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Tony Aspler's Wine Pick of the Week: Petra Zingari IGT Toscana Rosso 2008

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A blend of Sangiovese, Merlot, Syrah and Petit Verdot fermented in stainless steel. Expect a bouquet of cherries, black licorice and leather with a truffle note. Full on the palate and rather supple, drinking well already, very pleasant and really well priced. Lots of flavour here. Food match: tomato-based pastas, fresh Parmesan.

$16.95, Vintages #244228.

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards. He can be heard on 680News.

The Breakfast Hub: Blue Jays logo leaked, paying for parking with cell phones, exploring Toronto’s sexual history and more

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Secrets, secrets, secrets. The new Toronto Blue Jays logo — decidedly retro-looking — appears to have leaked online, but the organization hasn’t confirmed it yet.
[Toronto Star]

Torontonians might soon be able to pay for parking using their cell phones. The Toronto Parking Authority is looking into a cost-efficient manner of implementing the system already available in other major cities.
[680 News]

College is the time for exploration, and first-year students at the University of Toronto will certainly have the opportunity to do that through a new course that explores the past and present sexual landscape of Toronto. Could we be an in-the-closet Amsterdam?
[Toronto Star]

While Air Canada may have agreed to a new contract with its flight attendants, it appears to have lost the battle with Porter Airlines for more landing slots at the Toronto Island Airport. With Montreal being the only destination Air Canada flies to from downtown, it’s no wonder Porter won that round.
[Financial Post]

It seems like not even a peace offering of juice and crackers, from children, could persuade the Fords to forgo cutting services. When a group of snack-bearing parents and kids asked city councillors to “pinky swear” not to cut subsidized childcare spaces, Doug Ford told them to “talk to the premier.” Perhaps chocolate milk would have provided a bit more incentive!
[Toronto Star]

Six ways to get aquainted with Marshall McLuhan’s legacy

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A hundred years after the birth of Marshall McLuhan, “prophet of the Information Age” and Canada’s most baffling icon, his legacy is being celebrated this year around the world with McLuhan 100, especially in Toronto, where he made his home and his mark on the world. In preparation for Monday's event at the Toronto Reference Library, McLuhan 100: Toronto's Future in McLuhan's Global Village, here are six ways to get a better understanding of McLuhan.

1. Only got a minute? Review that history minute you must have seen on TV a while back.

2. Got three minutes (or 93)? Famous for being as quotable as he was misunderstood, McLuhan did a cameo in Woody Allen’s Annie Hall, which might make you laugh as well as think. Allen attended one of McLuhan’s Monday Night Seminars at University of Toronto (as did Pierre Trudeau, John Lennon and Yoko Ono).

3. If you have a bunch of minutes, have a look at the CBC archives, which have several TV and radio clips of McLuhan.

4. If the weather is right, you could do the McLuhan Walking Tour after downloading the audio tracks to your cell phone or MP3 player.

5. Or, if you’re still stuck in the Print Age, you can read about McLuhan in the summer issue of The Walrus and the autumn issue of U of T Magazine.

6. If you have lots of time, you can have a go at some of McLuhan’s books (for a guy who declared that “the age of writing has passed,” he sure wrote enough of them). The good thing is that if McLuhan is to be believed, you’ll only have to read the right hand pages.

McLuhan 100: Toronto's Future in McLuhan's Global Village, Toronto Reference Library, Sept. 26

Three artists most likely to irk Rob Ford at Toronto’s Street Art Showcase

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Who in their right mind would call Rob Ford the “art mayor?” Rob Sysak, executive director of the West Queen West BIA, that’s who. Sysak says the city’s new graffiti management plan is so great that Ford will be known as the art mayor because of it. Seriously. Rob Ford. Our mayor.

From a business perspective, the plan is an improvement from having to dish-out big bucks for removal each time spray paint hits brick. The plan allows graffiti in designated areas and lets artists and businesses create murals without needing a permit from the city. Murals, for the most part, act as a deterrent to illegal graffiti.

And, as artist Angel Carillo points out, having your artwork wiped clean within days of creating it is also a waste of money and time for the artists.

Which brings us to the Street Art Showcase, an exhibition of local and international street art happening this Saturday at Metro Hall. It looks like it will be anything but a waste of time for anyone.

This week, art is being digitally projected onto buildings at night in various neighbourhoods as a lead-up to the main show Saturday evening.  (To find out where these “projection bombs” will hit, you can follow the Showcase’s tweets).

All day Saturday, street artists will be performing demonstrations at Metro Hall, accompanied by live music and followed by more evening projections at 8:30 p.m.   

But let’s face it. New plan aside, Rob Ford is not really known for his love of street art. He’s more known for sweating it out with a power washer, promoting an aggressive graffiti clean-up plan in front of TV reporters. Was that so five months ago, or only five months ago?

We’ll see. Here are three artists who may make Ford wish he had his power washer back.

1. Deadboy. Have you seen the stencil of the Ford twins as Tweedledum and Tweedledee around Queen West? What about the one with Ford giving the single finger salute, or swallowing a streetcar? The increasingly less anonymous Deadboy, who calls Ford his “muse,” didn’t even pick up a can of spray paint until 2010. He says he got inspired to do street art after watching a documentary, and got politically inspired after being kettled at the G20 last year. There’s also some mean hip hop on his personal blog.

2. Angel Carillo (a.k.a. ‘Cruz1’). Having your art commissioned by biggies like Adidas and Holt Renfrew is one way to go legit. But Angel Carillo , a.k.a Cruz1, doesn’t shy away from the importance of creating street art for the community’s sake, and even mentors youth in his spare time. “For me, graffiti is the art of calligraphy,” he says. He’s come a long way from starting out as a tagger and seeing some scary stuff while spraying in West-end sewers. But with that amount of talent and dedication, Carillo is sure to keep inspiring many up-and-coming artists, so the Ford twins may have even more satirical cartoons to deal with.

3. Gary MacLeod. Gary MacLeod started exhibiting art before many street artists were born. His work goes back to 1981. And it’s brilliant. Either by manipulating digital photography, stickering or re-creating street signs, MacLeod’s art tells a message, and it’s usually contrary to Fordian beliefs. Take the “War-Mart” signage, “Polite” police cars, “Gas Slave” gas stations or, for something really below the belt, “Urge” Burger King signs.

Street Art Showcase, Metro Hall, Sept. 24

Grab of the Week: a tongue-in-cheek happy/sad necklace from Lazy Oaf

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Now that the TIFF madness is over, we’re left with mixed emotions. We feel happy when we think back to all the great movies we saw, all the celebrities we spotted and all the parties we attended. But we also feel sad when left so exhausted and jet-lagged that we’d prefer not to get out of bed for the next two weeks in order to recover.

When lack of sleep makes thinking and forming words tough, we turn to this double-sided necklace by Lazy Oaf to communicate our feelings visually. With a smiley face on one side, and a frown on the other, you can now wear your true feelings on your chest, and we love that. 

$30. Available at Magic Pony, 680 Queen St. W., 416-861-1684

The Breakfast Hub: Hollywood North is back, Rob Ford content with waterfront plan, Toronto cuts off puppy mills and more

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With the new Total Recall set to be the most expensive movie in Toronto history, the city could break a record this year. In total, Toronto is close to seeing over a billion dollars in production value for 2011, the most ever.
[Toronto Star]

While there will be no ferris wheel or mega-malls, Mayor Rob Ford believes the unanimous support for existing plans involving the Port Lands is a “win-win for everybody.” It's uncertain if his brother, Doug Ford, who remained silent at Wednesday's meeting, is included within that category.
[Globe and Mail]

If these latest numbers from Statistics Canada are any indication of the daily sugar consumption of Canadians, there’s a lot of money to be made from a career in dental hygiene. Apparently, Canadians consume the equivalent of 26 teaspoons of sugar daily. With that much sugar in your cup, where’s the coffee going to go?
[Toronto Star]

Going to a club or a bar? Ladies, not a problem! Guys, you may not be welcome everywhere. Toronto bars are developing stricter and more exclusive door policies and it appears as though young men, even above the age of majority, are being left out in the cold.
[Globe and Mail]

It's a dog eat dog world out there and city council has taken a big bite out of the puppy mill industry. In a unanimous vote, Toronto became one of the first Canadian cities to ban pet shops from selling cats or dogs from any source other than a recognized shelter, rescue group or humane society.
[Toronto Sun]

Smells like too much teen spirit: Toronto Underground Cinema to host a Nirvana marathon

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Load up on guns and bring your friends. On Oct. 1, as part of Scotiabank Nuit Blanche, a rotating cast of local and national celebrities, including members of Fucked Up, Tokyo Police Club and The Flatliners, will celebrate the 20th anniversary of Nirvana's breakthrough album, Nevermind, by playing "Smells Like Teen Spirit" 144 consecutive times.

The event, titled "A Brief History of Rebellion," will take place at the Toronto Underground Cinema and will invite audience participation: Kurt, Layne and Eddie wannabes who fill out a signup sheet will be able to join in. We're a little scared to even write this piece — has the statute of limitations on Kurt Cobain jokes expired yet? If Republican presidential long shot Jon Huntsman can get himself into an electoral jam just by saying his name aloud in a debate, how bad will this get for us?

Commenters over at Exclaim don't seem particularly pleased. One anonymous Negative Nancy calls it "stunt art," and another points out it'll get boring pretty fast, but it seems pretty obvious to us that the point of repeating this already-repetitive song so many times is to allow the maximum number of passers-by to witness it over the course of the night. Surely, nobody would actually stand there and listen to "Teen Spirit" 144 times; doing so would almost certainly result in your wanting to… uh, you know what, nevermind.

In honor of this somewhat dubious occasion, here's one hundred and forty-four fun facts about the song.

1. The title of the song was the result of a misunderstanding. At the time of the song's writing, Kurt was dating (though really, if you read between the biographical lines, trying to date seems like the more accurate characterization) Tobi Vail, member of riot grrrl (read: feminist punk rock) pioneers Bikini Kill. In the midst of what one can only imagine to have been a truly insufferable conversation about anarcho-punk ideology, Bikini Kill singer Kathleen Hanna spray painted "Kurt smells like Teen Spirit" on his wall. Cobain thought it was a political statement; what she meant, apparently, was that Kurt smelled like Tobi's deodorant because they were sleeping together. Postmodern!

2. Kurt wanted "Smells Like Teen Spirit" to sound like the Pixies. Make of this what you will. The loud-quiet-loud dynamic and minimalist soloing of songs like "Monkey's Gone to Heaven," we suppose? The similarity between the videos for "Monkey" and "Teen Spirit" is interesting too; notice that in both videos the band isn't actually playing the song.

3. The lyrics probably mean bupkis. Cobain's lyrical "style" was notoriously scattershot, relying on self-contradiction and abrupt non-sequitur to shock the audience into paying attention. He'd eventually chalk this space cadet mentality up to reading William S. Burroughs (also famous for his love of opiates), leading to maniacally nonsensical collaborations like this one. According to Dave Grohl, though, Kurt would often write lyrics minutes before doing his vocal takes. Postmodern!

 4. The song bears more than a passing resemblance to Boston's "More Than a Feeling," and it doesn't really matter. Some people are pretty obsessed with reminding you of rock n' roll's derivative nature. Remember when people got upset at The Red Hot Chili Peppers for using a Tom Petty riff in "Dani California," and Tom Petty was all like, "C'mon, guys, I'm really busy sleeping on a bed of money over here, leave me alone?" This is one of those.

A Brief History of Rebellion, Toronto Underground Cinema, Oct. 1

Theatre Review: The Stratford Festival's The Little Years

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Lovers of quality theatre have been blessed once again, this time with John Mighton's The Little Years, playing at the usually Shakespeare-oriented, and more recently, musical-obsessed Stratford Festival. Anyone who saw the Dora-Award-winning, profoundly moving Half Life, about men and women sinking into Alzheimer's, knows what a gifted, thoughtful artist Mighton is. How fascinating to see a brilliant mathematician — who has inspired tens of thousands of students to grasp the beauty and importance of numbers — turn his fine skills to live theatre with the same awesome originality and insight.

Most theatre cannot survive a one-line, TV Guide-type description of its plot. Take Death of a Salesman: "an aging man kills himself because he cannot keep up his mortgage payments." One could just as easily brush off Mighton's present re-structuring of his decades-old play by describing it so: "A smart teenaged girl, obsessed with math, is driven to near-madness by her mother's preference for her younger brother." But like Arthur Miller's classic play, Mighton's is so much more than its plot: it is a study of sexism, the crushing impact of bad teaching and the deep effect one generation can have on another.

If anything, the title of this wonderful play, exquisitely directed by the fine Chris Abraham and magnificently performed by its small cast of eight, including some of the best actors working at Stratford — and all of Canada —  today (Yanna McIntosh, Evan Buliung and the astoundingly-good Irene Poole in the lead role of Kate), is so subtle that it demands explanation: The Little Years was inspired by a quotation from the writings of the Roman Emperor and philosopher Marcus Aurelius in the second century A.D.: "… man lives only in the present, in this fleeting instant; all the rest of his life is either past and gone, or not yet revealed. This mortal life is a little thing, lived in a little corner of the earth." 

One watches the teenaged years of young Kate, as her mother plays favourites with her children. Her teachers and principals deny her brilliance and cripple her dreams, and eventually her sanity and entire life, and your heart sinks: how many thousands — no, millions — of young people, as intelligent as Kate, have been literally destroyed by their society, even in the purportedly enlightened 20th century North America? And does it ever stop?

So, the men in the play become internationally-revered poets and artists, while the far-more-creative and wise Kate is pushed into menial jobs, despite her immsense potential.

This magnificent work of art is not merely a feminist screed; it is a haunting, heartbreaking look at what schools so often do to their students of either gender. This is a beautiful play, perfectly staged and performed. It is worth the 90-minute drive to Stratford alone, even if you do not catch the far flashier, often shallow plays on the bigger stages around the town. Just look behind the Avon Theatre to find the small, modest, 150-seat Studio Theatre

You've got until Sept. 24 to catch it. As a former university and high school teacher, I was shaken to my core.

The Little Years, Stratford Festival, 1-800-567-1600. Runs until Sept. 24

Allan Gould is Post City Magazines’ theatre critic. He has a Ph.D. in english and theatre from York University and has written over 40 books. His writing has appeared in Toronto Life, Chatelaine, en Route, Canadian Business, Good Times and Financial Post. He is married with two children. Aside from his family, his major passions are theatre and film, because they enrich life with pleasure and meaning.

Band of the Week: The Shanks

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The music of The Shanks exists in a perpetual struggle with itself. It is at once unsettling and familiar, dark and soothing, heavy and pretty, while managing to remain cohesive. This Orangeville-area twosome take a White Stripes-minimalist approach, crafting tunes on just drums and bass, but managing to create enough dynamics and layers to keep the listener engaged — no easy feat, but made less painful by vocalist/bassist Ian Starkey’s haunting, at times operatic voice.

The waves of post-punk bands like The Smiths or Wire run deep through The Shanks. Their records make great companions in a low lit room with a glass of red wine; inject that with a healthy dose of esoteric, cryptic, lyrical imagery and you’ve got an idea of what The Shanks are all about. And while it may be hard to pin down exactly what that is, it sure makes for a fun listen. We caught up with Starkey to talk about architecture, farming and rock music.

How did the Shanks come in to existence?
I left Toronto and moved to a farm in 2004 to — among other things — leave behind rock ‘n’ roll and the death of my old songwriting partner and band mate. Once I got out to the countryside, I realized that the music was all around me and that life was better with it than without!

Was there a specific sound you were looking for when you got together or did it just come naturally?
Not knowing any musicians in the Hockley, I worked out a way that I could sing and play the electric bass with a capo to cover chord structures and rhythm so that I could make a full-sounding band with only a drummer. It is a style of playing which has evolved over time for me.

Why do you dislike guitar players?
I don’t dislike guitar players but I guess it was just that in my brokenness, I learned to do something in a different way. Looking back on it now, I was really just trying to protect myself from having my band ever break up again over the loss of a member. It is probably akin to a dog learning to walk on three legs after an accident. I feel kind of ashamed now, as I have realized years later that, in some ways, while I was trying to be free to play music again, I was also building walls. Still working that out.

You’ve got a fair number of albums under your collective belt already, and all without any label support. Is remaining independent important to you or is it just easier for you to do it yourselves?
Well, I guess that for the way that the band has been going for the last few years, it has been possible to make recordings here at the farm for minimal cost. We have relied heavily on the goodwill and generosity of producers and engineers such as Arthur Sadowski, Kirk Starkey and Rob Sanzo. Not having to worry about answering to a label on creative issues has been very important, but with the types of endeavours we are moving into now, it is definitely a priority for The Shanks to find financial support. With a 19-year marriage and four children, there is only so much rock ‘n’ roll in the household budget these days! But I feel absolutely blessed to be playing music at all. Many musicians I know end up having to leave their dreams behind once the realities of life catch up to them. And their women!

You’ve been known to use some pretty cryptic imagery and language while promoting the band. Are you trying to deflect attention away from the deep personal meaning behind your lyrics, or is it just that you think it’s funny?
Good question. I think that the trans-historicism, the dark barbarism and the culinary absurdity are all facets of the intense level of theatre that always seems to go hand-in-hand with great rock music. Grand tyrants and executioners facing the divine in some eschatological aftermath of massive errors in judgment, et cetera, that is ultimately about an experience with God. I think I have very often feared being misunderstood and/or mocked for having my faith so I have turned to subversion in my artistic presentations. But that is a serious question and one that needs to be answered fully.

You work as an architect during the day. Is designing a building similar in any way to writing a song?
Yes it certainly is! Space, composition, rhythm, meter, colour, texture… these are terms common to both pursuits. Songs and architecture both happen within the temporal realm, and to my mind, have many things in common.

How has Shank Fest been going? Are you going to keep doing that every year?
This is the happy time in the year when we get to invite the musician folks we have met up with out on the road back to our home base at the farm and share some experiences. We hope to always be able to continue setting that table. It is totally incredible to create diverse show bills and put a whole bunch of different people together for an event. Always trying to change the focus from heavy drinking and drug-using to a more relational and community-based experience of the celebration of music.

What’s next for the band? Are there any plans to tour or release a new album?
We are playing tour dates in Canada and the US this fall in support of our May 2011 release Skordalia which features the inspired playing of the new SHANKS drummer Jody Brumell. We’re working on a video for the track “Tenderizer” with Scott Montgomery, as well as enlisting a UK press agent in preparation for some European tour dates. It is one of the great joys of my life to be able to share the music I have been given with people, so I keepon praying that we will continue to do just that!

Recommended track: Ring Around the Rosary

The Shanks are:
Ian Starkey – vocals/bass
Jody Brumell – drums

Ty Trumbull is a Toronto writer. He works as an editor at 680News and can be seen playing banjo with his band, The Sure Things, every Monday at the The Dakota Tavern.

Alpha Beta Kaplan

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To a guy on pins and needles expecting his first child, a fraternity house seems to be just about heaven. Walking through the Lambda Chi Alpha house and stepping over Xbox systems and cans of Pabst Blue Ribbon, I see empty gin bottles and DVD bootlegs of The Hangover and Nacho Libre at a time when, if you were to walk through my house, you’d see breast pumps, the Diaper Genie and at least four variations of strollers.

I’m not complaining, I explain to the frat guys wrestling on their patio, grilling hamburgers on St. George Street, just south of Bloor, and getting ready for Frosh Week at the University of Toronto. I’m just saying: “Won’t you at least consider taking me on as a pledge?”

“I understand your predicament, at least I think I do, but you have to be a student of the university to be a pledge here,” says Jonathan Zhu, the fraternity’s 21-year-old vice-president, who’s wearing a bright purple shirt with his letters and has a carefree swagger as if he hasn’t worn socks in a year.

“Come on, I’m desperate,” I plead, looking to his minions, Jake, 20, and Antonius, 18, for at least a chance to be hazed. “Didn’t you see Old School? It could be fun for you guys to have an old dude in your house.”

The University of Toronto is generally considered the Harvard of the North, but the fraternities have recently been cast as the backward local townies. Adam Vaughan, councillor of Ward 20 (Trinity-Spadina), even brought a recommendation to council this February to have fraternities re-licensed as “rooming houses,” which would increase their insurance rates, which would increase their members’ monthly rental fees, which would go a long way toward putting a nail in frat life’s social coffin. Lambda Chi Alpha, the only fraternity house located on campus, prides itself on being good boys. They tell me 10 times that they don’t haze.

From top, Kaplan feels right at home with his new Delta Kappa Epsilon friends, tries to impress his buddies with his billiard skills, and bids a fond (and fraternal) farewell

“We don’t like the term ‘pledges’; we like the term ‘associate members,’ ” says Zhu. “At some fraternities, you have people drunk outside on the front lawn — they’re rowdy, yelling, their language isn’t the most pleasant — and that’s what caught the attention of Adam Vaughan.”

I’m a 37-year-old man expecting his first child. The only thing I want from a fraternity is a place to be rowdy, use unpleasant language and get drunk outside on the front lawn.

“People who join our house looking to party usually don’t stay with our fraternity very long,” says Zhu, who shows me around his magnificent home — duct tape on the steps, mattresses on the floor, beers in a pyramid on the dining room table — while prattling on about his fraternity’s record of community service. In his living room, couches are set up around the TV like a shrine. “C’mon, man. Please?” I ask Zhu. “You’ve got to let me join.”

Zhu, however, will not budge, and I begin to think that maybe Lambda Chi Alpha’s not the right house for me. We head back outside to the barbecue, where they’re grilling cheeseburgers and punching each other, and Zhu directs me northward, away from the campus police. Up there, he seems to insinuate, the fraternity houses pack the streets.

I’m on my way to Valhalla, I think. “After the Adam Vaughan issue, we’ve had lots of press and we’ve made it house policy to say: ‘No comment,’ ” says a dork I meet at the Phi Gamma Delta house. And these kids are getting me all wrong: I don’t want to report on the underbelly of fraternity life, the hazing and the teenagers listening to rap music and drinking too much. I want to join them. I want to watch sports, drink Pabst Blue Ribbon and not think about placentas for a while.

“Sorry, man,” another geek says. “It’s too hot. You have to leave.”

I go to the Beta House, ground zero for Beta Theta Pi and immortalized in the film American Pie Presents: Beta House, and am encouraged when I hear a new sound: girls.

“My mom was worried about the hazing, but we don’t do that s**t,” says a poli-sci major who scuttles down from his balcony to chat. The kid won’t let me in his house or divulge his identity, but he appears thoughtful and bright.

“The biggest misconception is that we’re rich kids squandering our parents’ money, but most guys in the house do OSAP [Ontario Student Assistance Program],” he says. “Vaughan’s biggest concern is noise complaints, but we’re in the Annex. How many bars from here are in walking distance? Of course it’s going to be loud.”

Inside the house, I hear laughter. And then two of his brothers come outside for a smoke. “Is it a lot of fun in there?” I ask, and the guys just sort of shrug in the arrogant way that teenagers do. Surely someone in a fraternity will take pity on an old man.

“Hey, man, you want a beer?” asks an 18-year-old sitting on a lawn chair with four buddies in front of the Delta Kappa Epsilon house. Now, I’ve had many beers in my lifetime, and I expect to have many more, but the cold, tall can of Laker Premium Lager tastes just about as good as anything I’ve ever enjoyed.

I like the guys, and they invite me inside to play billiards, and even though the place smells like feet and chicken wings, I feel comfortable and at home. Eventually, I’m brought upstairs to meet the fraternity’s president, and we sit in his room, amid the empty cans and the bottles. “I want to be a pledge in your frat,” I tell him, and he smiles and offers me another cold can of beer. He puts a hard hat inscribed with his frat house letters on my head, and I become an honorary member.

“Drinking tonight?” asks a kid, peeking his head into the president’s room, and I have to bite my tongue not to say yes. I tell the guys to enjoy their time now because, when they get older, things will change.

“Like, how?” one of the guys asks me.

“You know what? They get better,” I say, and stop on my way home to bring back a Portuguese chicken for my wife.

The Breakfast Hub: the Ford brothers abandon their waterfront plans, Leafs trump election coverage on CBC, caffeine banned from Ontario high schools and more

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Rob and Doug Ford have decided to abandon their plan to turn the waterfront into a glitzy fantasyland. Lovers of giant ferris wheels collectively mourn.
[Toronto Star]

Caffeine is the latest item to be banned from Ontario high school cafeterias. No longer are students able to get coffee, tea, caffeinated sodas or energy drinks while at school. Thank goodness there’s probably a Tim’s across the street!
[Globe and Mail]

The sky is falling! Okay, maybe not the sky, but later this week, an old NASA satellite definitely is. Not to worry though, there’s only a 1 in 3,200 chance of being struck by a piece of debris from the satellite; much less than the odds of being struck by lightening.
[Huffington Post]

Talk about caught in the act! Public urinators beware: you might find yourself as the face of one Toronto building manager’s campaign to deter the practice. Using security footage, building manager Alex Hess puts up posters of public urinators with such taglines as  “small penis alert.”
[Toronto Sun]

Watch the Leafs season opener, or watch election results on Oct. 6? Tough decisions had to be made by the CBC yesterday, but the Canadian broadcaster knew better than to bet against the appeal of the blue and white. Hockey will reign on CBC-TV, while live coverage of the Ontario provincial election on the CBC News Network will begin at 9 p.m., when the polls close.
[Toronto Star]

In an effort to find ways to save money, the Harper government has hired a cost-cutting firm for the price of $90,000 a day. Hey, whatever works.
[Huffington Post]

This Week in Sound: The Shins, The Reason, Stephen Malkmus and the Jicks, Sheepdogs, The Watchmen

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After digressing a little to collaborate with Danger Mouse as Broken Bells, The Shins (September 22 @ Phoenix Concert Theatre) frontman James Mercer still finds time to tour with his flagship indie band. While it just seems mean-spirited to mock anything the guy does — the title of the last Shins LP, Wincing the Night Away, tells you just about all you need to know about his persona — we will say that we’re pleased to see him focusing on his main project again. The Shins aren’t just that cutesy band from Garden State. Songwriting-wise, James Mercer is the real deal.

Those craving a hard triple-shot of CanRock without a chaser can catch The Reason, Sam Roberts Band  and Rolling Stone cover contest winners Sheepdogs (September 22 @ The Sound Academy) this week. Now, we’re way full of Canadian pride for the Sheepdogs, and there’s no doubt they have all kinds of chops, but did that cover really have to include a crack about their hair? Low blow, America.

Former Pavement songwriter Stephen Malkmus will be bringing his Jicks (September 21 @ Phoenix Concert Theatre) and songs to Toronto this week. The 45-year old Malkmus doesn’t seem to age the way normal human beings do, and funnily enough, we’d imagine the audiences at his shows probably don’t either: look for a crowd of skinny jeaned Pitchfork devotees that are way too young to possibly remember Pavement (interspersed with a few slightly-embarrassed-looking cool dads who do).

90s nostalgia alert: remember The Watchmen (September 24 @ The Horseshoe Tavern)? You mean… like, that “Stereo” band? Oh yeah, those guys. They had, like, actual talent and stuff (sorry 90s!), didn’t they? Whatever happened to them? Turns out, they’re back together and doing reunion dates. And, we guess, regretting that they didn’t name their band The Tea Party.

Also, this interview fail (or is it a smashing success?) with Broken Social Scene’s Kevin Drew and Sloan’s Chris Murphy is pretty hilarious; thanks, Exclaim. BSS is taking a break soon, which is sad — although honestly, we weren’t too sure how we felt about Forgiveness Rock Record, particularly next to the seminal You Forgot it in People, which some of us may have listened to 1,304,201 times in our cars as angsty emo teenagers, probably because it was the only thing that understood us. Let’s put it all in perspective, though: BSS’ first three albums catapulted them into an indie rock pantheon of geekly worship reserved for big names like Modest Mouse and Radiohead, and perhaps even set the stage for Canada’s mid-noughts indie renaissance, i.e. the rise of that Arcade Fire band who won that little award last night. Good luck and God bless, Broken.