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Weekend Warrior: Yogapalooza, Word on the Street, Toronto Garlic Festival, Manifesto

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It’s Thursday, and the weekend is fast approaching. Need stuff to see or do? We’ve got you covered. In this edition: a celebration of yoga, a festival of garlic, an autumn beer bash and more.

Manifesto Festival of Community and Culture

When: Sept. 19-22
Where: Various locations
Details: This festival features musicians, visual artists and performers, all of them working to educate and empower young people through arts and culture. Concerts, a breakdancing battle, a producer showcase and an art exhibition are just some of the activities taking place around Toronto this weekend.


Steam Whistle’s Annual Oktoberfest

When: Sept. 21
Where: Steam Whistle Brewing
Details: Sausages, pretzels, sauerkraut and beer — that’s right folks, it’s time for one of the most well-known (and did we mention fun?) traditional festivals of the year. Steam Whistle Brewing is hosting its third annual Oktoberfest this Saturday. For $25, celebrants receive a one-litre stein of Steam Whistle pilsner. Also enjoy traditional Oktoberfest eats and entertainment.


Yogapalooza

When: Sept. 21-22
Where: Harbourfront Centre
Details: Whether you’re an experienced yogi or someone who can barely touch their toes, this free festival of music, movement and meditation has something for everyone. There will be classes for beginners and experts, as well as a drumming circle, performances, yoga for kids and a marketplace.

The Word On The Street National Book & Magazine Festival


When: Sept. 22
Where: Queen’s Park Circle
Details: Attention literature junkies: Canada’s largest annual book-and-magazine festival takes place this Sunday at Queen’s Park. Catch some of the most notable faces in Canadian literature (this year, expect to see the likes of Joseph Boyden and Austin Clarke), or try your hand at a writing workshop led by faculty from the Humber School for Writers. There will also be presentations by writers from the Toronto Star.


Toronto Garlic Festival

When: Sept. 22
Where: Evergreen Brick Works
Details: For those who thought they knew garlic, prepare to experience it in ways you never thought possible. This Saturday, the Evergreen Brick Works will become Toronto’s garlic headquarters. Ontario farmers will sell different varieties of garlic, and local chefs (including Jamie Kennedy and Brad Long) will have garlic-inspired dishes on offer. Wash it all down with a pint of craft beer, and don’t forget the roast garlic and chocolate ice cream for dessert. Activity-wise, there’s a garlic braiding workshop and even a garlic breath contest.

First Draught: an Oktoberfest beer from Mill Street

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In recommending a beer for Oktoberfest last year, I dealt with the confusing fact that the festival happens mostly in September. This year, let’s consider that the traditional style of beer for the Bavarian booze-up is Märzen, or “March beer.”

Before commercial refrigeration was invented, Märzen — like other classic September styles such as saison — had to brewed at the end of the cool spring season with a strength that would allow it to keep over the summer. So it’s no surprise that Mill Street’s modern version of an Oktoberfest beer eases up on the alcohol to a slightly tamer 5.6 per cent.

This Märzen pours a medium amber with a fluffy cap that’s a few shades off from white. The aroma has familiar notes of German hops (more herbal and floral than citrus or pine) and a good malty backbone to it. The flavour is of toasted bread with honey, cut by a slight hop bitterness, lifted by a pleasant degree of carbonation.

The natural and obvious food pairings for an Oktoberfest Märzen are veal sausages and soft pretzels, but I’ve also had luck serving it with meat-heavy pasta sauces and rich, lamb-based Middle Eastern dishes. Lamb kofta with a garlic-tahini sauce is a particular favourite.

The Oktoberfest Beer is available at the LCBO as one half of Mill Street’s Autumn Harvest Seasonal sample pack, along with the Nightmare on Mill Street pumpkin beer. It can also be ordered on tap at the Mill Street Brew Pub in the Distillery District.

Mill Street Brewery’s Autumn Harvest Sampler, $13.45 for six 355 ml bottles, LCBO #313916

In addition to covering beer, new restaurants and food trucks for Post City, David Ort writes about food and drink for several Toronto publications including his own site, Food With Legs. He is also the author of the upcoming Canadian Craft Beer Cookbook. For more of his thoughts on food, beer and life in general, follow him on Twitter or get in touch at [email protected].

Kitchen Confidential: a lighter take on Crack Pie

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NUTRITION FACTS:  One pie (764 g)                                  
• Calories 3,708
• Total Fat 223.2 g
• Sodium 1,928 mg
• Carbohydrates 390.8 g
• Protein 34.4 g

Milk Bar, the bakery branch of David Chang’s Momofuku, focuses on home-style desserts. These sinful but oh-so-good sweets are made fresh daily and shipped in from Brooklyn. Crack Pie is the most delicious and greatest culprit — after one bite, you’ll understand the name! You just have to have more. A full 764 g pie comes in at 3,708 calories, with a whopping 223.2 grams of fat. Make it a very special treat!

 

ROSE’S HEALTHY TAKE:  PECAN CREAM CHEESE PIE

I have a great pie that features a gooey pecan tart filling with a creamy cheesecake layer. Pecans are a good source of protein and healthy polyunsaturated fats, but nuts are high in calories and fat, so eat them in moderation. Process the cheesecake batter well to make it as smooth as possible. 

 

Post City Magazines’ culinary columnist, Rose Reisman, is the author of 17 cookbooks, a TV and radio personality and a health and wellness expert. Source: The Complete Light Kitchen (Whitecap Books). Visit Rose at www.rosereisman.com

 

Shop Talk: Mulberry opens a standalone store in Yorkville

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Opened early last month, Mulberry is the latest high-end retailer to join the Yorkville neighbourhood. While the brand also opened a spot at the Yorkdale shopping centre last month, the Bloor location is Mulberry’s first standalone store in Canada.

In case you are unfamiliar with the luxury boutique, the British retailer specializes in bags and women’s accessories, but it also stocks ready-to-wear clothing for women and a few male accessories, such as leather cardholders and business cases.

The store doesn’t exactly cater to casual shoppers who are looking for the next discount or sale. Instead, Mulberry products are for those who understand that the price tag reflects the quality of the goods. It’s tradition, quality and style over fast fashion and trends.

Though the shelves don’t overwhelm with a sheer quantity of merchandise, it’s still hard to pick and choose standouts, especially when almost everything becomes part of your wish list. Mulberry’s aesthetic is described as “le style Anglais,” which is a combination of traditional looks with modern fixtures. With a high-end retailer of this magnitude, almost all the goods have an air of sophistication and crafted care about them. It’s easy to see however, why the handbags are Mulberry’s lifeblood.

The Bayswater bag ($1,850) is fused from 60 leather pieces that are hand-stitched together and finished with a gold postman’s lock. If you love the traditional look of the bag but are longing for a bit of colourful bravado, you can opt for the pink rather than the brown. Or, if you’re feeling really adventurous, the Bayswater also comes in full ostrich leather, coloured in an elegant aubergine or emerald ($7,500).

Another popular bag, the Alexa, is named after Alexa Chung, a British fashion icon. Upon first sight, the Alexa is a combination of the Bayswater and a briefcase. The Alexa is made of 51 hand-stitched leather pieces ($1,500-$4,200, depending on the colour and size), and like the Bayswater, it also comes in an array of colours and full-on ostrich leather at the top of the totem.

Stationed alongside the bags is the women’s ready-to-wear fashion line. A wool and spandex black dress ($2,800) comes in two styles: as a cocktail dress or a long skirt, both sporting a silhouette that is slim and fitting. The black is accented with gold beads that are attached by hand in India to give the dress a sense of motion.

This section of Bloor is quickly becoming the Fifth Avenue or Bond Street of Toronto. And with a high emphasis on tradition and quality, Mulberry simultaneously fits in perfectly while having enough flair to stand out.

Mulberry, 131 Bloor St. W., Unit 103, 416-944-8251

Drink This: the pina colada from Julie’s Cuban

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Hiding out among Dovercourt’s hodgepodge of houses, Julie’s Cuban is a wonderful little neighbourhood find. Those lucky enough to stumble upon it after sunset can’t help but be enchanted by the glow of the twinkly lights beckoning from inside. There, against a backdrop of Cuban beats and a wall heaving with tchotchkes, locals tuck into fresh ceviche or arroz and frijoles, dreaming of Havana.

Though the nights are rapidly cooling, it’s still almost possible to pretend it’s a midsummer’s eve when sipping on an admittedly un-Cuban pina colada ($9). This admittedly tacky vacation fave stars Malibu rum, coconut cream and pineapple juice. Served in a curvaceous daiquiri glass, the bevvy is dolled up to the nines with a maraschino cherry and — what else? — a pink umbrella.

Julie’s Cuban, 202 Dovercourt Rd., 416-532-7397

Karolyne Ellacott is a features editor at Post City Magazines. She pedals around town in heels, eating sandwiches and drinking cocktails. She writes about that, and about about other stuff too. She is also on Twitter.

For more must-try Toronto cocktails, check out our Pinterest page

 

Suzuki: think twice before flicking that next butt

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Not long ago, dining out, going for a drink, working in an office, riding an airplane or intercity bus, and going to a movie meant being subjected to second-hand smoke. Cigarette smoking was a fact of life, and smokers were everywhere  — indoors and out.

In many countries, including Canada, that’s changed. But it wasn’t without a fight. Restaurant and bar owners fretted loudly that regulations to limit smoking would destroy their businesses, and tobacco companies lobbied and launched massive PR campaigns to convince people that smoking wasn’t harmful, that new laws were an infringement on smokers’ rights and that reducing smoking would devastate the economy.

Through a combination of public education and government regulation, including taxation, profound societal change took place over a relatively short time.

In 1965, half of Canadians smoked. By 2011, that had dropped to about 17.3 per cent, or 4.9 million people, with only about 13.8 per cent daily smokers.

Unfortunately, the downward trend has levelled off in recent years, and tobacco remains the leading cause of preventable death in Canada, according to researchers at the University of Waterloo.

“More than 37,000 Canadians will die prematurely this year due to tobacco use. Each day, 100 Canadians die of a smoking-related illness,” reads the 2013 report, titled “Tobacco Use in Canada: Patterns and Trends.”

With increasing regulation, high cigarette prices driven by “sin taxes” and the current stigma attached to smoking, it’s bewildering that people take up the pointless habit in the first place.

Smoking prevalence is still highest among young adults, especially those aged 25 to 34. And education is a factor, with smoking rates for university graduates less than half those for people with less education.

I sometimes wonder if it’s lack of education that causes many smokers to litter their butts without giving it a second thought. It’s astounding how many people who would likely not otherwise drop garbage on the ground see nothing wrong with flicking butts without regard for where they land. It may seem trivial, but it’s not.

According to the Surfrider Foundation’s Hold on to Your Butt campaign, cigarette butts are the most littered item in the world, with 4.95 trillion tossed onto the ground or in water every year. The U.S. spends about $11 billion a year on litter cleanup, and 32 per cent of that is butts.

They’re washed from the streets into storm drains and rivers and eventually to oceans and are the most prevalent type of debris collected in beach cleanups around the world.

The environmental impacts are nothing to sneeze at, either. Surfrider notes that cigarette butts are made of “cellulose acetate, a non-biodegradable plastic, which can take up to 25 years to decompose.” The toxic butts can be ingested by children and animals, especially birds and marine animals. Tossed cigarette butts are also a major fire risk.

Obviously, the best way to reduce cigarette butt pollution is to step up efforts to prevent people from starting smoking and help those who have to quit.

But we aren’t going to stop everyone from smoking overnight, so we have to find ways to address the litter problem. Again, a combination of public education and regulation will go a long way.

In San Diego, Surfrider installed outdoor ashcans and gave smokers pocket ashtrays. Many places, including Vancouver, have banned smoking on beaches and in parks. Stepping up enforcement of litter laws also helps. Some people even recommend banning filtered cigarettes or at least requiring filters to be biodegradable, arguing they’re more of a marketing ploy than a safety feature.

In Vancouver and other cities, some people have been pushing for a deposit-and-return system similar to those for bottles and cans.

Besides reducing litter and environmental damage, methods that also increase the price of cigarettes have proven to be effective in reducing smoking rates.

Some consider tobacco a sacred herb. It’s used by many indigenous peoples for ceremonial purposes. With widespread use spurred by marketing, it became a costly and unhealthy addiction and a toxic blight on the environment.

Smoking trends in countries like Canada show that societal change is possible and — with education and regulation — people will do what’s best for themselves and for the world around them.

David Suzuki is host of CBC’s The Nature of Things and author of more than 30 books on ecology.

Concert Review: Sarah Brightman at the ACC

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Sarah Brightman brought the spectacle and then brought the goods during her two-hour performance at the Air Canada Centre on Sunday night.

The spectacle came in the form of jaw-dropping imagery and lighting, most of which was in line with a space theme (Brightman, who is training to go to the International Space Station, is an avid space enthusiast). Throughout the course of her 20-song set, the soprano was dwarfed by spectacular images of the solar system, Mars and shuttle launches, all the while being bathed in a multitude of bright-coloured lights. Brightman herself was often perched upon an elevated platform and cloaked in increasingly ostentatious dresses, some of which even lit up so as to help her not get lost amidst her background.

Oh, and there was a bit of singing, too.

Brightman set a formidable challenge for herself to stand out against her own attention-grabbing staging. During act one, it didn’t seem as though the 53-year-old was up to the challenge. Sure, she was on note, but there was a lack of distinction among her 10 non-descript tracks, which seemed to blend into one unmemorable blob of pleasant-but-forgettable music (save for an impressive high note to close out the act one finale, “Nessun Dorma”).

During act two, though, Brightman really ramped things up. Taking a poppy tone with act’s opening song, “Closer,” she was joined by a cadre of capable dancers to suggest that things would be taking a turn for the more up-tempo.

Although Brightman was unable to sustain a consistent energy after the intermission, she certainly did pack in plenty of highlights. The airy quality of her classically-trained voice stood out during the British ballad “Scarborough Fair,” and she showcased her seemingly endless range on “The Phantom of the Opera” and “Time to Say Goodbye.”

Although tracks off her recently released Dreamchaser (yes, another space reference) didn’t yield much of a response from the sparse crowd of 5,000 fans, she did lean liberally on her latest album (eight songs in all).

All in all, Brightman made terrific use of her high-end stage show, all the while serving up a vocal performance that was just good enough so as not to get completely overshadowed.

Wanted: this lambskin jacket from Beaufille

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Any fashion enthusiast worth his/her salt is likely to be a expert in contrasts — not just between black and white (a trend that is still going strong this season), but also between modern and vintage, preppy and urban, soft and hard, conservative and sexy, feminine and masculine… the list goes on.

Not that there’s anything wrong with pairing a lace dress with pristine pearls and pink pumps, it’s just a little expected. What makes an ensemble memorable and fashion-forward lies in its ability to subvert the viewers’ expectations, raising all sorts of questions, like, “Was that interesting or just weird?” or, “Can you even wear a silk dress with combat boots?” After all, we’ve been told since we were in grade school that opposites attract. Now you can apply this same principal of physics to how you shop for clothes.

The name Beaufille is loosely translated into English as “handsome girl,” and, as the new name of Toronto label Chloé Comme Parris, it perfectly encapsulates this ideology of opposites. Designed by sisters Chloé and Parris Gordon, every garment from the collection reflects a marriage of diverse interests, with Parris more attracted to feminine touches and Chloé more inspired by menswear.

Sophisticated but tough, modern with heritage elements, soft combined with hard, Beaufille is every fashion buff’s wet dream, and no piece captures this more perfectly than the Dogbowl jacket. Constructed from lambskin leather in the body and soft Tencel in the sleeves, this moto-styled jacket manages to be punk-rock-tough and unmistakably feminine at the same time. For one, it’s soft pink. It also features drawstrings in the back, giving the loose-fitting jacket an hourglass shape if the wearer so chooses. But the off-centre zipper placket and zipped cuffs bring it back to its menswear roots.

$1,195. Available online at beaufille.com

What to Watch at TIFF 2013: day 10

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The Toronto International Film Festival has descended upon the city, and with hundreds of choices, picking the right film to see can be overwhelming. We’ll be bringing you recommendations every day, from major Hollywood features to compelling docs — the best from around the world. These are films that deserve to be seen, either during the festival or after.

 

12 Years a Slave

Rating: 5/5

Steve McQueen’s historical drama about a free black man kidnapped into slavery is flooring and utterly unforgettable. With an A-list cast, and a stirring performance from Chiwetel Ejiofor in the lead role, 12 Years a Slave is arguably the best film in the festival this year.

Solomon Northup is living a happy existence in pre-Civil War America with his wife and two children in upstate New York before being conned by two men, then drugged and transported to the south — without any papers proving he is in fact free. Subjected to the horrors of slave life, Northup is sent on a harrowing journey, passed from slave owner to slave owner and forced to endure humiliations, degradations and torture.

McQueen does not hold back, challenging the viewer to endure Northup’s shame and pain. It is shocking throughout, with unsettling and powerful performances by Paul Giamatti, Benedict Cumberbatch, Paul Dano, Sarah Paulson and a very maniacal Michael Fassbender. It’s heart-wrenching and evocative, and a piece of filmmaking that is unparalleled in potency and meaning.

Sept. 14, Visa Screening Room, 9 p.m.

 

Sunshine on Leith

Rating: 4/5

It’s a Scottish musical, and as strange as that might sound, Sunshine on Leith is an irresistible, charming, engrossing pleasure. Based on the stage musical, which was crafted by the songs of famed Scottish band The Proclaimers (of “I’m Gonna Be (500 Miles)” fame), this cinematic adaptation is the right blend of humour, drama and energy.

Davy and Ally return home from war. As Ally reconnects with his girlfriend Liz (who is Davy’s sister), Davy begins a romance with Liz’s friend Yvonne (even though she’s English). Meanwhile, Davy’s and Liz’s parents are celebrating their 25th anniversary as a revelation threatens to break them apart.

Amid these parallel romantic storylines, not all of which end up as one would expect, there are some wonderful musical interludes, seamlessly integrated into the story and engagingly performed by a very talented cast. It’s hard not to be won over by the infectious sounds and gorgeous sights (Edinburgh is stunning), and by its stirring finish, you’ll be singing and dancing too — if not out loud, then in your head, at least.

Sept. 14, The Bloor Hot Docs Cinema, 9:15 p.m.

 

Love is the Perfect Crime

Rating: 4/5

This French film starring the incomparable Mathieu Amalric is chilling — and not just because its addled characters live in the Swiss Alps.

As a professor of literature at one especially beautiful campus, Marc has a penchant for charming and bedding beautiful young coeds. He also has a peculiar relationship with his sister, who he lives with. A student goes missing at the school, however, and as an investigation proceeds, Marc becomes entangled with the student’s beautiful stepmother. He is warned against it, but can’t help his curiosity, and he enters into a mysterious relationship amid so many uncertainties.

Beautifully shot, this film also displays a wry sense of humour, where not only are you unsure of what will happen next, it’s hard to say what exactly is going on in the first place. Almaric is captivating, and this witty and at times deranged film is guiltily fun and gripping until its fateful conclusion.

Sept. 14, TIFF Bell Lightbox 2, 3:30 p.m.

Q&A: Hollerado on their upcoming Toronto show and their groundbreaking new video

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Toronto rock band Hollerado made waves recently with a video documenting a unique transcontinental experience of frontman Menno Versteeg.

Long story short, the video relays the experience of Versteeg’s grandfather during the Nazi occupation of the Netherlands in the Second World War, followed by the young musician’s trip to Germany to meet the grandson of a German soldier who knew and was integral in saving the life of his grandfather.

It’s an incredible video, not to mention a seriously catchy tune. Tongiht, the band brings its melodic, hook-filled punk-pop to the Danforth Music Hall to kick off their fall tour.

Tell me about the experience of making “So It Goes” in memory of your grandfather?
It was very meaningful. I was such good friends with my grandfather and I wanted to pay him a tribute. Just the fact that I made this song was enough for me. But I’ve had so many e-mails from people I didn’t even know, just saying how they identified with the story, how it reminded them of their grandfather. It means more than even I thought it would.

What were your expectations going into the release of the new album, and are you happy with how it has been received so far?
To be completely honest, it’s a little disappointing that it hasn’t been received as well as I would have liked. I think a lot of people wanted to hear stuff from our first album. Really, that’s not something that concerns me. I’d much rather be evolving as a songwriter than just sticking to the same place.

What can we expect from your show at Danforth Music Hall?
I’m excited because we haven’t really done a headline tour off this album yet. So that’s going to be fun, to be able to play an hour and a half and go deep into the new material.

What’s the craziest thing that’s happened at a Hollerado show?
It is hard to say what the craziest thing is, but a couple weeks ago at Osheaga, some fan got up, stormed the stage and proposed to his girlfriend — that was amazing.

 

Hollerado plays the Danforth Music Hall on Sept. 13 in support of their new album, White Paint.

Shop Talk: Working Title opens near Yorkville

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Jonathan Elias and Justin Veiga, the duo behind the Dundas West menswear boutique Lost and Found, were beginning to feel stagnant. They didn’t want to expand their brand, but they were itching to tackle a new challenge, a new neighbourhood, a new concept.

This past February, Elias and Veiga wrangled a pair of long-time Lost and Found customers — Paul Shkordoff and Michael Fong — to join them in their new scheme. The foursome set out to find the ideal venue for a new menswear store, Working Title, which would sell high end clothing, art books and hard-to-find magazines; it would also have a gallery component. (Although, unlike Lost and Found, the new multifaceted venture does not have a café aspect — at least not yet.)

At first they looked around Rosedale, but the pickings were slim, so they opted for a two-story midtown spot, and the new shop opened earlier this month. It’s a good fit, because although they are near Yorkville — a nabe that boasts the fat-wallet toting clientele that can afford a $48 candle — they are outside the grips of Yorkville proper, which allows them some freedom from catering solely to the stodgy upper crust crowd.

“We’re not dealing with the heavy foot traffic, so we need to do something a little bit different to give people a reason to walk the five minutes north,” explains Elias, turning a potential downside of the location into an upside.

When you walk into the large, sun-drenched room, the intoxicating smell of Sicilian lemon, calla lily and mint hits you immediately. The redolence is coming from a single Jiya Studios candle ($48) burning atop the minimalist checkout counter.

The entire room has a Scandinavian elegance about it: a handful of racks with pieces from the likes of Svensson, Patrik Ervell, MHL and Han Kjøbenhavn are tucked against the walls to maximize the open space.

The basement houses a bookstore/art gallery. In order to make the space feel, well, less like a basement, they’ve laid an epoxy on the ground, which has turned the floor a glassy grey that reflects light, keeping the space bright.

Working Title carries a wide gamut of art books from publishers like NY-based Dashwood Books and Norway-based Éditions Du LIC, as well as about 20 magazines that range in focus from culinary arts to surfing. (And yes, there are also fashion mags aplenty!)

The first artist to be exhibited in the space will be Victoria-based photographer Chris Taylor, who will be showing the prints from his published photo essay entitled Life and Times of William Callahan. Taylor went to Austin, Texas for a month to snap intimate shots of now middle-aged lo-fi rocker, Bill Callahan.

Working Title, 126A Davenport Rd., 416-551-1085

Tony Aspler’s Weekly Wine Pick: a crisply dry Sauvignon Blanc from Chile

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Pale straw in colour with a lime tint; a bouquet of crushed elderberries with a grassy note; medium-bodied, crisply dry, gooseberry flavour with a lemony finish.

Food match: goat cheese salad; ratatouille

 

Emiliana Adobe Sauvignon Blanc Reserva, 2012, Casablanca Valley, Chile, $12.95. LCBO #266049

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards and has been inducted into the New York Media Wine Writers’ Hall of Fame. He can be heard on 680News.