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Wrestling his way to the podium

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The space where Olympian Khetag Pliev trains in Toronto is as unique as his journey to London. Tucked away at the back of the City Adult Learning Centre at Broadview and Danforth, his gym is a former swimming pool, and when it’s time to train, a gaggle of wrestlers lines up under the wall mosaic announcing “Shallow End” to unroll the mat across to the “Deep End.” These haphazard facilities obviously didn’t hamper Pliev’s performance, though. Team Impact, the not-for-profit wrestling club with which he’s been training since 2005, offers him exactly what he needed to make it to the Games this summer. “So long as there are wrestlers and coaches and I can just step on the mat, I’m happy,” says the stocky 28-year-old.

Pliev has his priorities straight, but this perspective has been hard earned: his 22-year wrestling career has not been without hurdles. Born in the Russian Republic of North Ossetia, Pliev’s sport was practically a birthright. “The way we think of wrestling in Ossetia is the way Canadians think of hockey,” he explains, “so if you have a son, it’s almost certain that you are going to send him to wrestle.” (He adds that back home women’s wrestling is still relatively uncommon.) Pliev developed an immediate affinity for the sport, and when his family moved to the United States in 1997, there was no doubt that he would continue training.

Wrestling eased Pliev’s transition to life in the United States. Speaking no English and immersed in the strangeness of American high school culture, he still had his identity as a wrestler to ground him. “Often if you’re an immigrant people pick on you, but never in my case.” Nonetheless, it took two years for him to really feel comfortable in his new North American life. In that time, the nurturing athletic atmosphere in the United States led him to wrestling success. He racked up win after win, including the high school senior nationals and two Ohio state championships.

Yet despite scholarship offers to the best schools in the country, Pliev’s marks dictated that he’d have to attend a junior college. “The plan was to hopefully raise my grades so that I could get into Ohio State University,” he says. Unfortunately, plan or no plan, a bigger roadblock presented itself: since he was not a United States citizen, he had to return to Russia to get his American student visa. And there, his every effort to get his papers proved futile. Pliev got stuck in Russia for three years, unable to return to his family or college. In the post-9/11 climate, even the college coach’s visit to the United States embassy in Moscow was useless.

“I want to do my best to represent this country.”

In limbo, Pliev’s frustration mounted and his wrestling suffered. Living with his extended family in Ossetia, he continued to compete, but his results were dissatisfying. “My best result in three years in Russia was a bronze medal at the 2003 Russian Junior Nationals,” Pliev points out unhappily. “I wasn’t completely there, and wasn't completely in the U.S. I kept travelling to Moscow to get a visa, so I was never just focused on training.” With that much disruption in his life, Pliev  developed some vices to help him cope. “I started smoking and drinking, I think because I was not stable — I was always on the go but really not going anywhere.”

Not going anywhere, that is, until an opportunity for a trip to Vancouver presented itself. Pliev opted to join a Russian team travelling to Canada to compete, with the ulterior motive of crossing the border to see his family. When it became clear that he was actually no closer to getting into the United States, Pliev, then in Toronto, considered returning to Russia, but a close family friend intervened. “Ruslan Kouchiev, who is also a well-known member of the Toronto Ossetian community, convinced me to stay for a year and went through everything with me,” Pliev says.

The year became seven years after Kouchiev directed Pliev to Team Impact, which has been the mainstay of the young wrestler’s accomplishments ever since. With the club, Pliev (now a Canadian citizen) earned the title of 2008 Canadian National Champion, and his coaches have been there for some necessary off-the-mat mentoring, too. The same year he became number one in Canada, Pliev’s private life was in turmoil.

After a two-month trip to visit his family in Cincinnati, he returned to find that, through a misunderstanding, his roommate had given away his room. The champion wrestler wound up sleeping (and smoking and drinking) on a park bench, lacking the motivation and the funds to find another solution. “Even though I was the Canadian champion, I wasn’t happy with myself. I felt personal disappointment at not being where I wanted to be,” Pliev explains. “All my life my dream has been to be an Olympic champion, and it was a lot of pressure.”

He had always kept his relationships with his coaches strictly business, but eventually Pliev’s predicament pushed him to speak with Team Impact’s Kimin Kim. The coach’s response was an offer of room and board in the Kim family home. “I lived with him for two years and never paid rent, never paid for food, nothing,” says Pliev appreciatively. (Kim’s take on this is “What’s another plate on the table?”) With his basic needs covered, Pliev began reading the Bible and taking religion more seriously. Soon, with a newfound dedication to his faith and the consistent encouragement of his coach, he regained the motivation to get to the next level in his sport.

This past March, Pliev came in second at the Pan American championships in Florida, qualifying him for that sought-after spot on Canada’s Olympic team. His aspirations for London are twofold: “I want to do my best to represent this country,” Pliev says, “and ever since I started with Team Impact, my desire has been to raise the overall profile of wrestling in Canada.” With his ability to tackle all obstacles in his path, and the Olympics as his arena, Pliev is well on his way to accomplishing both goals.
Watch Pliev at the men’s 96kg freestyle events on Aug. 12 at 8:30 a.m. GMT.

New condo an example of planning process pitfalls

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Did you hear about the development application that the city planners and council turned down because it didn’t meet the city plan?

No, I didn’t think you did. In Toronto, planning doesn’t work that way. Instead, the usual procedure is hardly different from what’s happening at the southeast corner of Bathurst and St. Clair, to use one example. There a developer opened an office in January and started selling condos for a 25-storey tower he wants to build.

Responding to neighbourhood concerns, the councillor called a community meeting a few months later where the developer reported he had sold most of the 324 units. The city planner said she’d been considering an even higher building on the site for the last two years. Her report said the city’s official plan designated the area as a mixed-use, mid-rise area where a building could be no more than 30 metres high or about 10 storeys.

Many at the meeting were pleased to learn that the city would not permit anything more than 10 storeys. A few said they welcomed the condo project since it would allow them to buy into an area they couldn’t otherwise afford. Some said that since other buildings in the block were two, three and four storeys, even a 10-storey building would be too much. The developer said that since there was a 22-storey building on the northwest corner and a building only slightly smaller under construction beside it, he thought 28 storeys made sense.

The planner thanked everyone for their opinions and said she’d report to city council.

But she didn’t report.

“It felt like people were being tricked.”

Instead, she and the councillor called another community meeting  in June to talk about the need to do a study of the block on which the development was proposed and the park across the street. What should happen in this quadrant, the councillor and planner asked? Studies had been done on other parts of St. Clair — those studies allowed very high buildings to the west of Bathurst. A similar study was needed here, they said. People were asked to suggest the improvements that should be made in Hillcrest Park, although residents were warned there was no money in the budget for this. It felt like people were being tricked.

Many residents asked if it was true that the developer had bought more properties on the block and might buy out a small apartment building beside his proposed tower and move the residents — it is occupied by individuals who require social supports — into a better facility. There were no answers. The meeting became very contentious since many residents believed the rationale for the study was to change the city’s plan so the developer was not constrained by the 10-storey height limit.

That’s where the matter stands. It seems the city is looking for the rationale to change the plan so the developer gets what he has asked for.

Many hints have been made that, if the developer can get approval for 28 storeys, then the city can negotiate for money under Section 37 of the Planning Act. For the 22-storey building on the northwest corner, negotiations swept aside the 10-storey limit and produced $1 million, which helped renovate the Artscape Wychwood Barns — a two-storey community facility a few blocks away. The Artscape Barns is a great success, but some residents are unwilling to sell their soul to do something like that again.

Yet it looks like that’s what is happening. Planning in this city seems to be about finding a way to loosen the agreed-upon land-use constraints so developers can have their way. It should be about creating a plan that will make a vibrant city and provide predictability for developers and for the community. Look in any corner of the city and it’s abundantly clear city council doesn’t agree with planning for the future. It only wants to accommodate developers.

Couldn’t we stop this short-sightedness for a minute and focus on strong plans for neighbourhoods?

Post City Magazines’ columnist John Sewell is a former mayor of Toronto and the author of a number of urban planning books, including The Shape of Suburbs.

Morning Throwback: these Toronto swimmers from the ’30s would have totally owned Phelps

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If these competitive swimmers were around today, we think their gossiping session would go something like this: “I’m totally team Phelps.” “No way. Ryan Lochte’s the one for me.” “I’m soooo glad we get CTV’s coverage of the Olympics rather than NBC’s.” “Totally. Brian Williams’ voice is like white chocolate on Melba toast.” “OMG. For real. I wish he could tell me bedtime stories every night.” “Aw.”

Soop Soop launches as Toronto’s latest source for online vintage fashion

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For people who love shopping on a budget, there are two important areas to master: vintage and online. The savviest shoppers know exactly which vintage stores will carry the best of which era and which designer, and also know which websites carry hard-to-find collaborations and indie collections. Now, Soop Soop, a new Toronto-based online store, does the work for the rest of us by bringing the best vintage finds to the Internet.

Taking away the oft unpleasant, oft time-consuming aspects of vintage shopping (the damp scent, the overwhelming volume), Soop Soop curates clothing and accessories for men and women (and many of the pieces can be worn by either sex). It also transforms old, stained or ripped clothes into contemporary, even trendy, pieces that feel new, and it also uses recycled packaging for its shipping.

“Reformed is our term for up-cycling,” the websitesite says. “We re-use whatever we can find to create one of a kind, sustainable clothing that you actually want to wear.”

The catalogue is packed with denim shirts, camo, cut-offs, nubby sweaters and other super-stylish finds — no flea market pick-through required. We have our eye on a unisex Swedish bush jacket that would be perfect for fall.

This is what happens when Yelp reviews get some dramatic treatment

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Toronto loves Yelp reviews. But sometimes they’re, well, lacking something. Is it coherence? Is it credibility? Is it proper grammar? No, the missing link we’re thinking of is emphatic passion, the kind that can only be imbued by a skilled orator. Like an actor, maybe.

This new series of web videos proves the obvious: when a punchy Yelp review is combined with some plain old vocal expressiveness, you get a criticism that cuts, and cuts deep. The deadly combo (Yelp reviewer plus actor) probably spells certain doom for that antiquated media entity known as the “food critic.”

Also: these videos are hilarious.

[h/t The Atlantic]

Trending in Theatre This Week: the best of this year’s Shaw Festival

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His Girl Friday

Fans of the classic screwball comedy will love this adaptation of the Cary GrantRosalind Russell film about a newspaper editor who lures back his ace reporter (and former lover) with the top story of the year. 
Shaw Festival Theatre, 10 Queen’s Parade. Now – Oct. 5


Trouble in Tahiti

This Leonard Bernstein musical look at the ’50s American Dream takes place in the day of the life of Sam and Dinah, a seemingly perfect couple on the outside, but who secretly yearn for more. The jazzy music should liven the plot up a bit, at least.
Court House Theatre, 26 Queen St. Now – Oct. 7


Ragtime

Glowingly reviewed by our theatre critic, this sweeping musical (based on the novel by E.L. Doctorow) takes a look at three diverse groups in the United States in the early 20th century: African-Americans; upper-class suburbanites; and Eastern European immigrants, all set to the rhythm of ragtime.
Shaw Festival Theatre, 10 Queen’s Parade. Now – Oct. 14


Come Back, Little Sheba

In the play that launched William Inge’s playwriting career, another troubled couple — Lola and Doc —  aren’t really happy with the life they have. Doc’s a recovering alcoholic; Lola has never gotten over her heyday as the ‘it’ girl in high school. Both have their world turned upside down when they take in a young boarder named Marie.
Royal George Theatre, 85 Queen St. Now – Oct. 19


Present Laughter

Noël Coward takes a page out of his own life with this witty farce about a successful and self-obsessed comedy actor, Gary Essendine, as he prepares for a tour in Africa. But first, he must contend with a gaggle of women and his impending 40th birthday. Poor guy.
Shaw Festival Theatre, 10 Queen’s Parade. Now – Oct. 28

All tickets can be purchased via the Shaw Festival's website, or by calling 1-800-511-SHAW

Toronto Style Radar: Lavish & Squalor, Haut Appétit, Worn Fashion Journal, Dalston Grey + Fitzroy Boutique, Guilt City

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Every week, we round up the best events from the city’s fashion scene. In this edition: summer clearance sales, sweet treats and fashion join forces, karaoke for a cause and an awesome group art show.


Clearance Sale at Lavish & Squalor

Where: Lavish & Squalor, 253 Queen St. W.
When: on now
Details: summer stock at Lavish & Squalor is now on sale at 30 to 50 per cent off. Items include sunglasses, swimwear and clothing for men and women from brands such as Levis, Muttonhead & Co., Ksubi, Karen Walker and more. Don’t forget to try an Iced Cuban from the second floor espresso bar.


Apres Work hosted by Haut Appétit

Where: Thompson Hotel rooftop lounge, 550 Wellington St. W.
When: Tuesday, July 31, 7 p.m. – 2 a.m.
Details: if you love sweet treats and fashion shows, you won’t want to miss this event. The Haut Appétit blog is hosting it at the Thompson rooftop lounge tonight, featuring an intimate fashion show and desserts for all to enjoy.


Worn Fashion Journal presents Heartbreak Karaoke: Summer Fling Edition

Where: Supermarket, 268 Augusta Ave.
When: Tuesday July 31, 9 p.m. – 2 a.m.
Details: indie fashion journal Worn invites you to sing your heart out (and cry your eyes out) to some sad karaoke songs this Tuesday night. Why? To raise money for office rent, and it can’t happen without your help.


Wet Hot American Summer Sale Party

Where: Dalston Grey, 1317 Dundas St. W.
When: Wednesday Aug. 1, 7 p.m. – 11 p.m.
Details: two great Toronto shops are better than one. Downtown favourites Fitzroy Boutique and Dalston Grey have teamed up to have one big party so you can “shop twice the sales, and have twice the fun!” Their summer stock is up to 50 per cent off.


Guilt City – A Group Art Show

Where: 627 Queen West, 627 Queen St. W.
When: Monday Aug. 9, 7 p.m. – 12 a.m.
Details: a group of 20 emerging artists from Toronto have come together and each created a piece to give a unique perspective on indulgence, and the sacrifices made to satisfy desires.

Gracie Carroll is a Toronto-based freelance writer whose work has appeared in ELLE UK, ELLEcanada.com, Plaid magazine and FILLER magazine. Keep up with her daily blog at www.graciecarroll.com.

Morning Throwback: these Toronto women were way more high-maintenance than hipster chicks

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These days, women are so predictable with their natural makeup, bedhead and casual clothes. Why is it so hard to find dames like these ones, who spent hours perfecting their maquillage and squeezing into corsets? You know, the way God intended women to be.

Fitzroy Boutique launches a new online store

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Fitzroy Boutique, with its lion's share of exclusive, hard-to-find international labels, has been beloved by savvy fashionistas since it first launched as a pop-up back in the fall of 2011. But even with its recent move to a permanent location (nestled at the back of the eclectic BYOB Cocktail Emporium), Fitzroy Boutique remains something of a hidden gem, reserved for those in the know or for lucky window-shoppers who happen to stumble upon its treasures.

But exclusivity be damned: recently, Fitzroy has become a little more accessible to the masses with the launch of a new online boutique. Here you'll find find some well-priced picks (nothing over $200!), which are sourced from designers like Brandy Melville (coming soon to T-dot), Ladakh, Whitney Eve and Show Me Your Mumu. As an added bonus, free shipping is offered on all Canadian orders.

Keep an eye out for more Fitzroy developments with the Wet Hot American Summer Sale Party on Aug. 1, held in collaboration with fellow hipster-haven and vintage retailer Dalston Grey on Dundas West.

Looks like Fitzroy has truly popped up for good in Toronto — let the retail therapy begin.

[h/t National Post]

Theatre Review: the Shaw Festival’s Ragtime

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Musicals are an acquired taste; we all know that. The ones that ancient people like myself (I’m now in my late 60s) saw and loved — usually on Broadway, but often listened to on 33-rpm records — became as much a part of our lives in the ’50s as the early sounds of Jerry Lee Lewis, Elvis Presley and The Supremes.

But as one grows older, as the Book of Corinthians so beautifully declares, one tends “to put away childish things,” and so many of those musicals of the mid-century seem dated and shallow now, if still lovely.

Then, along came Ragtime in the mid-’90s, based on an exquisite, profound and daring novel by the superlative American novelist E.L. Doctorow. With its magnificent script by Terrence McNally, striking lyrics by Lynn Ahrens and astonishingly memorable music by Stephen Flaherty, Ragtime raised the historical and intellectual level of musicals to new heights.

The history of the production of Ragtime is fascinating, and it has deep Canadian roots (Garth Drabinsky, of the now-bankrupt Livent production company, was the main force behind the musical, which was developed and molded in Toronto, then taken to Broadway, where it won several much-deserved Tony Awards before vanishing too soon).

Kudos must go to the Shaw Festival and its gifted Artistic Director, Jackie Maxwell — who also directs the present production of the musical — because this version of Ragtime is, in several surprising ways, more successful than its earlier Toronto and New York incarnations.

I lack the space here to rave sufficiently about Ragtime and the intricate, clever ways it brings together real characters (Booker T. Washington, Emma Goldman, Henry Ford) and real events and ties them all together in an exquisite musical ribbon of ragtime.

I have seen this show a half-dozen times, and loved it deeply, becoming obsessed with it; and I must state flatly here that there has never been a better Tateh than Jay Turvey, long one of my favourite actors and singers at the Shaw.

No, it’s not perfect: in the original production, when a group of white racists smashes the car of “an uppity Negro,” hero Coalhouse Walker, Jr. (played here by the wonderful Thom Allison) the car is quite literally smashed and nearly destroyed; it is heartbreaking, and symbolic of how African Americans would be treated for over half of the 20th century. Here, the car is treated like giant Lego, and delicately taken apart — a big mistake. But this is truly one of the great musicals of the last century, right up there with Stephen Sondheim’s Company, Into the Woods, Follies and Sweeney Todd.

I beg you: see Ragtime at the Shaw Festival. It is worth its own 90-minute drive from Toronto. You’ve got until Oct. 14, and I promise you, you’ll thank me. Of course, Niagara-on-the-Lake, being one of the prettiest towns in Canada, is a nice piece of fudge on top. Please go.

Ragtime, Shaw Festival Theatre. Runs until Oct. 14

Allan Gould is Post City Magazines’ theatre critic. He has a Ph.D. in English and theatre from York University and has written over 40 books. His writing has appeared in Toronto Life, Chatelaine, en Route, Canadian Business, Good Times and the Financial Post. He is married, with two children. Aside from his family, his major passions are theatre and film, because they enrich life with pleasure and meaning.

For one glorious day this summer, Geoff Hopgood is doing brunch again

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The Hoof Café used to serve up one of the most decadent and innovative brunches in town before it shuttered in 2011. From a “breakfast-appropriate” charcuterie platter to bone marrow beignets to French toast covered in foie gras, The Hoof Café, courtesy of East coast wonder-chef Geoff Hopgood, was a premier destination for nose-to-tail breakfast.

After The Hoof Café closed to make way for the never-to-appear Black Hoof and Company (it became Cocktail Bar instead) and Hopgood departed to start his own restaurant — the much beloved but sadly brunch-free Hopgood’s Foodliner — it looked like Hoof alumnus were definitively saying goodbye to brunch.

Well, good news for early-risers: for one day only, Hopgood’s Foodliner will be serving up a brunch extravaganza from 11 a.m. to 3 p.m. on Aug. 12.

Hopgood tells us that the brunch will be reminiscent of The Hoof Café’s brunch, with items like foie gras and smoked pig tail croquettes likely to appear on the carnivorous side of the menu. But the new brunch will also stay true to Foodliner’s East-Coast-inspired menu: expect to see seafood such as shellfish, oysters, lobsters and crab.

While brunch fanatics may be crossing their fingers for a weekly event, Hopgood explains that his eponymous Foodliner will retain its focus as a dinner-centric establishment, with the possibility of brunch now and again.

“What I would like to see happen is an annual or bi-annual type of brunch that we make very, very special,” Hopgood says.

He still hasn’t decided on the reservation procedure — knowing the modus operandi of many of the Hoof alums, it’ll be a first come, first-wait-for-three-hours system — but it’s safe to say it won’t be easy getting a table.

Hopgood’s Foodliner, 325 Roncesvalles Ave., 416-533-2723

[h/t Toronto Life]

Meet a Comedian: Ron Sparks

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Ron Sparks is a comedic jack of all trades: stand-up, improv, sketch comedy — he’s done it all, and in a relatively short time span. Since bursting onto the comedy scene in 2003, Sparks has racked up a number of awards, including eight Canadian Comedy Awards, and is a common fixture on The Comedy Network. Once voted “North America’s Sexiest Comedian,” Sparks is obviously the total jocular package.

We chatted with Sparks about MuchMusic’s Video on Tria, being a fishmonger and why he keeps on getting nominated at the Canadian Comedy Awards.

What’s the first joke you remember being told to you?
“Knock knock?”
“Who’s there?”
“Poop!”

Were you the class clown growing up?
Definitely. My teachers still won’t speak to me.

How did you get into comedy? Was it always something you wanted to pursue?
I always knew I wanted to. I enjoyed improv in high school and got involved in the Vanier Improv Company at York University. From there I got into sketch with [the troupe] Gazebo Pals and The Minnesota Wrecking Crew, then finally tried stand-up.

What was your first-ever stand up gig? Where was it? How did it go?
The Rivoli. From doing sketch, Nug [Comedian Mike Nahrgang] suggested me to Zoe Randall, to take over the doorman gig at the ALTdot Comedy Lounge. [It was for] $20 a week and a free meal, and I got to see and meet literally thousands of great comics over the years I spent there. Anyway, they thought I was funny and eventually talked me into trying stand-up. I was terrified, but luckily it went well because I knew I wanted to do it.

What was the oddest job you’ve ever held?
Fishmonger at Loblaws. When I started doing stand-up, I quit and dove right in. Luckily I got nominated for the Tim Sims [Encouragement Fund award] so quickly, because I didn’t want to end up saying: "I should have kept that job giving people fish.”

What was your "big break?"
The Tim Sims Award.

You did MuchMusic’s Video on Trial for a while. How was that experience?
To be honest, I’ve never really watched the show. I would ask my agent to get copies, and he did, and I like knowing they’re there, but I’ve only watched maybe three episodes, including the Stars on Trial special. I like the show though, and obviously it hit with fans.

You’re performing with Shoeless, the sketch group. Which do you prefer — sketch comedy or stand-up comedy?
I’ve started doing a bit of improv again too. Starting in improv helped because you’re better able to deal with hecklers or any unforeseen problems that happen on stage. They’re all different animals. With sketch, you work with friends, support each other, present what you think is funny. With stand-up, you’re on your own, but you obviously don’t have to juggle schedules to rehearse. I think I still love stand-up the most, but I wouldn’t want to stop doing any of them. They’re all fun in their own different ways.

You’re nominated again for a Canadian Comedy Award. Why do you think they keep nominating you?
Because I keep submitting 2000 packages a year? Seriously, though, anyone in comedy can submit to the awards, it only costs $35, and you never know what might happen. Being nominated for Best Male Stand-up is a dream! I don’t think I have much chance but I’ve been reminding people to vote and have my fingers crossed. If not this year, hopefully, I’ll win down the road.

What’s your favourite funny movie?
The list would be too long to even know where to begin. I love Steve Martin’s old movies and the Monty Python films. I was just discussing "underappreciated" comedies with a friend — if you haven’t seen Quick Change or Short Time, check them out!

Who or what makes you laugh the most?
I can’t categorize it. The thing about those big belly laughs that make your sides hurt is you don’t expect them. Boyd Banks is a comics’ comic who always seems to get me. Mike Wilmot, Derek Edwards, Brent Butt, hundreds of other comics can get me. Troupes like The Imponderables, Picnicface, many more. But on the other hand it might just be something simple, like watching a drunk man roll down the up escalator at St. Clair West station.

If you could have a drink with any comedian, who would that be and what would you want to ask them?
I’d probably pick one of the dead ones because I’m a comedian at heart, and that would be the funniest. And I’d just keep asking them, “Why won’t you answer me?!” until the police came.

What’s next on the horizon?
Hoping to pick up a full time writing gig. Until then, just doing whatever gigs come my way. I’m surprisingly easy going, Brianne.


The details

Year started in stand-up: 2003
Influences: My dad’s record collection (Bob Newhart, Bill Cosby, Steve Martin and a few others) when I was a kid. Also, guys I loved growing up, like Chris Elliott.
Next Show: Black Swan Tavern, 154 Danforth Ave., Aug. 1