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We love you, men: Club Monaco’s Bloor Street location to get a revamped men’s section

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Toronto trendsetters were buzzing this weekend when tweets began to circulate about a new collabo between Club Monaco and Michael Williams, founder of the popular menswear blog A Continuous Lean. Initially, rumour had it the Bloor Street store was going mens-only, which must have been a relief for local dudes who won’t be able to shop for khakis at the city’s first J.Crew, a ladies-only location.

As of Monday, however, fashionistas-in-the-know were tweeting a different tune: it turns out the Bloor Street location will remain an equal shopping experience, but its men’s section (along with the men’s section in New York’s flatiron flagship) will undergo a major re-tooling in light of the partnership with Williams. Apparently, a more rustic feel will be incorporated into the skinny-suit-and-tie vibe that Club Monaco is known to sport. New brands, which could include Wolverine footwear, Archival Clothing, Tanner Goods and several others will be introduced. Higher price points are also expected, but shoppers may not seem to notice with the planned lost-and-found, vintage-y décor.

The new men’s section is set to open in October.

Put a lid on it: Torito chef Luis Valenzuela teaches Toronto the art of canning

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This Saturday, Relish Yo’ Mama is kicking off a series of canning workshops at the St. Lawrence Market Kitchen, including a tutorial conducted by chef Luis Valenzuela of Torito. We caught up with the tapas master — who learned about canning while seeking to preserve Canada’s various seasonal delicacies — to chat about canning, cold weather and Canadiana.

 

Tell us about the canning event you’re participating in on Saturday. What can visitors expect?
It’s for the Compost Council of Canada and it’s linked to the Soupalicious event. The event is called Relish Yo’ Mama. Basically what I’m going to be doing is teaching people how to properly can peaches, and also I’m going to teach them how to make a peach wine with the juices instead of just throwing that away. Most of the jarred stuff that we use, we end up just using the fruits or vegetables and not the liquid. But that liquid has a lot of flavour and so I want to teach people not only how to preserve the peaches, but then how they can use the liquid itself later on.

What appeals to you about canning?
When you can stuff, not only do you preserve stuff for the winter, but you get to play with flavours.

So what’s an example of creative flavouring you might employ?
Well, for example with the peaches, you might add a little bit of vanilla, cinnamon and a bit of bay leaves. There are tons of applications. You can do them with vodka if you want to, and I like to use the peels of citrus fruits when I’m canning, they add so much flavour. The other benefit of canning is that you can continue to use the summer fruits you love throughout the winter months. It’s a good option and a good technique to continue to pass on to younger people.

Why do you think it’s important for younger people to learn this skill?
I think due to the readiness of food everywhere, younger people don’t care as much for the old traditions like curing, canning, cheese making … but I think it’s really important that we keep passing along those traditions, because it’s a way of passing stories, an art which is becoming extinct. You can’t absorb information just by reading it, you need that human factor. Canning connects me with the past, even though I’m a young guy. Just to imagine how people came up with preserving, that itself is pretty exciting.

Did someone in particular teach you about canning or did you become interested in it on your own?
On my own. I come from a hot country, so preserves and curing are very minimum, there’s no need for it, because we had fruits and vegetables year-round. But I really liked it when I came to Canada, especially with rhubarb vegetables and fruits I’d never seen before. It was really comforting in the winter months to have jams and jellies. I think it could become a Canadian symbol — we could can stuff with maple syrup! The fact that it’s not something that I grew up with allows me to be a bit more creative. There are no rules for what should I be canning and what shouldn’t I be canning — it’s whatever comes to mind.

How important is canning in your role as a chef? Do you use preserves in Torito’s menu?
Yes, we do! We use them the most in the winter. In Ontario we have three to four months when everything becomes available. You go to the market and you don’t know what to choose because there’s so much of everything. More often than not we end up over-buying stuff, and Torito is a very small restaurant, so we often can’t get rid of all that food. So canning is a great tool when we have a couple boxes of plums. One of my cooks today said, “We have so much okra, what should we do?” And I said, “Ok, we’ll can them!” And it’s a great thing to do with leftovers at home too.

So, if you were planning for a long winter, what would be the first things you’d start canning?
Most important: onions. I would also can some baby cucumbers. A lot of fruits. They’re really good, whether sweet or savoury, you can do so much with them. Those would be my staples. Oh, and carrots, because I like them.

Relish Yo’ Mama, St. Lawrence Market Kitchen, July 16. $35

Queen West party spot The Social is gone, but owners have two new projects in the works

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Queen West’s The Social may have ended its six-and-a-half year run earlier this month, but when one door closes, another one opens. Or in this case, two doors. Owners Richard Lambert and Jesse Girard are planning on opening a British pub in The Social’s space, and they’re are also working with Kenny Hotz (of Kenny vs. Spenny) and Embrace Productions on The Hoxton, a new nightclub set to open August 6.

The yet-to-be-named pub that will be taking over 1100 Queen Street West is aiming to open in October or November of this year. For those familiar with The Social, the venue will be “unrecognizable,” Girard says. A kitchen will be added, along with the chef stylings of Parts and Labour’s Matty Matheson. Girard says the English-inspired pub will be a “cozy, comfortable place … not corporate.”

The Hoxton will have a much different vibe. The 650-person event space will take on the appearance of an art gallery. With white walls, white beams and a black ceiling, it’s going to be “clean and clear,” says Lambert. The space, located at 69 Bathurst Street, has been vacant or two years. Before that it was home to the State Theatre nightclub.

Now with a venue that can legitimately be run as a nightclub — unlike The Social, which had been fighting a continual licensing battle with the city as of late — larger corporate events, concerts and DJs can be showcased. On the music front, “Fridays will probably be house and Saturdays more electronic,” says Girard.

A lecture about Lars von Trier at the JCC? Clearly, the 'controversial film directors' series is back

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Picture this: a lecture about Lars von Trier, the Danish film director who recently spoke of “sympathizing” with Hitler, held in Toronto’s downtown Jewish community centre, the Miles Nadal JCC. Having a reaction? Got something to say? Good. Film critic Adam Nayman chose von Trier to kick off the second round of his controversial directors series for that reason.

 

“It’s deliberately provocative on my part,” he says.

Because — as Nayman learned during his years of writing about film — just because people don’t like a director doesn’t mean they don’t like to read or talk about that director. And Nayman wants to generate discussion in his series more than he wants to hear his own voice.

Tonight kicks off the second round of the series at the Miles Nadal JCC. Most of the directors are art house filmmakers, and each one gets a reaction from those who know their work.

Second up in the series is Austrian Michael Haneke (White Ribbon) on July 18, who Nayman calls a “chilly intellectual director who gets greats reviews.” Following that is Spanish director Luis Buñuel (Belle de Jour) on July 25, with Woody Allen ending it all on August 8.

Though Allen is the most well known director in the series, Nayman says he fits in well. According to Nayman, Allen is very much like a French film director; he acts in his films and they are “usually attributed as personal statements.”

Each lecture is drop-in. Nayman promises to show rare film clips and extras, such as documentary footage, to give context to each discussion.

“As a critic you never really engage in a dialogue with people who are reading you, and engaging in dialogue makes you feel more accountable,” he said.

Love Em Or Hate Em: MORE Controversial Directors in Nayman’s Terms, Miles Nadal JCC, July 11, 18, 25 and August 8

Coming Soon: Ascari Enoteca, an Italian wine bar from the team behind Table 17

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Wasn’t everything better in the ‘50s? Actually, having seen Midnight in Paris, we know that we’re just inherently dissatisfied with the present. Still, we’re intrigued by the latest project from Table 17’s Erik Joyal and John Sinopoli: an upcoming restaurant and wine bar in Leslieville that’ll offer up lots of house-made pasta while paying homage to a bygone Italian era.

Ascari Enoteca — named after 1950s Italian racing driver Alberto Ascari — is set to appear in the site that formerly housed Ben Navaee Art Gallery, a 10 minute walk from Table 17. At around 1,000 square feet, the new restaurant will be intimate, seating about 35, plus about 25-30 more on a potential patio on Caroline Ave.

Anchoring the menu will be a selection of 10 house-made pastas, Joyal tells us, five of which will remain as staples while the other five will rotate seasonally (fans of Table 17 know that seasonality is huge with these guys). Those who don’t feel like dining on pasta will probably be able to indulge in a meat dish and a fish dish, plus a selection of appetizers. Sinopoli will juggle executive chef duties between both venues.

Ascari won’t be as cocktail-heavy as Table 17, but it will be wine heavy. Joyal anticipates a selection of around 20-30 by the glass and 50-60 by the bottle. Décor will be done by J. Gibson Design, which did Table 17, and will include throwbacks to Ascari’s era. As for more specifics, we’ll have to wait to find out: construction on the new restaurant hasn’t even begun yet (owners are still in the permit stage).

Joyal says an optimistic opening date would be October of this year.

Ascari Enoteca, 1111 Queen Street E.

Painting the town orange. And blue, and green: Q & A with artist Vanessa Nicholas of The Good Bike Project

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It would be understatement to call the team behind The Good Bike Project —Toronto artists Caroline Macfarlane and Vanessa Nicholas — busy. The duo are probably best known for their paint jobs on abandoned bikes, and after somewhat ironically receiving Rob Ford’s support, the women hit Regent Park earlier this month and held a bike-painting day in the community. They also debuted a bike in time for Pride’s festivities. We spoke with Nicholas about what’s next for the team.

How did it go with having Pride and the Regent Park project on the same day?
Caroline and I prepared the Pride bike earlier in the week, just on our own time. And then we locked it in front of the gallery we work at, which is the OCAD University Student Gallery. We replaced the original orange bike with the Pride bike for the weekend. And then the Regent Park event was separate. We hosted the event on the Sunday, which coincided with Pride.

Regent Park seems like the perfect place for a project.
We’re only planning one more, but a much larger public event, which is going to happen on Sunday the 24th of July. I think we’re going to plan to have it in Cabbagetown at the youth centre. The idea there is to work with the youth centre, you know, with an organization that promotes community and community regeneration. I don’t think we’re targeting a neighbourhood so much with that event, it’s more that we’re hoping to shed light on what the youth centre does.

A lot of those kids are Regent Park kids, too.
Yeah, we could have quite a lot of overlap. Which would be nice because the kids that came out [to the Regent Park project] did a really good job and they were really enthusiastic. Obviously, the bikes will be going in a lot of different neighbourhoods in the city.

Are you releasing more bikes in Regent Park?
The green bike and the blue bike [that are there now] are bikes that we have handed over to Regent Park to place within the community as a kind of thank you for helping with the event. What we’re doing is that each colour of bike is going to mean something different. We have about six colours at this point.

The blue bike stands for community builders, which is why it’s been placed in conjunction with the learning centre [in Regent Park]. The green bikes are going to be an homage to Jane Jacobs. So we’re going to place those in sites around the city that either have attracted urban planning minds or places that need to attract more attention and need to be dealt with. So the idea of giving the green and the blue bikes to Regent Park is to celebrate the fact that they are doing such great community work.

What does your own bike look like?
Caroline and I have talked about hitting our bikes with streaks of colour but so far we haven’t done anything like that. They are just regular bikes.

Muskoka's Costliest Cottage

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Only a short distance from Millionaires’ Row on Lake Muskoka, this magnificent $5.95 million estate is currently the priciest property on the market in Muskoka. The two-storey cottage has three bedrooms and seven rooms, and enjoys 422 feet of frontage. According to the owner, it has remained in the Buttler family since Queen Victoria issued the original deed in the 1870s. The sprawling 114-acre estate was first farmed and later became a lodge. That it’s located in namesake Buttler Bay is not a coincidence. Situated high on the lake, facing southward, the cottage offers a tranquil retreat, complete with its own beach (listed by Michael Laceby of Laceby Real Estate Limited).

 

A look at the Muskoka millions right now

Muskoka is still Toronto’s most sought-after locale for a summer home. Between the heat waves and smog days, nothing beats getting out of the city and travelling up into cottage country. Some time ago, Muskoka’s most exclusive real estate, located along Lake Muskoka, came to be known as Millionaires’ Row. These days, a million-dollar price tag is the norm. There is even said to be a Billionaires’ Row on Lake Joseph. Herewith, a look at some of the most expensive homes on the market in Muskoka.

A traditional compound
Do you come from a big, close-knit clan? This $4.89 million cottage-country find, described as a “true old family compound,” is ideal for bringing everyone together over the summer months. Set on Lake Rosseau, on Clovelly Point, the three-and-a-half-acre property spans two lots. The area is distinguished by prominent granite rock and painted with mature pine trees.

 

The year-round cottage
Situated on prime land on the exclusive Kennedy Point, Lake Muskoka, this $4.22 million home is great all year round. For those seeking solitude in the summer, stay in the luxury bedroom suite in the two-storey boathouse. Take in views of the Beaumaris islands. Come winter, cozy up to watch a movie using the state-of-the art media theatre in the main cottage.

 

A modern take on Muskoka
If the idea of a fixer upper doesn’t appeal, this custom-built home might. Located on Lake Joseph, this $3.99 million five-bedroom has the amenities of modern living, while still maintaining the cottage-country ambience. Take the re-sawn wide-plank antique hemlock barnboard flooring and the granite pathways and perennial gardens as examples

 

Tony Aspler's wine pick of the week: Gunderloch Fritz’s Riesling 2009

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In the Rheinhessen region, winemaker Fritz Hasselbach has fashioned a bargain-priced Riesling without sacrificing quality. Deeply coloured with a spicy peach bouquet, the wine is medium-bodied, off-dry with flavours of honey, peach and lime. It really fills the palate and is a delicious summer drink. Food match: pork chops or Thai dishes. (Vintages #216366)

 

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards. He can be heard on 680News.

Toronto's Bite Me! film festival pulls no punches

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What should you say to those who tell you not to eat pizza because it will make you fat or that those who celebrate sexuality are promiscuous? "Bite Me!" Toronto’s International Body Image Film & Arts Festival is back for its second year. Celebrating body diversity, the festival commences tonight at the National Film Board of Canada.

“Everyone talks about how the body looks; rarely do people talk about what the body does,” says Jill Andrew, festival director at Bite Me!. The goal is to celebrate the body as a force, not an object. “It’s a celebration of body in motion, body resisting violence, body achievement.”

Through a myriad of films over the next three days, the festival’s mission is to provide different perspectives on controversial issues like cosmetic surgery, race, misogyny and more, including heavy-handed topics like female genital mutilation (the festival is 19-plus due to the mature nature of some of the films).

Katrin Bowen’s Amazon Falls will be the official opener for the festival. Loosely based on her experience as a B-list actress living in L.A., it tells the story of Jana, played by April Telek, who refuses to give up on being an actress. The movie explores the lengths that people go through to pursue their dreams, even if it means changing who they are.

“It’s valuable to have these festivals," Bowen says. "People shouldn’t shy away from the issue.”

Bite Me!, National Film Board of Canada, Jul 8-10

Q&A: Hollerado, headlining the side stage at tomorrow’s Edgefest '11

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This Saturday, Hollerado will headline the side stage at Edgefest, but don’t count on seeing them play side stages for very long. Their infectious blend of upbeat pop-rock, quirky lyrics and solid songwriting have made them one of Canada’s most noticeable up-and-coming acts. How can you say no to a band with a hit single about a wise, unapologetic, older woman’s final day on Earth? Bassist Dean Baxter was kind enough to drizzle his brain’s weird juices over our questions.

Are you guys excited to be playing Edgefest? Did you ever get out to Edgefest when you were younger?
Edgefest? I thought we were playing Hedgefest! That’s what our buddy Jean-Guy, from Chicoutimi, Quebec, told us. Well, maybe we’ll be able to use our hedge clippers anyway. It’s in a park?

Arts & Crafts is doing distribution for you guys after a long period of resisting label involvement. What made you go with them?
Arts and Crafts were nice enough to let us form our own label, Royal Mountain Records, under theirs while being able to use their distribution abilities. But most people don’t know the other abilities we acquired when signing up to work with them. Menno now has the ability to sweat profusely via his palms. It’s seriously a lot of liquid. Jake now has the ability to nurture a garden until it’s yield is that of ten times the previous harvest. Dean gained the ability to count past 100 on Sundays (the day of rest) and Nick can fly.

There’s something nostalgic about Hollerado, lyrically, musically — maybe for another era, maybe just for summertime as a kid. Am I supposed to feel this way or am I projecting, as my therapist often says I am?
The point is to feel good I guess. I say “good” using the process of elimination. We don’t want you to feel bad, so what’s left? Good is left, so I guess that’s it. Everything else is up to the listener. Be it nostalgia, or just triggering an abundance of serotonin to be released in the brain, we just hope our music doesn’t make people feel “bad.”

"Juliette" converted me to the Church of Hollerado. There’s something meta-cool about having a song on the radio about such an "uncool" subject. Were you conscious of that or do you try to ignore questions like "what will people think of this?"
We were actually trying to write an uncool song about a cool subject. But I suppose as long as the equation is balanced the approach is inconsequential. Uncool+cool=cool+uncool. I did terrible in math but I’m pretty sure I just cracked the ultimate pop code.

If Daniel Johnston were going to rip a cover of one Hollerado song, which would you want it to be and why?
Ideally, one that we haven’t wrote yet, so that we could have a Daniel Johnston song to claim as our own. But If we had I had to choose, I would love to hear him do "Defense of the World." It’s an old ditty of ours and there’s a rapper in it. I would love to hear Daniel Johnston rap.

Hollerado, Edgefest, July 9

Is Rosedale ready for horse? Apparently not

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When the newest addition of the Terroni family opened in Rosedale earlier this year, we couldn’t help but wonder if the area was prepared for carpaccio di cavallo (a.k.a. horse meat). The answer is neigh, apparently. Terroni Bar Centrale has decided to quit horsing around and has pulled horse meat items from its menu. Talk about an epic foal-ure (we just can’t help it with the horse puns).

According to the Town Crier, the hotly contested dish sparked “hundreds of complaints from customers and activist groups.” Our food critic Christine Cushing was on to something when she said the dish could draw attention to the new Rosedale eatery, but unfortunately for Terroni, the attention is hardly worthy of the winner’s circle.

While horse meat is widely accepted in places like Europe, Rosedale has spoken. It’s time to giddy-up, horsey.

UPDATE: While we confirmed with Terroni Bar Centrale that horse had indeed been pulled off its menu, owners did not get back to us with a comment until Friday evening. This is the statement we received from Terroni:

"We are not short on controversy with our philosophy at Terroni so we do not hide from it. This decision would have been made purely on sales like any other item on any of our menus. The reasons stated in the article in Town crier are completely inaccurate & false [sic]."

[Town Crier]

The Youth North American Bridge Championships are going down in Toronto this month. Wait, young people play bridge?

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Few things are more synonymous with retirement than bridge (thinking hard, we came up with cruise ships and bocce). But with the Youth North American Bridge Championships rolling into Hogtown this month, grandma is about to see a whole lot of pint-sized competition. We caught up with 11-year-old Richard Jeng from the U.S. (one of the reigning kings, along with his brother Andrew) who will shortly arrive in Toronto to defend his crown.

So what’s the deal with bridge?
It’s a card game that uses lots of logic and math and you really have to think about every card you play. It’s kind of like chess where you can calculate your opponent’s hand and your partner’s hand, and you just can’t do random stuff.

How old were you when you began playing?
I was six, my brother was nine. My mom found an advertisement for the Atlanta Junior Bridge [https://www.atlantajuniorbridge.org/] organization. They have summer camps and she enrolled us in one of the summer camps and we liked it. So we started playing bridge more often.

Isn’t it a game for senior citizens?
Actually, yes it’s true. There’s a lot of senior citizens that play because most of them have more time.

Your brother is your bridge partner. Is that a good thing or bad thing?
It’s easier if it’s your brother. If it’s your brother then you have a lot of time to practice. If your partner is from somewhere really far away, then it’s hard to discuss things.

Do you ever bicker?
Sometimes. Usually over what we should be bidding, or what we should play in a sequence.

What’s your strategy?
I really don’t know. Just play my best in all the matches and hope for the best.

What about your secret?
I just have a natural instinct. But you should be really good at math. If you’re good at math, then you’re probably a good bridge player.

After Bridge, what’s your favourite card game?
Hearts or Spades.

Why should people play bridge?
It’s a fun game. You should play.

Youth North American Bridge Championships, Sheraton Centre Toronto Hotel, July 28