like in many ways.
Probably a short speech:
“…I’d like to thank everybody I’ve ever met in my life.”
What kind of an Oscar speech would you give? (Would you cry, have your mic cut off…?) I would go a little Dustin Hoffman. (Thank everybody for considering me but say that I am by no means special.)
     

 

Suzuki: looking back and moving on 25 years after Toronto climate summit

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In 1988, hundreds of scientists and policy-makers met in Toronto for a major international conference on climate change. They were sufficiently alarmed by the accumulated evidence for human-caused global warming that they issued a release, stating, “Humanity is conducting an unintended, uncontrolled, globally pervasive experiment whose ultimate consequences could be second only to a global nuclear war.”

They urged world leaders to reduce greenhouse gas emissions by 20 per cent by 2005. Had we heeded that warning and embarked on a campaign to meet the target, Canadians would now be healthier (because of reduced air pollution), have greater reserves of energy and more jobs. We’d also be a world leader in renewable energy and could have saved tens of billions of dollars.

Canadian Prime Minister Brian Mulroney was also re-elected in 1988. He appointed a bright new political star, Lucien Bouchard, as environment minister. I asked Bouchard during an interview what he considered to be our most important environmental issue. “Global warming,” he responded. I continued: “How serious is it?” His answer: “It threatens the survival of our species. We have to act now.”

Now, 25 years later, carbon dioxide emissions continue to rise, and we’re already seeing the consequences — more extreme weather events, melting glaciers and Arctic ice, rising sea levels, reduced water flows in rivers, and climate-related illness and death, among others. It’s driven in part by rapid economic growth in countries such as China, India and Brazil. At the same time, most industrialized nations, whose use of fossil fuels created the problem of excess greenhouse gases, have done little to reduce emissions.

Humans are distinguished from other species by a massive brain that enables us to imagine a future and influence it by what we do in the present. By using experience, knowledge and insight, our ancestors recognized they could anticipate dangers and opportunities and take steps to exploit advantages and avoid hazards. Scientists and supercomputers have amplified our ability to look ahead. For decades, experts have warned us that human numbers, technology, hyper-consumption and a global economy are altering the chemical, geological and biological properties of the biosphere.

The sooner we act, the easier it will be to overcome these difficult challenges. Every year that we stall makes it more costly and challenging, with increasing negative impacts on humans and our environment. There are signs of hope. Many countries — as well as cities, states and provinces — are taking global warming seriously and are working to reduce emissions and shift to cleaner energy sources. Some world leaders are even questioning our current paradigm where the economy is made a priority above all else.

This is crucial. Over and over, the economy has determined the extent of our response, but how much value does it place on breathable air, drinkable water, edible food and stable weather and climate? Surely the economy is the means to a better future, not an end in itself. Surely it must be subordinate to a rich, diverse ecosphere that sustains all life. Let’s hope 2013 ushers in a new way of living on and caring for our planet.

David Suzuki is the host of the CBC’s The Nature of Things and author of more than 30 books on ecology.

Theatre Review: Rosencrantz and Guildenstern Are Dead

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There are very good reasons why Tom Stoppard’s Rosencrantz and Guildenstern Are Dead has been revered as a modern classic since it first saw light of day onstage in 1966. And Stoppard has gone on to become one of the most respected playwrights in the world, for the legitimate reason that he is one of the most gifted in wit, craft, characterization and plot.

I eagerly made pilgrimages to both London’s West End and New York’s Broadway to see, and love, Stoppard’s later gems, Travesties, Arcadia and the three-part The Coast of Utopia, knowing that his four Tony Awards were all well deserved. Stoppard’s name must be included in any list of the most enjoyable, intelligent and memorable playwrights in the world since the ’60s.

The idea behind R&G is inspired, even as it lifts entire images from two great plays of the last six centuries. Rosencrantz and Guildenstern, two minor characters in Hamlet, here become central ones, along with King Claudius, Queen Gertrude (a.k.a. Hamlet’s mother), Polonius and others from Shakespeare’s magnificent play. They’re reminiscent of Ham and Clov in garbage cans (from one of the other masterpieces of the 20th century, Samuel Beckett’s Endgame).

Much of the great pleasure we get from Stoppard’s glorious play is in watching R&G know that they will face death, though they are unsure how it will happen — surely the ultimate existential image of our time. Like some of Beckett’s dramatic inventions, the two title characters play word games to pass time; they are filled with dread, and they are unsure what their next moves should be.

This Soulpepper production, directed brilliantly by Joseph Ziegler, stars the excellent Ted Dykstra and Jordan Pettle as the title “heroes” (anti-heroes?). It is so much fun to see them, as it is to see many of the best regulars of Soulpepper (Diego Matamoros, Oliver Dennis, William Webster, Kenneth Welsh, among others) in tiny roles, in spite of the fact that they are usually at the very core and action of the original Hamlet.

It is shocking to recall, during this stunning production, that Stoppard was still in his 20s when he penned this hysterically funny and profound play, with lines such as “We were sent for… that’s why we’re here!” and, “We are entitled to some direction… I would have thought!” which will keep you laughing through the rapidly moving three acts.

Who else but Tom Stoppard could knock off an exchange between R&G which declares that one of them feels “stark, raving sane,” or make our minds spin with the line, “Eternity is a terrible thought; where would it end?” Indeed. That’s matched only by, “Death is the ultimate negative,” tossed off by one of our non-heroes near the end.

And what an end. This is one great, memorable, meaningful evening of theatre; God bless you, Soulpepper.

Rosencrantz and Guildenstern Are Dead, Soulpepper Theatre Company, Young Centre for the Performing Arts, 50 Tank House Lane, 416-866-8666. Now – Mar. 6

2013 Oscar predictions: who will win, and who should win

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Sunday night is the biggest movie industry event of the year — The Oscars — and we would be remiss if we didn’t offer our hopes, beliefs and criticisms on the major categories of the yearly Hollywood spectacular. Below, our picks for the top awards of the night.

 

Best Supporting Actress

Who will win: Anne Hathaway.
Who should win: Anne Hathaway. She underwent such intense physical deprivation for this intimate and powerful role that she refused to tell people exactly what she did simply because it was so unhealthy. Her character Fantine is defiled and humiliated, and then offers up one of the most stirring scenes in cinema, singing “I Dreamed a Dream,” leaving nary a dry eye.

 

Best Supporting Actor

Who will win: Tommy Lee Jones.
Who should win: Christoph Waltz. This is a toss-up, as both men captivate in their respective movies while playing roles we are accustomed to seeing from them. Waltz is an eloquent, polite and menacing German, while Jones is a smart, cranky old man. I lean towards Waltz, since you’ll get both a great speech from him and a great scowl from Jones.

 

Best Actress

Who will win: Jessica Chastain.
Who should win: Jennifer Lawrence. In another two-person race, both women give very different, yet equally compelling, performances. Chastain is subtle and layered, developing her character across 10 years on screen. Lawrence is versatile and charming, eliciting tears and laughter, often in the same moment. Oscar politics encroach however, and since Zero Dark Thirty needs to win something (see ahead), and Lawrence will surely be back, Chastain gets the nod.

 

Best Actor

Who will win: Daniel Day Lewis.
Who should win: Daniel Day Lewis. He spent a year preparing for the role of Abraham Lincoln, reading over 100 books on the revered president. Plus, he’s probably the best living actor, so, yeah, this is sort of a no-brainer.

 

Best Director

Who will win: David O. Russell.
Who should win: Kathryn Bigelow. A winner in 2008 with The Hurt Locker, Bigelow takes all the suspense and drama that Argo offers and heightens it, telling a story that is more recent, more well- known and more important (making her job harder). But she isn’t even nominated, so Russell gets it for a great film that avoids so many pitfalls and is ultimately inspiring.

 

Best Picture

Movie that will win: Argo.
Movie that should win: Zero Dark Thirty. It’s a story that would fail under any other director and writer (just see Seal Team Six — actually, don’t). Mark Boal and Bigelow took years meticulously crafting a film that was completely redone after (spoiler alert) bin Laden was killed. Fraught with tension and urgency, the last half hour (nearly the same amount of time as the actual raid) is some of the most riveting cinema in years.

The Oscars, Feb. 24, 8:30 p.m. on CTV

Tony Aspler’s Weekly Wine Pick: a Bordeaux that’s both elegant and affordable

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Blaye is a lesser-known region of Bordeaux that produces good value wines. This wine has the characteristic claret nose of cedar and blackcurrants; its soft-mouth feel belies its firm structure. Medium-bodied and dry, with expressive fruit flavour.

Food match: lamb chops, roast beef

 

Château Maison Neuve, 2009, Bordeaux, $15.95. Vintages #307298

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards. He can be heard on 680News.

After 25 years, Centro closes its doors

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Shortly after learning of Colborne Lane’s impending closure, we were notified that the legendary Centro is closing after 25 years in business. The restaurant had seen some of the city’s most famous chefs pass through its kitchen, including Chris McDonald, Michael Bonacini, Marc Thuet and David Lee.

“It’s sad, it’s the end of an era,” says co-owner Armando Mano.

But all is not lost. Mano tells us that he’s opening up a new restaurant in Centro’s space, one that will be geared towards a completely different demographic. He hasn’t revealed the name of the new place yet, but it will serve rustic Italian cuisine at significantly lower price points than Centro (mains will not exceed $27, compared to $36-$48).

Mano is hiring nearly all new staff (the executive chef, Symon Abad, will remain, as will the general manager), and he’s completely redoing the interior and exterior of the space. 

“You’d never know Centro was here,” he says.

The new restaurant is expected to open in mid-April. 

Say goodbye to Colborne Lane

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Claudio Aprile has just announced that he is closing the highly acclaimed Colborne Lane. “I feel that I’ve said everything I’ve had to say with this restaurant,” Aprile tells us. “It’s time for me to focus on different projects. It just feels right.”

Those other projects include the newly opened Origin Liberty, Origin North (which is slated to open in May) and Trillium (which will be opening at Pearson Airport).

Aprile did not reveal a specific closing date for Colborne Lane, but he did indicate that it would be a matter of weeks, not months.

No word yet on what type of establishment will replace Colborne Lane.

UPDATE: Colborne Lane’s last day of operation will be Saturday, Feb 23.

Weekend Warrior: IceFest, Music from the Academy Awards, 30 years of Theatresports, Swedish House Mafia and more

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Ice Ice Baby

Most of us are looking forward to the spring, but a select few of us are hoping winter sticks around a little longer, especially for events like IceFest in Yorkville. Starting this Saturday, ice carvers will expertly cut down blocks of ice into various creatures of delight, including an “Enchanted Garden” display of gnomes, fairies and more. Bonus: it’s an all ages show, and it’s free.


And the Oscar goes to…

Gear up for Oscar weekend by joining the Etobicoke Philharmonic Orchestra on Friday for a concert that features some Academy Award-winning music. Among the recognizable titles are the introduction from Star Wars, the theme from Schindler’s List and some symphonic highlights from Pirates of the Caribbean


Soak up Some Suds

Head over to The Only Cafe this weekend for a three-day beer fest, where you can sample some of the best local breweries. Each day has a different roster, so make sure to check the lineup to decide which day is best to engorge your mouth with frosty suds. And to make sure you have something to pair it with, Fidel Gastro’s will be making an appearance on Saturday and Sunday.


This is 30

Bad Dog Theatre Company (formerly known as Theatresports Toronto) is having a party and a performance at Comedy Bar to celebrate its 30th year on Saturday. Watch improvisers try to impress the crowd and judges, and also watch them try to dodge the infamous BOO brick (which may or may not actually be a brick). It’s literally a once in a lifetime experience, because we all know improv never repeats itself.


One last Hej då

Electronic trio Swedish House Mafia are doing one last tour, and there are still tickets available for the Feb. 22 show at the Rogers Centre. The venue may seem a little large for three people to fill out, but if you’ve seen the video for “Don’t You Worry Child,” you’ll realize that any other place in Toronto would actually be too small.

Shop Talk: Mi Janeaux, a Woodbridge staple, opens a fashion boutique in North York

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Mary Di Pede has already enjoyed much success. She’s gone from opening her first Mi Janeaux boutique in Woodbridge 21 years ago to styling Breakfast Television’s Dina Pugliese to participating in on-air segments for the show, but that doesn’t mean she’s resting on her laurels. Yesterday, Di Pede opened a second, 1,300-square-foot Mi Janeaux location in North York.

The new store is quite different than the Woodbridge location. The inner decor is a stark contrast to the Woodbridge location’s modern feel; it’s French in style, evoking a very soft feminine look, reinforced by warm lighting from unique-looking crystal chandeliers. In terms of goods, the Woodbridge location features more evening wear, while Di Pede says the Avenue Road location focuses “a bit more on casual and day-to-day wear.” 

Housing everything from clothing, shoes, purses and jewellery to antique furniture, Mi Janeaux is looking to be a one-stop shop for women. The clothing is mainly purchased from Los Angeles and Italy, selected by Di Pede herself and priced conservatively.

“You can buy a dress here for $80, or you can spend $500,” says Di Pede.

On the racks are both popular and up-and-coming labels such as Black Halo, Tadashi Shoji, Stop Staring!, Hale Bob and more. Currently, some of Di Pede’s favourite pieces are the Black Halo pant suit ($395) made from 100 per cent wool crepe with two slip pockets, and a dress from Stop Staring! ($200) that should draw eyes for its great silhouette and fit.

Mi Janeaux, 1927 Avenue Road, 416 787 8838