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Contemporary Italian means more than just ravioli

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The Avenue and Davenport area is bursting with Italian restaurants, but Silvio Spano believes Ceno (“to dine” in Latin) offers something more.

New to the neighbourhood, Spano and co-owner/chef Mario Feola rooted Ceno in contemporary Italian cuisine.

“In Canada, classic Italian is cannelloni and ravioli, but we don’t eat like that any more,”says Spano. “Our cuisine is more from the last 15 or 20 years.”

Patrons of Ceno can expect Mediterranean influences on the menu as well as Asian.

Spano came to Canada seven years and opened a restaurant in Concord. Feola had his own in Woodbridge. They sold their individual businesses to collaborate on Ceno and take their skills downtown.

Feola runs the kitchen, along with Bruno Soleri, while Spano helms the dining room.

Ceno is located at 137 Avenue Rd., 647-352-8822.

 

Kates en français

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Canada’s top food critic, Joanne Kates, has had a love of French food dating back to her days as a student of the Ecole Cordon Bleu de Cuisine in Paris, France — the country’s most prestigious cooking school.

Luckily, there are many fine restaurants in T.O. at which she can indulge her love of Parisian fare. Earlier this year, Kates named French bistro Pastis her number one restaurant in Toronto. Here are five more of Kates’ favourites.

Beauty of the food only matched by the room at Niagara Street Café

The talent of a chef can be measured by two simple things — first the degree to which they bring out the taste of each ingredient and second the way they add interest to the main event.

Chef Nick Liu, who was clearly paying attention during his tenure as sous-chef at Splendido, makes passionate and expert love to every ingredient.

Even a commonplace like mushrooms on toast attains seductive taste status in his kitchen, thanks to intense buttery mushroom stew mixed with melted cheddar on fine bread.

His soups are deep strong flavours rendered as liquid velvet.

Mains receive equal attention:

Chef gentles Korean spicing and applies French technique to short ribs, braising them to sweet juicy perfection. His duck confit has crazy crispy skin and erotically sweet gnocchi made with brown butter and fabulous frisee dressed in smoky bacon vinaigrette.

Too bad the room is so small there’s not room for many happy diners.

Niagara Street Café is located at 169 Niagara St., 416-703-4222.

Escape wintry Toronto for the Paris countryside, at least for one dinner

One of the five prettiest restaurants in town: Like a French country cottage, its look and feel mimic a Michelin-starred French country resto, thanks to stone shelves and mantles, pressed tin sconces, orchids everywhere and comfy armchairs upholstered in black and white toile.

The menu is unapologetically old school French: Butter, butter everywhere and not a sign of lemon grass.

Perfectly cooked scallops come with Kobe beef cheek that melts in the mouth like butter, with a sauce made of puréed squash enriched with butter.

Truffle cappuccino is the Oliver & Bonacini trademark mushroom soup with foam on top.

They roast squab ruby red tender and dot the plate with sweet/tart wild grape juice. They butter-poach lobster sous-vide for ultimate tenderness.

Quick, pinch me, is this Paris or north Toronto?

Auberge du Pommier is located at 4150 Yonge St., 416-222-2220.

Scot Woods’ grace and creativity in the kitchen shine at Lucien

Chef Scot Woods’ food is inspired. With silken service from Simon Bower, Lucien is as good as it gets.

Woods is inspired by molecular gastronomy, but he does not get silly about it, as some chefs do. He wraps pork belly in plastic to seal in juices and then cooks it very slowly to create soft fat pink flesh throughout.

How smart to set off smooth pork belly with the bite of kimchee pickle, the liquid of barely poached egg and the snap, crackle and pop of toasted barley on top. Every dish chef Woods does has that grace and creativity.

This is a very fine chef at the top of his game.

Lucien is located at 36 Wellington St. E., 416-504-9990.

Classic French cuisine done the right way at Laurent

Biron’s Tati Bistro Chef/patron Laurent Brion comes from Poitiers, France, where butterfat is not a food, it’s religion. Chef Brion’s charming bistro is old school French in the best sense: tiny, cramped, noisy, and yes, le patron mange ici.

He is a man obsessed with flavour and his restaurant is a labour of love. Eat his chunky duck terrine with pistachios.

Close your eyes and you could be in Paris. Same with his classic French salad frisee aux lardons et Roquefort: The finest blue cheese in the world partners with crisp little chunks of fatty pork to make lettuce fun. Chef also demonstrates his mastery of la cuisine française with a quintessential classic French throwback: creamed mushrooms on puff pastry.

He roasts black cod perfectly with scads of long-cooked garlic and serves it with truffle-scented mashed potatoes. Even his bouillabaisse is unimpeachable, strong tomato-based broth with nicely cooked fish and properly served with rouille to spoon on toasted baguette slices and drown in the soup.

Tati is located at 124 Harbord St., 416-962-8284.

Japanese chef turns out some of the city’s finest French cuisine

Bistros are the flavour du jour not only because even the pickiest becs fins have an eye on their wallets but also because they ask so much less of diners than haute cuisineries, and yet they hold themselves to decent standards.

Simple’s classically trained chef Masayuki Tamaru understands that. He would perhaps rather be selling foie gras for the big bucks, but he knows that’s no longer on.

The byword at Simple is just that: simple. The food is lighter and cheaper than the French food of yesteryear, and our waistlines will thank chef for it.

He invents marvellous salads like red and yellow beets with arugula, chevre and oranges … or Belgian endive with Roquefort cheese.

There are delicious moments when we can taste chef Tamaru’s personal history, his Japanese heritage peeking through the French training — in the delicacy of barely cooked scallops with a vanilla back story and lightly pickled shaved fennel. Each element — the French and the Japanese — brings out the best in the other.

Simple Bistro is located at 619 Mt. Pleasant Rd., 416-483-8933.

Open Window Bakery is open no longer

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Open Window Bakery, a Toronto fixture for more than 50 years, has closed its doors at all seven locations across the city.

The company employs more than 250 people and, aside from their own locations, provides baked goods — including breads, buns, bagels, cakes and pastries — to roughly 500 independent outlets and chains across Ontario.

Attempts to contact management Wednesday morning were unsuccessful but an automated phone message at the head office location says "the office is now closed" and that "the order desk will be closed for about two weeks and there will be no product deliveries."

According to the CBC, the family-owned business issued a short statement saying they were working to keep the business going and would know more next week.

The broadcaster reported that employees were told Monday night that the company would be closing and some received reference letters encouraging them to seek work elsewhere.

 

 

Round Two: Cava's 'Ground Hog' Day Challenge

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Eight chefs compete, one leaves with a cutting board stuck with Iberico ham hooves?

A fitting trophy, perhaps, for Cava restaurant’s 
second annual Ground Hog Day cook-off on Feb. 2 — an evening stuffed with Toronto’s finest ground, cured, chopped, pureed, 
emulsified, and brined cold pork dishes.

Last year’s returning champion,  Michael Steh of Reds Bistro, will defend his title against Ryan Crawford of Stone Road Grill, 
Ted Corrado of C5, Ryan Donovan of Marben, Albert Ponzo of Le Select, Matt DeMille of Parts & Labour, Teo Paul of Union 
and Geoff O’Connor of Nota Bene.

Steh won last year with his pig porchetta while The Black Hoof’s Grant van Gameren won the People’s Choice award for his Nduja with fennel salad.

Cava (1560 Yonge St.) will also supply the event with Henry of Pelham Estate Wines and a posole to go with all those salty porks.

Seating for the event is limited, book at 416-979-9918.

 

Powerful musical makes Canadian premiere in T.O.

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The plot of PARADE, a deadly serious but powerful musical, is true.

In 1913, Leo Frank, an innocent superintendent at a pencil factory near Atlanta, was falsely accused of murdering a 13-year-old girl who worked for just pennies a day. 

Frank, a Jewish-American businessman from Brooklyn, was in a South which was more eager to lynch a stranger than a local black (even though the latter is believed by many historians to have committed the crime).

This is a musical, but it’s no musical comedy, in the FORUM or HELLO, DOLLY tradition:  it is dark and mournful.  And so very worthwhile, with a decent book by the award-winning Southern writer Alfred Uhry (DRIVING MISS DAISY) and music and lyrics by one of the more interesting American songwriters, Jason Robert Brown (THE LAST FIVE YEARS).   

It is hardly perfect (even though it won a Tony Award on Broadway) but the cast here—at the Upstairs Theatre of the Berkeley—is spectacular, starring some of the best actor/singers in Canada today:  Michael Therriault (one of the two stars of the Mel Brooks musical THE PRODUCERS), George Masswohl (who played the title character in the CanStage production of SWEENEY TODD), and Daren A. Herbert (from Dancap’s solid TOXIC AVENGER of last year). 

And how good to see one of my favourite actors from the Shaw Festival, Neil Barclay, who is also superb in multiple roles.  And to discover a beautiful woman with a beautiful voice, Tracy Michailidis, who plays Leo Frank’s suffering wife was a joy and an honour.   

PARADE is nearly all in song, and it ranges from heart-breaking to tear-jerking to head-shaking.

My wife Merle and I were touched and wowed by this production, which blesses our city as a co-presentation of Studio 180 and Acting Up Stage Company.  Bravo to all involved—and I urge you to seek it out. 

Great and memorable evenings of theatre are rare, and they usually cost up to $100 a seat, even more.   And here, in an old, run-down factory, the Berkeley, was a highlight of the year for me.

Parade runs until January 22. 26 Berkeley Street
, Toronto, 416-368-3110

Mozzarella bar prepares to make its debut in Toronto

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A restaurant concept that began in Italy, and now has locations in New York and Los Angeles, is coming to Brookfield Place in downtown Toronto.

With a focus on using the finest, freshest ingredients, Obika’s whole concept is based around a mozzarella bar.

Emphasizing Italian tradition, the menu lists salads, pastas, wines and more, including the aubergine and smoked mozzarella rice tortino.

A spokesperson for Obika could only confirm that the mozzarella bar would be opening at Brookfield Place. Further details to come.

 

The non-profit show that's better than Broadway

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I’m still gasping.  My wife and I are still shivering from the utter brilliance of Assassins, based on Stephen Sondheim’s music and lyrics and Jerome Weidman’s book.

I know this Sondheim show almost by heart, having seen it performed four times before (once on Broadway). 

Here’s the ultimate compliment:  walking out of the ancient building on Queen Street West, I turned to Merle and said, “I feel as if I’ve experienced this great musical for the first time—and understood it for the first time, too.” 

The direction, by local, handsome, singer-actor Adam Brazier, whom I have long admired, is so inspired, I can flatly say that I have never, ever seen a more perfectly-directed show—and that includes many, many dozens of productions at Stratford, Shaw and Broadway; hundreds in all.

I’m not exaggerating here.  What is more thrilling?  To see a majestic, perfectly-paced, exquisitely-sung musical for only a few dollars a seat or to see the coming together of two impressive, non-profit theatre companies — Toronto’s Birdland Theatre and Barrie’s Talk is Free Theatre — which somehow managed to obtain the time, energy and skills of several of Stratford and Shaw’s finest singers/performers? 

I could write for pages about how brilliant this musical is—and to see it just hours after the horrific murders and near-assassinations in Tucson, Arizona—was overwhelming. 

Sondheim’s and Weidman’s thesis is profound and daring:  that the American promise that every citizen can “pursue happiness” can lead to the belief that if they don’t achieve that happiness, well, they can always reach for fame through murdering their elected leaders.  Wow.  

I have long admired that giant of Stratford, Graham Abbey, but even his Romeo, Macbeth and Prince Hal were not as glorious as his Samuel Byck here (he was the until-now-pretty-forgotten failed assassin of President Nixon). 

Paul McQuillan’s John Wilkes Booth, the killer of Lincoln, is equally astonishing (and that voice!), and Geoffrey Tyler’s Lee Harvey Oswald is agonizingly chilling.  Americans know most of these people as part of their history, but when they all lead up to the shooting of John Kennedy, there was gasping and tears in the audience. 

How can non-profit theatre companies obtain such excellence, such brilliance, from a fledgling director such as Brazier, and obtain such perfect-pitch acting and singing from some of the finest actors in Canada today—in a show which runs for barely more than two weeks in January—and a few months after almost the same cast won the 2010 Dora for Outstanding Musical? 

And in a cavernous 19th century hall which seems to hold less than 100 seats? 

This, ladies and gentlemen, is theatre.  Live theatre at its very best.  Better than I’ve seen on Broadway, better than I’ve seen on the West End of London.  Bravo to all.  DO NOT MISS THIS!

Assassins — runs until Jan. 23. The Theatre Centre, 100-1087 Queen Street West, 416-534-9261

Coming Soon: Vancouver duo bring their denim to T.O.

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Eric Dickstein and Darrin Kenigsberg are denim whisperers.

"There is a certain language that goes on in the denim culture," says Dickstein, co-owner of Dutil Denim.

It’s a language he likes to think they are fluent in, having owned their popular, denim-exclusive boutique in Vancouver since 2006.

Now the duo is bringing their knowledge – and their brand – to Toronto. They’ve got their hands on a Queen Street location – just west of Bathurst – with plans to open in early March.

"At least in Canada, there doesn’t seem to be any other logical place to go," says Dickstein, of their decision to set up shop in Hogtown.

They plan to design a specific line of jeans for their grand opening, which will include, among others, a women’s high-waist, straight-leg jean.

Dickstein says they plan to stay true to being a specialty store, even as they look at opening up shops as far away as Japan.

"Some people go to their favourite store for a shirt or a pair of jeans but if you’re selling 50 other commodities how can you specialize?" says Dickstein. "I mean, if you want a bagel, you don’t go to a Chinese restaurant."

Dickstein says they want all kinds of customers, from the self-conscious shopper to the cocky diva, coming to their Toronto store.

"We want everybody," he says. "We may not get everybody, but we want everybody."

Dutil Denim, 740 Queen St. W
 

Nothing Funny Happened on the Way to the Canon

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Stephen Sondheim finally moved out of the shadow of Leonard Bernstein (who wrote the music for WEST SIDE STORY with his lyrics) and Jule Stein (ditto for GYPSY) when he got the chance to write both the music and lyrics for the first time, using the hysterically funny (and charmingly raunchy) script of Burt Shevelove and Larry Gelbart’s A Funny Thing Happened on the Way to the Forum.

The gifted artistic director of Stratford, Des McAnuff, directed it at the festival last summer, where it was a huge hit. How could it not be?

McAnuff directed it again in this Mirvish production at the Canon, which has run only since just before Christmas.  The theatre critics of the daily newspapers all expressed disappointment and surprise:  it has lost so much of the humour and pacing that was seen at the Stratford Festival!

It’s true. The present production in downtown Toronto lost a lot of magic and wit in the transfer. 

But the wonderful Bruce Dow—whom I saw here in the lead role of Pseudolus (every other performance has the nearly-as-gifted Sean Cullen), a slave who longs to be free—is marvelous, in both voice and movements. 

It’s grand to see the astonishingly ravishing and very funny Chilina Kennedy as the love interest/courtesan Philia again and Stratford stalwart Dan Chameroy, as the braggart soldier Miles Gloriosis, is still pretty good. 

If you did not see this farce—a rare but extremely successful attempt to modernize the ancient Roman comic playwrights (and fathers of the modern TV sit-com), Plautus and Terrance— at Stratford it is well-worth attending. 

There are great moments of laugh-out-loud gags (my companion was a dear friend who was not familiar with this early musical by the great Sondheim and she never stopped giggling and even howling). 

So why make her feel bad by saying, “It was better last summer!” 

The Canon is a stunning, comfortable theatre, and this is a very entertaining show.

  Yes, the usually magnificent Shaw-regular Stephen Sutcliff is, surprisingly, not as good playing Hysterium as Stephen Ouimette was last summer at Stratford.  But so what.  Go and laugh; it’ll do you good.

 A Funny Thing Happened on the Way to the Forum, Canon Theatre, 244 Victoria Street, 416 872 1212

Food critic Christine Cushing salutes the General

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Dining at Brockton General, where virtually everything is local including the house-made vinegar, is an experience so unique that I can hardly describe it, and I can blab about anything.

Officially, Brockton General is billed as a snack bar that transforms into a little foodie mecca from Thursday night until Saturday.

From the sparse and folksy interior I was guessing I was in a small country store somewhere in rural Ontario — think spindly back chairs, copper pots and old photos on the exposed brick walls and a mishmash of furniture.

This was no massive opening with big designer budgets and a massive publicity machine. But that hasn’t stopped the two first-time owners, Pam Thomson and Brie Read. Plunking chef Guy Rawlings (ex-Cowbell) in the kitchen was the first of many bold moves for the fledgling restaurateurs.

The menu is posted on a butcher paper roll hanging on the wall, and only a small printed menu with bar nibblies comes to the table.

Once the owner/server comes to the table and explains the menu, we say, “yes.” There are two appetizers and three main courses and one dessert.

We can polish that off in no time.

The white bean mash ($4), from the bar menu, comes warm, oozing with olive oil ( a small exception to the local) and garlic and delightful texture.The potted animal ($7) in a small mason jar is mutton rillettes, which is surprisingly delicate on the nose but a bit fatty.

Radish and turnip salad — hurray for Ontario in December — is a gorgeous rainbow of colours with a great contrast of spicy and tart flavours ($8). Georgian Bay whitefish and potato salad ($9) is simple with the right amount of smoke on the fish and a generous horseradish kick.

The maltagliati ($16), Italian for badly cut pasta, is very … beige. It is a small portion but nice Sicilian notes of cinnamon, raisins, anchovies and walnuts.

The fried bread and celeriac purée is a dish that doesn’t feel like a main ($15) but has perfectly fried bread sticks, with crisp raw turnip slices and feathery-thin cured pancetta and a raw egg yolk all laid on a silky bed of celeriac purée.

We drag the fried bread through the purée and dip in the egg until the plate is clean, but it still seems bizarre.

House-made sausage with Ontario white kidney beans ($15) is on more familiar ground, with spicy beans cooked until plump and raw crunchy carrot slices soaked in apple cider vinegar provide good backdrop to juicy sausage.

We share the homespun square maple cake slice ($6) with carrot cream as the ramshackle environs bar crowd begins to arrive.

Brockton General is hard not to like. It is unorthodox. The space is tiny. The menu is limited because they make everything from scratch with what the co-op has available.

There wasn’t a single green thing on a plate, but we didn’t care.

The restaurant is furthering this movement of young eager chefs, sharing their obsession with all things Ontario, and that’s a good thing.

Toronto, believe the hype. Sorry guys, you just got busier.

Brockton General, 1321 Dundas St W., 647-342-6104

Winterlicious 2.0: Rebel Yell

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The Winterlicious food festival kicks off later this month to the delight and/or consternation of restaurateurs and diners alike. But the winter foodie fun may not end when the fest shuts down on Feb. 10. The massive city-driven culinary event may have spawned a new, let’s say, Winterlicious Light that could be up and running just days after the city-run fest finishes.

Deadline for participation in the 2011 Toronto Indie Resto Fest (TIRF) is January 10, and organizers are hoping for a long list the city’s finest restaurants as participants come the Feb. 15 start date.

Organizers at Milagro Cantinas sent out participation packages (one of which happened to land on Post City’s food and drink desk…) to the restaurants they deem worthy with a set of rules that reflect a growing resentment to the hefty fees and unruly clientele associated with Winterlicious.

The introductory letter begins as follows:

"If you have participated in the tacky, overrated, & overpriced city food festival you know that a $1,000 fee gets you into serving cheap menus to once in a lifetime cheapskates that complain about quality & service, leave miserable tips & never return; but tweet, f-book, yelp & blog uneducated critiques about your efforts."

Okay then, no holding back here.

The basics are as follows. Each restaurant, apparently run by "passionate & independent Toronto restaurateurs who celebrate & showcase fantastic food and drink," will  offer a two-course lunch menu for $17 and a two-course dinner menu for $23 with dessert and house drink options for a nominal charge. But, the set menus will need to include popular items from the restaurant’s current menu (the idea being that perhaps Winterlicious does not do this). "At least 3 of each," according to instructions.

Unlike Winterlicious, participating restaurants need only pay $200 to organizers to pay for advertising.

The festival is slated for Feb. 15 (five days after Winterlicious ends) to March 11. Stay tuned as we follow up this story with information on what restaurants are participating.

Opening Night: Rod Beattie takes the stage in Wingfield

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Stratford Festival veteran Rod Beattie returns to his (stage) roots with Wingfield Lost & Found. He answers our questions.

What’s new with everybody’s favourite Bay Street trader turned farmer?

Well, we last saw Walt having started a family and gotten into climate concerns. Walt’s well fails, and this occasions trouble and a lot of hilarity.

In addition to Walt, you play, well, all the characters. Does that type of acting have any side effects?

You mean, how do I stay out of the clinic? [Laughter] Well, it isn’t much different from the kind of acting you do normally, but you switch moment to moment instead of play to play.

Panasonic Theatre, Jan. 12 to 30.