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Molson Coors to launch a pink “beer” for chicks

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It’s no surprise that women seem to be less into beer than men. While ads rife with midriff-bearing women are appealing to some, they can make it seem like beer is exclusively a man’s drink. “They’ve got to go,” says Toronto beer specialist Mirella Amato. As organizer of Toronto’s chapter of Barley’s Angels, a girls-only beer club, she knows that women can appreciate the beverage just as much as men if given a chance. So, how can breweries get women more into beer?

Molson Coors has proposed one rather interesting solution to the conundrum: make a beer that’s dainty. Or, in this case, a beer that’s pink. Like, literally pink. The beer company recently announced the release of Animée, its female-oriented “beer,” in the U.K., and it will come in three flavors: clear filtered, crisp rosé and zesty lemon. The only thing missing is a free pair of high heel shoes with each purchase (and maybe a couple of pretty horsies on the label).

How femme-fastic is it really, though? The Guardian’s Melissa Cole gave the beer a try and had this to say about it: “If anyone can identify anything even approaching a normal beer flavor in any of these drinks I’ll eat my hat.”

And while Amato hasn’t tried it yet (she is curious, though, about its purported bloat-resistant properties), she’s convinced that “flavour is key” in winning over the hearts of the ladies. Aesthetics alone aren’t going to cut it. Perhaps — and here’s a radical suggestion — brewers could starting marketing beer for its flavour, or highlighting the foods that complement different beers.

“The solution is not to get a buff guy inviting me to beer camp,” she says. “Everyone has a different taste. Trying to pigeonhole women — I don’t like it.”

Band of the Week: Beams

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The beauty of certain bands stems from their ability to eschew what many would consider to be the trappings of their chosen genre (insofar as a band like Beams actually chooses a genre). Sure, Beams have banjos, acoustic guitars and mandolins, but the addition of the musical saw and lap steel — coupled with lead vocalist, banjo player and principal songwriter Anna Mérnieks’ often playful delivery — will cause you to throw away any notion you had of calling them a “folk” band.

Beams shares many of its members with the Hamilton Trading Co. (who we profiled a few weeks back), which is likely the reason this relatively new band looks so comfortable on stage as they take jaunty, banjo-led rhythms and underlay them with the haunting melodies provided by the saw; it makes for quite a unique experience. We caught up with Mérnieks to talk about banjos and how useless it is to try and define yourself.

Can you talk about how the band started?
I was given a banjo for Christmas when I was about 18 to use in my other band, The Paper Makers, but we couldn’t really work it in so I just wrote some songs on it myself. Then I started dating this guy who lived with a bass player, and one day I was just playing one of my songs on banjo and I walked downstairs and said ‘Joe, do you want to start a band? Let’s jam this song and see how it goes.’ Then it became Joe-Anna — Joe and me — and that was all good. That went on for like a year or so until he had to quit a lot of his original projects and just focus on making money and doing gigs and more paying stuff. So I was band-less, so I just put out a call to everybody that I would like to jam with and asked them to come over and jam, expecting two or three of them to come over and then they all came over. So we just figured out a way to make it all work. That was in the winter.

And the Paper Makers are no more, right?
No, not that I know of. You never know.

So what’s coming up for the band?
We’re working on a full-length album that hopefully will be coming out in the late fall, but there’s no specific release date on it. We’re just starting to play around a bit more, we’ve got a show on Friday at the Magpie and we’ve got a show on the 25th at Not My Dog. And we’re working on applying to different festivals.

You’re in the Hamilton Trading Co. too. Is it hard to balance the two bands?
Not too much. We actually work together pretty well. Irene, Mike, Heather, Keith and I are all in the Trading Co. as well, so it’s really easy to play shows with the Hamilton Trading Co. Also, the Trading Company doesn’t require too much rehearsal because we all know the songs quite well. It doesn’t conflict too much and just gives us an excuse to hang out more.

Where does the inspiration for your songs come from?
Having a new instrument in my hands is always inspiring. It gives me different ways to say things that I’ve already said.

I felt — and forgive me if this is a bit off base — but I felt a sort-of Regina Spektor vibe with your voice.
Interesting. I don’t get a lot of comparisons. But she’s good. She’s a little bit more theatrical though, wouldn’t you say?

Yeah, it was just something about the cadence of your voice that reminded me of it.
Well that’s good. She’s good, so I hope that’s okay. I’m also influenced by living in the city, but growing up with strong roots in nature and dealing with that; ideas around family and stuff. My family is pretty strong but there have been a lot of things that have happened that kind of tested things, so I’ve always learned to look beyond my blood family for my true family and a lot of my songs are about that. About being independent but finding strength in others.

Do you write all the songs for the band? Yeah. Not that I’m opposed to other people writing. I just have a lot of songs.

So how does the writing process go? It’s always a mishmash getting people going at different times. So when they weren’t songs that I had with Joe it was more that I’d teach them to the rhythm section first, then add in the top layers of songs so that it all made sense and then the drummer and the guitar, then lap steel and saw, then other vocals can pop in.

If you had to define yourself as a genre, what do you think it would be?
That’s the worst question ever (laughs). Hmm… let me see. I’ve heard one person say it’s like folk but freshest folk. I guess I would say it’s folk. It’s in the folk genre. Singer-songwriter, honest storytelling-type things. I don’t play party songs or songs about, like, murdering people. So it’s in the folk tradition, but I guess I’m influenced by a lot of different things from Modest Mouse to The Roots. I like to write songs about what I like. So what would that genre be? Likeable music?

Recommended track: White Belly
Video: The Sun Wraps Around

Beams are:
Anna Mernieks — vocals, banjo
Heather Mazhar — vocals
Irene Chu — guitar, vocals
Dave Himilton — mandolin
Martin Crawford — lap steel
Keith Hamilton — saw, vocals
Craig Moffat — bass
Mike Duffield — drums

Ty Trumbull is a Toronto writer. He works as an editor at 680News and can be seen playing banjo with his band, The Sure Things, every Monday at the The Dakota Tavern.

The 10 TIFF flicks we’re most excited about part II (lots of Canadian content included)

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Fresh off last week’s maple-syrup-flavoured film announcement, TIFF unveiled the final portion of its 2011 film slate this morning, including eight galas and 18 special presentations. Oh, yeah — don’t forget the stars, because there’s going to be a lot of them (think Robert De Niro, Nicole Kidman and Jennifer Hudson, to name a few). Here’s our latest rundown of the flicks you don’t want to miss.

The Canuck Films


Afghan Luke
Best known for TV’s outlandish comedy, Trailer Park Boys, director Mike Clattenberg takes a dramatic turn with this dark comedy about the war in Afghanistan.


Goon
What’s a Canadian film fest without a movie about hockey? Starring co-writer Jay Baruchel along with Alison Pill and Eugene Levy, this story about a bouncer-turned-hockey player is a great example of Hollywood North.


Café de Flore
Director Jean-Marc Vallee (best known for past fest faves like C.R.A.Z.Y. and Young Victoria) returns with this supernaturally affected love story starring Johnny Depp’s other half, Vanessa Paradis (so you know there’s a good chance Johnny will show up for the premiere).


Sisters & Brothers
This is the final installment of director Carl Bessai’s improvised comedy trilogy that follows an assortment of siblings, including a hard-done-by “entrepreneur” and a schizophrenic who lives in the woods. And Cory Monteith co-stars for all you Gleeks out there.


Take this Waltz
Though this newest offering from Toronto darling Sarah Polley was announced last month, we’re still pretty psyched to catch this bittersweet romantic drama starring fellow Canadian Seth Rogen and the always great Michelle Williams.

The Rest of Them


Page Eight
This modern spy thriller from writer-director David Hare has the thrilling task of closing this year’s gala slate. Starring Bill Nighy and Rachel Weisz, the film is a cross between a more serious Mission: Impossible and a James Bond with a conscience.


Hysteria
A romantic comedy about the invention of the vibrator is sure to be an arousing success. It stars Maggie Gyllenhaal (who returns to her Secretary roots) and the affable chap Hugh Dancy.


Trespass
Nicole Kidman and Nicolas Cage star as a husband and wife who are held for ransom in this new thriller by director Joel Schumacher. We’re hoping this is the film that redeems Cage from making those National Treasure movies and from buying that weird pyramid.


Winnie
This film chronicles the life of Nelson Mandela’s long-suffering wife, Winnie, in a role played by Jennifer Hudson that has some people predicting she might be able to add another Oscar to her mantle.


Killer Elite
Robert De Niro, Clive Owen, Jason Statham. Only one seems a bit out of place: Statham (in a movie with DeNiro? The Transporter wasn’t that good). But, when you consider the film’s premise (a former special ops agent lured out of retirement to rescue his mentor, but who has to kill three veteran assassins to do so), then it makes total sense.


*Honourable mentions:

Memories of Idaho, the James FrancoGus Van Sant installation collabo. Also, Violet & Daisy, which got our attention with its simple description: “Two girls. Some guns. A dress. A guy. A mess.” It stars Saoirse Ronan and Alexis Bledel.

Shop Task opens a rollerblader's mecca in the east end

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There’s a new rollerblading store in town, and it aims to be the rollerblading store in town. Vancouver’s Shop Task, the largest aggressive rollerblading store in Canada, has opened an outpost at Queen and Coxwell, taking over long time sex shop Naughty by Night’s old space.

The store’s AJ DeLong, an Oakville native and passionate rollerblader, worked at the Vancouver business for a few years before coming back to Ontario.

“I think it’s a great spot for a shop like this,” he says. “We’re close to Lakeshore and so we have that path that goes along through to the Beaches … and it’s close to Ashbridge’s Bay Skate Park.”

The spot is so great, apparently, that DeLong opened up shop months sooner than planned. Originally, the idea was for Shop Task to open up in the new year, but here it is.

“We’re going to try to be the best place to come for people who want to get into rollerblading or who have been rollerblading. We’ll have anything they may need to keep them going,” he says.

If that’s not enough, the store has a lowest price guarantee, and it does repairs, too.

“We’ll be servicing skates, rotating wheels and installing new wheels and bearings in people’s skates.”

For the more experienced, passionate bladers, DeLong says his store carries many items that aren’t available elsewhere. The store has clothing from Vibralux (Alex Broskow cords $69.99), safety gear, laces, DVDs, and aggressive skates from such brands as Remz, Razors, Xsjado and Valo. (Prices range from $140 for Razors to $400 for Valos). Fitness and offroading skates are also in stock.

“Besides our store in Vancouver, there are two other shops that carry these types of skates,” DeLong says.

Almost everyone who walks by seems to notice the rollerblading sign DeLong’s parents, Lana and Brian DeLong, made for the store.

“(Bladers) come in the store and are really positive about it,” he says. “There is finally a rollerblade shop for them to go to that specializes in what they do.”

Shop Task, 1624 Queen St. E., 416-698-7405. Open Wednesday to Sunday

Who cares if pisco brandy is from Peru or Chile? In Toronto, it’s making some sweet cocktails

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It’s difficult to fathom how a low-profile spirit like pisco could spawn an enduring rift between continental neighbours: it’s nearly odourless, with an unremarkably anemic hue. But the strong and stealthy South American grape brandy has been the viciously sought-after prize in an ongoing cultural tug-of-war between Chile and Peru for centuries.

“Pisco,” which translates to “little bird” from the central Andean Quechua word “pisqu,” refers to the valley where pre-Incan Pisku people, accomplished ceramists, first made the clay vessels that came to distill this grape-based aguardiente. I’d have guessed that the bird reference extended to the cheerful chirps resounding from the treetops while bygone hedonists stumbled home in the pisco-saturated wee hours, but hard historical facts prove my imagination wrong.

The clay jars moulded by the Piskus were initially used to store beer and other sippable treats, and were later adopted by the touring, grape-toting Spaniards to ferment wine. When the King of Spain banned wine imports in the 17th century, the people of what was then the Viceroyalty of Peru got inventive with the grapes gifted by their European colonizers and began distilling a stiff spirit in the earthenware of their forefathers. The drink became a fast favourite amongst locals and sailors passing through the port of Pisco: in addition to providing a name for a bird, an indigenous tribe and, of course, a firewater, Pisco is also a coastal town in Peru, and fans of the beverage began referring to it by the name of the place from whence it flowed in abundance.

Pisco’s roots seemed fairly linear until Chile declared independence in 1818, acquiring regions previously belonging to Peru and laying claim to a generous wedge of the pisco pie. Peruvians felt that an integral part of their culture was being usurped and argued that, from a historical perspective, pisco was of Peruvian origin and should not share a name with the Chilean version of the spirit (kind of like how France is the sole producer of cognac). Chileans responded by renaming a town in their brandy grape-growing region Pisco Elqui. Countless suits and claims were filed on both sides; bottles were (presumably) hurled; convolution ensued.

Although both Peruvian and Chilean appellations are now officially recognized as Origin Denominations for the feud-fueling spirit, the rights to pisco remain a topic of impassioned debate, stoking fiery Latin tempers on both sides. Nuances do exist between the two piscos; different varieties of grapes and distillation processes are used, and Chile produces higher quantities of the spirit while Peru promotes a more selective, artisanal approach. Generally, pisco brandies bear an unwarranted reputation for hovering just above the refinement platform of moonshine, but in reality, most are smooth and fruitful premium spirits carrying hints of spice, reed, beeswax and orange-blossom.

When it comes to the pisco sour — a sweet-tart blend of pisco, lemon, egg white, simple syrup and bitters — old rifts die hard. Not surprisingly, both countries vouch for the drink’s creation. Peruvians are fiercely possessive of their beloved brandy and its definitive mixture is like the Machu Picchu of cocktails. Since 2003, Peru’s national libation has boasted its own celebratory day (the first Saturday in February), during which all cups must be respectfully drained when the national anthem is played.

Drinking is best when linked with good times and camaraderie, and a well-crafted cocktail needn’t come with a side of archaic animosity. Besides, circular conflicts become increasingly superfluous with each silky sip of a pisco sour, a drink infamous for its easy potability and masked potency. You definitely don’t have to take sides to enjoy frothy pisco-based delights around the city: The Black Hoof features a highly addictive Lavender Pisco Sour ($11), and members of the Toronto Temperance Society can sip on a summery Pineapple Pisco Punch. Unfortunately, pisco is generally elusive at the LCBO (https://www.lcbo.com), with select (mostly Chilean) brands available intermittently through Vintages.

The Black Hoof, 923 Dundas W., 416-551-8854; Toronto Temperance Society, 577A College St., 416-536-7000

This Week in Sound: The Wilderness, Blink 182, Lil Wayne and more

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This week’s roundup required me to listen to a bunch of new music in order to figure out what the hell was going on. First among the gems was Toronto’s own The Wilderness (August 19 @ Lee’s Palace). Their press material namedrops indie-cum-mainstream juggernauts Interpol, and with good reason: their debut e.p., .272, mines the same danceable post-punk rhythms and minimalist/maximalist dichotomies that made Turn on the Bright Lights so great. But where that record was a laser-guided missile, The Wilderness are a cluster bomb, embracing sonic sprawl and messier textures. What could’ve been a downside ends up being the band’s greatest strength: their sound suggests plenty of space left to be explored, plenty of promise still to be delivered upon. And here’s the gravy: their live reputation is stellar. See for yourself this Friday.

No too-cool-for-school snark or backtalk about Blink 182 (August 17 @ Molson Canadian Amphitheatre): I honestly, un-ironically like a lot of their old songs. The first step towards recovery is the end of denial, so I want you to say it with me. "I like ‘Dammit.’ I like ‘Adam’s Song.’ I like ‘Man Overboard.’ I like ‘What’s My Age Again?‘." See… doesn’t that feel better? I thought so. Reminisce and heal with Hoppus and the boys this Wednesday.

Last week, Josh Boles from Singapore, a band that writes classic rock-inspired pop songs about heavily intoxicated real estate agents, called Lil Wayne (August 19 @ Molson Canadian Amphitheatre) the Bob Dylan of our generation. Whether or not comparisons to Dylan hold any water, I think it effectively illustrates the breadth of Lil Wayne’s influence. His weird, tangential, free-association, deconstructed delivery and unstoppable sense for interior rhymes have already assured him a place in rap history: everything else is just gravy. A whole subgenre’s worth of imitators are going to be working through the foundation he’s laid for the next twenty years, but you can catch a glimpse inside his extraterrestrial noggin this Friday.

Like The Wilderness, I hadn’t heard of Amos the Transparent (August 20 @ Horseshoe Tavern) until this week. The problem with an industry rife with indie acts vying for your attention is that bands who work in the language of subtlety run the risk of being ignored. These bearded song-slingers aren’t going to bludgeon you to death with sonic shocks: Ottawa’s Amos the Transparent wrap their self-assured songwriting chops in tasteful arrangements to deliver a warm, delicate product. Their recorded tracks showcase a band with a great sense for the studio, while their YouTube videos prove they can sound just as good stripped down to two acoustic guitars.

Queen West's Quaff Café reborn as R Squared Café

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When R Squared Café opened up in the Trinity Bellwoods area earlier this month, we couldn’t help but be curious about the name. Turns out that the shop is simply named after the two Rezas — Sheikh and Yazdjerdi — who own it. Nothing more complicated than that.

The Rezas (pictured below) have been friends since they were teenagers back in Tehran. They arrived in Toronto a couple of years ago, and though both are engineers by trade, they decided to open up a café. Apparently it’s a lot cheaper to open up a coffee shop in Toronto than Tehran, and it’s something both have wanted to do for a while.

“We loved Queen West,” Yazdjerdi says. “We just hung out here all the time.”

The pair took over the Quaff Café at Queen and Euclid a few months ago. They operated as Quaff to do research; tasting coffees from every roaster in Toronto, they say, and beyond. Then, they renovated, and R Squared Café opened earlier this month.

“Every time we went to the roaster to work on this blend, we got sick for two days after,” Sheikh jokes. “(Tasting) for three hours, around 40 shots of espresso — it was crazy.”

What they ended up with was their own brew from Social Coffee and Tea Company. The shop also features one special single origin coffee from a different country each week ($2.19 for a regular drip coffee) and a pour-over  bar at the front counter ($3.15).

“We changed all the equipment related to coffee,” Yazdjerdi says. “We got an espresso machine, and R Squared is the only place in Toronto that has that machine. It’s used in the World Barista Championship.”

Speaking of champions, the shop’s super-friendly Matthew Sonberg (he offered us a second hot drink as we headed out in the rain), a Culinary Arts student at Humber College, came in fifth in the Canadian Regional Barista Competition. He’s also mastering some mean latte art.

Yazdjerdi’s wife, Ghazal Tehrani, designed the store’s logo and worked with an industrial designer on the interior.

“A lot of the stuff, like the table lamps, are all vintage from the ‘70s,” Tehrani says, who later offers us some savoury Iranian roasted pistachios her mother brought in. “We went around the city a lot, looking for little vintage pieces.”

Yazdjerdi points to the Iranian movie posters from the ‘50s and ‘60s. They got them, he says, after seeing a documentary about an Iranian man who collected posters from working in a movie theatre as a youth. The Rezas tracked him down and bought his collection. Yazdjerdi says they will rotate the posters every few months.

That attention to detail is all over the new shop. The pastries are from Desmond and Beatrice, while the rest of the food is from Café Patisserie Jules.

There’s also WIFI and outlets all over the place for laptops. Tehrani says they get a lot of freelancers in. No wonder: the shop is bright, airy, and the coffee (and company) are just fine.

And while the free roasted pistachios may not be there every day, the charming folks behind the counter will be.

R Squared Café, 668 Queen Street West, 647 344-8558

Shirts versus skins: the debate over Toronto’s scantily-clad female sports teams heats up

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It seems Toronto female athletes are showing more skin than ever these days. First, the Lingerie Football League announced its inaugural Canadian franchise, the Toronto Triumph, earlier this year. Now comes Bikini Basketball Entertainment, set to debut on pay-per-view on August 17. With the Triumph’s first game scheduled for September, Toronto will soon be inundated with ladies in their skivvies playing sports, which has left some with their undies in a bunch.

With barely-there uniforms and overtly sexual catchphrases (the LFL has teams with names like Chicago Bliss and Los Angeles Temptation), it’s no surprise that these latest additions to Toronto’s sports scene are drawing major attention.

For some, the scanty attire and the attractiveness of the players means the games tend to be more about leering than athleticism. “The goal [of these teams] is not to achieve the highest competitive level of their respective sports, but to produce an erotic product for male consumption,” says Dave Miller, commentator for Toronto Roller Derby TV and the writer behind the blog The Derby Nerd. “[They do] a disservice to the many women out there trying to blaze paths in the traditionally male-dominated market of competitive sports.”

Colleen Westendorf of SlutWalk Toronto provides a different perspective on the titillating teams. “We need to question the idea that it’s athleticism or sexualization at opposite ends of a continuum, and why we jump to that conclusion,” she tells us. “We also need to consider the more insidious, commonly-argued perspective that female sexuality on public display is in all cases a bad thing for women everywhere, which seems to be informing this issue to a degree.”

Westendorf does contend, however, that “we also need to think about how [the league] is being packaged, who it’s being marketed to, and what standards and constructs for women regarding beauty, athletics and societal expectations a sport like the LFL and similar leagues may be in danger of perpetuating.”

In this regard, Bikini Basketball Entertainment might be in the clear — if only because it knows what it is: entertainment. “Bikini Basketball is not a league,” BBE’s CEO and founder Glenn Timak tells us. “It’s purely female sports entertainment.” Emphasizing the development of characters and story lines (similar to the WWE), Timak says, “We’re not out there saying the players belong in the WNBA.”

On the other hand, the LFL seems to experiencing a bit of an identity crisis. In an email to us, they declined to comment on this story because “we have no interest in being compared to these fly-by-night leagues that make a mockery of this category of women’s sport.” The league brands itself as “true fantasy football,” blending “action, impact and beauty.”

Miller says he’s hopeful the curiosity of the BBE will fade quickly, but “the LFL worries me more,” he says, “because it is in direct competition with the wonderful IWFL, which has only one franchise in Canada presently — in Montreal.”

At any rate, the success of either these new Toronto teams has yet to be determined. As Westendorf says, “Hopefully, as this league is established in Toronto, we’ll be able to hear from the female athletes themselves what the experience of playing in the LFL has been like for them, and where the lingerie issue fits.”

Even Timak admits “the dust hasn’t settled. It’s still not a for sure thing it will be around in five to ten years. It could be like ’60s frisbee.”

Or, perhaps, like the Toronto Phantoms.

Tony Aspler's wine pick of the week: Bommarito Cabernet Sauvignon 2007

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Here’s a wine that can stand up to just about anything you throw at it. I took it to an Indian restaurant and had it with curry. Bommarito is the second label of Whitehall Lane and remembers one of the founding fathers of the Napa Valley industry, Dominic Bommarito, who moved to the Valley in 1929. The wine is juicy blackcurrant and blackberry with notes of dark chocolate. Ready to drink. Food match: BBQ meats, aged cheddar. (Vintages #213918)

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards. He can be heard on 680News.

Toronto's Best Burritos

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GRAND PRIZE

Big Fat Burrito, 285 Augusta Ave., Kensington Market

Big Fat Burrito is a Kensington Market institution. After careful consideration, top chef Jamie Kennedy (of Gilead fame) was swayed by BFB’s steak burrito’s impeccable balance of flavours: “It’s really juicy, really flavourful — this burrito is the complete story,” says Kennedy, who is set to open a new restaurant, Jamie Kennedy on the Falls. “It’s got a little bit of heat, and those classic cilantro-avocado-onion-barbecue flavours come through.”    
Price: $7.50

 

RUNNER UP – Burrito Bandidos, 362 Bloor St. W.

A “close second” to his top choice, Kennedy tells us he likes the “sweetness of the pork,” and how the flavourings help to “downplay the rice.”
Price: $6.15

 

La Mexicana, 838 Yonge St.

“I like the toastiness of the tortilla,” says Kennedy of La Mexicana’s chicken burrito. “And I’m definitely enjoying the smoky hot sauce.”
Price: two for $13

 

Burrito Boyz, 575 College St.

“This is really good,” says Kennedy, trying Burrito Boyz’s famed halibut burrito. “It’s a risky thing to do — but the fish is a good medium for the burrito.”                                                                                                                                   Price: $8.85

 

Taqueria, 20 York Mills Rd.

Kenney says this adobo chicken burrito is a “derivation” of the classic wrap. “It’s good. I like the heat and the creaminess of the avocado,” he says.
Price: $5.99

 

Chinos Locos, 459 Church St.

“I actually like the chicken in this,” says Kennedy, admitting he prefers other types of meat to poultry. “I think it’s been pulled — with a little chili. Nice textures.”
Price: $6.99

 

Tacos El Asador, 690 Bloor St. W.

Although Kennedy adores the tacos from this bustling Salvadoran shop, he says this chorizo burrito is “a little flat,” and “the sauce provides more of the same.”
Price: $5.40

 

Burro Burrito, 655 College St.

“This one looks good,” says Kennedy. “It’s a little lacking, compared to some of the others, but there are some nice fresh ingredients here.”
Price: $7.50

 

Barburrito, 230 Commerce Valley Dr. E.

Taking a hearty bite of this chicken burrito, Kennedy says: “I’ll just say it doesn’t compare favourably.”
Price: $7.35

The Conscious Food Festival celebrates organic, local food this weekend at Fort York

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Good things grow in Ontario. And the second annual Conscious Food Festival, happening this weekend at Fort York, is celebrating just that. In the midst of barbecues and beer festivals, this unique event champions healthy, sustainable food while emphasizing the importance of supporting local farms.

“Consumer demand over the past 50 years has just asked for cheaper food. People don’t realize the crap that can be in it,” says the festival’s co-founder Scott Rondeau. He and partner Emma Brown hope to educate people on how to buy better quality food. 

Drawing a connection between the planet and our plates, the festival also aims to teach consumers about exactly what to look for to shop sustainably. Using scallops as an example, Rondeau says, “You should look for diver scallops. That means the diver went down and picked the scallops, instead of getting them by a drag net, which scrapes the bottom of the ocean and kills other fish.”

Open to all ages, the festival will include over 20 chefs serving different types of organic and sustainable foods like ice cream, burgers and vegetarian poutine. Parents can enjoy local wine, beer and even vodka while kids roll their own oats at the Real Food for Real Kids zone. There will be two stages with live music and chef competitions judged by the attendees.

Festival tickets cost $15 in advance and $20 at the door. Some profits go to supporting Local Food Plus and Everdale Farms. Leftover food will be sent to Second Harvest.

The Conscious Food Festival, August 13-14, Fort York.

Q&A: Michael Chang battles Jim Courier on the courts at the Legends Cup tonight

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Michael Chang burst on to the tennis scene in 1989 with his French Open victory just one year after going pro. Competing in one of the greatest eras of men’s tennis, he regularly battled other greats including Pete Sampras, Andre Agassi and Jim Courier. In the lead up to the Legends Cup — a round-robin match between Chang, Agassi, Courier and John McEnroe (Chang plays Courier tonight) — we spoke with the living legend about tennis past and present.

How do you feel about returning to Toronto to play once again?
I’m really excited to get to go back to Toronto, it’s such a beautiful city. I had the honour of having won the event in 1990. Training-wise it’s been very good. I’ve got quite a few events coming up in the fall, so I’m working hard. I definitely want to bring my best tennis to Canada. I’ve gotten a chance to play in Toronto a few times. It’s very easy to enjoy and get around. I’ve been there and enjoyed the city a great deal.

Out of the other three guys in the Legends Cup, who do you least like to play against?
To be totally honest, I relish the opportunity to play those three guys. When you grow up playing them, there’s an extra fire that I cannot explain. Everybody wants to beat everybody. We’re all friends and get along — Pete [Sampras] and Andre [Agassi] maybe not so much these days [laughs]. It’s always exciting. I don’t have to pump myself up to get ready for these matches. Playing John [McEnroe], you have to be up for that match, as he comes out with intensity that is hard to explain. John loves to win and he’s in great shape.

Can you tell us about your win in 1990 at the then Canadian Open?
That was a good tournament for me, obviously. I played Andre and Pete along the way. It was 7-5 in the third [against Agassi] and I was cramping pretty badly. Andre was saying if they were out there for another 15 minutes he would’ve had to call 9-1-1 for me. The temperatures can get very hot and humid.

And how about Pete Sampras, could you have imagined back then that he would go on to win so many Grand Slams?
We all knew Pete was very talented, but I don’t think anyone expected him to become the champion he did. He never won a junior title. He didn’t have a great record in comparison to Jim, me or Andre. His game excelled after he turned pro. His game matured, and he played with a lot more power. It just goes to show you, there’s no set road to becoming one of the great champions of tennis. We’ve all taken different paths, different roads and reached success in different ways.

Are there any Grand Slams you think you should have won?
I think I had a great chance in 1997 to win the US Open. I got unlucky because I had a couple of five-setters earlier. Pete had lost early, and that was a great opportunity for me as well. Pat [Rafter] was playing some great tennis and that was a great opportunity for me.

Do you have any interest in coaching the Chinese national team?
My desire to become coach for the Chinese team was to help the Chinese players get ready for the Olympic Games. I’ve got a very soft and warm heart for the people of China. In late 2006, I contacted the Chinese tennis association offering to help young Chinese tennis players prepare for the Olympics. Unfortunately, the head of the Chinese tennis had her own agenda and didn’t want me to be a part of that.

How are you finding fatherhood? [Our daughter] is a little over seven months old. We’ve been having so much fun with her. She’s learning to try and crawl a little bit and she’s able to sit up and grab balls and stuff like that. It’s a lot of fun. [My wife] Amber and I smile so much when we look at her and see her laugh. She’s such a blessing and such a joy. I do put her on my lap and we watch tennis together. With Amber being such an accomplished tennis player herself, we’d love to see her pick up the sport as well. Nowadays it’s tough not to push your kids too hard, hopefully we’ll have a good balance of teaching her the sport and enjoying it. If I had a choice I’d love for her to play tennis.

Have you had a chance to see the Canadian player Milos Raonic?
I got a chance to watch him earlier in the year when he was doing very well. Obviously he’s a very talented player, a very dangerous player. Hopefully with his reach and surgery he’ll be healthy soon. He’s definitely an upcoming talent that Canada can be very excited about in the coming years.

Recently Li Na said how much she enjoys playing in Toronto. Do you share her view?
I totally agree with her. Part of the reason why I enjoy playing in Toronto is that there are a lot of Chinese people that come out and support you. On top of that, we can go out and get great Chinese food as well.

Li Na’s success is definitely going to change the tennis map in China. Fair to say the Chinese have always focused on Olympic-profile sports. Now it’s starting to expand out more with Yao Ming as basketball’s becoming more popular. With tennis doing so well, people are now going to be looking for tennis courts to play on. For Chinese players, it’s very exciting. Relatively speaking, tennis is new in China. Tennis is only going to grow in a nation that’s so large.

The Legends Cup begins today at the Rexall Centre and concludes Sunday, August 14.