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Fahrenheit Coffee relocates; expect the same java, with new house-made pastries

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Sameer Mohamed had no intentions of giving up when Fahrenheit Coffee closed in September, just a few months after opening. The esteemed barista says there are multiple reasons why his coffee shop shut its doors, but now that he’s set to re-open in a new location, he’s confident that the change will be for the better. A new location of Fahrenheit Coffee has taken over the space at 120 Lombard Street, near Jarvis and Richmond.

Mohamed says that the new Fahrenheit will offer a nearly identical coffee experience as the first one — espresso-based drinks only, pulled on a Dalla Corte DC Pro machine, with coffee beans from Te Aro — except it will also provide a selection of house-made pastries. Mohamed has enlisted the help of a pastry chef to produce such hand-made items as croissants, muffins, cupcakes, banana bread and more.

At around 500 square feet, the new space will still be cozy, but with a bit more breathing room than Fahrenheit’s original 260 square foot space. Mohamed expects to see more foot traffic in the new neighbourhood, too.

He’s hoping for a soft opening some time next week.

Fahrenheit Coffee, 120 Lombard St., 647-896-1774     

From Wall Street to Bay Street: Occupy movement hits T.O.

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I’m not the only one unhappy with economic systems based on constant growth and exploitation of finite resources — systems that concentrate wealth in the hands of a few while so many struggle.

Since September, protests have spread from New York to a growing number of cities (including Toronto) in a movement dubbed “Occupy Wall Street.” Those credited with spurring the movement did so with a single question: “What is our one demand?” The question was first posed by Adbusters magazine as an invitation to act — more than as an attempt to get an answer. Focusing on a single demand may or may not be a useful exercise, but the conversation itself is necessary. Thanks to the attention these protests are generating, union leaders, students and workers have a forum to raise questions about our current economic systems.

Why do developed nations still give tax breaks to the wealthiest few while children go hungry and working people and the unemployed see wages, benefits and opportunities dwindle — and while infrastructure crumbles?

Why are we rapidly exploiting finite resources and destroying precious natural systems for the sake of short-term profit and unsustainable economic growth? What will we do when oil runs out or becomes too difficult or expensive to extract if we haven’t taken the time to reduce our demands for energy and shift to cleaner sources?

Why does our economic system place a higher value on disposable and often unnecessary goods and services than on the things we really need to survive and be healthy, like clean air, clean water and productive soil? Sure, there’s some contradiction in protesters carrying iPhones while railing against the consumer system. But this is not just about making personal changes and sacrifices; it’s about questioning our place on this planet.

In less than a century, the human population has grown exponentially, from 1.5 to seven billion. That’s been matched by rapid growth in technology and products, resource exploitation and knowledge. The pace and manner of development have led to a reliance on fossil fuels, to the extent that much of our infrastructure supports products such as cars and their fuels to keep the cycle of profits and wealth concentration going.

  It may seem like there’s no hope for change, but we have to remember that most of these developments are recent, and that humans are capable of innovation, creativity and foresight. Despite considerable opposition, most countries recognized at some point that abolishing slavery had goals that transcended economic considerations, such as enhancing human rights and dignity — and it didn’t destroy the economy in the end, as supporters of slavery feared.

I don’t know if the Occupy protests will lead to anything. Surely there will be backlash. Although I wouldn’t compare these protests to those taking place in the Middle East, they all show that, when people have had enough of inequality, of the destructive consequences of decisions made by people in power, we have a responsibility to come together and speak out.

The course of human history is constantly changing. It’s up to all of us to join the conversation to help steer it to a better path than the one we are on. Maybe our one demand should be of ourselves: care enough to do something.

David Suzuki is host of CBC’s The Nature of Things and author of more than 30 books on ecology.

The wonderful world of Mantiques

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With the high success of television shows like American Pickers and Storage Wars, antique picking has never been so trendy. Put that together with the recent popularity of man caves, customized all-male rooms inside the home, and there’s little wonder why mantiques are all the rage.

“Mantique” is a recently coined, catchy colloquialism that refers to antique merchandise specifically catering to men.

“To me, a mantique is a cool vintage piece that will make a statement because it’s different, unique and not something you would normally see in everyone’s place,” says Paula DiRenzo of the Distillery District’s newest addition, Blackbird Vintage.

“The key is masculine, large, rough and interesting.”

Historical artifacts are usually de rigueur when it comes to mantiques (think ancient war, firefighting, photography and even shaving memorabilia) and they usually require a bit of time to locate these rare relics. Luckily, there are local antique and vintage stores that have made it their mission to uncover these unique treasures from around the country, and even from around the globe, so that you don’t have to.

We spoke with several antique dealers and interior designers to find out how to bring the testosterone-heavy antiques, tastefully, into your home.

When beginning your mantiquing, it would be wise to heed the advice of Toronto interior designer Johnson Chou. Before starting a client’s project, Chou asks his clients to put together a scrapbook of images of their favourite things, so they can help recreate it in the space.

From left; vintage model boat from Captain’s Treasures, chess set from Eclectisaurus and a deer from Blackbird

“The individual must think about who they are and what they like,” says Chou. “That way, we are able to create a narrative of their likes, their hobbies and what interests them.” The objects, or the mantiques, would then be used to inspire the individual.

Yank Azman, who sells his antiques every Sunday at the St. Lawrence Market, concurs that mantiques should be placed in a refuge, where “you surround yourself with good things.” Azman, who likens his antique picking to hunting, believes men fall into two categories: a scholar or a warrior. A scholar, therefore, might prefer to own Azman’s Harvard 1930s pennant ($125) or his post-mortem set from the early 20th century ($3,500). A warrior would most likely prefer the 19th-century set of Indian clubs ($325) or the silver-plated golf trophy from the 1960s ($125).

When working with a vintage vibe, Naomi Weissman, of Lux Design, says the best way to start is “to determine the style or era that you would like to portray and work from there to pull together the space using elements that portray this feeling.”

Determining the style makes it much easier to pull pieces together. For instance, if you’re someone who likes the art deco era, you would probably want to check out Leslie Zysman’s vintage and antique store Eclectisaurus. There, you’d find a Sam Spade electrical fan from the 1940s ($75), a Bakelite record player ($75) and various cufflinks that could be put on display as a delicate touch ($15 to $85).

For a more “adventuresome” atmosphere, Victoria Dinnick’s Gadabout in Leslieville provides eye-appealing pieces for the man who prefers brawn over brains. Fan of the Wild Wild West? Then you might dig Dinnick’s 1919 print ($575). Military enthusiasts would love the store’s First World War poster of fighter planes ($650).

Both Dinnick and Zysman acquire their items through estate sales and auctions. Dinnick has even hauled items from flea markets in France, Uruguay, Mexico and Argentina. Dinnick says, “It keeps the mix in the store interesting.”

But remember: when working with antiques at home: “It is important to integrate the pieces into the overall design to ensure that they feel like they belong,” Weissman reminds us.

“Simply adding an antique to a space without a cohesive design vision could end up making the piece stick out like a sore thumb. Make sure that the antique is one that embodies the style you already have within your home. That way it enhances your space instead of detracting from it.”

Of course, eclecticism is important when decorating with mantiques.

“The key is to have breathing space,” says Chou.

“You need to show there’s an appreciation for them.” Therefore, if you’re the kind of person who would enjoy a large mounted deer head ($300) or a variety of, say, antlers ($15), which are all available from Captain’s Treasures, then by all means: buy it.

“Buying antiques is like buying art,” says Chou. “Make a conscious decision with what you like. Just don’t buy for the sake of buying.”

Echoing Chou, DiRenzo says, “Always buy what you like.” Even when it comes to her own selection, DiRenzo says, “I don’t believe there’s a science to my picking. I just always look for and buy things that interest me.” As for mantiques, DiRenzo says that having “a big old semi-rusty metal store sign hanging on the wall would be it.”

DiRenzo’s own Blackbird Vintage currently has old metal sign letters for $145 and up.

Captain’s Treasures,
1185 Bloor St. W.

Blackbird Vintage,
55 Mill St., Building 57

Gadabout,
1300 Queen St. E.

Eclectisaurus,
249 Gerrard St. E.

The Breakfast Hub: Occupy eviction delayed, a Toronto school’s ball ban, the Rob Ford-inspired hot sauce

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Occupy Toronto protesters aren't being evicted just yet. They're safe until Saturday, at least, when a Superior Court judge decides whether Charter rights will be violated if protesters are removed from the park.
[Toronto Sun]

A Toronto public school has banned soccer balls, footballs, volleyballs and tennis balls at recess due to several incidents where students and staff have been injured.
[Toronto Star]

Mayor Rob Ford can now find his face on the label of hot sauce at Blue Banana Market in Kensington. Of course, gravy would have been too obvious.
[Toronto Life]

Police arrest a man after he spent several hours perched atop a Howard Johnson billboard in the Queen West/Roncesvalles area.
[The Grid]

Toronto city councillors want the NBA to get back to playing basketball again.
[Globe and Mail]

Enjoy that tap water fellow Ontarians: it’s not every day that we best out other provinces to receive an A grade for it.
[CBC]

Trending in Theatre: Mary Poppins, Romeo and Juliet, The Addams Family, The Miracle on Mercer Street, Red

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Mary Poppins

Everyone's favourite nanny flies into Toronto with a limited-engagement of the supercalifragilisticexpialidocious musical based on the beloved Disney film.
Princess of Wales Theatre, 300 King St. W., 416-872-1212. Nov. 12-Jan. 8.


Romeo and Juliet

We all know the story about these two super-beautiful, super-depressing star-crossed lovers, but we've never seen a production quite like this new ballet from acclaimed choreographer Alexei Ratmansky.
Four Seasons Performing Arts Centre, 145 Queen Street West, 416-345-9595. Nov. 16-27.


The Addams Family

In this quirky musical, Wednesday Addams proves she's actually, like, normal by having a boyfriend that her parents disapprove of. Of course, the wonderfully weird Addams family doesn't like him because he's, like, normal. (So, did you hum the theme song and snap your fingers while reading this? We bet you did.)
Toronto Centre for the Arts, 5040 Yonge Street, 416-733-9388. Nov. 16-Nov. 27.


The Miracle on Mercer Street

Puppets and Christmastime go together like, well, puppets and Christmastime, and you'll certainly get into the holiday spirit with this delightful comedy about townspeople coming together to save the town's oldest tree.
The Second City, 51 Mercer Street, 416-343-0011. Nov. 19-Jan. 1.


Red

In this 2010 Tony Award-winning play, 20th century painter Mark Rothko struggles with what most of Hollywood does not: creating a masterpiece while struggling with fame, fortune and commercialism.
Bluma Appel Theatre, 27 Front Street East, 416-368-3110, Nov. 19-Dec. 17.

These cupcakes are baked in heels (no, really)

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The Cake Boss may have fancy tools and some badass cooks under his employ, but the ladies at new cupcake boutique We Bake in Heels can whip up scrumptious confections —including a giant-sized cupcake — while wearing stilettos in the kitchen.

Co-owners Adrienne D’Amico and Catherine D’Agostino cooked up the idea of a trendy cupcake boutique while lounging on a beach in the Bahamas (not that being in a bikini would prompt a woman to think of calorie-ridden sugary treats).

“We said that if we were ever going to have a bakery, we’d want to do it our style,” D’Agostino says. “We didn’t want to work for other people, so we decided to make it a pretty boutique, and nine months later, we opened our first store.”

We Bake in Heels’ flagship location opened in Vaughan in 2009, and earlier this fall, the ladies expanded with a new location in Vaughan Mills.

Though baking was only a hobby, the two ladies began experimenting and taking courses in cake design. Today, they’re baking inventive and trendy cupcakes, like their signature red velvet cupcake ($3.75), which D’Agostino says sells out every day.

Just in time for the holiday season, they’ve also introduced a Ferrero cupcake, dubbed after the chocolate of the same name, filled with Nutella and hazelnut buttercream. They also offer custom cakes, including the popular giant cupcakes, which can satisfy a party of 30.

And yes, they do bake in heels.

“There was just no other name out there for us,” D’Agostino says. “We just thought: you know those shoes you see, and you think: ‘those shoes are so hot, I would totally do dishes in them’? That’s sort of where the idea came from. We didn’t think it would be taken so seriously — not that we’re complaining. People check up on us, and pop in to see if we’re wearing heels. And yes, we do."

We Bake in Heels, 8099 Weston Road, Unit 2, 905-264-0030

The Breakfast Hub: Bixi’s president resigns, Canada’s swanky new money, Rob Ford’s ballet appearance

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Bixi’s president has resigned since he cannot guarantee that taxpayers will not be on the hook for the company’s deficits.
[Toronto Star]

Canada’s new polymer $100 bills are now in circulation, but it will take until 2012 and 2013 before the $50, $20, $10, and $5 banknotes are put into circulation.
[Toronto Sun]

He’s the man that can do it all. This time, Mayor Rob Ford is making his National Ballet of Canada debut as a “Cannon Doll” in The Nutcracker. Sadly, the role does not involve dancing.
[National Post]

Councillor Giorgio Mammoliti believes that the city needs $123.3 million from the province in order to prevent a childcare crisis in the city.
[Toronto Sun]

The Olympic dream lives on as Bob Richardson — the organizer behind Toronto’s successful Pan-Am Games bid — has begun to assemble a campaign to bring the 2024 summer games to Toronto.
[Globe and Mail]

A recent study out of the Princess Margaret Hospital in Toronto suggests that prostate cancer may be linked to oral contraceptive pills.
[National Post]

Brown baggin’ it just got cool: new sandwich shop opens on Church

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Brown bagging it means something entirely different at the corner of Church and Granby these days. Brown Bag Sandwiches, a new sandwich joint by Matt Lai and Peter Lee, (both from, among other places, Pure Spirits Oyster House and Grill) opened up two weeks ago in the old Sandwiched spot.

It seems that brown bags are just what people in the neighbourhood needed. The place is already hopping, with Ryerson students, local construction workers and just about everyone else coming in for a brown bag lunch.

Popular choices are the fried chicken sandwich ($7.50) and sides such as house-made potato chips ($3 for a small), with just the right amount of crisp and salt.

Lai and Lee make everything, except the bread and the pickles, in house. That means the meats are smoked and cured in house, and, just like those deliciously salty chips, the French fries (sweet potato and Yukon) are hand-cut. And don’t look for any Heinz or French’s. Lai and Lee make their condiments in-house too. Just don’t ask for the secrets behind the mustard.

“It’s magic,” Lai says. “We make it in a cauldron with a broom.”

Co-owner Matt Lai

The meat is a less mysterious process.

The brisket sandwich ($7.50) is hot smoked for 12 hours, and comes with coleslaw and chipotle sauce. The pork belly sandwich ($7.50) is cured for two days, braised and sliced, and then seared to order. It comes with charred tomato salsa, and is tender and flavourful. The roast beef sandwich ($7.50) comes from sirloin tip; it’s roasted, sliced thin and finished on the griddle.

House-made pickles could become a staple by next summer, when the cucumbers come.

“We missed the season,” Lee says.

Buns, which are a choice of fresh-baked whole wheat Kaiser, white Kaiser, soft bun and egg bun are from the Toronto Bread Company. Meat comes from The Butcher Shoppe.

The décor, Lee says, is as simple as possible. But check out the retro jukebox and glass pop bottles. Lee swears that pop never tastes as good as it does in a bottle, but drinks are the one other thing the guys don’t make themselves. Yet.

 Brown Bag Sandwiches, 377 Church St., 416-640-1324

New TIFF exhibit harkens back to Hollywood’s golden age

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In our celebrity-obsessed culture, where so-called stars are often adored for their outrageous antics rather than, say, talent, it’s hard to recall a time when movie stars were glamorous; when dreams came true through hard work and a little luck rather than a goofy YouTube clip. But the new Grace Kelly exhibit at TIFF Bell Lightbox reminds us of a bygone era, when an actress was appreciated for her grit, talent and, well, grace.

Grace Kelly: From Movie Star to Princess, which opened Nov. 4, curates the life of the actress-turned-princess. You see, before our current commoner-turned-princess, Kate Middleton, there was Grace Kelly. Like Kate, Grace personified the classic fairytale-come-true with charm and impeccable style. Both ladies had their wedding ceremonies broadcasted to millions around the world (wearing very similar wedding gowns; Kate’s Alexander McQueen design was apparently styled after Grace’s dress by Helen Rose), but Grace Kelly was a bona fide movie star and Oscar-winning actress before she married Prince Rainier III of Monaco. She ended her short-yet-stellar career (she only made 11 movies) to fulfill royal obligations.

The exhibition is sure to be a draw for both sartorialists and cinephiles alike. On display are film clips of the actress as a child, as well as movie trailers from her most popular films (our favourites are her turns in Hitchcock classics like To Catch a Thief and Rear Window). Her 1954 Oscar for The Country Girl is also on display, alongside her legendary aquamarine Oscar silk gown by famed costume designer Edith Head. Though most of the displays are dedicated to the couture that made her an international style icon (like the famed Kelly bag by Hermès) there are a few other interesting tidbits. Known as a bit of a pack rat, Grace kept most of her letters and telegrams, and many of them are on display, including a letter warning Grace about Jack Nicholson’s crush on her.

Then there is a photograph, alongside an Yves Saint Laurent taffeta purple gown, which shows Princess Grace meeting Prince Charles and Lady Diana in 1981. Both royal women, revered for their fashion sense and philanthropy, would die in car accidents.

Last weekend, Grace Kelly would have turned 82 years old. Who’s to say how her life would have played out (would she have returned to movies? Or maybe she would have pursued her poetry, as she did in the ‘70s), but it’s almost certain she would have lived her golden years with plenty of style and of course, grace.

Grace Kelly: From Movie Star to Princess, TIFF Bell Lightbox, Nov. 4-Jan. 22

Reitmans debuts its collabo with Marie Saint Pierre

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Marie Saint Pierre is the latest in a slew of designers to combine forces with a mega retailer, and this time around, Reitmans is acting as the other half. The tough-as-nails Québécois designer — who, a day after giving birth to her first kid, hopped on a plane for a New York showing — recently showed a series of (mostly) little black dresses at LG Fashion Week. The presentation ended with Saint Pierre doing a tour of the room accompanied by FDCC head Robin Kay, each with a pint-sized pup in tow.

The Reitmans pairing has resulted in a holiday collection of 10 LBDs from Saint Pierre, clearly her favoured piece of clothing. Fans of the designer — both Adrienne Clarkson and Michaëlle Jean are on that list — can grab a frock for under $100; a steal compared to Saint Pierre’s own line, which usually sets the price-point at over $600. The dramatic ad campaign for the collection features some very angry-looking ladies, and has the tagline “you’ll be sorry if you miss it.”

One of our top picks from the line is a mock turtleneck dress with fringed sleeves that can be worn either hitched up or pulled down, creating two different silhouettes ($85). We also like a number that mixes sporty with evening, marrying a sleeveless zippered bodice with an A-line skirt that has a sheer overlay ($85). The collection also includes two dresses in petite sizes and two more for curvy gals, ensuring that no one ends up like the girls in the ads.  

Reitmans, 243 Bay Street, 416-363-1542

The Breakfast Hub: Anonymous threatens Rob Ford, the one per cent speaks up, rickety glass condos

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A threat from hacker collective Anonymous has not deterred Rob Ford from wanting to remove protesters from St James Park. In a YouTube video, Anonymous vowed that if Ford doesn’t leave the protesters alone, he will be “removed from the Internet.”
[Toronto Star]

The one per cent has had enough! Brad Geddes of consulting firm Michaels Matthew visits the Occupy Toronto site to voice his discontent with the protest.
[National Post]

Toronto’s glass condos could cause problems for buyers 15-25 years from now. Experts say that the glass buildings have a short lifespan and will need retrofits costing millions of dollars.
[CBC]

The corner of Dawes Road and Victoria Park Avenue is getting a new work of art to revitalize the neighborhood. There’s just one question: what the heck is it supposed to be?
[Toronto Sun]

Councillor Joe Mihevc is charging ahead with a campaign to rescue four city museums from closing as a part of budget cuts. Fellow politicians maintain that no threat exists.
[Globe and Mail]

Q&A: Eric Braeden on soap operas, hockey and Canadians (apparently we’re really nice, or something)

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Eric Braeden is probably best known for his iconic role as Victor Newman on The Young and the Restless. That, and his moustache. But he’s also an accomplished athlete and an impassioned political activist. Oh, and he loves Canada, too. We caught up with the actor, who’s due to appear at this weekend’s National Women’s Show, to discuss his 51 years in show business, politics and why soap operas have all but disappeared from our televisions.

You’ve had a very lengthy career and have worked with many legends on the screen in an array of projects. Which experience has had the most profound effect on your career?
There was an early Combat! episode I guest-starred on. A Broadway play with Geraldine Page. The film Colossus. One of the most memorable TV shows I did was Gunsmoke – I did five episodes of that and then The Mary Tyler Moore Show. One of the most important shows I did was Mission: Impossible. The most memorable experience where language is concerned is performing Shakespeare. And of course the part I’ve been playing for 31 years [Victor Newman] has been, for the most part, a very enjoyable experience. Then there is the time when my team won the National German Youth Championship in track and field, and winning the U.S. championship when I played soccer. I remember my sporting events very well.

As you mentioned, you were an exceptional athlete growing up (discus, javelin, shot put, soccer). Are sports still a part of your life?
Sports are the fundamental part of my life. I work out everyday. I’ll never give it up. It’s good not only physically, but psychologically too.

Toronto’s a huge hockey town. Do you like hockey?
Hockey is great. It’s a wonderful sport. We used to play it on frozen ponds in Germany when I was a boy. I like it very much.

Outside of acting and sports, what are your other passions?
I love to read – foreign books and publications, some German newspapers, The New York Times. I love to have political discussions. I like to enjoy the basic things in life. I enjoy spending time with my family. I have a special bond with my son. I’m a grandfather and I love being a grandfather. I love good food. I love working out. I love all the basics of life.

You’re very politically active. In Toronto, like many other cities across the world, we are dealing with the Occupy movement. What are thoughts on that topic?
I’m fully in agreement with those who are outraged with big businesses, big banks, and the government. I am outraged. Without regulation, so-called unfettered capitalism will no longer survive because it will lead to a monopoly, therefore regulation is necessary. The Republican mantra of “no government, no regulations” is bullshit. You need regulation so that those who have power can’t abuse it.

You’ve received many accolades (an Emmy, a star on the Hollywood Walk of Fame, the People’s Choice award) throughout your career. What has been the most special to you?
The star on the Walk of Fame. It was only the second time it was awarded to a German. Also, I remember arriving in 1960 [in L.A.], having no money, and, to be honest with you, it was just deeply moving.

You’re appearing at the National’s Women Show. What do you think it is about the character of Victor Newman that is so appealing and iconic?
I honestly don’t know. I’d have to ask the audience. I think partly is has to with the fact that he doesn’t take any crap, and he gets even – which is what most people would like to do. At the same time, he’s vulnerable.

Over the last year or so, soap operas have all but disappeared from television. Why do you think that is?
It’s a simple question of economics. It’s cheaper to produce those stupid talk shows. [Networks] don’t realize the importance that people want to see evolution of a character. Storytelling is innate in all of us. But big corporations own these networks and they do things based on the bottom line. That kind of thinking applies to the economy at large. Life — society — is about maintaining the bottom line.

You’ve been to Toronto more than a few times over the years. What do you most like about the city? And Canada?
I always like to go to Canada. Generally, the people are very nice. It’s a damn well organized society, it’s humane, and the people are nice and very hospitable.

National Women’s Show, Metro Toronto Convention Centre, Nov. 11-13