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Smoothie operator: a profile of Toronto-born celeb trainer Harley Pasternak

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If you’re one of the two-thirds of Canadians who have tried to lose weight, chances are you’ve come across the work of Harley Pasternak. Toronto-born Pasternak is basically a one-man health industry. He’s a personal trainer, a fitness writer and has his own line of running shoes, fitness-focused video games and snack bars. And when celebs want someone to bust their gut, Pasternak is often the guy they call.

And yet, his health plans are simple enough for anyone to follow. Pasternak has just released a new weight-loss book, The Body Reset Diet, and the good news for anyone looking to shed a few pounds is that he wants you to quit the gym and drink smoothies all day.

Pasternak’s 15-day program calls for followers to replace all their meals for one week with smoothies selected from a list of Pasternak-approved recipes. A crunchy snack or two each day is allowed — presumably so you don’t forget how to chew. Gradually, healthy solid meals are reintroduced over the course of about 10 days.

Pasternak claims his plan has “transformed much of Hollywood,” and he liberally fires off names of his celebrity clients, including Kim Kardashian, Megan Fox and Amanda Seyfried, to prove it. Not that you’d think FHM’s and Maxim’s darling Megan Fox would ever need to, but Pasternak says women can shed up to eight pounds with his simple 15-day plan.

He also calls for you to ditch your gym pass, well, temporarily at least, claiming that overdoing it with the exercise is one of the most common blunders made by people trying to lose weight. “I don’t want you to increase your appetite,” he says, “and that’s what a lot of people do when they overexercise, when they go to spin classes and boot camps.” Instead, the fitness guru says you should invest in some running shoes and either buy a pedometer or get really, really good at counting, because he thinks you should be doing at least 10,000 steps a day. (That’s about 7.5 kilometres or 550 round trips from the sofa to the fridge, depending on your preferred unit of measurement.)

“Don’t worry about kicking your butt. You don’t have to climb mountains.”

According to Pasternak, walking and doing some quick fitness circuits burns calories without making you so starving you’re tempted to add a hamburger chaser to your smoothie.

“Don’t worry about kicking your butt. You don’t have to climb mountains, you don’t have to be crazy,” says Pasternak. “Just move and focus on getting the steps you need to get done in the day. Incorporate movement into your daily routine.”

Pasternak speaks about fitness with a seriousness that sits slightly at odds with the slew of celeb names with which he peppers his sentences. (John Mayer performed at his wedding, and Kanye West flew from London for the event.) Perhaps that’s a hold-over from his days in the Department of National Defence, where he worked on nutrition for the military.

Despite having a roster of clients that looks like the invite list to the Oscars, Pasternak says he sort of fell into personal training. Though he loved playing hockey as a kid growing up in York Mills, Pasternak’s first aim in life was to be a doctor. But since he wasn’t too fond of blood and gore, he segued into nutritional science instead. He studied at U of T and York, among others, and started a personal training business in his spare time while working for the government.

Pasternak first started to rub well-toned shoulders with celebs while doing personal training for film studios in Toronto, Montreal and Vancouver. He set up a mobile gym in an 18-wheel truck that could be parked at film locations for actors to work up a sweat between takes.

His move to L.A. happened 11 years ago, after working with Halle Berry while she was filming Gothika in Montreal. “She asked me to come to L.A. with her to get her ready for Catwoman,” he says, “and at that point, Milla Jovovich asked me to help her get ready for Resident Evil, and then Orlando Bloom for his film, and it grew and grew from there.”

Pasternak says he has been using his smoothie diet plan with his celeb clients for a long time, as they often have to get in shape fast for a role or a tour. But, other than the trail of paparazzi snapping pics of their sweat stains, celebs are pretty much the same as regular joes, Pasternak says, when it comes to working out.

“The only difference is the type of motivation,” he says. “You’re the one who has to not eat that bad food. You’re the one who has to burn those calories. But being in the public eye, [celebrities] have more motivation because they’re scrutinized every moment of the day.”

And to prove their non-diva status, Pasternak makes celebs come to him — he doesn’t do house calls. “I find that, if you’re going to someone who’s rich and famous and powerful and you’re going to their home on their schedule and their environment, you’re in their world. I say, if you want to work with me, you have to come to my studio. If they say yes to that, then I know this person is really dedicated, this person really does want to succeed.”

He adds, “Everyone’s the same in my eyes. There’s no celebrity, no fame, no wealth in that world.”

Harley’s tips for getting to 10K

OK, so it’s like minus 15 out there and you have to mountaineer over a mound of ice just to get to your car. But there are still ways to rack up your 10,000 steps. Pasternak says the best way to hit 10K a day is to make walking part of your everyday life. “Walk to get to a functional destination,” he says. “Take stairs instead of elevators. Skip the drive-through Timmy’s and walk to your nearest coffee shop instead, or arrange lunch meetings within walking distance.”

Because pedometers are blind to your destination, shopping trips count, too. So an afternoon spent flitting between stores on Yonge Street or in Yorkville can now be guiltlessly redefined as “hitting the gym.” (Carrying those heavy shopping bags is sure to tone your arms as well, right?)

And, once winter’s done and you peel off the Canada Goose jacket you’ve been living in for the last four months, you can follow your feet pretty much anywhere in the GTA.

“There are walks all around Toronto. It’s littered with incredible walks,” says Pasternak. He recommends the Beltline and Harbourfront as good places to start. Or, you know, there’s always Yorkdale Mall and Bayview Village until the frost melts.…

Fittingly, Kensington Brewing Company chooses Kensington Market as the site of its upcoming brewery

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Kensington Brewing Company draws its name from Kensington Market, but the small craft brewer has never had an official brewing space within that neighbourhood. That’s about to change, because owner Brock Shepherd has secured a location at 299 Augusta Avenue for a brewery, retail space and bar.

Construction starts next month, and if all goes well, the brewery will open its doors to the public by winter of this year. KBCo has also hired a brewmaster, Dave Lee, who graduated from the Siebel Institute of Technology — the oldest brewing school in the U.S. — and who also has experience working at Mill Street Brewery.  

KBCo’s current beers — the Augusta Ale, the FishEYE-PA and a soon-to-be-released watermelon wheat beer — likely won’t be brewed on-site (they are currently brewed at Wellington Brewery in Guelph), but they will be available for sale at the new brewery. 

“The Augusta location is really for experimentation,” says KBCo’s Michael Gurr. “We’ll be constantly trying to create different beers and focus on new and innovative things all the time. The three big brands will still be brewed at Wellington.”

The venue will also provide beer on tap and beer for retail purchase, and there are also plans to provide food sourced from local vendors, but the first priority will be to brew beer.

Concert Review: Pink at the Air Canada Centre

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As a live performer, Pink wants it all. She wants to offer up an emotionally powerful show while also putting forth a mesmerizing spectacle that’s high on entertainment and fun. I was among those who thought the two realms of musical performance were, by and large, mutually exclusive — but that was before bearing witness to her stunning yet deeply personal tour de force on Monday night at the ACC.

Kicking off the night, show-openers The Hives might have been an ill-fitting choice to set the stage for Pink, but they offered their own entertainment value. Set against a backdrop of a maniacal puppeteer who looked as though he was controlling the band, they delivered 45 minutes worth of memorable quirk (and some terrible vocals, but I digress).

After a rather campy opening skit, Pink got right down to the business of having fun. An energetic opening rendition of “Raise Your Glass” involved her much-talked-about high-wire acrobatics, which she genuinely appeared to enjoy. You could also see the effect of all that bungee-ing with her awfully impressive six-pack (not bad for a mom!), as displayed through her many revealing outfits.

The spectacle took an intense turn during “Try,” with Pink and a male dancer depicting a roller-coaster relationship in a way that was as raw as it was physical and sexual. Seeing “Sober” performed inside a metal structure extended the fascinating duality of a stage show that was both showy and somber.

Of course, there was room for some pure fun, too. The lasting visual in an evening full of them was Pink soaring above the crowd in a harness while belting out “So What” during the encore. That she was able to hold notes while performing airborne front flips towards the back of the ACC was a feat unto itself.

On the mic, the artist alternately known as Alecia Moore was refreshingly real and down to earth. She lead into “Leave Me Alone” by acknowledging, “This song is my chance to dance like a dork for four minutes.” Her off-the-cuff banter with fans had the sound and feel of old friends chatting. During an initial farewell (but before the two-song encore), you truly believed her when she told the crowd, “Thank you for being awesome,” regardless of how many other shows she’s offered the same sentiment.

When the night ended with an intimate, personal video package that included behind-the-scenes footage of Pink with both her work family and her real family (her husband Carey Hart made an appearance, but it was daughter Willow who unsurprisingly stole the show), you got the distinct feeling of witnessing the day-to-day life of someone you’d like to hang out with.

This Week In Sound: Record Store Day 2013, Gold & Youth, Young Galaxy, Royal Canoe

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Every Monday, we round up the most exciting music news happening in Toronto. In this edition: Record Store Day 2013, new tracks for Gold & Youth and Young Galaxy, a new album for Royal Canoe and the premiere of a documentary that follows the Toronto music scene.

There’s another reason to celebrate April 20, and it’s Record Store Day. Every year, on the third Saturday of April, a slew of new releases is dropped at independent retailers, and this year is no exception. While the full list of releases has yet to be revealed, we’re drooling with anticipation at what’s currently on the table: music from Austra, Neil Young, a Black Keys and Iggy Pop 7-inch, Calexico, Nick Cave and The Bad Seeds, R. Kelly, Jethro Tull, Brian Eno, Jimi Hendrix, Ra Ra Riot, Willie Nelson, Rufus Wainwright and The XX.


Vancouver’s Gold & Youth revealed a new single last week for their soon-to-be-released debut full-length, Beyond Wilderness, out May 14 on local label Arts & Crafts. And it’s about time — we’ve been waiting with bated breath for just about anything from the band since their first single was released last year. Haunting, ethereal and edgy, these guys are definitely channeling ’80s new wave blended with synth-heavy electro.


Young Galaxy also released the second single for their upcoming record, Ultramarine, which happens to be a remix by Ghosting Season of their song “Fall For You.” The album is out via Paper Bag Records on April 23. And because Paper Bag has been all about the remixes lately, they’ve put out a compilation playlist that you can stream here.


Toronto label Nevado Records recently signed Winnipeg natives Royal Canoe. The pop-driven sextet also announced that they’re finishing up their sophomore album, which is slated for release sometime this summer.


Lastly, after releasing a very mysterious trailer, the guys behind the documentary The Scene: an Exploration of Music in Toronto have an official premiere date. On March 23, as part of the Canadian Film Fest, the movie screens at the Royal Cinema in Little Italy. The documentary follows three local bands as they try to make it in the city, as well as interviews with Bif Naked, Steve “Lips” Kudlow, Robb Reiner, members of Tokyo Police Club and more. The venue only seats 450, so grab your tickets while you can.

Shop Talk: Gerhard brings Toronto-made men’s fashion to the Junction

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The Junction has seen an uptick in breweries and restaurants lately, but those aren’t the only storefronts opening in the quickly changing neighbourhood. Tucked away near Dundas and Keele is Gerhard, a new men’s fashion store that pushes local Toronto designers.

It’s a concept that may just fit the Junction perfectly.

“In the Junction, you don’t have to convince the neighbourhood to shop local,” says owner Langton Willms. “They are already convinced it’s the way to go.”

At only 24 years of age, with a background in corporate store development at Aritzia, Willms is fully confident in his abilities to push Gerhard to the top of the fashion store food chain.

“I learned what I needed to learn from the corporate world,” Willms says. “But I’m too stubborn, passionate and opinionated to stay in that environment. I needed to venture out on my own.” 

The eponymous store (Gerhard is Willms’ middle name) is spacious and clean, and any decor not made by Willms himself is either sourced locally or, at the very least, is Canadian-made. Chandeliers hanging from the ceiling are from Montreal’s Atelier Cocotte; the mirrors are from The Junction’s Forever Interiors and the walnut lounge chairs, covered with salvaged military blankets, are by Heidi Earnshaw Design.

A number of antiques — including a ’40s British military bicycle and a 1919 original Singer sewing machine with a gold sphinx on its side — are worked into the store’s decor, conveying a rugged but refined look. 

For its debut, Gerhard’s spring/summer collection is mostly made up of four core local designers: Muttonhead, Outclass, Nozo and well-known retailer Philip Sparks. The Philip Sparks pieces were made in collaboration with Gerhard and will be available there exclusively (they cannot even be picked up at Philip Sparks’ Ossington boutique). 

A 100 per cent cotton tailored dress shirt by Philip Sparks caught our eye, with a baby blue, yellow, green and cream gingham style pattern (picture above, $225). And while the clothing is solely Toronto-made, Willms does break his Toronto-only rule for some accessories, such as razors from Germany’s Merkur ($50-$70), brushes made of badger hair by Gold Dachs ($28) and hand-made combs by the UK’s Kent ($11-$15).

And though this is mostly a menswear store, there will be some unisex items for sale on the racks, so make sure you don’t leave your significant other at home. 

Gerhard, 2949 Dundas St. West, 416-797-1290

Comic Stripped: the art of the heckle in the modern age

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Watching the movie Lincoln, Steven Spielberg’s biopic of the 16th U.S. president, I was fascinated by the scenes that took place in Congress. There would be a representative pleading his case, and all the while, a steady stream of gibes and retorts would be flung his way. What struck me most about this constant commentary was the high level of wit and cleverness.

It was called heckling, and this was its golden age.

Now imagine a comedy night at your local bar and a struggling comedian dealing with a bunch of drunks who can barely put a sentence together and can only manage a generic “You stink!” This, too, is heckling, but times and circumstances have changed.

Heckling is the subject of Michael Schultz’s new book, Heckle.

He could be described as cautiously in favour of heckling. He reminds us that it is a democratic medium open to all, regardless of who owns the means of production or, for that matter, the microphone. It is the relief the common man has for the torrent of lies thrust upon him.

It’s the only opportunity to criticize a performance for those without access to the media. It is visceral and immediate. Most importantly, it is honest.

Comedians don’t feel quite so generous on the topic. Most comics hate hecklers and think they ruin their carefully planned shows. Hecklers are oblivious.

When modern comedy clubs sprung up in the late ’70s, one of the main issues was heckling.

Most clubs decided to have a zero-tolerance policy, and the comics were grateful — grateful enough, in fact, to often work for nothing in exchange for a perfect place to perform. Translate that as “no interruptions.”

It’s rarely a fair fight anyway. The comic has the microphone and a sound system. The heckler has only his own voice, which can be drowned out by technology. 

But most importantly, the comic is sober and the heckler is usually a bit inebriated.

The heckle comes out slurred, garbled, out of control, which allows the comic to put him down with lines such as “I remember when I had my first drink” or “some consonants would really help.”

Comedy clubs now often steer an enlightened middle path, allowing the heckler to get in a few good punches before interceding on the comedian’s behalf. 

Schultz is particularly insightful when he describes how heckling has now become most prevalent on the Internet.

What is Tweeting, really, but heckling about the day’s events. Watch an awards show and open your Twitter feed and you’ll see comments that used to be heard live. “Nice dress, Beyoncé — for a moose!”

Maybe someday, people will long for the days when fistfights broke out in clubs when performers and hecklers went too far. Sometimes, the scene turns vicious, racist and ugly.

Schultz reminds us of the Michael Richards debacle, when the former Seinfeld star went on a profanity-laced tirade after being heckled at a Los Angeles comedy club, but it happens more often than you might think.

It makes me wonder what the manicured wits in Lincoln would make of that.

Post City Magazines’ humour columnist, Mark Breslin, is the founder of Yuk Yuk’s comedy clubs and the author of Control Freaked.

Five must-see movies from the Toronto Irish Film Festival

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With St. Patrick’s Day right around the corner, the timing seems perfect for a film series featuring the cinematic best from the land of Eire. March 8 and March 9 mark the Toronto Irish Film Festival at TIFF Bell Lightbox, a showcase of 19 films, including 14 making their Canadian debuts. Here are the best bets from the weekend’s event.

Pilgrim Hill – March 8

An emotional, intimate portrait of a middle-aged man living in rural Ireland, the stark and somber Pilgrim Hill kicks off the weekend in a dramatic, though not necessarily joyous fashion. Cinematically engrossing, the debut film from Gerard Barrett is atmospheric and eerie as it follows the past, present and future struggles of a man played effectively by Joe Mullins. Mullins and co-star Muiris Crowley will be in attendance.

 

Dollhouse – March 9

A fun, drunken night for a group of rebellious teens turns into something much darker and serious in this unnerving film by writer and director Kristen Sheridan (August Rush, In America). Featuring rising star Jack Reynor, who gave a brilliant performance in What Richard Did (shown at TIFF last year), this dramatic entry is entrancing and full of surprises — Sheridan even kept secrets upon secrets from her young cast throughout the pre-production and filming.

 

Jump – March 9

 Another film about youthful curiosity and angst, Jump follows the deviant digressions of four twenty-somethings on New Year’s Eve as lives and fates collide. Amid a dark and dreary backdrop (it takes place in Ireland, after all), these relatable anti-heroes question authority and the meaning of life on a day heavy with purpose and self-awareness.

 

The Shorts Program – March 9

A varied collection of seven short films, including two beautifully animated ones (with the hint of green infusion, of course), these showcases generally offer the best bet to capture both the essence and diversity of a culture’s cinematic oeuvre and it looks to be no exception here. The Boy in the Bubble, narrated by Alan Rickman, was the 2012 Best Animated Film in Ireland, and tells the story of a romantic boy turned sour and dour after experiencing his first heartbreak. Also included is a battle of the sexes tale in the form of dueling surfers, a painful, non-fictional look at domestic abuse and familial struggle, and two stories of death, one where a woman reveals the past, and another where a woman tries to undo it.

Toronto Irish Film Festival, TIFF Bell Lightbox, March 8-9

Review: The Meme-ing of Life

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In the ’80s we had the classic musical-sketch comedy film, Monty Python’s The Meaning of Life, to hilariously parody the various stages of life: birth, middle age, death. Flash forward thirty years into the future, and now we have The Second City’s The Meme-ing of Life to mock the various stages of the digital age: YouTube, “legitimate rape” and TTC woes. And just like Meaning, Meme-ing is as edgy as it is funny.

As its blogspeak-of-a-title implies, Meme-ing touches on what many millennial navel-gazers have been pondering since phone calls were replaced with FaceTime and basic human contact was replaced with Facebook: the Internet’s detrimental effect on personal relationships.

The theme is sprinkled throughout the show in funny but touching ways: at the beginning of the show, the six-member cast (which features three newbies, Jan Caruana, Allison Price and Craig Brown, alongside veterans Nigel Downer, Jason DeRosse and Stacey McGunnigle) asks the audience to say “hello” to their neighbours; cast members reveal how they want to make a difference to others (Price, who stands at 6’2”, says she now wears flats to make her shorter male cast members feel like men) and towards the end of the show, audience members are given Starbucks gift cards or money (donated by the audience) for new shoes.

But The Second City hasn’t gotten soft in its old age (this is their 71st production). Under Kerry Griffin’s direction, the show successfully — and smartly — teeters between life’s dark moments (one sketch features teachers armed with guns) and sweeter moments (another sketch is about teenage boy — righteously played by McGunnigle — bonding with his deadbeat stepfather).

My favourite sketches of the night included the most politically-charged one, wherein the three female cast members play cheerleaders with some pretty inappropriate-but-pointed cheers (one of them includes the meme-ful phrase “legitimate rape”) — and the most physical one, with Brown and Price performing a Charlie Chaplin-esque sketch on TTC etiquette.

With a mix of the mellifluous and the macabre, this latest Second City installment is not to be missed — even if most of us still don’t know what exactly a meme is.

The Meme-ing of Life, The Second City, 51 Mercer St., 416-343-0011. Now – June 30

Tony Aspler’s Weekly Wine Pick: a savoury red from South Africa

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The South African winery Boekenhoutskloof has been doing a great job with grapes usually associated with the Rhône Valley. The blend of those three grapes produces a deep ruby-coloured wine with a nose of blackberries and black olives. The full-bodied savoury taste of blackberries with an iodine note fills the mouth.

Food match: red meat dishes

 

The Wolftrap Syrah Mourvedre Viognier 2011, Western Cape, $13.95. LCBO #292557

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards. He can be heard on 680News.

Weekend Warrior: Comicon, the Toronto Urban Photography Festival, a 90210 party, Rock-a-Billy Shake-Up

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It’s Thursday, and the weekend is fast approaching. Need stuff to see or do? We’ve got you covered. In this edition, a 90210 party, an urban photography festival, a very good time for Star Trek: The Next Generation fans and more.

Toronto Comicon

When: March 9-10
Where: Metro Convention Centre
Details: Comicon is one of the few times of the year when you can indulge in cosplay and not get sneered at. Not to be confused with the much larger Fan Expo Canada (held in August), Toronto Comicon is still a big draw for fans of comics, science fiction, horror and gaming, and it seems to be growing in popularity every year. This year’s main draw is the apperance of just about every major character from the cast of Star Trek: The Next Generation.


Drake General Store Warehouse Sale

When: March 9-10
Where: 442 Dufferin St.
Details: Drake General Store is having a warehouse sale this Saturday and Sunday (Friday is by invite only) with items at up to 70 per cent off. And if hipster clothing is not your cup of tea, there will also be salvaged furniture, random curiosities and a few Pendleton items sprinkled throughout.


Toronto Urban Photography Festival

When: March 9-23
Where: Various locations
Details: Have you ever clamoured to take a cell phone picture of Toronto’s skyline? Didn’t quite turn out how you expected it, did it? Well, the Toronto Urban Photography Festival will show you how the professionals do it, with not just photographs of the skyline, but of life in general in and around our urban sprawl. You may never look at the city the same way again.


’90s Party: 90210 Edition

When: March 8
Where: The Annex Wreck Room
Details: If you like dressing up in ’90s clothing, hit up the The Annex Wreck Room for some good ol’ fashioned ’90s music, cheesy hairdos and $1 Brandon Walsh Jell-O shots. Bonus: there will be a photo booth on site to immortalize your trek back in time.


Rock-a-billy Shake-Up #8

When: March 8
Where: 3030 Dundas West
Details: If you haven’t been to a Rock-a-Billy event before, you don’t know what you’re missing. Full of high energy music, the 8th edition of the Rock-a-Billy Shake-Up will have you stomping your feet and dancing joyously in the Junction this weekend. And if for some reason you can’t make it this weekend, 3030 is holding this event monthly.

Grab of the Week: a black and white spring coat from Zara’s new online shop

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Good news for Zara lovers and online shopping enthusiasts: Zara’s Canadian online shopping site launched for the first time earlier this week. The site is sleek, easy to use and is filled with every available Zara garment (a big plus, since stock varies from store to store).

After browsing the site, we chose a simple spring coat that’s perfectly in tune with the season’s top trend of wearing black and white. The best part is that you can take items that don’t work out to your nearest Zara store for a return or an exchange.

Combined coat, $119. Available online at zara.com

Gracie Carroll is a Toronto-based freelance writer whose work has appeared in ELLE UK, ELLEcanada.com, Plaid magazine and FILLER magazine. Keep up with her daily blog at www.graciecarroll.com.

First Draught: an Italian craft beer that brings on the funk

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If readers wrote letters to me about these posts, the mailbags would pour in this week. The Panil Barriquée is sour (more on that below), made in Italy and comes in at over $14 a bottle. But, I don’t care, because this is my standout favourite from the LCBO’s spring release.

Let’s handle the whole “sour” thing right up front. Most brewers use grains, hops, strains of brewer’s yeast and other ingredients to build beers that range in quality from Honda Civics to Rolls Royce Silver Ghosts. Religious attention is paid to excluding all microbial life beyond what the brewers have added. But those who make sour beers introduce (or encourage) a ragtag crew of bacteria and yeast to the process. They make the horse-drawn buggies of beer. 

Birrificio Torrechiara (better known as “Panil”) is among a new crowd of Italian craft brewers. This particular beer is made in the Flanders red style and is aged in oak wine barrels that have been inoculated with lactic acid-producing bacteria. 

When held to the light, this light brown ale shows faint hints of auburn from the red-coloured malts that give the style its name. Even at arm’s length, the aroma is obvious: complex and funky, with notes of hay and horse blanket; but on closer examination it has lighter notes of raspberries and lemon zest as well.

The flavour starts sour and tart, but it’s not aseptic (the difference between a traditional dill pickle and white vinegar), and it moves through a middle full of funk, cherries and a touch of vanilla (from the barrel) to a clean finish, where the sourness returns for a lingering ovation. 

“Funk” is a catchall description begging for more explanation. In this case, I was faintly reminded of a small Kensington cheese shop where the smells of hanging salami, open bins of briny olives and piles of various cheeses mingle into an indistinct but memorable cocktail. 

Those cured products would be great places to start when considering what to eat with this sour ale — the tartness will cut the fat, and all that salt will open complexities in the beer. Also, when I think of “fat” and “salt,” my mind jumps automatically to fried chicken, which would be a great partner for this Panil.

If you’ve only recently gotten into craft beer and want a change from your usual pale lager, this might not be the place to start. But if you’re up for a brash, slightly out-of-control beer, Panil Barriquée Sour will be right up your alley. 

Birrificio Torrechiara’s Panil Barriquée Sour, $14.20 for a 750 mL bottle. LCBO #210591

In addition to covering beer, new restaurants and food trucks for Post City, David Ort writes about food and drink for several Toronto publications including Spotlight Toronto and his own site, Food With Legs. For more of his thoughts on food, beer and life in general, follow him on Twitter.