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Five reasons to embrace your inner tween and check out this year’s MMVAs

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Have you been trying to figure out what’s going on with the construction at MuchMusic’s back lot lately? Scratched your head over the wristband hoopla that’s been in the news? That’s probably because you’re not 14, but the MuchMusic Video Awards are going down this weekend, and the star-studded awards fest isn’t looking too bad this year. Here are five reasons why.

 

Snoop Dog is Performing. The Doggfather is bringing his West Coast swagger to the MMVAs for the first time to show the young cats how it’s done. If anyone can get a party started, it’s Snoop Dee-Oh-Double-Gee. Here’s hoping he busts out some classics for us, uh, old folks.

You (kind of) get to be a part of the show. One of the coolest parts about the MMVAs is the People’s Choice Awards segment, in which viewers are encouraged to vote for their favourite Canadian and international artists. (This is the part where we snub Justin Bieber and vote for Arcade Fire.)

One word: Gaga. Yes, the Lady is back with her second MMVA performance. Her last one included an exploding stage, a flaming bra and a moving subway car — just your average, tiny, intimate affair. So let’s hope she livens it up a bit this time around.

The Black Keys are set to rock out. Every now and then, it’s nice to put aside the pyrotechnics and get to what really matters at a live concert: music, played with instruments and accompanied with some amazing lyrics. This pretty much sums up the awesome-ness of The Black Keys, and you’ll surely be howlin’ for them on Sunday.

The red carpet. The MMVAs’ red carpet has been a source of some amusing controversy over the years. Ginger Spice once mentioned she was looking for “a good Canadian man” to fertilize her eggs, and a few years ago Tori Spelling took a jab at her husband’s ex-wife. With a slew of celebrities set to either perform or present at this year’s award show, there are sure to be a few more memorable moments on this year’s red carpet. (And did we mention Gaga’s appearing?)

Dance if you want to: Q&A with Ivan Doroschuk of Men Without Hats

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The recent revival of the synth pop sound of the 80s — combined with a generation of aging hipsters yearning relive their misspent youth — is providing the perfect storm for Men Without HatsIvan Doroschuk to once again urge his fellow citizens to dance if they want to, and leave their friends behind (cue the dancing dwarf in the English countryside!).

After a highly-regarded appearance at the South by Southwest music festival in Austin, Texas, NXNE wisely snagged Doroschuk for an appearance in Toronto this week, culminating in a blow-out 80s extravaganza this Saturday night at Yonge-Dundas Square alongside fellow 80s icons Devo. We spoke with Doroschuk about the return of Men Without Hats and the enduring popularity of the mega-hit ‘Safety Dance.’ 

Men Without Hats kind of disappeared for a while and seemed to be gone for good. What happened?
I’ve been a stay at home dad. I moved to Victoria. This is my first child, and I decided I wanted to be hands on. I completely took time off and did it.’

What brings you back?
My son is old enough now to understand what I’m doing and appreciate it. The songs have not left the public eye, so it’s given me a chance to do this. Stuff like Glee and The Simpsons all the way back to Beavis and Butthead. It’s great. ‘Pop Goes the World’ is a soccer chant all over the world.

What’s been the most challenging part about putting this project together?
To tell you the truth, there has been nothing really challenging. Being a stay at home dad kept me in shape. The fact that we’re not going out with a new record means there is not really any pressure, no recording company pushing an agenda. It is all our own initiative.

So getting right back in saddle and playing these songs has been easy?
It is like riding a bicycle. I realized it is kind of what I was built to do, I guess. It’s been great. Great being back, crowds have been really great and behind us, really sweet.

So when did the comeback begin?
It started last year at Rifflandia, last September in Victoria. Then we had two shows in Texas, at South by Southwest.

Safety Dance has obviously been a huge hit. What inspired that song?
Me being kicked out of bars in the early 80s for pogoing. In the late 70s, it was the end of the disco era, and punk was just starting out. And, I mean, there were just a couple of punk songs getting played in clubs, ‘Rock Lobster’ (B52s), ‘Heart of Glass’ by Blondie — whenever these songs would come on, punk and new wavers would jump up and start pogoing. It was viewed as abnormal behaviour, and we’d get the boot usually … that’s literally what inspired it.

That song has appeared in countless TV shows and has been covered dozens of times. What’s been your favourite?
My favourite pop culture reference has been the Beavis and Butthead one where I come prancing down in the field. One of them says, “Who is this, Michael Jackson?” That one gives me a lot of pleasure.

Men Without Hats, Yonge Dundas Square, June 18

T.O. sales roundup: rock out without shelling out

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With North by Northeast having kicked off this week, and the BlackCreek Festival and TD Jazz Festival on its heels — not to mention the epic outdoor concert that is the MuchMusic Video Awards happening on Sunday — music festival season is upon us, and we want to make sure you’re fully equipped to enjoy your favourite music in style. With this week’s sales round-up, you’ll be sure to nail that “I’m with the band” look effortlessly.

Jonathan and Olivia

Nothing beats a cool, breezy dress on a hot summer day and this strap dress by APC is as cool as it looks. It’s on sale for $150.
49 Ossington Avenue, 416-849-5956

Bicyclette Boutique

You can never go wrong with a cool, vintage-like T-shirt when attending a concert. We like this Public Library drifter tee with its slouchy fit and badass wolf design. On sale for $45.
880 Queen Street West, 416-532-8048

American Eagle Outfitters

Pair your T-shirt with a pair of distressed jean shorts and you’ll have that “rocker-chick-I-just-threw-this-on” vibe down to a science. We like this pair, on sale for $30.
Yorkdale Shopping Centre, 3401 Dufferin Street, 416-782-6135

Nine West

Pair your easy, breezy summer dress or your shorts-and-T-shirt outfit with these stylish Makaia sandals in red. Not only are they trendy (popping colours are huge this season) but they pretty much guarantee a blister-free night. On sale for $80.
39 Bloor Street West, 416-920-3519

Anthropologie

Outside in the sun, protect your highlights and skin with this chic sunhat, on sale for $40.
78 Yorkville Avenue, 416-964-9700

The Postelles tear it up at The Garrison

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With NXNE in full swing last night, The Garrison was the place to be. New York band The Postelles were in full rock-star mode, proving without a doubt that they are a band to watch out for. The band took the stage at 11 p.m., following a supreme shoegazer effort by Baltimore’s Lower Dens that left the crowd in a despondent mood, contemplating what it all meant. But that soon changed.

Fresh on the heels of the release of their self-titled debut album (produced by Albert Hammond Jr. of The Strokes fame), The Postelles won the crowd over after a handful of chords thanks to their engaging frontman Daniel Balk, who appeared set on pulling rock star moves to pick up the entire crowd in attendance. Whatever. It works. Throw in the twin towers on lead guitar and bass in David Dargahi and John Speyer, not to mention Billy Cadden on drums, and the band packs a rhythmic wallop that left The Garrison swooning after a short but ridiculously sweet set.

The band has a garage rock flair reminiscent of early Strokes, but offers up a bit more rock ‘n’ roll revival to the mix, plus a nod to ’50s rockabilly. A cover of ‘Hound Dog’ nearly brought the house down.

The Postelles have had a few label flirtations, but released their album independently. Still, it’s only a matter of time before these guys break out.

For more NXNE shows, check out NXNE.com.

Toronto photographer Caitlin Cronenberg delves into breakups for her upcoming book, The Endings

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Less than a year after launching her first self-published book, Poser, Caitlin Cronenberg is at it again. The 26-year-old photographer has teamed up with New York-based art director Jessica Ennis to create The Endings — a book of breakups. Or, perhaps more aptly explained: a book of photos of re-enacted breakups.

While Cronenberg was interested in capturing the raw reaction of her subjects as they stood nude before her camera for Poser, she’s now looking to tell narrative stories with ten series of images.

“They’re based on real breakup stories,” explains Cronenberg, taking a quick break from shooting stills on the Toronto set of Cosmopolis (the latest film currently in the works by her father, David Cronenberg). “Some of the stories are taken from our own experiences, and friends’ experiences, but there’s also a submission section on our website where people can write in with their own stories.”

Cronenberg and Ennis plan to adapt these submissions and recreate the nuts and bolts of each story within twenty-odd photographs.

One shoot is already complete (see photo gallery below), and Cronenberg and Ennis are looking for some patron saints to help them continue their collaborative endeavour. While Cronenberg says each Poser shoot wound up being fairly cost-efficient (hey, no wardrobe costs, right?), each of The Endings‘ shoots will involve a considerable amount of capital to carry out.

Instead of digging into her life savings, as Cronenberg did to self-publish Poser, she and Ennis are asking for a little support from friends and family — and the trusty interweb — to get The Endings off the ground. Through kickstarter.com, the twosome are raising cash to cover basic costs of the shoots.  While all labour has been volunteered, Cronenberg is hoping that this advanced backing — $15,000 is their goal — will ensure that no one will have to go “out of pocket” this time around. 

Charles Khabouth’s new bistro, La Société, brings 1920s Parisian charm to Bloor Street

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Toronto’s entertainment king Charles Khabouth threw a lavish party last night to celebrate the opening of his latest venture, La Société. Before it opened its doors to Toronto’s most stylish (we spotted Greta Constantine’s Kirk Pickersgill, National Post’s Shinan Govani and Fashion editor-in-chief Bernadette Morra, to name a few), we caught up with Khabouth and partner Danny Soberano on the sunny patio.

Describe the concept behind the new restaurant.
Khabouth: Well, to start with, I was thinking of how expensive the rents are on Bloor and how we’d need a restaurant that could operate seven days a week in order to make sense, and also that would be open for breakfast, lunch and dinner, and brunch on the weekends. There are only a few concepts that you can do all day long and French was one of them.

I also grew up in Lebanon, a French colony, so I grew up with bistros and brasseries on every corner, just like Starbucks in Toronto. So I grew up eating the food, understanding the culture. I grew up seeing the decor and I was always inspired by it. I love Paris, it’s one of my favourite cities in the world. I love the energy.

And there aren’t that many French bistros in Toronto. There are a few and there are a few good ones, but not enough. If you think of Italian food or Greek food, there’s like tons everywhere.

How important was it for you to create an authentic French experience as opposed to a North American version of the French experience?
Khabouth: It was really important for me to stay as authentic as possible, because when you mix and confuse things, then you confuse people. We wanted everything to be authentic, from the food to the interior, and we went as far as searching for three months to find the right company to do our stained-glass ceiling. We had to fly in people from Montreal and Quebec to do the mosaic floors. We ended up with 29 people working on the floors. The zinc bar top was done in France.

Soberano: We went to Paris a few times to do our research.

Any particular restaurants in Paris that inspired yours?
Khabouth: La Fontaine de Mars. That was a big one for us.

And what about La Société in Paris?
Khabouth: La Société in Paris is a modern restaurant, it’s not a brasserie. It’s absolutely beautiful, but it was not an inspiration for us.

Soberano: It’s not traditional French food, which is what we are doing here.

What are your favourite items from the menu here?
Soberano: Dover sole almondine is my favourite.

Khabouth: That’s a very French dish. I love croque-monsieur sandwiches. Very few people in Toronto do them or do them well. And the steak frites. Some of the items are in other restaurants, but we make sure they are very authentic and well done. One-third of the kitchen staff is French. I guess they were attracted to the idea of working in a brasserie. When you walk through the kitchen you hear a lot of French accents.

Soberano: They understand the flavours and ingredients we’re looking for. It’s important for us to hire people who are not only phenomenal chefs, but also know the original flavours.

Your focus seems to be shifting from clubs to restaurants now.
Khabouth: I look more at the opportunity, so if this was an incredible location for a club I would have done it. However, we are expanding definitely on our restaurant end. You could say we’re focusing — not more — but we’re giving as much focus now to the restaurants as we have to clubs in the past.

Do you think that food is more central to Toronto’s nightlife now than it used to be?
Soberano: I think people want a full experience, so we provide the restaurants and nightclubs, so that they can have a great dinner and then continue the night at one of our clubs. We’re trying to offer what’s needed. There was definitely a need for a great café-patio on Bloor Street. There’s not as much happening on Bloor Street itself.

Khabouth: Once the shopping shuts down at six, the street shuts down itself. So we’re really taking a gamble, because this restaurant will have to become a destination after seven o’clock, because the street will be empty.

Soberano: But not tonight!

And you have two other restaurants in the works as well?
Soberano: Yes, they’ll be open before the year is out.

What will their focus be?
Soberano: One is a gastro-pub, because I also think there is a lack of that in the city. And the other is a Spanish-Mexican combination. There aren’t that many Mexican or Spanish restaurants in the city that have a modern flavour. You’ll find these authentic little restaurants with 40 seats but there isn’t the experience of what you’ll find in New York or Chicago.

Where will they be located?
Soberano: Both will be in the same building. King and Spadina. We can offer the customers a variety of dining experiences in one building.

So what is the experience you want your patrons to have when they come here to La Société for dinner or drinks?
Khabouth: For me it’s a causal but fulfilling experience, where you get a great meal, but you’re not over-charged. It’s important to me that our pricing stays inexpensive. The experience has to be great: great service, great food, great energy. And I don’t want it to become a place where you go for your birthday only. There are a lot of restaurants like that, but we want it to be more of a staple, more of a place you stop by anytime.

Soberano: We want people to come back again and again.

La Société, 131 Bloor St. W., 416-551-9929

Q&A: Kat Burns, of T.O.’s Forest City Lovers

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Forest City Lovers are good. More than just a buzz band, the Toronto group, fronted by the wondrous Kat Burns, continues to defy convention and produce arresting and melodic pop gems that reflect a unique sensibility. The band is scheduled for a number of concerts this week for North by Northeast, and we caught up with Burns for a chat.

 

You’re at North by Northeast this week doing some outdoor shows. Are they all outside?
We’re actually playing four shows! Three barbecue/daytime shows and then our Music Gallery official showcase. A couple of them are outdoors, yes!

Your music works well outside, why do you think that is?
Well, it probably stems from the fact that I’m a huge nature nerd and I love nothing more than pondering life under the shade of a tree, usually while examining a feather I found or something.

You’ve been compared to artists such as Cat Power. How would you describe yourself and who were your influences when you started out?
I actually started out really not knowing any female artists or musical peers and really not knowing what I was doing. I just knew that I wanted to make music and sing. It took a friend (Isla Craig, a talented girl!) to give me a list of people I needed to hear if I was going to be singing. The list included PJ Harvey, Patti Smith, Cat Power, Tori Amos and a bunch more amazing voices.

Where did the name Forest City Lovers come from?
It’s a Dances with Wolves reference.

How does your music reflect the contrast between your upbringing in suburban Ontario and the move to the big city?
I grew up in the suburbs, and there wasn’t much going on so we just found our own fun (innocent as kids, trouble as teenagers) in the woods and parks nearby. We also traveled a lot with my family and were immersed in biology and ornithology (my first career choice as a nine-year-old) and that’s stuck with both my sister and I. Moving to the city makes you realize that it’s big and grey and there are a million people doing the same thing as you. You just have to find your own little green spaces, metaphorically and physically, and reflect. I think that probably comes across the most in my songwriting.

The band has gotten more popular and more attention with each recording. Where do you go from here?
Ideally the next record will take us to each corner of the earth. But realistically, that is a tricky question. I am not sure what the next recording will be or when it will be out. I just hope that we can continue to create and have fun in the process.

Do you feel more pressure now that people are paying more attention and anticipating each release?
My dad always watches the interviews and reads our press (he is a big supporter) so I tend to get a little bit of an idea from him, but I try not to read too much stuff. It’s not good for you! I try to stay pressure free, because after all, you just have to keep on doing what you’re doing. I have too much in my mind to add that pressure, I would most likely explode into a million pieces.

Speaking of releases, you are sequestered away on Toronto Island. Are you writing some new songs and will any of these debut at this week’s shows?
I was here all winter writing new KASHKA songs, actually, and a few FCL songs also came to fruition. I am here again for the summer and although I’m focusing more on a collaborative installation project with my cousin, I will be singing and writing in my spare time. Claire and I might play a new one on Saturday (at the park show) and I will most likely play a couple new ones on the Sunday show, but we haven’t had too much time all together to arrange new ones in time for the big show on Thursday. We’ll be doing a cover though, of a talented songwriter. Keep the inspiration flowing, you know?

 

Agave y Aguacate, Kensington Market’s not-so-hidden gem, unveils a new summer menu

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There is a lot to be savoured at the small food court behind Pancho’s Bakery in Kensington Market, including veteran chef Francisco Alejandri’s much-lauded Agave Y Aguacate. It’s probably the market’s worst-kept secret, and it's not hard to see why. Alejandri and his sous-chef Clea Stuart have been dedicating nearly all of their waking hours to the takeout-only spot. The duo launched a new summer menu yesterday, so we checked out some of the offerings.

Ensalada de tomatillo/Tomatillo salad

Tomatillos, also known as tomate verde (green tomatoes), are a staple in Mexican cuisine. For this salad, tomatillos are chopped and then tossed with habanero peppers, queso fresco (a white Mexican cheese), avocado, coriander, fresh lime juice, olive oil and chicharrón, fried, crispy pork rind. It comes served with a thick slice of avocado. $6.50.

 

Sikil p'ak

The hardest part about making this Mayan pumpkin seed dip, Alejandri says, is finding the right vegetables. “We go to the market every day and hand pick every single thing. Everything has to be to our standard.” The chefs broil some tomatoes and habanero peppers until they’re dark brown or blackened (not burned), then add some toasted pumpkin seeds. The mixture is finished with chives, coriander and salt, and it comes served with Abby’s Tortillas (ingredients: stone-ground corn, lime and that’s it. If you're a fan, they're available from McKechnie Foods in Aylmer, Ontario). “They’re the best tortillas we’ve ever had here in Toronto,” Alejandri says. $5.50.

 

Chalupa Blanca/White chalupa

This dish is a throwback to Alejandri’s homedown of León in central Mexico, where it’s very popular. A regular cucumber is peeled; its seeds are scooped out and it’s then seasoned with lime juice, piquin chilis, white onions, finely grated manchego cheese (from Global Cheese Shoppe) and pineapple vinegar. Alejandri makes the vinegar at home out of pineapple skin, piloncillo (palm sugar) and water — it takes about a month to ferment and he uses it for this dish only. “I told my sous chef yesterday: this isn’t easy, but it’s worth it.” $5.

 

Camarones rojos/Red shrimps

To start this dish, a broth of water, onion, coriander and garlic is brought to a boil. A handful of shrimp are dropped in and the heat is turned off; the shrimp poach for about around two and a half minutes. Then, they’re immediately plunged in cold water to halt the cooking process. They’re then taken out of the water and tossed in a red escabeche (a concoction of vinegar, oil and ancho peppers pureed with cloves, black pepper, garlic and onions). When they’re ready to serve, the shrimp are tossed with a bit of lime juice, coriander and crushed peanuts. An avocado is cut right in half, and the shrimps are placed in the bulb’s cavity with crema fresca, a thin Mexican sour cream. A sprig of coriander completes the presentation. $7.

 

Ceviche verde/Green ceviche

Fish filets — in this case, basa — are salted on both sides with kosher salt (it’s not as strong as sea salt) and left to sit in the fridge for an hour so that the salt can remove water. The filets are then pat dried, cut up and submerged in hand-squeezed lime juice. It’s left to soak throughout the day and has to be stirred every hour to avoid coagulating. The fish is strained and tossed in a green paste comprised of coriander and mint leaves — no stems permitted — that are ground by mortar and pestle with habanero peppers and sugar. After that, fresh lime juice, white onions, tomatillos and avocado are added, with a touch of olive oil at the end. Served with tortilla chips. Interesting fact: the colours of the three aforementioned items showcase the colours of the Mexican flag. $10.

 

Margarita charlotte

Alejandri is a fan of dessert — growing up, he recalls, he only got to taste it during Christmas. This one appeared on the previous menu in a slightly different form as the lime charlotte. The new version is made with pretty much the same process, but with a margarita’s zing: the custard is made with condensed and evaporated milk, lime juice, Jose Cuervo tequila and Cointreau. That custard is layered with biscuit; it’s like a Mexican tiramisu, Alejandri says. $3.

 

Membrillo con fresco

This dessert of membrillo (quince paste) set atop a slice of fresco cheese was the sous-chef's idea, Alejandri says. It's garnished with a coriander puree (coriander leaves, olive oil and a bit of sugar). $3.

 

Agave y Aguacate, 214 Augusta Ave., 647-208-3091

To find Agave Y Aguacate, walk into this building and head to the back

To spice up cocktail sessions this patio season, make like the Brits

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Summer has finally arrived, and Torontonians are seasonally preoccupied — even borderline obsessed — with seeking out sunbathed patios and the cool refreshments that they offer. Mainstream favourites like Bloody Caesars, mojitos and sangria are great and all, but don’t you ever find yourself craving something different? Something wildly potable and subtly fruity, with digestive properties and a compelling history, perhaps? Well then, British favourite Pimm’s might hit the spot.

Fittingly, Pimm’s crossed my lips for the first time on a London patio. Savouring a jug of properly mixed Pimm’s — laced with lemonade and garnished with strawberries, cucumber, citrus and mint — in a waning patch of sunlight across the cobblestones from The Old Vic theatre is a life-altering experience and, like the classic English liqueur’s first fans, I just couldn’t stop drinking it.

Pimm’s No. 1 Cup originated in 1823 as the house blend of James Pimm’s central London oyster house. Using gin as its base, Pimm’s No. 1 Cup was a secret blend of herbs, spices and fruit extracts that was served as a digestive tonic and a smoother alternative to the straight gin that the English were quaffing back then. Demand for his signature tincture inspired Pimm to create cups No. 2 and 3 — scotch and brandy based blends, respectively — by the mid 1800s. Pimm’s No.’s 4 (rum), 5 (rye) and 6 (vodka) followed throughout the 20th century, but were eventually phased out along with their predecessors, leaving the original Pimm’s No. 1 standing solo by 1970.

Although Pimm’s No. 3 has since been reinvented as the seasonal Pimm’s Winter Cup — infused with holiday flavours like orange peel and spice — and the mysterious Pimm’s No. 6 vodka cup is available in the UK in minute quantities, it’s Pimm’s No. 1 that has remained an enduring staple of English culture since its inception in a bustling public house. A ubiquitous summer cocktail in England, it’s consumed en masse at pivotal cultural events like Wimbledon and the Henley Royal Regatta, and has both refreshed and inebriated thirsty guests at countless polo matches and garden parties.

Accolades aside, Pimm’s No. 1 has enjoyed such longstanding potability because of its unique and appealing flavours. The sweetness of fresh fruit like berries, orange or apple, and the crisp notes of cucumber and mint (or traditional borage, if you can find it) mingle memorably with the tartness of citrus and the pleasant bitter-sweet combination of the liqueur itself.

For those with a more simplistic approach, Pimm’s is also delicious mixed with ginger ale or sparkling wine. Available at the LCBO ($24.45), it’s inoffensive alcohol content (25 per cent) makes it a great addition to gin-based cocktails or a perfectly easy summer sipper.

Better still, traditional and signature Pimm’s concoctions can be enjoyed effortlessly at a handful of downtown bars including the Harbord Room ($13), Czehoski ($12), and Embassy ($6).

Sometimes, Toronto’s geeks can be chic

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Last night, Vogue‘s editor-in-chief Anna Wintour was on hand to pick up the People’s Voice award for fashion at the Webby Awards, which doles out trophies to the best of the ‘net. Giving the traditional five-word-speech, hers — “Sometimes, geeks can be chic” — shaped up to be the one of the most popular quotes of the night, which got us thinking about Toronto’s own chic geeks. Below, our five favourites.

Dan Levy – Though his thick-framed glasses and excessive pop-culture knowledge makes this TV personality a certified geek, his style of printed shirts, turtlenecks and cool kicks (not to mention his new gig as a Flare contributor) definitely gives Levy an edge in chicness.

Sarah Polley – She’s an actress, writer, director and political activist all at once — anyone that smart must be a huge nerd at heart. Though she’s said she’s not much of a fashion freak, her effortless bohemian style suggests otherwise.

Michael Cera – Even if he does play the same role in his all of his movies, he has a way of wearing trousers and rad graphic T-shirts that makes him all the more lovable.

Kristin Weckworth – She’s the owner of Toronto’s Magic Pony Shop, a store filled with whimsical art, fashion and books, which automatically makes her a really cute geek in our books.

Rick Moranis – Sure, he’s known for playing a bumbling nerd in such classics as Ghostbusters and Honey, I Shrunk the Kids, but let’s face it: no one can wear a bow tie and a pair of khakis like this guy (and he gives Levy a run for his money in the specs department, too).

Caplansky’s defends its meat mettle against Goldin’s and The Stockyards in this year’s Deli Duel

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This isn’t your average hot dog eating contest. This Sunday, meat-crazed Torontonians will partake in yet another culinary competition, this time in the form of a deli sandwich duel. The Stop Community Food Centre is hosting the 2nd annual Deli Duel, a smoked meat sandwich competition wherein Caplansky’s Delicatessen (the reigning champion) will battle against Goldin’s and The Stockyards for the 2011 title.

The showdown will take place at Wychwood Barns from 1p.m. to 5 p.m., and diners will have the chance to sample the goods from all three competitors and then vote for the winner, who will receive the prestigious Deli Duel Trophy (Wolfie’s Deli was also scheduled to compete, but ended up pulling out of the event). Other vendors include Kiju Organic Juice ($3), Steam Whistle ($5 a pint), and Tipicular Fixin’s cocktails ($5).

Best of all, you can kill three proverbial birds with one stone at this event: help out The Stop Community Food Centre (to which all the proceeds go); take your Dad out for Father’s Day and, of course, eat your fill of smoked meat sandwiches.

Deli Duel, Wychwood Barns, July 19

Less electronica, more indie rock: Q&A with Chad VanGaalen, appearing at NXNE this Saturday

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Singer-songwriter Chad VanGaalen is appearing at the North By Northeast music festival this Saturday, right on the heels of the release of his latest album, Diaper Island. The Calgary musician’s latest effort sees music that is stripped of the pervasive electronica that characterized him previously. In its place is a bare-bones indie rock that might just make him even more popular. But can the reclusive rocker handle more success? We spoke with him to find out.

What can you tell me about the new record? A change of pace?
Yes, it is like a rock record, pretty stripped down. It took me quite a while to record it.

Why is that?
It took a while to get to it. I kind of took about two years recording. I went through almost three records that were total disasters before this one was good.

What’s with the album title, Diaper Island? A nod to the baby in your life, I take it?
Yeah, I mean that had something to do with it. It was more along the lines of "garbage island," but "diaper island" just sounded a little more surreal. It is more a metaphor for human beings in general wrapping stuff up in plastic, taking the waste produced and wrapping it in a time capsule to put it in the earth, cause that’s what happens with plastic.

So you’re described in terms reminiscent of a hermit — I’m sure that’s not true since you’re a family guy and you tour — but how did that reputation come about?
I work from home, as an animator, so I really don’t leave my house. If people want to visit or hang out they usually come over here. It is easier. I actually don’t really leave my house, but I am socially functional. I’m not a recluse because I hate people, I just have a lot to do. When I’m not working I spend time with my family, and they live here too, fortunately for me.

Who were you listening to when you started getting into music?
The bands that originally got me into music like Shellac, Sonic Youth and Sebadoh were bands that had a pretty simple format as far as how they functioned as a band, and their recordings were pretty raw-sounding, but still sounded totally different from the average rock band on the radio. That’s the difference between this record and previous records, there is not really any instrumental, electro beat things going on. There’s not a lot of background bleeps and bloops, just straight up guitar, drums, vocals.

Where do you commonly look for inspiration?
Lyrics are pretty difficult for me for the most part. A lot of times they come last, especially on this record … just because I don’t read much, and I don’t feel like that good at expressing myself through words. I tend to take a lot of time playing around with it. On this record, I kept things fairly abstract, and I kind of disconnected myself personally.

You spent a few years busking early in your career, what did you learn from that experience?
Busking kind of was the thing that originally broke me out of my shell as far as performing goes. I had a pretty massive problem with stage fright. I started busking somewhat to pay my rent. I was working at a pizza joint and there was a busker outside. His guitar case had more money than I’d made that evening just by playing Barenaked Ladies covers. It was a totally amazing and uplifting experience, just meeting people was awesome, the real contact, and being able to practice and find out what people really like on an honest level.

So are you happy where your career is at right now, or are you set for world domination?
I am totally amazed that anybody cares about anything any more. I have to say I feel pretty lucky. I have an amazing life — a beautiful family, and I feel like I lucked out with people I work with at Sub Pop and Flemish Eye. If anything got any bigger, I’d probably try and sabotage it.

Have you played NXNE before?
I feel like I have but maybe I haven’t. But I love toronto, it is awesome. There are beautiful people in Toronto. I’m excited to come there for many reasons. Julie (Fader), my friend, just had a baby with her beautiful boyfriend Graham. I just want to see its face, touch it, feel its magic.