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Tony Aspler’s Weekly Wine Pick: Cuore Montepulciano d’Abruzzo 2008

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Don’t confuse the Montepulciano grape with the Vino Nobile di Montepulciano produced from Sangiovese grapes in Tuscany. It’s more on the rustic side. Dense purple-black in colour, this wine has an earthy, blackcurrant nose and a chunky mouth feel. There’s good concentration of black fruit flavours here and an intriguing spicy note. Terrific value. Food match: spaghetti puttanesca or fresh Parmesan cheese.

$14.95. Vintages 230631

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards. He can be heard on 680News.

The Drake Hotel somehow manages to squeeze a cocktail bar into its dining room

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The bartender is in at The Drake Hotel. At least that’s what the new sign in the dining room says. The perpetually hip venue has just opened a cocktail bar in the corner of its dining room, and it boasts an extensive lineup of drinks, like the Hanky Panky (gin, sweet vermouth and Fernet Branca, $14) and the Boulevardier (bourbon, Campari and sweet vermouth, $14).

Also on the menu is a wide selection of bourbon, tequila, wine and sake. Not sure what to drink? Not a problem. The Drake’s bartenders will also be available for tableside service, ready to advise guests on the perfect cocktail.

The Drake’s dining room cocktail bar is open from Thursday to Saturday, 6-11 p.m.

The Drake Hotel, 1150 Queen St. W., 416-531-9493

March break two ways: with kids, and without

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March break is almost upon us, which means that, whether you have kids or not, the next week of your life will be dictated by the needs and wants of this city’s tinier citizens. Allow us, therefore, to offer a few suggestions for where to take the kids, and where to take refuge from the kids.  

 

Kid-friendly activities


Spring Fling at Rogers Centre

Grab the kids and head over to Canada’s largest indoor carnival. Those with a taste for adventure can try out rides like the Monkey Maze and the Hang Glider, while wildlife fans should head to Reptilia, where 26 kinds of exotic animals will be waiting.
1 Blue Jays Way. March 11-18, 10 a.m.-6 p.m. $20
 

Entertainment that comes to you

Little Red Theatre will be touring locations around Toronto with its production of Jean de Brunhoff’s Babar the elephant stories. Audiences will follow Babar on his journey from childhood to becoming king of the elephants. To see when Babar will reach the venue closest to you, check out the tour schedule at the Toronto Library website.
416-533-8848, March 10-17. Free
 

Dare to Dream: Princesses on Ice

Disney on Ice is back at the Rogers Centre with a new show, Dare to Dream. Follow Rapunzel, Cinderella and Princess Tiana from the Princess and the Frog on their quests to save their kingdoms and find true love. Awwww.
1 Blue Jays Way.  March 14-18,  times vary. $15-$90. For tickets call 1-855-985-5000
 

March Break at the ROM

Riffing off its current smash exhibition, the ROM will feature an array of Maya-inspired activities during March break. Families can play the dubiously-titled Game Show at the End of the World, have a go at Maya crafts and meet a Maya high priest. The museum’s hours will be extended for the entire week.
100 Queen's Park, 416-586-8000, March 10-18
 

Last chance to skate at Nathan Phillips Square

Why not take advantage of the last days of winter by heading over to the skating rink at Nathan Phillips Square for one last day? This Sunday will be the rink’s last day of the season. Fun fact: next to the rink you'll find Toronto’s oldest food truck.
100 Queen St. W. To March 11, 9 a.m.-10 p.m.
 

Kid-free activities


Pamper yourself

Le Méridien King Edward is offering a March break special, so leave the kids at home, grab a toothbrush and hole up in the lap of luxury for a night or two. For those looking to relax but still keep up with their workout regimen, the hotel has an in-house spa as well as a fitness centre, and there are golf and tennis facilities nearby. Who said you needed to leave the city for a vacation?
37 King St. E., 416-863-9700. March 9-18
 

Laser Quest

Okay, this isn’t entirely kid free. In fact, it seems like an activity specifically designed for them — but bear with us here. You can call and make a reservation for a private group on Mondays, meaning you can act like a kid without actually having to spend time with any.
1980 Eglinton Ave. E. (at Warden), 416-285-1333 and 9625 Yonge St., 905-883-6000
 

Iain Baxter& art exhibition at the AGO

For those with more sophisticated tastes, “Iain Baxter&: Works 1958-2011” recently opened at the AGO. The interactive exhibit showcases pieces highlighting the Canadian artist’s views on recycling, humanity and even an installation meant to define what pollution has done to our world (expect exhaust pipes and taxidermy animals).
317 Dundas St. W., 416-979-6648. To Aug. 12
 

Official Fashion Week After Party at The Bowery

After a week of watching gorgeous people make their way down the runway in equally gorgeous clothes, you could try hitting up the The Bowery, which is holding the Label: Official Fashion Week After Party. The doors open at 9 p.m. and partygoers can unwind with a drink — before watching more yet gorgeous people and clothes with a show at 11 p.m.
55 Colborne St., 416-901-2332, March 16, 9 p.m.

 

Are we witnessing the death of mid-century modern?

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Remember when heavily adorned French-provincial homes and Tuscan-inspired abodes were all the rage 15 years ago? Then, in the mid-2000s a shift occurred around the same time a little show called Mad Men premiered, and suddenly casual-but-cool mid-century modernism was back with a vengeance: clean lines, warm colours, stylized and structured furniture (think Eames and Knoll) and metal finishes were basically de rigueur when it came to home design and decoration.

“I think the mid-century modernism trend was for a limited group of people that really embraced it, and then they got sick of it,” says acclaimed interior designer Brian Gluckstein. “[It] was cinematic, almost kitschy.”

Gluckstein, whose portfolio includes the Four Seasons Toronto and the Windsor Arms Hotel, as well as international residential clients, says the hottest interior design trend now involves a combination of the old meeting the new to accomplish a less restricted ambience.

“Now we’re looking at a much more eclectic look. If you have a traditional home, you mix in contemporary accents, or if you already have a contemporary home, you mix in traditional pieces.”

Ashley Tracey, an interior designer with Toronto-based Lux Design, an interior design firm praised by the New York Times and Canadian Interiors Magazine, agrees. “[The most popular trend now] is mixing traditional with contemporary design. We don’t have to be in one box anymore. We can merge the two styles and have fun with it,” she says, adding, “It’s a move toward a new traditionalism. It’s not your grandma’s traditional style. It’s a bit chicer with an edge, but it retains the comfort of a traditional home.”

For her clients, Tracey recommends simply adding a piece of modern art to a more conservative room. Or, if you have a more traditional dining table, then you could incorporate “a modern, linear chandelier that doesn’t look like a traditional chandelier,” says Tracey, citing CB2 (651 Queen St. W.) as a “cool store that throws vintage together with modernism.” West Elm (109 Atlantic Ave.) is another one of her favourite local stores to find modern furniture and accessories.

As for her key piece to buy right now?

“Add more of the accessories, like a full-length mirror, some oversized art or a fun light fixture.”

In terms of mixing it up, Gluckstein’s advice is to add something to the room with a little more staying power.

“A chair is an iconic piece you can do pretty easily in a contemporary space. A 1920s chair, an 18th-century chair, an English chair. They have personality that is so easy to put into a space, bedroom or a hallway.”


Ornate, one-of-a-kind accessories such as these can unify disparate styles and time periods. From left, 19th century French giltwood sunburst clock at Absoloutely North, Hollywood Glamour lacquered mirror & Austrian mid-century pendant light at Decorum Decorative Finds.

For antique pieces, Gluckstein thinks Five O Seven Antiques (50 Carroll St.) is a “great place” to find that majestic chair. The store, which boasts a large array of antiques, sells a pair of Irish high-style chairs or a pair of period Regency spoon back chairs, both from the 19th century, that would be a wonderful addition to your living room or hallway.

According to Gluckstein, “18th- and 19th-century pieces are going to be very important as far as value goes.”

In a traditional space, Gluckstein recommends having “a great piece of art, or black and white photography” to punch up the room.

To help create your diverse aesthetic, Gluckstein loves “that whole strip on Yonge Street [just south of St. Clair] where you have L’Atelier (1224 Yonge St.), Decorum Decorative Finds (1210 Yonge St.) and Absolutely North (1236 Yonge St.).”

If you want to inject something more regal and traditional into your space, you may opt for the gold French-style chandelier ($1,895) or a pair of classic side chairs ($2,995) from Absolutely North. Reversely, a unique light fixture, like the Leaf Murano ($4950) or a modern mirror ($695) from Decorum Decorative Finds, enhances with a contemporary element in a more conservative space.

Both Gluckstein and Tracey recommend that adding hits of colour to a room is one of the easiest ways to get a leg up on the offbeat trend. Gluckstein favours icy blues, fresh apple greens and shades of purples (“lavender is the hottest colour right now”), which are featured throughout his personal home design collection available at the Bay.

Meanwhile, Tracey recommends beige and cool greys or even adorning your walls with … wallpaper?

“At first, it sounds stuffy and old-fashioned, but now the colour is contemporary,” she says. “It may look old fashioned but something about it has been modernized. [Maybe] it’s in a traditional print, but it’s now in a hot pink or some other bright colour.”

Traditional fabrics, like silk and linen, are still being used, but the way in which they are hung is more modern.

“They’re clean lined now, and they aren’t frou-frou,” says Tracey.

Echoing that minimalist mentality, Gluckstein says chenille and suede are perfect for living rooms, and natural fibres, like “beautiful wool,” are popular options, too.

With this new eclectic look, it’s best to take a “less is more” attitude.

“You want to take an element from a trend, but you don’t want to take it too literally because it becomes too trendy,” warns Gluckstein. “You get tired of it quite quickly, and then you beat the trend to death.”

Tracey concurs. “You don’t want to overdo a trend that you’ll be sick of,” she says, reminding us that “a traditional sofa will not go out of style. But your mirror or your wallpaper, you can change that.”

However, diehard modernists can take comfort with local interior designer Brian Murphy’s sentiments. Murphy, whose projects have appeared on HGTV’s Backyard Pleasures, doesn’t think the throwback motif is going anywhere any time soon.

“Very few homes are done in traditional fashion anymore,” he says. “The biggest trend in the ’90s were houses reminiscent of palatial style, and now that’s being moved away from and toward modernism. Now homes are all about shiny, glassy steel and no adornments. No more Mexican tile in the shower.”

To complement that no-fuss look, Murphy says his clients want highly stylized furniture and open spaces.

Whether your taste leans toward the eclectic or ultra modern, Gluckstein’s final words of wisdom are for all of the design challenged: “Be selective. Don’t create an entire home around a trend. You don’t want to invest in a space that will be outdated in five or 10 years.”

Like that Tuscan-inspired home with the Mexican-tiled shower.

Meat Loaf back with new album, ready to head north to Toronto

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Meat Loaf’s 1977 debut solo album, Bat Out of Hell, sold more than 43 million copies and still moves more than 200,000 every year. When you start off your career with one of the most revered and best-selling rock albums in history, what do you do for an encore? That’s the question Mr. Loaf has tried to answer for the last 35 years.

  He’s created some incredible musical moments, starred on Broadway and compiled a decent little acting career, but ain’t nobody ready to let go of “Paradise by the Dashboard Light.”

According to Mr. Loaf, in 2007, it, or rather he, almost fell apart from it all. At a concert in Newcastle, England, for the Bat Out of Hell III album, Meat Loaf’s voice disappeared (a cyst, he would learn). He cancelled the show and sat in the dressing room until five in the morning, wondering if it was time to unplug the mic for good.

“It was bad. After that I fired everybody around me. I said, ‘That’s it, I quit, I retire.’ And I literally got up every morning, got a coffee and just sat on my couch,” he says. “I didn’t know what I’d do, but I was in a real bad depression.”

But, as he has done time and time again in his life when faced with adversity, he confronted his demons — and one morning he decided to get back to work. And, man, did he work.

In 2010, he released his best record in recent memory, the concept album Hang Cool Teddy Bear. And this month his latest album, Hell in a Handbasket, which he describes as his most personal album to date, lands on March 13, proving there is a lot of life left over, ahem, in this meaty rocker.

“This one I sing through my eyes,” he says. “It’s really the first record I’ve ever put out about how I feel about life and how I feel about what’s going on at the moment.”

What confirmed the album’s philosophical intent for Meat Loaf was the reaction of some to the death of pop star Whitney Houston.

“I didn’t know her well, but I first met her in 1984 and had a conversation of about 45 minutes, and it was really an incredible conversation,” he says.

“After her death, there were these horrible comments being written, and I really wanted to just go through the Internet wire to that person’s house, put my hands around their necks and just strangle them. I was writing the album about that, about the extreme left and right, because we’ve lost our point of view as a human culture. There is no compassion and no humanity.”

So it is this feeling of empowerment, of seizing the day, facing fears, pursuing dreams and doing what you love that pervades the album. And it is a powerful one, aided in part by guest appearances by rap icon Chuck D of Public Enemy fame as well as fellow hip hop artist Lil Jon. In addition, Meat Loaf covers one of his all-time favourite tunes “Mad Mad World,” by Canadian rocker Tom Cochrane.

Meat Loaf was born Marvin Lee Aday in Dallas, Texas, in 1947. He formed his first band, Meat Loaf Soul, in Los Angeles, where he also joined the local production of the musical Hair, which eventually led to an offer to record with Motown Records — culminating in the release of Stoney and Meatloaf in 1971. More musicals followed, eventually leading the hefty rocker to his role as Eddie in The Rocky Horror Picture Show, which he remembers fondly for the opportunity of “seeing Susan Sarandon in her underwear.” And it was about this time that Mr. Loaf and long-time collaborater Jim Steinman started to work on Bat Out of Hell.

He’s played most every bar, club, theatre and arena in Toronto, including the legendary El Mocambo in 1978 with the Bat Out of Hell tour — and he says he is looking forward to returning.

“I’m hoping to get there this summer … sometime in June. I said, ‘Just get me to Canada,’ ” he says.

On the road to family fun — or dysfunction?

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Recently, I read in manuscript form the Canadian writer Curtis Gillespie’s Almost There: The Family Vacation, Then and Now, to be published this summer.

Mr. Gillespie, with great insight and humour, weaves analysis and history of the family vacation with tales of his own family trips, both as an adult, with his own children, and growing up in the ’70s.

The opening anecdote, describing the extremely inauspicious beginnings of a 1973 family car trip from Calgary to Mexico, is worth the price of the book alone. Spoiler alert — basically, for months beforehand, his mother hoards hundreds of comic books so 14-year-old Curtis and his five brothers and sisters will have something to read during the trip. Half an hour outside of Calgary, the box is opened. Young Curtis digs into a much-anticipated Spider-Man. But he reads it too closely, starts to feel car sick and asks his father to pull over. His father ignores him, and Curtis hurls all over a) himself and b) the comics in the box at his feet.

Poor kid! With this image fresh in mind, I discuss with my wife, Pam, the possibility of driving down from Toronto to the Florida Keys this March break, with our three kids.

We were going to fly, but — “It’s so much more cost-effective to drive.” That is, of course, the reason the “road trip” was invented. But a trip is not truly “cost-effective” if you both wind up hiring divorce lawyers at the end of it.

Last time we tried a long car trip the whole extended family drove from Toronto to Prince Edward Island. Five days driving. And to save money we decided we’d camp on the way! Sounds like fun, doesn’t it? Our relationships still bear the scars. That was five years ago, but to this day, if anyone mentions camping, tents or anything even vaguely related, I can reliably look over and see my wife’s brow furrow — can practically feel the temperature of the room go down.

Shall we say: I was not at my best. The sun was setting, but it was no “magic hour.” It was raining, she and the boys were struggling to erect our facocked tent, and I was trying to light a fire because there was no other way to cook the friggin’ hot dogs in our cooler.

Tempers were frayed. Words were exchanged — an incident I’d rather not go into, except to say: Lord, I wish we’d flown. We would’ve landed on the tarmac in P.E.I., having watched a movie, consumed a couple of cocktails, all bright-eyed and bushy-tailed.

But I like saving money as much as the next guy. Hope springs eternal, and our family did survive the last time. Plus, according to Mr. Gillespie, the crucible of car travel — even the boredom! — is good for family togetherness. And memories are forged by both good and bad experiences alike.

So here goes nothing! Kids, pack the car. Where’s that goddamn DVD player? Stop squabbling! I will turn this car around! (Mr. Gillespie tells the story of a friend’s father, also driving from Calgary to Mexico, who, fed up with his kids’ bickering, turned around at a gas station between San Francisco and Los Angeles!)

Wish me luck!

David Eddie is an author, advice columnist for the Globe and Mail and co-creator of the television show The Yard. He lives in Toronto with his wife, Pam, and his three sons.

Game of Thrones at TIFF Bell Lightbox: a survival guide

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Starting this Friday, HBO Canada teams up with TIFF Bell Lightbox to bring a free 10-day exhibit based on the hugely popular show, Game of Thrones. Wannabe residents of the fictional kingdom of Westeros can peruse costumes, props, weaponry and photography from the Emmy-award winning series. Haven’t watched the show yet but want to storm the gates anyway? We break down the significance of the most important props on display. Try to keep up.

 

The "hand of the king" badge

This ornament identifies the wearer as the "hand of the king." The hand is considered the second most powerful person in the kingdom, and is someone the king trusts above all others. The hand's purpose is to carry out the administrative duties of the king, allowing him to enjoy himself (like all kings should). Basically, the hand does all the hard work. When the king is absent, the hand sits on the king's throne because, well, who wouldn’t? Sometimes the king's hand becomes too powerful, and is either dismissed or possibly executed.

 

The stag crown

The crown belongs to Robert Baratheon (played by Mark Addy), the usurper, and the first Baratheon to rule Westeros after generations of Targaryens. (We warned you this would be confusing.) The stag is the symbol and coat of arms of House Baratheon, and Robert designed his crown in its image. The previous rulers, the Targaryens, typically wore crowns with a dragon motif. Each of the major families of Westeros has its own sigil, often an animal, and it stands to reason that each would shape their crown in its image, if given the opportunity.

 

The Iron Throne

The granddaddy of thrones, the Iron Throne is the seat of kings in the Seven Kingdoms (which represent the nine regions in Westeros) and is the ultimate symbol of authority. The throne is made of swords to remind supplicants that their peers were vanquished.

 

Dragon eggs

There are three dragon eggs owned by Danaerys Targaryen (Emilia Clarke), one of two surviving members of the former Targaryen rulers. The eggs were a wedding gift celebrating her betrothal to a warlord who promised her brother he would restore the Targaryen family to the throne with the help of his army. Their significance lies in the history of the Targaryens, who were reputed to have ridden dragons when they originally conquered the Seven Kingdoms. The majority of the populace believes the tales of dragons to be myths, but those who seek to gain power regard the eggs as priceless because, apparently, if the eggs were to hatch, the super powerful dragons would elevate their masters to near invincibility.

Game of Thrones: The Exhibition, TIFF Bell Lightbox, 350 King St. W. March 9-18.

Grab of the Week: a stylish, logo-free baseball tee

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A splash of sport and a hint of tomboy are two things we love to see in a well-dressed woman. Thus, when we see a baseball tee worn well, our girl-style crush-alert instantly sets off. Although the baseball tee is a classic piece, a good one is hard to come by. It shouldn’t be too thick, emblazoned with logos or make you look like you’ve just come from a baseball game.

Leave it to a couple of Canadian boys to design the baseball tee they want to see their girlfriends in. “Courtney,” by the Lifetime Collective, is lightweight and ever so slightly sheer. The colours are soft, and the Henley neckline can be unbuttoned low.

Softball season is coming up, and whether you’re in centre field, sitting on the benches or nowhere near a softball field, this is the piece to be in.

Courtney by Lifetime Collective. $60, available online and coming soon to So Hip It Hurts, 323 Queen St. W.

Grace Carroll is a Toronto-based freelance writer whose work has appeared in ELLE UK, ELLEcanada.com, Plaid magazine and FILLER magazine. Keep up with her daily blog at www.graciecarroll.com.

Former rocker opens craft-brew bar in Kensington Market

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“It’s essentially a dive bar — but with good craft beer,” says Katie Whittaker, owner of Kensington Market’s latest, well, dive bar. On the same strip of Baldwin Street that houses Detour Bar and the Hot Box Café, Thirsty and Miserable is in good company. Named after a tune from Black Flag’s (then) controversial 1981 album, Damaged, the bar offers up a mix of local, Québécois and Belgian brews in a laid-back atmosphere.

Whittaker has been in the restaurant industry for much of her life, doing everything from washing dishes to cooking to serving. Citing a long-term interest in ales and such, she says the next logical step was for her to open up her own beer-slinging joint. Kensington’s eclectic tangle of people was the perfect setting — not least because it’s a quick bike ride away from her home.

After a month of cleaning up and redecorating the space, Whittaker opened her bar. Now, on one cherry-red wall, a strip of mirror underlines a series of punk-rock photographs; local producer Don Pyle’s shots include a snap of early Toronto punk outfit The Curse and Blondie’s Debbie Harry playing the El Mocambo back in 1978.

The menu is scrawled on bits of cardboard (which we’re assured isn’t just a rocker touch — chalkboards are to come), and highlights include Belgian picks Rodenbach Grand Cru, a sour ale, and Tripel Karmeliet, a fruity blonde beer with a hefty alcoholic content (both $8.50). Whittaker got hooked on the stuff when touring Europe with her old punk band, Brutal Knights.

Most of her draught beer is locally sourced: Spearhead’s Hawaiian Style Pale Ale and Denison’s Weissbier are joined by rotating Mill Street and Muskoka Brewery taps. Currently, the Ginger Beer and Mad Tom IPA are being poured, though the brews will change frequently. Unibroue’s La Fin du Monde, a triple-style golden ale, and Maudite, a strong red ale (both $5.50), are some of the Québécois offerings. Doing her very best to discourage denizens from ordering food, the menu is a bit of a joke; a Salisbury steakette TV dinner ($21.95) will goad hungered barflies into grabbing take-out from nearby spots.

“Hang out, have a beer, do what you want — but don’t break anything!” says Whittaker.

Thirsty and Miserable, 197 Baldwin St., 647-607-0134

Bob Blumer visits the world’s weirdest restaurants; hosts a pop-up at The Drake

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Bob Blumer, host of the Food Network Canada series Glutton for Punishment, is about to embark on his next adventure, World’s Weirdest Restaurants. The series follows Blumer as travels the world to sample some truly strange culinary destinations. We caught up with the television host to talk about his new show and his March 26 pop-up restaurant event at The Drake Hotel.

Can you tell us a bit about World’s Weirdest Restaurants?
It’s exactly what it sounds like. We kind of ping-pong around the world and visit these wild, weird, wacky restaurants.

How is it different from Glutton for Punishment or The Surreal Gourmet?
Well, in The Surreal Gourmet I’m actually cooking. I’m not cooking in this. And on Glutton for Punishment I’m basically thrown to the wolves in different food challenges. In World’s Weirdest Restaurants, I get to be the tour guide.

How did you get the idea?
It was something that kind of floated around the office and it sounded perfect for me and what I like to do.

Do you have a favorite place that you visited?
We stayed in Tokyo for three weeks and stayed in this businessman hotel and learned how to ride the subway. That was really, really cool.

Is there something you wouldn’t do again?
[Laughs.] Not every restaurant lives up to the billing. There was this one all-mayonnaise restaurant in Tokyo. That one didn’t make the cut.

So we won’t being seeing that one on the show?
No.

How did the idea for the pop-up at The Drake come about?
I know the people at The Drake and they do a lot of unusual events and I wanted to be able to go somewhere where I could do a four course meal like this.

Can you tell me a bit about how the evening will go?
There will be four courses, each one from a different restaurant that we visited on the show. I’m going to take you through each meal and before trying them, the audience will get a sneak peak at my experience trying the dish.

Did these four restaurants give you their recipes?
No, these are more interpretations, or sometimes improvements, on what they did. They’re loosely based on the concept or presented as they presented them. I sat down with the chef (Anthony Rose) from The Drake and we went over the menu and discussed it. He’s a great, great chef.

What can guests expect?
I don’t want to give away too much, but the meal is a collage of dishes from four of the places we went, so we’ll be bringing in props to decorate and the audience will get to see parts of the show.

So what’s next for you?
The show starts in April, so we’ll see how it does, and hopefully we’ll get the thumbs up for season two. Then I’ll be cycling in Portugal and I have my book, Pizza on the Grill. You know, just trying to stay off the streets.

World’s Weirdest Pop-Up Dinner with Bob Blumer, The Drake Hotel, 1150 Queen Street West. 416.531.5042 Ext.1, $38, March 26

Expect a frenzy: Marni drops at H&M tomorrow

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Expect queues at H&M stores around Toronto tomorrow, when the chain launches its collaboration with Italian fashion label Marni.

Marni is known for its quirky elegance, and combines structural pieces with unexpected textiles. The capsule line already has fashionistas' tongues wagging with its instant "it" status brought about by Academy Award nominee Sophia Coppola’s short promotional film featuring British actress Imogene Poots. Coppola’s dreamy style brings the collection of bold separates, posh dresses and extravagant accessories to life with lingering shots of the clothes and the kind of woman who wears them. 




While Marni may not be a household name, it is near and dear to the hearts of anyone with a nose for fashion. The label started with furs but quickly expanded into an aesthetic that combines luxury with quirky chic. The same style can be found in its H&M collection, which is expected to be one of its most successful yet, despite the brand's relative obscurity in the mass market.

The collection features PVC shirts, polka dots and a few blinding colours, but for a man or woman with fashion guts the clothes are surprisingly wearable. They may even get you stopped on the street.

Not to worry though, the collection is limited edition. While it may not last on the shelves it will last a lifetime in your closet.

Five ways to celebrate International Women’s Day

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International Women’s Day is tomorrow, and there are a number of events around the city to celebrate girl power. Here’s a roundup of our favourites. 
 


Kitchen Sisters: A benefit for sistering

Satisfy your palette for a good cause with a fabulous four-course gourmet meal prepared by an amazing group of local female chefs, including Donna Dooher (Mildred’s Temple Kitchen). The event is hosted by actress Sonja Smits and proceeds go to Sistering, an organization that has been supporting homeless and low-income women in Toronto since 1981.
Mildred's Temple Kitchen, 85 Hanna Ave. March 8, 7 p.m. Tickets start at $500, call 416-926-9762 ext. 243.
 


Exposed: The Female Perspectives & Voices (March Art show)

The city’s much loved brewery hosts two art exhibitions exploring women’s issues in its Steam Whistle Gallery. The “Exposed” exhibition is for those who like their art contemporary, while “Voices” is a multi-disciplinary collection.
Steam Whistle Brewing, The Roundhouse, 255 Bremner Blvd., 416-362-2337. Runs throughout March.

 


The F Word

In this play, written by Jennifer Phillips and directed by Loretta Chen, the F word is, yes, that F word, and chronicles the trials, tribulations, joy, pain, and the jubilation that women face.
Buddies in Bad Times Theatre
, 12 Alexander St., 416-975-8555. March 8–11.
 


Giggles @ The Groove

Christopher Hitchens be damned, women can be funny. And they'll prove it at the Groove’s International Women's Day open-mic night with host Zabrina Chevannes.
The Groove Bar and Grill, 1952 Danforth Ave., 647-350-1917. March 8, 9:30 p.m.
 


Post a photo without makeup

And here’s something simple we can all do. Local blog Confidence Is Beautiful is going the Dove way and asking women to change their online profile pics to show off their natural beauty. Hey, if Snooki can do it, then so can you.