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Weekend Warrior: Righteous riffs, blushing brides, super psychics and more on our weekend to-do

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1. Slap da bass with The Weeknd

Edgy, sultry and Polaris Prize-nominated R&B artist The Weeknd is scoping out new players to join the band. Only Torontonians (bass players and guitarists) who can riff righteously will have an opportunity to travel and perform alongside well-versed crooner Abel Tesfaye. It’s the ultimate wet dream for starving artists. The deadline to apply is Jan. 8.

2. The mother of all bridal shows

January may be known as “divorce month” (especially if your holidays resembled the Griswold’s vacation), but Canada’s Bridal Show caters to the engagements that went down over the holidays. Glean tips and tricks on everything you need to know about planning a wedding from the experts, and even find the perfect gown at the fashion show (the soundtrack of which, we hope, will be wedding classics from The Isley Brothers and the Village People).

3. Hobos, robbers and a waltz

TIFF Bell Lightbox presents Canada’s top 10 films. Movie buffs, filmmakers and critics, including The Toronto Star’s Peter Howell, have compiled the list, which features A Dangerous Method, Keyhole and Take This Waltz. Major points awarded to those who don’t need to watch Jason Eisner’s Hobo With a Shotgun hidden behind partially closed hands. So grab some popcorn and let the good times reel. The films will screen at TIFF Bell Lightbox from Jan. 5-15 with special guest speakers.

4. Calling all the Susan Boyles of Toronto

If you’ve ever wanted to show off your juggling-while-tap-dancing skills, here is your chance. This week, Canada’s Got Talent announced it will be holding last-chance auditions via its YouTube channel through Jan. 15. Voters will choose the top 20 routines, and one lucky winner will head to the semifinals to compete. Here at Post City, we’re pondering how to combine our talents, which include a roller derbyist, a drummer, a guild leader and a dodgeballer. But we’re just in it to meet judge Martin Short.

5. Insight and brunch: an unbeatable combo

Will the world come to an end in 2012 as the Mayans predicted? Will you stick to your New Year’s resolutions? Find the answer to these and more from the city’s clairvoyants at the Psychic Brunch on Jan. 8 in Bloor West Village and Cabbagetown. For nearly a decade, psychics, tarot card readers and channelers (um, what?) have gathered to shed some light on what the future holds. For the believers: get some answers. For the skeptics: brunch will follow. No need to register, they’ll probably know you’re coming anyway.

Grab of the Week: a pair of sleek leopard print loafers

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After all those holiday parties, it’s time to come down from towering heels and give your feet some tender loving care in 2012. Let them rejoice in a flat for a while. But we don’t mean a ballet flat, oh no. What your feet need is a pair of sleek and stylish loafers — the easiest and chicest way to sharpen up a laid back look.

In general, we much prefer a heel over a flat, but in times like these, we don’t mind being lowered down to the ground, so long as we still get to strut around in these leopard loafers by Mia Britannia.

$100. Available at Bicyclette Boutique, 888 Queen St. W., 416-532-8048

Grace Carroll is a Toronto-based freelance writer whose work has appeared in ELLE UK, ELLEcanada.com, Plaid magazine and FILLER magazine. Keep up with her daily blog at www.graciecarroll.com.

Are indie video stores going the way of Blockbuster?

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In late October of last year, mild-mannered Amy Chan, the owner of Captain Video on St. Clair West, loaded up a moving van full of VHS tapes and DVDs. She could no longer afford to maintain the rising rent costs on her store. It follows a string of other video store closures: Blockbuster, obviously, but also smaller ventures like After Dark Video at Bathurst and College and Video 99 on St.Clair.

Former president and current treasurer of the Wychwood Heights BIA, Frank Reilly, said he was not surprised to see Captain Video shut down.

“It's kind of archaic now to even think of renting a video,” he says. “With Netflix and Rogers offering digital movies, no one rents videos anymore.”

Reilly also says that since developments have taken over the north side of St.Clair, many business owners who lease their storefronts have not been able to maintain the jacked-up rent that is now expected of the area.

The digital progression of downloading TV shows and movies is no doubt having an impact on video stores, but it was the variety of bad romantic comedies, standard blockbuster action films and independent releases that Captain Video excelled in: rogue cinema gems like Pscyho Beach Party, C.H.U.D., The Abominable Dr. Phibes and Blacula. It even had a “sealed-off” section for porn.

Captain Video’s rentals, it seemed, never had a fixed price. One of the rotating Chan family members behind the counter would give you a fee, often dirt cheap, and that fee could change with each visit. It’s a quirk that will be missed.

Margaret Liu from Sincere Realty Inc. is still looking for tenants to fill the vacant former video shop, but one thing is for certain — there will never be another store like quite like Captain Video.

The fourth annual Allan Awards for theatrical pugnacity and invention

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The goal of these awards, the fourth annual Allan Awards, is to look back over the past 12 months and share with you some fond memories and highlights. And what a year it was. Sure, there were several disappointments. Many a wildly praised visiting Broadway show turned out to be a drag or certainly not close to its reputation. We were also planning on getting Eddie Murphy to guest-edit the piece, but we had to let him go to preserve the integrity of the awards. Ahem. But enough of cavils, and on with the show.

BEST ONE-MAN SHOW
Back in February, one of the greatest talents to ever come out of this country, Christopher Plummer, brought back his charming, witty production of Barrymore, based on the life of the famed Broadway and movie star. Hardly a literary gem, but on stage, this inspired, 82-year-old actor had the audience in his hands from the moment he stepped out onto the stage.

BEST ONE-WOMAN SHOW
Unarguably, it would have to be the funny, intelligent and wonderfully entertaining Sandra Shamas with Wit’s End III: Love Life. Who else in the world can moan about menstruation “Once a month for 39 years!” and then, referring to a reference to her watching a film called You’re Becoming a Woman as an 11-year-old, she murmurs, “There’s no menopause movie called You’re Becoming a Hag Now.

MOST CHALLENGING
The wildly gifted, Lebanese-born, Canadian playwright Wajdi Mouawad, whose powerful Incendies (Scorched) was turned into a devastating movie, had a new play, Forests, presented at the Tarragon Theatre. It was three hours of stunning, often heart-wrenching theatre about the dreadful wars of the miserable 20th century. It didn’t always “work” on stage, but what daring and power.

BEST ATTEMPT AT CAPTURING OUR GREAT CITY ON STAGE
Who else but Soulpepper could have attempted an original one-act called Window on Toronto? The laughter, the joy, the mixed races, United Nations of cultures, the chutzpah, the poverty, the wealth, the humour of this amazing city of ours — captured. Hopefully it will one day be captured on film, so its brilliance can be preserved.

THE MOST THOUGHTFUL PRODUCTION OF A RECENT AMERICAN PLAY
In the Next Room, which showed at the Tarragon this past fall, would definitly win. Sara Ruhl’s award-winning play — magically directed by the gifted Richard Rose, with some of the city’s finest performers, including David Storch, Melody A. Johnson, Trish Lindstrom and the ethereal Elizabeth Saunders — visualizes, right through the 19th century, why the word for womb literally means “hysteria.” Brilliant.

THE BEST NON-PROFIT THEATRE COMPANY, BAR NONE, IN CANADA TODAY
When I think back to the amazing actor Diego Matamoros’ moulding of the magnificent, mythological, haunting story The Aleph (by writer Jorge Luis Borges’) into a fine piece of theatre; when I recall the hilarious, musical, physical, thrilling version of Shakespeare’s near-perfect A Midsummer Night’s Dream, directed with glory by Rick Roberts; when I ponder the sweet, touching, uproarious production of The Fantasticks, with the great Oliver Dennis and William Webster keeping us in stitches, well, Soulpepper wins our hearts and minds for another year.

Raw emotional honesty and musicality characterize incredible new album

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“This is the most out there I’ve put myself, and there are many days when I think not that it is a mistake putting all of my failures and all of my pain up for discussion, available to anyone,” says Toronto-based musician Kathleen Edwards, of her new album Voyageur, “but I feel exceptionally vulnerable, maybe more now than ever in my life.”

A number of the songs on the album were written while Edwards was still married and reflect a relationship in a downward spiral. Others came later and speak to some heartache but also looking for hope and finding your footing once more. It is Edwards’ best work to date on many levels, from the songwriting to the lush and gorgeous soundscape. And, as Edwards explains, it didn’t happen by accident.

“This was definitely the hardest record I’ve ever made,” she explains. “It was really, like, false starts, where you’d try something, it doesn’t work, and I’d go back to the drawing board. It was really excruciating.”

It didn’t help that Edwards heaped pressure on herself to shake the alt-country label she’s carried since her debut album, Failer, back in 2003. Sure, she says, she digs a good pedal steel. But that doesn’t make her the second coming of Loretta Lynn, so drop it already.

“I realized that I was stuck in the pigeonhole of alt-country and I don’t relate to that,” says Edwards. “I needed to find a way to make a record that proved that wasn’t me, without it being a betrayal or unnatural, that is far more reflective of my influences and my music aesthetic.… It was a pretty big goal to have in mind, and it was a really hard project to see through.”Along the way, a couple of fellow musicians provided enough of a creative spark to allow Edwards to fulfill her vision, including singer John Roderick.

“That really sparked a lot of momentum, going to Seattle and working with John,” Edwards explains. “By no stretch is he a renowned co-writer, but I really liked his work. He just had great lyrics and his music was really smart. I thought, ‘This guy isn’t going to just fill in the blanks with whatever sounds fine.’ ”

The result of that collaboration was the album’s first track, “Empty Threat,” and, perhaps more importantly, led to Edwards’ next collaboration, Justin Vernon of Bon Iver — the recent Grammy Award nominees with whom Edwards toured this past fall.

“I think the highlight of working with Justin is the fact that I felt like he knew my old material so well, and he was so respectful of all the things I’ve done and really understood where I wanted to go,” says Edwards.

Vernon ended up co-producing, with Edwards recording the bed tracks with her band in Toronto and travelling to his home studio in Wisconsin to work on the additional layers of sound and texture that distinguishes Voyageur from Edwards’ previous albums.

One song, above all, “I’m Going to Hell,” is indicative of Edwards’ raw emotional songwriting but also the incredible sonic soundscape she’s establishing. It’s no surprise that Edwards considers the song her biggest accomplishment.

“That song is a very true statement of some of the feelings I had about the last few years of my marriage,” says Edwards. “How it musically came together: Justin played a huge part in my finally accomplishing what I wanted to do. I had the exact foundation I wanted, and he would come in and help build and create a house of all these sounds. It’s a bit of a victory.”

This winter, Edwards heads out on tour in support of Voyageur, out Jan. 17. For more information, go to www.kathleenedwards.com.

BSS plus the Stills equals analog bliss
First, the Stills called it quits last spring, followed by Broken Social Scene — two major Canadian indie bands gone in the wink of an eye. Hipsters swooned. Music fans cried out for something new to fill the void in their limited edition vinyl libraries. Meanwhile, unbeknownst to all but a select few, Stills’ frontman, Dave Hamelin, and Liam O’Neil and BSS alum Justin Peroff were already at work on their project Eight and a Half.

When news broke, the excitement was palpable. Their debut album drops Feb. 7; a tour is imminent. And all is right with the world.

“There was a point near the end of the Stills where we took a five-month hiatus, and during that time, Justin came up to Montreal and myself, Justin and Liam decided to take advantage, and this is what happened,” says Hamelin, now living in Toronto.

“It was just a lot of fun. There was no pressure, or scrutiny. It is different when there are literally no expectations at all. Nobody knows you exist.… We still barely exist.”

The new music, a lush and ambient blend of electronica backing Hamelin’s tender vocals, isn’t a mashup of BSS and the Stills. Instead the trio went in a different direction that should allow them to carve out their own musical niche while winning over their ready-made fan base.

Currently, the band is working on new songs and rehearsing for a tour in 2012. For information, go to www.eight-and-a-half.com.

The Great Breslini’s 2012 comedy diet

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Let me begin with a modest proposal. We’ve heard from countless doctors and medical researchers who have all told us about the benefits that laughter can bring to the human body and soul. Laughing, they tell us, actually has profound health benefits, and few would disagree.

I propose, on that basis, that OHIP cover the costs of attendance to any comedy performance. Would the cost be staggering? No, think of the money saved in the reduction of sick days and the cut in expensive medications.

This may be a tough sell in the political arena, especially these days. Maybe the idea is better for private health plans. If acupuncture and massage can be covered in health insurance, why not the internal massage of a good laugh?

But what is the accurate comedic prescription? Once a month sounds about right. Emboldened by my modest proposal, I would now like to prescribe my 2012 Comedy Diet.

Let’s start with the obvious.

Stand-up clubs: But don’t make the mistake of just showing up. Do your research. There are all kinds of headliners at a comedy club — clean, dirty, political, prop acts — you won’t like them all, so choose wisely (www.yukyuks.com).

Second City: This legendary sketch comedy troupe changes their shows about every six months. You should never, ever miss one. They are the Rolls-Royce of sketch comedy, and their shows never fail. Even if you don’t like every single sketch, there are always a few dozen high moments to make you laugh. And the general exuberant tone of the cast will put a smile on your face (www.secondcity.com).

Just For Laughs Roadshow: Every year, the prestigious Just For Laughs festival brings an assortment of interesting new acts to town at a large venue. There may not be huge stars on these shows, but the acts are well-chosen and usually from far away. This month, the tour features Demetri Martin at the Queen Elizabeth Theatre (www.hahaha.com).

Comedy concerts (choose 2): These days, there are many established comics who do solo shows in big halls. All of these comics are worthy, but the ticket price is high, so I’m only going to prescribe two in a calendar year. Just to give you an idea, this January alone will see visits to our city by the aforementioned Demetri Martin, as well as Jim Gaffigan and Jeff Dunham. When a comic gets to the level of selling out Massey Hall, you can bet that the level of professionalism will be very high.

Comedy Bar: If you want to see cutting-edge comedy delivered by a very young and enthusiastic group of performers, Comedy Bar is your stop. It’s not fancy, but the food is superior, and the atmosphere of experimentation is electric. Shows tend to be short, and there are usually more than one a night (www.comedybar.ca).

Theatresports: I’ll admit I’m not a fan of improv comedy (unless Colin Mochrie is involved), but Theatresports turns it into an interactive game for the whole audience. I’d recommend one evening of improv a year to finish off a well-rounded comedy diet (www.baddogtheatre.com).

And there you have it: Dr. Breslin’s Comedy Diet for 2012. Following this prescription may not guarantee health and sanity for the coming year, but it couldn’t hurt!

Post City Magazines’ humour columnist, Mark Breslin, is the founder of Yuk Yuk’s comedy clubs and the author of several books, including Control Freaked.

Walk like an Egyptian

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It’s hard to make out exactly who’s in the small Egyptian café because the smoke is so thick it feels like Snoop Dogg’s green room at the Cannabis Cup in Amsterdam. I’ve got a hookah pipe the size of R2-D2 and I’m talking to a 71-year-old man, with few teeth, about the most recent incident at Tahrir Square. All in all, it’s been a really cool day.

“It’s black out, but everything will be clear,” prophetizes Raouf Famousi, who has lived in Markham for the past 40 years but has family back home in Egypt and spends every night at the tiny Layaly El Sharke Café on Lawrence Avenue in a neighbourhood christened “Little Cairo.” Famousi, who sits with three men beneath a small television tuned to Egyptian TV, reignites my licorice-flavoured disc of tobacco and tells me that Egypt’s future will only be revealed after the final election on June 24.

“I don’t know if the new president will have real power or be under the army. We have to wait and see,” he says, and I feel a little embarrassed that I’m not better versed in the Arab Spring. I remember that it started in Tunisia and spread to Egypt, Yemen and Libya, leading to the ousting of that madman Gaddafi, but I thought Mubarak was already toppled.


From left, Kaplan puffs on a hookah, shares a laugh with local caterer Eeid Saleh, and plays backgammon with some of his new friends

Now the country is being ruled by the military, and there’s a weird series of elections being held in phases, and anyway, Famousi and I keep smoking, and he forgives me for not having a better understanding of Egyptian politics — it’s a newly democratic system that seems to be changing every day. “The important thing is that you can have an opinion, and I can have an opinion, and we can be free to disagree,” Famousi tells me. “In Egypt, we couldn’t live with different opinions under Mubarak, and now, finally, everything’s changed.”

Everything’s changing in Cairo, but according to two young guys I meet smoking hookahs and playing backgammon, the situation is certainly dire. Mike Bules, a 30-year-old Egyptian pharmacist who also lives in Markham, says he was in Egypt during the initial uprising and that he fought alongside his parents for his life.

“We had to go out on the street to protect our family because the prisoners came out of the prisons with guns,” says Bules, who recounts a vivid tale of an all-night vigil, armed with a baseball bat and a shovel, to protect his home overlooking Tahrir Square.

Bules says the situation in Egypt is so concerning because a huge swath of the population is entirely uneducated. When Mubarak took control, the population of Egypt was 43 million people. Today, there’s more than 83 million people, and illiteracy is hovering around 40 per cent.

“A lot of people who never had freedom and are badly uneducated are suddenly let go, and you can guess what happens next,” says Bules, who likes to come to the café for a smoke and a taste of home — where his grandparents still live. He’s sitting with a guy in an FBI T-shirt who works as a driving instructor and says that, when the Arab Spring first started, he longed to be back in Cairo.

“You miss home and feel like there’s a chance to be a part of history, but instead we’re here,” says Peter Bakhit, 32. “I’m glad to live in Canada, and I’m thankful, but you do miss the opportunity to be part of a revolutionary change.”

“In the Sahara Desert, you can be in a car and have no food, no nothing, and you can fill up on [basturma].”

On the day that I’m smoking in Little Cairo, Immigration Minister Jason Kenney has announced that new residents must remove their niqab in order to take the Canadian citizen oath. I was expecting to hear vehement opposition to the ruling. After all, I’m against it and feel like people should be allowed to wear whatever they want, but instead I meet person after person who agrees.

“You can wear what you want to wear, but you have to follow the rule of the country,” says Eeid Saleh, 59, owner of Lotus Catering & Fine Foods on Lawrence Ave., arguably the only shop in Toronto that serves authentic Egyptian cuisine. Saleh is a character and reminds me of Al from Happy Days. After we exchange a few pleasantries, he drives me, in his BMW, over to his shop down the block and he shows me his kitchen. It’s pretty impressive. I look up and see 40 purple beef sticks hanging from the ceiling next to a four-foot hacksaw.

“In the Sahara Desert, you can be in a car and have no food, no nothing, and you can fill up on this,” says Saleh, who slices me off a shard of basturma, double-cured purple beef, which is the tangy specialty of his shop. The restaurant is closed Monday nights when we visit, but after opening for only a few minutes, an Egyptian customer — on his way out on a date — stops in for some snacks.

“I was blessed. I got into my career after just two months in Canada,” says Mohamed Youssef, 45, who works in real estate and lives in Markham, of course.

On the walls of Lotus Catering are stickers that read “January 25,” and there are flags and T-shirts commemorating the start of the Arab Spring. “The people are more than the army. Look at Syria. The army wants to kill the people, but the people are still fighting,” says Saleh, who has owned his restaurant for 19 years and has been in the city since 1969.

I sit with Saleh for a while, and we look at his photographs from Cairo and I try to shake off the nausea I still have from smoking so much of that damned hookah pipe.

Egypt’s definitely a country in transition, just like the surrounding countries in Africa and the Middle East.

I don’t pretend to understand what’s going on there or to even know how Egyptians in Toronto feel about the niqab, Rob Ford or the Shafia trial in Kingston where an Arabic father stands accused of committing an “honour killing” of his three girls.

Still, the time I spent in Little Cairo was eye-opening — even if, when I got home, my eyes were bright red.

Toronto’s first heart-shaped park officially opens

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After a handful of delays and setbacks, the transformation of the old Toronto Transit Commission (TTC) bus bay located at the corner of Avenue Road and Otter Crescent into Heart Park was recently completed.

Coun. Karen Stintz threw a grand opening last month to mark the occasion.

“It’s so rewarding to see it finally completed and opened,” she said. “I think it really just showed how partnerships can come together and make a difference to benefit the community.”

Stintz credited a long list of people with the success of the project, including Post City Magazines’ publisher Lorne London for coming up with the idea, the community for its fundraising efforts, and senior project co-ordinator Alice Wong.

Local homeowner makes one last bid to keep tree house

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Neil Davies has appealed to the Ontario Municipal Board (OMB) in hopes of securing the minor variances he requires to keep a tree house he built in his backyard after his application was refused at the committee of adjustment.

In his appeal, Davies said he was unaware the tree house was considered to be an accessory structure and, therefore, subject to minimum three-metre side lot and rear lot setbacks from the property line.

“After many visits to the bylaw department, I was bounced around like a puppet, filling out forms and applications with no one ever telling me exactly what I was in violation of,” Davies wrote.

About a dozen neighbouring residents submitted letters to the committee of adjustment to indicate their objection to the tree house. Concerns ranged from the size, height and setbacks of the structure to noise, invasion of privacy and the impact it would have on property values.

Neighbours Leslie Bruce and James Naughton said they’re happy about the committee of adjustment’s decision and believe it was the correct one.

“The tree house he [Davies] erected is both overbearing and invasive of my privacy and, in my opinion, is not appropriate for the size of our lots,” Bruce wrote in a letter to the committee of adjustment.

In their report, city planning staff recommended refusal of the variance for a zero side lot setback.

A hearing date had yet to be scheduled at the provincial appeal board at press time.

Town and developer set to battle at OMB

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The Town of Richmond Hill and a developer are going head-to-head over a recent proposal for two condominium towers, at 21 storeys and 15 storeys, on the southeast corner of Yonge Street and Observatory Lane. After council rejected the initial proposal from the developer, Torview Properties Inc., the company filed an appeal with the Ontario Municipal Board (OMB).

The application sought an official plan amendment to redesignate the lands from “residential” to “mixed residential and commercial,” as well as a zoning bylaw amendment to permit 463 residential units.

Coun. Godwin Chan said council rejected the proposal, citing height, density, urban design and traffic issues, which led Torview Properties to appeal to the OMB.

“Nobody is saying we don’t want any development in that area,” Chan said. “But [residents] are saying, ‘Let’s do something here that is compatible with the official plan.’ ”

At the pre-hearing, Torview’s lawyer, Ira Kagan, requested the case go to mediation so that both parties could reach a settlement. Town staff agreed. Chan said that, whereas the proposal is not suitable for that area, he is not opposed to a development.

“Almost every spring I get complaints about how yucky it looks in that empty land there, but unfortunately it’s not owned by the town. It’s a privately owned property,” he said. “Let’s face it, from my end, I certainly feel this [mediation] is a drain on our tax dollars, our staff and experts, in appealing any sort of litigation. All those things cost money,” he added.

But neighbouring residents, such as Renu Duggal, disagree. “Fifteen storeys, can you imagine the number of cars that are going to be on the road? Yes, we can have lots of high-rises, but at the end of it, there is no greenery being replaced. There should be some balance,” she said.

According to Chan, any changes to the proposal would be reconsidered by both councillors and the public. If a settlement cannot be reached, the OMB is scheduled to hear the case on Jan. 9, 2012.

Lawrence Heights plans a step closer to reality

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City council recently passed the Lawrence Allen Secondary Plan, which guides redevelopment of the neighbourhood bounded by Highway 401, Bathurst Street, Lawrence Avenue West and Dufferin Street. Approval came despite continuing concerns over density, infrastructure and traffic expressed by some local residents. As adopted, the plan allows for the replacement of 1,208 social housing units as well as the addition of 4,400 residential market units over the next 20-plus years.

Coun. Josh Colle said that he appreciates the continuing concerns held by some local residents but pointed to steps taken to address them and added that the issues that have plagued the Lawrence Heights and surrounding neighbourhoods, such as safety, needed to be addressed, too.

“With this development, we put in place that, until the infrastructure that’s needed to support it is budgeted and paid for, development won’t proceed,” he said.

Replacement of the 1,208 social housing units will cost an estimated $350 million. Toronto Community Housing Corporation is responsible for funding this and plans to do so through the sale of land and land rights to private developers, who will build the market residential units. A further $205 million will have to be found to pay for infrastructure.

Marie McCutcheon of Save Our Streets said that her group is pleased to have seen measures taken to address some of the issues it’s raised. “A lot of development is being proposed on the streets along Dufferin and Lawrence into the north, so our big concern has always been the number of units and the density, and the impact to the existing neighbourhoods.”

Residents of the Lawrence Heights community, such as Marian Mohamud, urged the city to pass the plan.

“This plan will help erase the stigma Lawrence Heights suffers,” Mohamud said. “Most members of my community struggle to obtain employment because of our postal code.”

Developer wants more at former Canadian Tire lands

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Plans to add 685 more units to a large mixed-use development on the south side of Sheppard Avenue East, between the Bessarion and Leslie subway stations, has residents up in arms. The approved plans — the product of considerable community input — allow for the construction of 4,000 residential units in towers ranging from six to 28 storeys. East of Provost Drive, the buildings have already gone up. To the west of Provost Drive, owner Concord Adex Corporation is seeking planning approvals to move the park to the centre of the development, push tall buildings up against the highway and reduce parking requirements. The proposal would increase the height of the tallest building to 36 storeys.

Gabriel Leung, a representative of Concord Adex Corporation, said that his company decided that the design of the development could be improved when it purchased the property from Canadian Tire. Some of the revisions were intended to discourage car dependency, so that additional parking spaces would not be needed. Leung pointed to a car sharing program, pedestrian and bike paths and a shuttle to the nearby subway station.

Doug Stephens, president of the Bayview Village Association, said that, in theory, the plans may promote pedestrian and transit options, but he believes that the reality would be different.

“No matter how you pack, stack or rack them, there are too many units,” Stephens said.

Local councillor David Shiner noted that for some residents, it’s their first time seeing the development plans, including the elements that were approved in 2002.

“People are concerned about the impact it’s going to have on them, mostly from a traffic perspective,” Shiner said. The next step is for City of Toronto staff to complete a final report on the application and make a recommendation to approve or deny the application to North York Community Council.