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Crazy and quirky fashion at Power Ball 2012

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Drawing some 1,700 guests out to the waterfront, the Power Ball is Hogtown’s big-ticket fête of the summer. Held at The Power Plant, this year’s fundraiser served to blow out the candles on the gallery’s 25th birthday cake, with a Quarter-Life Crisis theme inspiring attendees to don either their finest frippery or the wildest getup they could muster up. We checked out the scene, finding plenty of feathers, sequins and, well, orange (apparently Pantone’s colour of the year memo worked rather well).

The mixed crowd saw everyone from uptown socialites to downtown fashion types, with artists aplenty peppering the scene. Spread out over a series of rooms, guests were able to boogie in spaces outfitted with artwork by Jesse Harris, Jesi the Elder and, our favourite, Philippe Blanchard, whose sculptural pieces made dancers feel as though they were caught in a giant GIF.

Elsewhere, Sarah Febbraro interacted with guests directly through her live talk show, while Marisa Hoicka was holed up in a room of her own, obeying the directions of viewers at, literally, the flip of a switch. With options including Ceiling, TV and Beer, the artist was seen guzzling plenty of brews, much to the delight of onlookers.

Thanks to Marc Thuet, revelers noshed on corn on the cob, fancified poutine, and gussied-up mac ‘n’ cheese, with bison working its way into just about everything (there was one roasting on a spit, after all). As the night wore on, the scene got livelier, and folks danced their way into the wee hours.

Weekend Warrior: five must-see shows taking place this NXNE weekend

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Flaming Lips

Probably equally as weird as they are awesome, The Flaming Lips are playing at Yonge-Dundas Square this Saturday and will surely prove to be the highlight of this year’s NXNE festival. In the past, their psychedelic, far-out sets have included spaceships, puppets, loads of confetti and, of course, Wayne Coyne’s “Zorb.” Fingers crossed that some of their collaborative partners such as Bon Iver, Yoko Ono, Nick Cave or Ke$ha make an appearance (but those pink robots — not so much).


Eight and a Half

Behold the holy triumvirate of rock gods: former Broken Social Scene drummer Justin Peroff has teamed up with former The Stills members Liam O’Neil and Dave Hamelin to form Eight and a Half. Though they’ve taken on more of a lo-fi, electro, melancholy vibe, their self-titled album on the Arts & Crafts label has been getting serious nods. Get into the gritty synth mood for Yonge-Dundas Square tonight by streaming their entire album.


Dan Mangan

Okay, we had to sneak in one Luminato show (we’ll make the exception for Dan Mangan). Saturday afternoon, the Vancouver folk singer-songwriter will be at Pecault Square. He’s received Juno nominations for his past albums, and his latest, Oh Fortune, was just long-listed for the Polaris Music Prize. And if his video for “Robots” isn’t the most adorable thing ever, you have a heart of stone. Since the show is at 2 p.m., you’ll have plenty of time to catch The Flaming Lips, too.


Oberhofer

Despite being only 21-years-old, Brad Oberhofer — along with his band, Oberhofer — plays amped-up jagged pop music that will have Lee’s Palace grooving on the dance floor tonight and again at Yonge-Dundas Square tomorrow. The Brooklyn-based band plays unconventional instruments such as the glockenspiel, strings and piano — which will make for one eclectic, crowd-pleasing show. Besides, any group that lists Bon Jovi as their muse is okay by us.


Raekwon and Ghostface Killah

Legendary Wu-Tang Clan pioneers Raekwon and Ghostface Killah will be closing the NXNE fest on Sunday. They’re pretty much the godfathers of modern hip-hop music, so expect it to be a massive show. They’ve just celebrated the Clan’s 20th anniversary and are rumoured to be starring in an Ol’ Dirty Bastard biopic, so we’re hoping for some old school jams. While some of their lyrics may not exactly be kid-friendly, you could always bring home a toy.

Jinks Art Factory opens in Parkdale, offering lattes, tattoos, art and apparel

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Twin sisters Jen and Sarah Wetmore have banded together to open up a curiosity-filled treasure chest of sorts. Jinks Art Factory, located on Parkdale’s westernmost strip, is a little bit of everything. Up front, it’s a café complete with a vintage arcade game and seats overlooking Queen Street.

A retail space makes up the shop’s torso, with goods running the gamut from organic clothing to, well, organic lip balm. The walls serve as an art gallery, with Jen’s abstract paintings joined by work from other local artists. Tucked away in the back is a tattoo parlour where customers can get custom ink done ($80 an hour) while their companion browses. Prior to opening the shop, Jen ran a private tattoo studio out of her home for almost three years (she most enjoys working in black and shades of grey).

If shoppers aren’t quite ready to get an image of a sassy lady emblazoned on their bicep, there are plenty of non-permanent options to quench the shopping thirst. Illustrated cards from Creepy Christine possess a Tim Burton-esque attitude, and are a fun way to deliver atypical greetings to a friend ($5.00). We liked a graveyard version with little ghosts streaming skywards under a full moon. Other artsy finds include photographic prints from Shawn Hogan ($19.95).

Clothing picks include tees from the Quebecois line Tresnormale, which feature various silhouettes of the Toronto skyline ($26). Meanwhile, B.C. line Salts makes cozy organic sweatshirts with almond-shaped pocket details to keep you looking stylish. We liked the soft grey-green version ($88).

Two-finger rings from All Deck’d Out are crafted from bruised and battered skateboards ($28.80). We also love the bangles that come in both circles and squares ($26). Finally, keeping in line with their organic concept, the sisters pour lattes using Etobicoke’s Birds and Beans ($3.15 and up).

Jinks Art Factory, 1664 Queen St. W., 647-347-7779

Tony Aspler’s Weekly Wine Pick: Batasiolo Moscato d’Asti Dla Rei 2011

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The perfect summer sipper. Pale straw with an evident fizz; floral, orange and honey nose; off-dry, light on the palate, semi-sweet. Chill lightly. It’s like biting into a freshly picked Muscat grape, and it’s low in alcohol at 5.5 per cent.

Food match: fresh berries

$14.95. LCBO #277194

Tony Aspler is Post City’s wine columnist. He has written 14 books on wine and food and also created the Ontario Wine Awards. He can be heard on 680News.

Morning Throwback: in early 1900s Toronto, knife sharpening was a form of entertainment

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While you lie in front of your big flat-screen TV complaining that there's nothing on, just thank your lucky stars you're not these kids from 1913, who had to go down to the old creepy knife sharpener to get their jollies.

Life of Manek brings new and vintage womenswear to Dundas West

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With her background in styling and costume design, Nicole Manek knows exactly what works and what doesn’t. Though opening a boutique wasn’t originally in her life plans, when a space on Dundas West popped up, she simply couldn’t say no. Life of Manek offers up goods for the ladies plucked from near and afar, with Manek using her insider status in the film world to suss out goods from movie sets and more.

Filled with vintage items and new items, bold names and no-names, Manek has styled her boutique the same way she approaches a client: head to toe. Currently decking out hosts on HGTV in addition to styling for The Listener, Manek has access to a wealth of sources.

Pieces range from Bonnaroo-ready fringed boots to dead-stock shades from the likes of YSL, Dior and Gucci. Manek also carries jewellery from Brooklyn-based designer Jaclyn Mayer, whose Orly Genger line is gaining momentum thanks to its unique rope-dipped-in-resin pieces.

Below are our top picks from the shop.

1. The swimsuit. Perfectly on-trend, the photo-print swimsuits from Aussie line We Are Handsome will have you well kitted-out for the beach. We like the one-piece starring a leopard ($260).

2. The jeans. While Manek carries the well-loved J Brand, her other line sits at a lower price-point and won’t be spotted as frequently at Trinity Bellwoods. Based in L.A., but hailing from Denmark, land of the eternally stylish, SkarGorn denim has a subtle rocker feel and a wonderfully soft finish ($120).

3. The sequined dress. Don’t be deterred by the unfortunate brand name (G-lish). Designer Gabrielle Hoffman cut her teeth embellishing for Valentino, Roberto Cavalli and Escada before heading out on her own. Our pick is the Kelly green number, featuring a bold tribal-style pattern ($350).

4. The floral blazer. Everyone’s doing the jean, so why not switch it up and do the top? Manek’s vintage version is well-priced at $40.

5. The sheer dress. A cream-coloured vintage ribbon dress — sourced from L.A. — can be layered over a slip-dress for day, or, for those who dare, paired with some bold lingerie for a night on the town ($190).

6. The coat. We fell for a lemon-yellow topper from the ‘60s, featuring stunning pleats at the back and a V detail at the nape of the neck ($195).

Life of Manek, 1504 Dundas St. W., 647-347-2635

First Draught: local breweries commemorate the War of 1812 with some old-school beer

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For British soldiers stationed in Canada in the 19th century, money to buy a daily ration of beer was a designated part of their wages. This would have been, more or less, sufficient to buy six pints a day. To satisfy demand, breweries popped up to serve each garrison. Now, to celebrate the bicentennial of the War of 1812, two of Ontario’s craft breweries have created special offerings to replicate the beer of that era.

Black Creek Historical Brewery was the first to get on the LCBO’s shelves with the Rifleman’s Ration. This traditional brown ale mirrors the ingredients of the time by using only Ontario-grown malt and hops.

The brown ale pours very dark — almost black — in the glass. That colour association continues on the nose with an aroma of darkly-toasted bread that leads into a pleasant flavour of toffee and almost-burnt caramel. Like most dark British ales of the old school, malts dominate. Count on hops for only a tiny bit of bitter fortification.

Prince Edward County’s Barley Days Brewery will soon be joining the commemorative beer game with its Royal George Brown Ale. The bottle will feature a battle scene from the War of 1812 painted by Peter Rindlisbacher. The brewery’s web site announces that select LCBOs and pubs will be carrying this beer as of next week.

Downing six pints a day is probably not the best way to mark the anniversary, but a quiet word of thanks that we have an options other than American beer seems in order.

Black Creek Brewery’s Rifleman’s Ration Ale, $3.95. Available at the LCBO (#294272)

When David isn't busy drinking beer for his articles here, he writes about food and drink for Toronto's online publications including his own site, Food With Legs. For more of his thoughts on beer and life in general follow him on Twitter.

South of Temperance is getting evicted to make way for an office tower

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South of Temperance, the bustling Financial District resto-bar known for its vast patio and its popularity with the well-heeled Bay Street crowd, has been given the boot in order to make way for a new 980,000 square-foot office tower.

According to Tom Altosaar, a co-owner of the restaurant, the establishment has been given a notice to evict by the end of October. Still, he stresses that this isn't the end of the line for South of Temperance.

“We are looking to relocate the brand in the neighbourhood,” he says. “We are hoping to be able to move, with a very short hiatus.”

Although we’re glad to hear that South of Temperance won’t be gone for good, it’s still sad to be losing one of the Financial District’s best patios. Here’s hoping that South of Temperance’s new location will be as lucrative for dining and drinking al fresco, though come October, we suppose we might — reluctantly — be ready to head indoors anyway.

Grab of the Week: a sultry swimsuit from a local designer

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How many cool up-and-coming swimwear designers from Toronto can you name off the top of your head? We have trouble naming even one from Canada, let alone Toronto. It’s really not that surprising, considering we are best known for clothing lines geared for the chillier months. Still, it would be nice to be able to strip down to some Canuck beachwear sometimes, would it not?

Behold Miss Jackson, a swimwear line from 27-year-old Toronto native Lisa Jackson. With her super sexy designs, we have a feeling that poolside hangs will never be the same in this city.

To celebrate the launch of her first collection, titled Lovelorn Assassin, Miss Jackson is offering 20 per cent off the first 50 orders using the code LOVELORN20.

The presale starts on Friday — we advise clearing your schedule.

$181-236. Available at www.missjacksonswimwear.com

Grace Carroll is a Toronto-based freelance writer whose work has appeared in ELLE UK, ELLEcanada.com, Plaid magazine and FILLER magazine. Keep up with her daily blog at www.graciecarroll.com.

Morning Throwback: before fixies were all the rage, Torontonians rode high wheel bicycles

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Ah, the high wheel. A giant middle finger to all those losers who think extending the fork on a motorcycle is zany. Nah. Try riding a penny-farthing up a large hill, bro. Popping a wheelie will seem like child's play afterwards. Trust.

High wheel bike, 1930 (Toronto Archives: Fonds 1244, Item 1745)

A little Viagra with your farm-fresh vegetables, perhaps?

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Not many Torontonians realize that the waste they’ve flushed down their toilets will likely fertilize the sweet Ontario corn they’ll enjoy this summer, but the practice of using processed sewage sludge as manure is fairly common. However, recent changes surrounding the practice have prompted criticism from those who believe there is not enough research to show that the recycled waste matter is safe for use at all.

Chef and sustainable farming advocate Brad Long pointed out that, although using municipal sewage as farm manure may sound bad, he believes the appropriateness of sludge as fertilizer is ultimately a question of due diligence.

“As a chef, I want to know everything about my food: where it came from, who did what to it and why,” Long said. “So when it comes to this waste, I have to ask whether we know what chemicals are in it and what effects they’ll have down the line. I don’t like the idea of using it without proper testing.”

Sludge is the solid material left over in the municipal sewage treatment process. The application of sludge on Ontario farmlands has been widely practised since 1996 when the Great Lakes Water Quality Agreement required Ontario cities to improve the functioning of their sewage treatment plants, resulting in the production of far more sludge. At that point, the province recommended that the sludge, which is costly to dispose of, be recycled as fertilizer and offered to farmers at no cost. Today nearly two-thirds of the 300,000 tonnes of sewage sludge generated in Ontario is spread on farm fields.

For years, the Ontario Ministry of the Environment (MOE) oversaw the practice, handling sludge according to waste management policies, but beginning in 2011, the Ontario Ministry of Agriculture, Food and Rural Affairs (OMAFRA) took primary responsibility, and sludge is being handled as a nutrient under the Nutrient Management Act. Farmers and waste management companies therefore no longer require a certificate of approval.

As far as Maureen Reilly, of the group Sludge Watch, is concerned, this change is just one more problem among many when it comes to sludge use.

“It worries me because the Ministry of Agriculture doesn’t have any great familiarity with measuring groundwater contamination or toxins,” she said.

Since documentation of the sludge spreading is no longer in the public domain, Reilly said it is more difficult to monitor its use. She’s mainly concerned about the lack of research into the actual chemical composition of the sludge and its effects on human health.

“The government wants to manage sewage sludge just like they manage manure, making it seem like what’s pertinent about sludge is nutrients,” she said. “But nutrients are the least of my concerns.”

Critics such as Reilly and the David Suzuki Foundation are uneasy with the toxins in urban waste that wind up in sludge, including toxic metals, hormones, pharmaceuticals and bacteria-resistant pathogens. The MOE claims that pharmaceuticals and other chemicals are present in the sludge in trace amounts, and guidelines only require that it test for 11 metals, nutrients and E. coli.

“There are at least 25,000 chemicals in municipal waste that we don’t test for,” said Reilly. “Why would we deliberately put those toxins in our food while we also run campaigns to lower our body burden of toxins?”

Jonah Schein, Davenport member of provincial parliament and NDP environment critic, said due diligence has not been exercised. He claimed that proper oversight of the application of sludge is lacking. “The approach the government seems to be taking is deregulation at every level, and that’s alarming,” he said, adding that the question of how to safely dispose of sludge is unanswered.

“It may be a better option to put it in the landfill in the interim,” he said. “The people I speak to in my community know that food security and safety are key for the future of the province.”

Although OMAFRA insists that it imposes strict standards for sludge application based on the latest science, Reilly disagreed. “I’m concerned that with less and less regulation, industry will find it more lucrative to provide cheap waste disposal to cities, thereby shortchanging our food, our farms and our communities.”

A blond bombshell reborn

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Cynthia Dale is donning a blond Jean Harlow–style wig for her role as Broadway diva Dorothy Brock in the Stratford production of the musical 42nd Street.

Of course, there’s little chance audience members won’t know it’s Dale. As one of Canada’s most recognizable actresses, she’s a Stratford veteran known to many Canadians for her rich body of work on stage and TV.

Set in the great depression, 42nd Street is a tour de force of big tap-dancing numbers and show-stopping melodies, celebrating show business and show people.

“It’s a show about the love of performing, the importance of that and the magic of that,” Dale says. “Yes, it’s a business, but there is something magical about it.”

Back at the Stratford Shakespeare Festival for her 11th season, Dale plays a character who is a past-her-prime Broadway star who begrudgingly mentors a young up-and-comer. Dale says although her character is “no spring chicken,” she “has a lot of moxie,” which the actress, at 51, says she can relate to.

She says she feels lucky to be working with such a talented team at Stratford at this stage of her career: the first time she sang with the orchestra in rehearsals it brought her to tears.

“It was so overwhelming — the power of the music and being in the moment of the show and this musical at this time of my life … it was pure joy,” she says. “I feel it every time I hear the overture.”

Like her character, Dale has also been acting as a mentor to young actors at the festival.

“You pass [what you know] on and it’s important,” says Dale.

The actress says pursuing a career in show business isn’t an easy decision to rationalize.

“It’s not a logical career choice. It’s from your gut and your heart and your soul,” she says. “You wouldn’t do it if you considered it with your head.”

Dale says her advice to young upstarts is to get a business degree.

“It’s important to know how you approach yourself as a business and market yourself and what you should expect as a performer.

“It will inform you as a human being and not just as an actor,” she adds.

Dale herself took a much different path to success, landing her first gig at the age of five. When Dale was enrolled in dance classes, her teacher knew the choreographer at the Royal Alexandra Theatre where they needed children to perform in summer stock. Dale spent the summer performing in the musical Finian’s Rainbow. She continued to find work in commercials and CBC shows and says she did it “because it was fun” but eventually took performing more seriously.

“It’s not a logical career choice. It’s from your gut and your heart and your soul.”

Born in Toronto, Dale grew up in Etobicoke with two older sisters (one sister is actress Jennifer Dale) and a younger brother. Although her parents didn’t work in the theatre, Dale says her mother took her to musicals and plays, and her father always remained silently supportive of her career. Dale took singing and dance lessons outside of school and remained committed to finding theatrical gigs, balancing her studies with what work she could find. In her final two years of high school, Dale attended summer school at the Banff School of Fine Arts. Growing up she says she also educated herself by watching every great classic MGM musical on TV.

“I watched Fred Astaire, Ginger Rogers, Barbra Streisand — I saw them all,” she says.

As a young actress in Toronto in the early 1980s, Dale says she found work in dinner theatre, cabarets and regional theatre.

She appeared in the Canadian slasher film My Bloody Valentine (1981) and in the off-Broadway murder mystery Tamara.

Dale is best known to many Canadians for her role in the popular Canadian TV series Street Legal, where she played the sultry, aggressive lawyer Olivia Novak for seven seasons.

“She was delicious,” Dale says about her character. “I was blissfully happy.”

The actress’s Street Legal co-star C. David Johnson, who played the reckless criminal lawyer Chuck Tchobanian on the series, also appears in 42nd Street.

Having performed in many shows at Stratford, Dale has played lead roles in such major productions as Maggie in Cat on a Hot Tin Roof, Maria in The Sound of Music and Eliza in My Fair Lady.

Dale credits her career longevity to hard work but especially to some good luck.

“I’m really lucky and I know it and I don’t take anything for granted,” she says.

Having worked in television, theatre and film, Dale says she doesn’t have a preference for the stage or screen but rather chooses her roles depending on what interests her.

“It’s all about the part,” she says.

Out of the many roles she has played, Dale says Maggie in Tennessee Williams’s Cat on a Hot Tin Roof stands out to her as a highlight, mainly because it’s one of the biggest roles any female actor could play.

“She doesn’t shut up,” Dale says with a smile.

There were also moments in My Fair Lady, playing Eliza Doolittle, that Dale says she greatly enjoyed since it was a show directed by the late Richard Monette (the festival’s artistic director from 1994 to 2008) during Stratford’s 50th season.

“[The experience] was tinged with gold because it was a special time,” Dale says.

The most important role of her life, Dale says, has not been in the public eye but rather in her personal life as the mother of her 12-year-old son with Peter Mansbridge, her husband and CBC news anchor.

“I couldn’t imagine not doing what I do, but it pales in comparison to being a mother,” she says.

When it comes to what she wants for herself in the future, Dale says her “bucket list” is driven more by emotions than goals.

“The older you get the more focused you become on being with your kid or having conversations with your kid — things like that become far more important,” she says.

“In my next life I want 10 kids — it’s my favourite role in the world.”