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Measure for Measure in High Park comes out ahead

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A scene from ‘Much Ado About Nothing’ at Shakespeare in High Park

Canadian Stage’s Shakespeare in High Park summer series, now in its 37th season, has two of the Bard’s classics running in repertory until the end of the summer — Much Ado About Nothing, which is (mostly) a romantic comedy, and Measure For Measure, which is (mostly) a morality play.

Measure is the more unlikely programming for the family-friendly outdoor amphitheatre, and although both shows are entertaining, it’s the more engrossing production too.

Director Severn Thompson’s vision of Measure’s town of Vienna is one of corrupt decay. This is symbolized overtly by the graffitied stage panels and onstage partying that opens the show and, more subtly, by the blotches of grime on the thrust stage and set and the double entendres of its citizens and sex workers.

Duke Vincentio (Allan Louis) is loathe to apply the city’s antiquated morality bylaws to the populace, so he decides to feign an out-of-country trip and hands control of the city to the conservative preacher Angelo (Christopher Morris), who begins a brutal crackdown on the city’s “bawds” and everyday folk, like the young Claudio (Richard Lam) and his already pregnant fiancée Juliet (Emma Ferreria), drawing Claudio’s nun-to-be sister Isabella (Natasha Mumba) out of her monastery to plead for her brother’s release. But the duke has in fact remained in the city, disguised as a priest-confessor, and observing how the crackdown goes awry, begins to plan how to set things right to his satisfaction.

In Liza Balkan’s production of Much Ado, we’re transported back 20 years to 1999 and out of the city to cottage country. Aspiring standup Beatrice (Rose Napoli) mopes around the palatial lake house of her uncle Leonato (Louis) and his virgin daughter Hero (Ferreira). The arrival of Don Peter (Morris), his sibling Don John (Mumba) and his soldiers — among them the passionate Claudio (Emilio Viera) and louche Benedict (Jamie Robinson) — sparks revelry, matchmaking and some less-innocent plotting.  But everyone gets a happy ending.

Both shows succeed in large part due to the charisma of their leading ladies. Napoli in Much Ado aptly portrays Beatrice’s withering wit and her poorly concealed optimism, whereas Mumba brings to her role of Isabella the intensity and fervour of her recent turn as a beauty school contestant in the Dora Award–winning School Girls.

Where Thompson’s Measure succeeds is in its thematic cohesion and its editing, as both plays have been trimmed to approximately 90 minutes.

In Much Ado, that means we lose some of Mumba’s equally compelling villain turn as Don John, as well as the comedic stylings of Nora McLellan’s bumbling sheriff Dogberry.

Audiences who trek into the park for the pay-what-you-can shows will enjoy Beatrice and Benedict’s wrangling and some supporting players’ musical gifts, like Richard Lam’s too-brief ukulele serenade as Borachio.

But it is Measure that stuck with us, especially how, at the end, after Allan’s duke has manipulated the players, they all convey a sense of unease at how gleefully he’s exerted his authority.

No character is without flaws in the show, which cunningly references modern movements, such as #MeToo, and that slice of realism with the frothy comedy gives it an edge over its more lighthearted companion play.

The shows run until Sept. 1.

Toronto director to open TIFF and he’s only 25 years old

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Courtesy of TIFF (Elliott Landy)

So… Your film is opening TIFF. Thoughts?

Well, for a while, I was saying it’s a dream come true, not exactly accurate because I never dreamed this was possible. This has exceeded every possible expectation I’ve had. And I am just so humbled. I cannot tell you how extraordinary it is. A kid from Toronto, I got this huge opportunity, and I worked really hard to make this film as good as I could for Band fans everywhere. So to be honoured with this, to be the first Canadian documentary to open the Toronto film festival? I am beyond words.

Were you a fan of the Band before this project came along?

I grew up listening to the Band. Their music was the soundtrack to my life. I just knew they were Canadian and an iconic band. So that’s what motivated my initial interest and after Robbie’s [autobiographical] book came out, I just thought it was such an amazing story. His story reads like fiction. It’s absolutely remarkable. This half-Jewish, half-Mohawk kid who envisioned this life for himself.

What did you find appealing about their music?

It seemed like it came from another place, another time. I recognized that it told stories. The music itself, I didn’t know what the blues were, or gospel or ragtime — all the foundational music that the Band drew from. It was just a sound I’d never heard before that I was very interested in. It was really compelling. When I was in high school, I turned “The Night They Drove Old Dixie Down” into a comic book for an art project at Etobicoke School of the Arts.

And how did you land such a plum gig?

I was fortunate enough to be able to be in the conversation to direct the project. And I think the producers of the film acknowledged my passion and energy for the project that I brought to the table. When I met with Robbie, he later said that he saw a version of his younger self in me. I think he was speaking to the passion and energy and the work ethic, which brought him to where he was, and motivates me.

It seemed like a very interesting time in Toronto’s history.

The Toronto connection was just such an interesting time. The world of Toronto that I grew up in was very different from the Toronto that Robbie grew up in. We often think about Toronto the Good, and it being really clean and safe, but the circles Robbie was rolling in back then was the gritty underbelly of the city. The clubs along Yonge Street — the Coq d’Or and the Brown Derby — were not the fancy pubs, and that’s really where he cut his teeth and learned to play.

Did you find other musicians more than happy to contribute?

Everyone was happy to participate in the project, not just to honour Robbie but also just because they had such a profound reverence for what the Band did and the songs Robbie wrote. Whether it was Eric Clapton telling me about how he travelled up to Woodstock [New York] where the Band was living to ask them if he should break up Cream and join the Band — that was pretty incredible — or Bruce Springsteen saying how on his first album on his incredible song “Blinded By the Light” he was reaching for a Band vocal. He wanted to sound like Richard [Manuel] on that song.

Music fans will be music fans, and it seems some have never let the feud between Robbie and Levon Helm drop. Did you address that in the film?

I think people will have to make up their own mind on that. Part of this feud that exists that people seem to have this notion of, I think Robbie is often mischaracterized. And for certain fringes of the Band’s fandom, he’s almost demonized, and that’s something I’ve never understood. All five of those guys were fundamental to the music. If you took one part out of the equation, you wouldn’t have it. That’s why I’ve never understood why some people have so much animosity. In a hundred years, people are not going to be speaking about whatever the conflict was over. They’re going to be singing “Dixie” around a campfire.

What do you hope people take from the film?

It’s an extraordinary ride. It’s this rambling, rock ’n’ roll film that is rooted in universal themes of love, friendship and this idea that being in a band is really hard. I hope people who watch the film really just enjoy the story and it’s able to foster an even larger fan base for the Band and introduce their music to a new audience.

New driving rules designed for safer Ontario roads

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The time is quickly approaching when self-driving vehicles will be a common sight on Ontario roads and highways. More than two-thirds of vehicles currently in use in Ontario have some form of technology providing assistance to drivers with steering, braking and acceleration. Until the future when fully autonomous vehicles become the norm, avoiding collisions remains the responsibility of drivers who must obey the traffic laws while maintaining control over their vehicles. New Ontario driving rules will have an impact on road safety as long as drivers obey them.

Driving while impaired

The use of alcohol or drugs can affect a driver’s ability to safely operate and maintain control over a motor vehicle. Drugs and alcohol affect each person differently, but in general, impaired drivers show the following traits:
Delayed ability to react to changes in situations.

  • Blurring and other forms of vision impairment, including diminished ability to see at night.
  • Inability to concentrate and focus attention.
  • Increased drowsiness.
  • Impaired judgment and inability to make decisions.
  • Slowed reflexes and a reduction in coordination
  • Some drugs may increase a person’s risk-taking behaviour.

Drugs that could impair a driver’s ability to safely operate a car, truck or other motor vehicle are not limited to illegal substances. Medications prescribed and taken under the supervision of a physician can be as dangerous for a driver to take because of their effect on a person as illegal drugs.

Accident data reported by MADD makes it clear that drivers impaired by the use of alcohol or drugs pose a danger to other users of Ontario highways. Alcohol or drugs proved to be a factor in approximately 55% of vehicle accidents involving at least one fatality.

Before this year, police officers in Ontario could not demand that a driver submits to a breath or saliva testing unless the officer suspected the individual of driving under the influence. Now, any driver, whether suspect of driving under the influence or not, can be asked to submit to testing by police. A refusal subjects the driver to a fine of $550.

Taking aim at distracted driving

Most people recognize the dangers posed to people using Ontario roads and highways by drivers operating their vehicles while under the influence of drugs or alcohol. What they might not realize is that distracted driving is just as dangerous and occurs with more frequency than impaired driving.

Distracted driving has been a factor in 80% of road collisions. This could be at least partially attributable to the fact that distractions can cause drivers to fail to see up to half of what is going on in front of their vehicles. Ontario recently changed its law prohibiting distracted driving by substantially increasing the fines and driver’s license suspensions it can impose on drivers convicted of driving while distracted.

Other changes to Ontario traffic laws include increased fines for failing to stop for a red light, speeding, disobeying a stop sign and failing to stop when approaching a school bus that has its red lights flashing. Encouraging people to be safer drivers by increasing the penalties for not doing so could cut down on motor vehicle collisions and injuries to drivers and vehicle occupants.

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Vietnamese fare now on the menu at Grant van Gameren’s Parkdale bar

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Grant van Gameren & Robin Goodfellow of Parkdale’s hottest cocktail bar PrettyUgly, have teamed up with Vịt Béo to bring regulars a nightly menu of Vietnamese small plates and shareables. David Huynh, chef and owner of the Bloor and Ossington restaurant, will be cooking up his take on regional Vietnamese dishes every night from 6 p.m – 2 a.m at the popular Parkdale watering hole. 

The new food program includes menu items ranging from $5 to $12, with vegan, vegetarian and gluten-free options. With highlights like BBQ pork noodles, cucumber salad and vegan chive dumplings with chili oil and black vinegar, this may be the perfect menu to accompany a slew of PrettyUgly’s hand-crafted and well balanced drinks, whether alcoholic or not.

 

 

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You’ve probably noticed some new faces hanging out in our front room. We’ve joined forces with our good friends, chefs @Furious_Dee and @Proletarius from @Vit.Beo.To to create a Vietnamese-inspired menu, fit for chowing down with one or two cocktails? ? ? You’ll find these guys dishing out a full menu EVERYDAY(!!) from open to close. 6PM – 2AM (yes you heard it, Every ?? Single ?? Day??) Indulge in some tasty plates like >>>>> Lemongrass Tofu with Spicy Tomato Sauce // Chive Dumplings with Black Vinegar & Chili ? <<< ?#VitBeoxPrettyUgly #PrettyUglyBar #LittleBonesBVG #OVBInc . . . . . #squadgoals #vietnamesefood #barsnacks #latenightsnacks #littlebones #overbudgetinc #cheers #artofdrinks #thirsty #cocktail #liqpic #torontobars #dailyhiveto #craftcocktail #cocktailsofinstagram #drinkup #blogto #torontolife #narcity #worldsbestbars #snackbar #snacks

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Top Chef star teams up with Stuart Cameron on new Toronto restaurant

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Janet Zuccarini’s Gusto 54 Restaurant Group (Felix, Cafe Nervosa, Chubby’s, etc) has an exciting new project on the go, and we are already buzzing with anticipation.

The celebrity restaurateur and Top Chef host is collaborating with celebrated chef Stuart Cameron. Formerly the executive chef of Iconink Entertainment Group (owned by Charles Khabouth and Hanif Harji), Cameron helped launch the menus of Byblos, Mira, Patria and other hotspots across the city. 

 

Chef Stuart Cameron

The new project is called Azhar, and it will focus on hand-made, fire-cooked, and home-inspired Middle Eastern food and beverages. It’s set to open in winter 2020 on Ossington Avenue. 

 

Toronto’s most exciting new BBQ outpost also happens to be illegal

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We The North BBQ

Every week, west-end resident Alex G. prepares for an intense weekend of barbecuing. He simmers down a secret sauce centred around ketchup, molasses and brown sugar. He pats down hunks of pork ribs with salt, pepper, onion powder, garlic powder, paprika, cayenne pepper and other spices. He trims beef brisket before injecting it with beef broth, then he’ll apply a salt-and-pepper rub just before it goes into the smoker. 

For the past six weeks, he’s been cooking and selling ribs, brisket and pulled pork in his backyard — in direct violation of local food laws.

Tell any Torontonian about a new barbecue shop and they’ll get excited. Tell them that it’s illicit, they’ll go downright rabid. Sometimes it seems that underground barbecue only happens in grittier, realer towns than Toronto, like in desolate neighbourhoods near downtown Detroit, or at not-very-secret residential pop-ups in L.A. But thanks to Alex, Toronto has joined the delinquents at the back of the cities-of-North-America school bus.

I first heard about a black market barbecue operation from food writer Corey Mintz’s Twitter feed. Judging from the thread, the food was supposed to be good. The owner had apparently been publicizing his initiative, kind of brazenly, with signs around the neighbourhood. So I went out to find one such sign, roaming the streets on my bike, eventually finding one with the address I wanted.

That led me to a small house on a quiet side street near Bloor West. It was a weekday, and as I had just learned from the signs, the barbecue only happens on weekends. It seemed like nobody was home, but I rang the doorbell anyway, just to see. Eventually, an older caucasian man with a goatee, a limp and a cane answered the door.

Could this be the guy? He wasn’t exactly what I was expecting, but then again, I don’t know what I was expecting. What if he’s the landlord, and hasn’t been sure what’s been going on? Do I mention barbecue to him?

“I’m looking for the barbecue spot,” I say.

“There’s no barbecue today,” the man says. 

“But are you the guy who runs it?” 

Turns out he’s the guy, a 63-year-old Lithuanian Canadian and a self-taught barbecue fanatic. He invites me inside and hands me a business card that reads: “We The North BBQ.”

“I had a stroke a few years ago,” Alex says, indicating that the right side of his body doesn’t function properly. “Anything you do, it takes me 10 times the energy to do the same thing.”

We go into Alex’s backyard, which is like a museum dedicated to his journey through the world of barbecue. At the porch, there’s a standard gas grill from back before he knew what real barbecue was. He hasn’t touched it for years. Nearby is a Weber charcoal grill, on which he began to appreciate the art of cooking with smoke and indirect heat. Off to the side of the house is his next progression, a Big Green Egg-style smoker.

At the back of the yard, there’s an offset smoker from when he really started to get serious, when he began smoking meats for hours with whole logs of oak or apple wood. Then, near the centre of the yard is his latest purchase: a 900 pound Myron Mixon gravity-feed smoker, which he had to get craned in. He obtained it under the expectation that he’ll need to start smoking a lot more meat very soon — especially when people find out what he’s been up to.  

 

We the north BBQ
Backyard BBQ pitmaster Alex G.

Like a lot of pitmasters — including Tom Davis at The Stockyards on St. Clair West — Alex is mostly self-taught, having sought constant improvement through the internet, books and TV shows, with occasional tips from fellow barbecuers. He prefers Kansas City-style barbecue, wherein sweet tomato-based sauces feature prominently. Unless we’re talking about brisket. 

“If you know how to make brisket,” he says, “you don’t need a sauce.”

Usually, Alex takes orders over the phone for takeout, but sometimes people hang out in his backyard to indulge, too. He rarely offers sides, preferring to focus on the meat. This is legit barbecue, where long, drawn-out smoking sessions are everything. Still, he’s cautious about going overboard.

“After six hours of smoking, you get absolutely no benefit,” he says. “Anyone who says they smoke for 12 hours or more — that’s just a sales pitch.” 

Back in the day, Alex was an all-star athlete, breaking high jump records in high school and pulling slam dunks in varsity basketball. He’s been a successful entrepreneur, too, owning and running a machine shop in the ’80s and later becoming a self-employed headhunter. But after his stroke in 2016, he went to a dark place.

“I couldn’t do anything by myself,” he says. “I was always a social guy, and suddenly I couldn’t go out anymore.”

He still had barbecue, though. As he recovered, he’d cook when he could, sometimes inviting friends over to taste what he’d been working on. One of them, who had long been impressed with his cooking, suggested he sell the stuff out of his backyard.

“What do you have to lose?” she asked.

He thought about it. “What do I have to lose?” he wondered. Disability pension, after all, isn’t the picture of luxury. He decided to give it a shot, and since then has found renewed vigour and purpose in life.

“Alex was a super athlete,” says lifelong friend Bruno S., who lives at the house and helps with the barbecue operation. “I know him, and what I see coming through isn’t just rehabilitation. It’s like he’s getting ready for the playoffs. Suddenly, the giant is awake again.”

“I’ve watched him get better and better,” says Ethyl G., another longtime friend. “He’ll take a cheap cut of meat and make it taste really good. After the stroke, he needed something to focus on. He takes pride in it, and I think it’s good for him.” 

In order to sell food in Toronto, there is a lot of red tape. You need a licence, you need inspections, you need ventilation, you need proper sinks and dishwashing equipment. You need to get a food handler certification. Alex isn’t worried about inspectors, though.

“They won’t be able to hold me down. I’m doing this two days a week, and the community is happy I’m doing it. I’ve got a disability — I need to supplement my income,” he says. “The city should loosen up a bit.”

 When I visited him, he was planning on taking the upcoming weekend off due to weather, so I didn’t get to see the operation in full swing. What I did do was buy a full rack of ribs, which he had smoked a few days prior and was storing in his fridge, vacuum-sealed. I took them home and reheated them in the oven. They were meaty, salty, a little bit spicy and just the right amount of sweet (he likes to add some sauce at the end of cooking, allowing it to caramelize). Even though they weren’t fresh from the smoker, they were great.

What I see in Alex is a guy who has a lot in common with other big barbecue personalities: a willingness to put in the work, an awareness that things could always be improved and a drive to learn more whenever possible. And he’s doing it all with a prominent physical disadvantage.

“It’s not hurting anybody,” he says. “I’ve had a lot of positive responses, and not just from my friends. If Suresh Doss likes it, it must be good.”

Local artist’s vibrant wallpaper creations take over Toronto

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Palm Lane

Local artist Candice Kaye, who grew up in Richmond Hill, is behind the vibrant wallpaper designs popping up in restaurants across the city.

After leaving an interior design program, Kaye went to Paris and got into fabric manufacturing. She then trained in textiles at the Fashion Institute in New York City, and, in her final year was asked to create four custom prints for Maman café. That project sparked the idea to create custom wallpaper, and her work now appears in Planta, Cantina Mercatto, Palm Lane, Byblos North, Ballroom Bowl, Mary Be, Pantry, Baddies and more.

 

Designer Candice Kaye
The wallpaper at Maman Café in New York
Wallpaper at Planta, also designed by Kaye

She recently launched an online store for her wallpaper and rugs and is working on fabric by the yard as well. And she’s got global reach with projects in Miami, Las Vegas, St. Barths and Australia.

 

Beloved tapas restaurant Cava moving downtown

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Geddy Lee will have to head downtown if he wants a seat at one of his favourite restaurants, Cava. The Spanish tapas bistro confirms that the Yonge and St. Clair location has been sold and the business is relocating to the Financial District with a new, expanded focus. 

Cava has been a longstanding and highly regarded Spanish-influenced restaurant in the city since opening in 2006 under the direction of chefs and co-owners Chris McDonald, who left in 2014, and Doug Penfold. The restaurant is one of the premier dining spots in the city. It often landed in the top 10 in Post City Magazines food critic Joanne Kates’ list of the Top 100 restaurants in Toronto.

After McDonald’s departure, former general manager Niall McCotter came aboard as co-owner and partnered with Penfold on Cava, along with opening a number of additional restaurants including Chabrol in Yorkville. McCotter has since left the business. 

Penfold says a new and larger location means the restaurant will evolve to include the addition of lunch service as well as a more comprehensive menu.

 

Chef and co-owner Doug Penfold

“The menu will continue to change quite often in the keeping of its already progressive nature,” he explains. “At the moment the menu is quite small and a larger audience and restaurant will allow us to expand the menu as well.” 

That being said, Penfold says that there is some emotion involved in leaving the space he’s occupied since 2006. 

“Of course closing is sad, 13 years is a long time,” he says. “But what we have been able to achieve in that time is great. We’re ready to offer more for our guests and design something on a bigger scale.”

Khash Khavari, founder and CEO of Peer-to-Peer Hospitality, which oversees Cava and the other restaurants, said plans to move forward are already underway. They have found a new home for the restaurant and will be out of their current midtown location by the end of August. 

“We are ready to reach a larger audience where we can serve the same good food and luxury atmosphere to our guests,” says Khavari. “It is time to move forward and bring new life to Cava.” 

The new location will open in the new year.

Drake unveils giant basketball court inside new Bridle Path mansion

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Drake's house, under construction in Sept. 2018 (via @WordonRd on Twittter)

After much speculation, fans have finally gotten a glimpse inside Drake’s newly built Bridle Path abode. The rapper posted two videos on Monday of him and his friends shooting hoops inside his indoor NBA regulation-sized basketball court.

The court itself sports the OVO logo and a big “Welcome” just underneath one of the nets. The latter could be a nod to the Welcome Toronto program started by Drake and the Toronto Raptors in 2018, which pledged to donate $1 million to refurbish local community basketball courts over a three-year span and another $2 million to Canada Basketball.

In one of the clips, Drake is shown shooting a trick shot from what appears to be the second-floor gallery. From the roof, fans can see the court via a glass dome ceiling.

 

 

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The Forest Hill native purchased his two-acre lot in 2015 for 6.7 million and after three years the mansion may be nearing completion. Ontario-based luxury designer and builder Ferris Rafauli custom built the 35,000 square-foot home that will also feature a 10-car garage, several guest bedrooms, an awards room, piano room, screening room, gym, and basketball memorabilia room. But of course, the most exciting part about Chateau OVO is the basketball court that we’re sure will soon be run amok with NBA stars and Raptors working on their free-throws.

 

Steve Earle set to play at the Kee to Bala in Muskoka

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Steve Earle

When Steve Earle was 19 years old, he strolled into Bishop’s Pub in Nashville, Tenn., and met Texas songwriting legend Guy Clark for the first time. He’d just moved to town from Texas, where he’d met another songwriting legend named Townes Van Zandt.

“I said I knew Townes, and I started getting asked to go places,” said Earle, during a recent interview at the Cameron House on Queen West. He became part of a community of like-minded artists including his mentor Clark, Rodney Crowell and many others. It was the defining experience of Earle’s artistic life.

“In some ways, everything I write is about it in one way or another because I kind of became who I am in those three or four years in Nashville,” he says.

Earle recently released an album of Clark’s songs entitled Guy. It follows on the heels of an album dedicated to his other songwriting hero and mentor, Townes, released a decade ago, which won him a third Grammy Award for Best Album in his decades-long career. But it is Clark who taught Earle about the art of telling a story through song.

“Guy Clark was the best story songwriter that ever lived,” he says. “I think I had a propensity for that. The story songs are more natural to me. But Guy was better at it than anybody else I saw, so I was able to concentrate on my strengths for several years and was able to get a lot better really fast from being able to hang out with those people, especially Guy.”

Steve Earle & the Dukes play the Kee to Bala in Muskoka on July 18. For information, go to SteveEarle.com.

Famous New York burger coming to Rose and Sons this week

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The king of Dupont is calling upon his knight in shining armour to bring us a burger brigade so tasty it will make the vegans shake in their boots. Chef Anthony Rose is inviting special guest chef Jeremy Spector to flip his famous Sebastian’s steakhouse burger at Toronto’s Rose and Sons Deli on July 19 from 12pm to 9pm.

Chef Jeremy Spector cooked alongside Rose at the California Culinary Academy in San Francisco, and then moved to New York to work at top restaurants like Gramercy Tavern, Balthazar, Lupa and Employees Only. After moving through the best kitchens in NYC, Spector opened Brindle Room and created his world famous burger.

Spector’s steakhouse burger, made from dry aged rib-eye and smothered in American cheese and caramelized onions, is the crown jewel of hamburgers and has earned high accolades from Food Network favourites like Beat Bobby Flay, Chopped and Guy Fieri’s Diners, Drive-Ins and Dives.

After decades of succeeding in their own personal culinary triumphs, Rose and Spector are back together for a one-day burger mania. You may want to make your reservations soon, as spots are likely to fill up fast. 

 

Home of the Week: $3.87 mil for a Lawrence Park pad with a killer backyard and pool house

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161 Golfdale Rd

The house at 161 Golfdale Rd., in Toronto’s coveted Lawrence Park neighbourhood, has hit the market. The luxurious features this $3.875 million home has to offer is on par with those in the well-to-do area (think private schools and golf clubs nearby). The four-bedroom, four-bathroom listing is complete with a serene backyard and inground pool.

The home’s exterior is simple and classic, with a walkway leading to the front door. Meticulous details are seen immediately in the foyer. The adjacent living room has a ton of space, with high ceilings and a fireplace to boot. 

161 Golfdale Rd

The custom-built Italian kitchen has stainless steel appliances and plenty of counter space.

161 Golfdale Rd

The spacious breakfast area comes complete with hardwood flooring and French doors that provide a quick walk-out to the backyard.

161 Golfdale Rd.

The striking family room has dark wood panelling and high ceilings that are sky-blue.

161 Golfdale Rd

Along the staircase is an office nook, with a large opaque window and built-in storage space.

Each of the four bedrooms are pretty large. This one has an en suite bathroom and doors opening to a small balcony.

The master bedroom is a generous size.

161 Golfdale Rd

A large walk-in closet connects the master bedroom and en suite, while offering plenty of storage space.

Dark wood finishes, high ceilings and a large mirror encompass the master bathroom. It also has a vanity and windows alongside the bath.

The backyard gives off a cottage vibe thanks to several old trees and surrounding greenery.

The large patio and in-ground pool are sure to make entertaining a breeze.

The backyard has cottage-vibes thanks to plenty of aged greenery surrounding the area. The large patio space, inground pool and pool house look great for entertaining.

Plus, there’s a cosy pool house with a change room, bathroom, TV and sitting area as well.

The finished lower level of the home also comes equipped with a private gym, perfect for getting in shape for the summer months. 

This home is currently listed with Tom Storey of Royal LePage Signature Realty, Brokerage.