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First Draught: Glutenberg American Pale Ale, a gluten-free beer that also happens to be delicious

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Every crusty baguette, every flaky croissant and every chewy pizza crust renews my appreciation for my digestive system’s ability to process gluten. I know that not everybody is so lucky, and that beer needs to be avoided entirely by some because barley, wheat and rye — the drink’s principal cereal ingredients — all produce gluten when mixed with water.

The Glutenberg line, and the American Pale Ale in particular, makes me think that I might be able to scratch beer from the list of pleasures I’d have to give up if I ever stopped eating gluten. With a mix of millet, buckwheat, corn and quinoa, Montreal’s Brasseurs Sans Gluten have created a beer that almost tastes like it was made with barley.

Without the bubble-supporting proteins that other beers get from barley, gluten-free beers have trouble raising a foamy head. The Glutenberg APA gives it a shot and produces a very open foam that isn’t perfect, but does the trick—visually, at least — over the pale amber liquid.

The surprises start with the aroma: it actually has the expected notes of grapefruit hops and juicy, slightly caramelized pineapple. The flavour completes the package with bitterness on the start and finish, and sweet notes of candied citrus peel in the middle. 

There is a good amount of refreshing carbonation, and the hint of quinoa’s odd flavour only shows itself at the very bottom of the glass, when the beer has warmed substantially.

If you are gluten intolerant and have wondered what the fuss is about hoppy, American-style craft beer, this bottle from Glutenberg is one of the better introductory courses. The Blonde and Rousse are also for sale in Toronto. Together, the trio swept the gluten-free category at the 2012 World Beer Cup.

The three award-winning Glutenberg beers are available through Keep6 Imports and at beer bars like Bar Hop and Indie Ale House, but also restaurants including the Fresh chain and Richmond Station. Expect the price to be a few dollars more than is typical for mainstream beer. 

Brasseurs Sans Gluten Glutenberg American Pale Ale, available at various locations throughout Toronto

In addition to covering beer, new restaurants and food trucks for Post City, David Ort writes about food and drink for several Toronto publications including Spotlight Toronto and his own site, Food With Legs. For more of his thoughts on food, beer and life in general, follow him on Twitter.

Celebrating 10 years of Arts & Crafts

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It’s no secret that Toronto’s mainstay indie record label, Arts & Crafts, has backed some of the biggest and best bands this country has to offer. This year, the label celebrates 10 years at the top of the music-making business, and in celebration, it is offering up a smorgasbord of cool things to do, see, eat, wear and hear.

A&C alumni announced an upcoming compilation album this week, known as X, which will feature new tracks and reinterpretations of classics. While the track list is still under wraps, they’ve enlisted Stars, Feist, Broken Social Scene, Chilly Gonzales, Dan Mangan, Snowblink, The Darcys, Zeus, Jason Collett and loads more to join forces and put together 10 collaborative tracks. The album drops May 28, and if we’ve learned anything from Arts & Crafts family members, it’s that they go together like peanut better and jelly.

Also coming up soon is the Field Trip music festival. Prepare for a primo culmination of the cream of A&C’s music crop, including Feist, Bloc Party, Stars, Hayden, Jason Collett, Cold Specks, Timber Timbre, Zeus and a one-night only Broken Social Scene reunion. The June 8 Fort York show is the first time BSS will be together on stage since their Rio de Janeiro gig in November of 2011. Until the Field Trip festival, this free Broken Social Scene track might sate you — even if the festival’s food prospects have your tummy grumbling.

It’s no secret that music programs in classrooms in the province have fallen by the wayside, so it’s refreshing to know that programs such as MusiCounts — a charity that aims to ensure that Canadian children have access to musical education — are trying to change that. A&C has recruited local fashion designer Jeremy Laing to create a line inspired by (and made in collaboration with) the label’s artists. The unisex apparel will be available online and at The Bay starting May 6, and T-shirts will go for $75, 100 per cent of which is donated to MusiCounts. Stylish for an undeniably good cause? That’s what we call a win-win.

If you’ve ever wanted to catch a behind-the-scenes glimpse of a rock ‘n’ roll tour, Norman Wong is your lens. He’s been A&C’s go-to photographer over the past 10 years, following the label’s artists on tours and concerts. From May 23 to June 15, Wong will have an exhibit at the Contact Photography Festival. In a press release, Wong says, “This collection of photographs is a celebration of a group of people I truly love and admire. No one outside my circle of friends has seen these photographs, and it gives me great excitement to share it with the city I love, to celebrate the 10-year anniversary of Arts & Crafts.”

Here’s to another decade of phenomenal tunes.

The spice is right: a quest for manhood and Toronto’s hottest chicken wing

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It finally happened. After decades of not quite getting along with other men, I finally became a bro. I didn’t even have to grow a chin-strap beard to do it. I didn’t do preacher curls until my biceps exceeded 18 inches in diameter, and I didn’t have to wear a single piece of sports merchandise.

But I did seek out the hottest chicken wing in Toronto, and I did eat a full order of them. That has to be sufficient.

Why else would suicide wings exist if not to affirm something, anything, about manhood? They don’t taste very good. No single flavour should ever dominate a dish the way spice does in suicide wings. And why else would such food almost always be found at sports bars, and why else would primarily men eat it? It’s because, in the absence of any real chance at glory in life, successfully eating an extra-hot chicken wing is the next best thing. I know from experience, dude.

April was an ideal month to “research” a story about the city’s hottest wings. The Leafs had made the playoffs for the first time in nine years. People would be watching lots of hockey games and consuming lots of chicken wings. I became one of those wing eaters. I went to sports bars — lots of them. I ate wings — lots of them. I thoroughly googled the word “capsaicin,” the name of the component responsible for heat in chili peppers. And, heck, I even learned a thing or two about myself.

My breakthrough into masculinity occurred after I polished off an order of the hottest chicken wings available at Drums N Flats, a sports bar near Avenue and Wilson, with ease. They were doused in the so-called Insane Heat That Will Blow Your Face Off sauce. The server advised me not to order those wings. He told me to order the second-hottest wings instead.

I opted for the main event, but I was scared. The second-hottest wings, I was told, make use of the infamous ghost pepper, while the hottest wings use ghost pepper plus another secret ingredient that I didn’t want to experience, apparently. He said he had only seen “a few” people finish an order. 

So when I did finish those wings, I felt good. I felt good for precisely 300 seconds, which is a very long time for me. The server was clearly impressed. How could he not be? I had just eaten ghost peppers, otherwise known as Naga Bhut Jolokia, which hail from India. They are one of the hottest peppers in the world, clocking in at over 1 million on the Scoville heat scale. (By comparison, regular Tabasco sauce rates at up to 5,000, while police-grade pepper spray rates at about 5 million.)

As it turns out, the server was mistaken, so I wasn’t really that awesome (not at that specific time, at least). I later found out that the bar’s hottest sauce uses not ghost peppers, but habanero and Scotch bonnet peppers (which are both respectably hot at around 350,000 Scoville units) along with some other, less crazy peppers. I now know that the wings at Drums N Flats are good, as far as bar food goes, but they won’t actually blow your face off, which is disappointing.

Interestingly, another not-so-hot wing I ate during my “research” actually does feature ghost peppers: the suicide wings at Real Sports Bar, which are doused in a sauce made with ghost peppers, Scotch bonnet peppers and some flavour-boosting mango. A good wing, but not reaffirm-your-manhood hot. I imagine those ghost peppers must have lost some of their potency during storage, because they were mostly just cute. And probably unnecessary: Toronto’s truly painful wings do not use any ghost peppers at all.

To my knowledge, there are two places to go in the city for truly hot wings. There used to be three, but Richmond Hill’s All Star Wings & Ribs no longer serves its hottest sauce due to customer complaints (though why someone would willingly order a restaurant’s hottest wing, sign the requisite waiver before eating it and then complain about the spice is beyond me).

So: exhibit A is The Right Wing Sports Pub at Yonge and Eg. The Exorcist sauce here makes use of cayenne peppers (not so hot) plus The Source, a chili pepper extract that rates at over 7 million Scoville units (hot). It’s not quite the hottest wing in Toronto, but it does manage to retain a bit of flavour — a touch of fruity tang — beyond the spice, which extremely hot wings rarely do. After eating these, I had to blow my nose long and hard, a pretty good barometer of high spice.  

But the king of spicy wings is exhibit B, the Armageddon wing from Duff’s Famous Wings. I finished an order of these, but I didn’t want to. The wing is as vinegary as it is spicy (the sauce, I was told, is habanero-based). As I ate them, I had to take a break to eat celery sticks dipped in blue cheese cream, something I would not normally eat. I didn’t want to lick my fingers. My lips turned bright red, and they hurt. I said “hoo” in a falsetto voice once or twice. I broke out in forehead sweats that lasted about 20 minutes after I finished eating.

This wing is the single hottest thing I have ever eaten at a restaurant in Toronto. And as my body calmed down from the capsaicin overload, I felt serene, until I saw the Wall of Pain, where some Adonis had immortalized himself for having consumed 52. Conclusion: I am a man, but not a god, which is okay with me. For now.

Later, when eating suicide wings was no longer a priority in my life, I started to feel antsy. Food tasted bland. I had built up an unusual tolerance to spice, and in the absence of heat, ennui set in. I realized that hot foods actually provide a palpable adrenaline rush. Jonesing, I went to Gandhi Indian Cuisine on Queen West, which historically serves intolerably spicy curry if requested. I ordered mutter paneer, and asked for it as spicy as possible. I ate it. A pinprick of heat. An iota.

If I wanted the thrill back, I’d have to go to Duff’s. And what could be more manly than actually wanting to go there?

 

Toronto designers compete for $25,000 — and a Target collab — at The Carlu

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Last night, the 416’s most fashionable folks were found at The Carlu in a celebratory mood. The reason? The Toronto Fashion Incubator’s New Labels Fashion Design Competition, which trumpets emerging Canadian designers and presents them with $25,000, a Flare editorial feature and a capsule collaboration to be sold at Target. Last year, the talented Sid Neigum won the coveted prize; this year, four design teams battled it out on the runway.

During the cocktail portion of the eve, TFI’s Susan Langdon looked chic in all black; designer Caitlin Power was sharp in her own design while honorary chair Suzanne Rogers and her daughter Chloé were dressed up to the nines in pastels (Erdem and Sherri Hill, respectively). A bevy of Flare ladies — including head honcho Miranda Purves in vintage — were spotted milling about alongside Fashion’s Randi Bergman, the always-dapper Nicholas Mellamphy, ebullient model Stacey McKenzie and Sylvia Mantella in a frothy confection of a gown.

Following cocktails, guests tucked into dinner (think beef tenderloin with miso-glazed black cod and mushroom risotto) while MC Dina Pugliese introduced the competing designers. When plates had been cleared, the fashion show began.

First up was Sarah Stevenson, who drew inspiration from Baroque still-life works for her fall collection. Translating her own paintings to prints, the designer put out a series of pieces that were darkly romantic and demonstrated a highly coherent design process. A floral-print maxi dress with laser-cut detailing across the bust was particularly stunning, but each look possessed an incredible attention to detail. Stevenson was pegged as the top contender early on.

Paria Shirvani showed next. Her collection — inspired by armour — merged the masculine with the feminine; hard edges were juxtaposed with soft, draping lines. Her closing looks, which featured faux porcupine fur inserts, were the most visually arresting.

Christopher Paunil — designed by Paunil and Chalo Barrueta — had a large fan base among the audience. They chose to break the so-called rules for winter dressing and put forth a collection in an unexpected colour palette: ivory and blush pink. Classic silhouettes were set off with subtle details, such as a neoprene cardigan with circular slits layered over a slim pant and a tank.

Finally, models strutted out in pieces from Defne Husrevoglu and Maiko Suzuki’s Seventhirtyone line. The fun-loving designers cited a road trip as inspiration; their collection did indeed feel nomadic thanks to plenty of volume — in both body and sleeve — paired with dramatic hoods and a slimmer leg.

Following the runway shows, Pugliese thanked designer David Dixon for creating a dress that didn’t require Spanx, while the judges (Dixon, Rogers and Purves, alongside TNT’s Arie Assaraf and Target’s Elisha Ballantyne and John Morioka) retreated backstage to deliberate.

Chloé Rogers brought out the award before mom Suzanne read out the winner: Sarah Stevenson. The lovely designer gave a gracious acceptance speech, thanking the judges for their patience and kind words, and with that, the night was done. We can’t wait to see what she does at Target.   

Drink This: The Antler Room’s It’s a Sin

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Hidden in the basement space under the financial district’s The Loose Moose is The Antler Room, a sprawling bar devoted to both sports and music. After the chime of five, Leafs fans tumble in, watching the game on big screens visible from every table. On the weekend, however, it’s all about the music: local bands take to the stage and up the noise factor aplenty.

Keeping with the music theme, each beverage on the cocktail menu is named after a Willie Nelson tune. In a rather surprising combination, the It’s a Sin ($9) features Sauza Hornitos tequila shaken with peppermint schnapps, coconut cream, crème de cacao and vanilla sugar to boot.

Who says you can’t have a cocktail while watching the playoffs or rocking out?

The Antler Room, 146 Front St. W., 416-977-8840

For more must-try Toronto cocktails, check out our Pinterest page

 

Theatre Passe Muraille gets zombified

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Zombies are currently all the rage in pop culture. From the ever-growing Zombie Walk in Toronto to one of TV’s hottest shows, Walking Dead, to the upcoming Brad Pitt summer flick, World War Z, it’s pretty cool to be dead right now.

So it’s fitting that Night of the Living Dead, the 1968 film that got the proverbial “head rolling,” is having a renaissance, thanks to a new play based on the film by co-creators Christopher Harrison and Phil Pattison.

This time around, audiences will visit the creepy farmhouse onstage at Toronto’s Theatre Passe Muraille rather than onscreen.

“We make films and we wanted to branch out,” says Harrison. “And because the movie takes place in a farmhouse during one night, we thought we could do the play set in a farmhouse.” It doesn’t hurt that the pair are also huge horror fans.

“It’s just the adrenaline rush of [horror films],” says Harrison. “It’s why we jump out of airplanes. And I love it.”

You can imagine their delight, then, when their childhood idol, George A. Romero, the creator of the original film, not only gave them his personal blessing for their project, but is also one of the play’s executive producers.

“We’re working with our hero,” says Pattison. “It’s come full swing and it’s magic for me.”

Also on board for the interactive show is Christopher Bond, the director of Evil Dead: The Musical, a made-in-Toronto play inspired by a horror flick, which went on to be produced off-Broadway.

“I was approached by Chris and Phil,” says Bond. “They saw my work from Evil Dead and had the rights to the show and asked me if I wanted to be a part of it. They gave me a script they sort of crafted. It was more serious and I thought the audience would relate to it more on a broader scale if it had a comedy element to it.”

Bond recruited his writing partner Trevor Martin and Martin’s wife, Second City veteran Dale Boyer, to punch up the script.

The result is a night of silly campiness and corny gore similar to Evil. But what sets it apart is that Night is more of a sketch comedy rather than musical theatre, with the cast playing out several different scenarios of the night’s events.

The show is deemed “interactive,” but that only means a few zombies walk through the audience. Sticking to the film’s black and white colour scheme, the play is done the same: the set is mostly white and grey, costumes are in muted shades, and the actors’ faces are painted white.

The evening feels more like a fan expo, with theatre-goers cheering at memorable lines. There’s even footage from the movie that plays at the height of a slapstick scene. The energy and enjoyment of the play is palpable, and the show is definitely a bloody good time for those who haven’t yet caught Romero’s film and most especially for its diehard fans.

Night of the Living Dead Live, Theatre Passe Muraille, runs until May 19

Toronto’s enviro report card

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There are many ways in which the GTA is making great strides toward becoming a world-class sustainable city. In the past year alone, we’ve seen many initiatives to create more green space, ban environmentally hazardous products and practices and generally make our city a healthier place to live. What’s most encouraging is that many of these projects are starting at a grassroots level, proving individuals can indeed make a lasting difference.

Unfortunately, it’s not always good news when it comes to our environment. Many proposed developments have the potential to affect our communities in negative, even catastrophic ways, and many existing buildings pose threats to our native wildlife. But that’s not to say we’re doomed. There is always an opportunity for citizens to speak up and make a difference.

The good

A park in the heart of the city
Last year, we celebrated the designation of the Rouge as Ontario’s first urban national park. This spring, the David Suzuki Foundation announced that it is aiming to bring nature even closer to home for residents of downtown Toronto. Inspired by authors Richard Louv and Douglas Tallamy, the foundation has embarked on a mission to establish “Homegrown National Park” in the heart of the city by creating a vibrant green corridor following the former path of Garrison Creek, one of Toronto’s most important lost rivers. Working with existing community organizations and local residents, the project is expected to help enhance, restore and create urban green space throughout the corridor — roughly the area between Dovercourt Road and Bathurst Street, stretching from Dupont Street to the waterfront. Participants will get their hands dirty by planting native trees and shrubs, cultivating bird- and bug-friendly gardens and growing food in backyards and balconies.

Power to the (park) people
Since forming a couple years ago, Toronto’s Park People has blossomed into a network of 80 parks groups across the city. Its mandate is to inspire new innovations in the use of public space and to make great parks accessible to all Torontonians. From installing outdoor brick tandoori and pizza ovens to hosting farmers markets and a litany of cultural festivals, more and more neighbourhood parks are becoming dynamic, vibrant hubs. And the good news continued last month with the announcement that the Garfield Weston Foundation will be supporting innovative new projects with $5 million in funding over the next three years. Watch for exciting things to happen in a park near you. 

Appreciating urban dwellers
Did you know that jumping spiders, red fox, brown trout, fluttering Baltimore checkerspots and flocks of whimbrels all call Toronto home? You can find out more about these urban species and more in the City of Toronto’s amazing new “Biodiversity in the City” series of booklets that was released last year. The series is intended to help cultivate a sense of wonder and appreciation for the many critters that live alongside us. The booklets can be downloaded and are available at your local library.

The not-so-good

Walking the line
Last year, it was discovered that Enbridge Inc. has plans to pipe oil from Alberta’s tar sands through Ontario using Line 9, a 38-year-old pipeline that runs through some of the most densely populated parts of Canada. According to our colleagues at Environmental Defence, tar sands oil is like “hot liquid sandpaper,” which makes it more hazardous, more likely to cause a pipeline leak and harder to clean up than conventional oil. Line 9 runs through 115 communities, including parts of Toronto and Markham, and crosses dozens of major rivers draining into Lake Ontario and the St. Lawrence River, putting the drinking water of millions of Canadians at risk. In spite of these hazards, the Line 9 project has been exempted from a full environmental assessment. I encourage residents to join the concerned Canadians calling for a full environmental assessment and public hearings into this risky project. 

No fracking way
As John Sewell noted in his column for Post City this past winter, the controversial process of  “fracking” has come close to home. In fact, many local residents are now heating their homes with natural gas piped from the U.S., where fracking has become commonplace. Fracking, or hydraulic fracturing, is the process of injecting millions of litres of water and sand — along with thousands of litres of chemicals — underground at very high pressure to fracture shale rock and extract deposits of natural gas. While our southern neighbours are fracking their way across New York, Ohio and Pennsylvania, it is unclear how much is happening in Canada. There is currently no federal legislation governing fracking and each province has different schemes for water and drilling permits. Several groups, including the Council of Canadians, are mobilizing support against fracking in Canada. Last fall, they delivered petitions to the federal ministry of the environment signed by nearly 10,000 calling for a moratorium on fracking.

Reflecting on bird deaths
Did you know that Toronto buildings are estimated to kill at least one million birds each year? Unfortunately, our feathered friends pass through the city during migration and are drawn toward lights within the buildings and reflective outer surfaces on lower floors. The good news is that property owners are starting to take action to make their buildings more bird-friendly. Ecojustice lawyers took Cadillac Fairview, one of Canada’s largest commercial property owners, to court for birds killed at its Yonge Corporate Centre building complex. While the company was ultimately acquitted, the case has set an important precedent that will protect birds in future. And Cadillac Fairview has already taken steps to prevent bird collisions by applying a film to windows on the lower floors of the complex.

Final Grade

In summary, while Toronto has seen some good, some bad and some ugly again this year, I am truly excited about the many efforts that are connecting residents with nature in their neighbourhoods. Projects such as the Homegrown National Park, urban agriculture big and small and efforts to enhance the city’s green spaces and protect its inhabitants show that Toronto is on track to have an unprecedented green boom this year. I encourage you to get involved. Help bring nature home in 2013.

New sneaker exhibition gets off on the right foot

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Due to their casual nature, sneakers are often pegged as “trendy,” but there’s more to them than meets the eye. We visited the Bata Shoe Museum for its new exhibition, Out of the Box: The Rise of Sneaker Culture, which explores how sneakers have found their place as one of the most fashionable styles of footwear to date. Below, some shots of the exhibition and our favourite kicks from the bunch.

Tony Aspler’s Weekly Wine Pick: a clean, fresh, well-balanced Muscadet

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Global warming must have something to do with it because Muscadet from the Loire doesn’t seem to be as austerely dry as it used to be. This wine, currently at Vintages outlets, is a light golden colour, which shows some maturity. It has a minerally, apple nose and well-extracted flavours. If I had this wine blind, I would have thought it was a Soave. It’s well balanced with clean lines and a lingering fresh finish.

Food match: grilled fish

 

Domaine de la Tourlaudière Muscadet Sèvres et Maine Sur Lie 2011, Loire, $13.95. Vintages #171694

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards and has been inducted into the New York Media Wine Writers’ Hall of Fame. He can be heard on 680News.

Weekend Warrior: Stars on Ice, Arts & Fashion Week, Spadina Museum, CanAsian Dance Festival

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It’s Thursday, and the weekend is fast approaching. Need stuff to see or do? We’ve got you covered. In this edition, figure skating at the Air Canada Centre, Toronto’s own Downton Abbey, an Asian-influenced dance festival and more.

Stars on Ice

When: April 26
Where: Air Canada Centre, 40 Bay St.
Details: Watch skating stars like Kurt Browning and Joannie Rochette as they twirl and sashay their way on the ice at the Air Canada Centre. Joining the skating cast this year is three-time world champion Patrick Chan. Touring for three weeks from the east to the west coast, Stars on Ice touches down in Toronto this Friday only.


FAT Arts & Fashion Week

When: April 23-April 27
Where: Fashion Art Toronto, 213 Sterling Rd.
Details: Arts & Fashion Week is a multi-arts event featuring over 50 runway shows, photography from over 50 artists, films on fashion, sculptural and multimedia art installations and live performances in dance, music and art. This year’s theme is fashion therapy, looking at ways in which fashion can offer healing. Applying this theme on the runway is Workman Arts with their Mad Couture Catwalk, featuring 28 pieces of wearable artwork that sheds light on mental illness.


Toronto’s Downton Abbey: Spadina Museum

When: April 28
Where: Spadina Museum, 285 Spadina Rd.
Details: Step into the opulent world of the ’20s in Toronto’s very own version of the British period drama Downton Abbey. Take a tour through Spadina Museum, a historical manor fit for any member of the elite Crawley family. Offering a view of the upstairs/downstairs lives of aristocrats and their servants, the Spadina Museum has on display areas like an extravagant drawing room and a spartan servants quarters.


CanAsian International Dance Festival

When: April 28-May 12
Where: Fleck Dance Theatre, 207 Queens Quay W., and other venues
Details: For two weeks, CanAsian Dance will showcase Canadian and international artists performing Asian-influenced dance. The biennial event will include dance from the haunting Japanese butoh of Taketeru Kudo to the hypnotic Turkish whirling of Ziya Azazi. The festival also includes films, concerts and workshops inspired by Asian culture.


Out of the Box: The Rise of Sneaker Culture

When: April 25-March 30, 2014
Where: The Bata Shoe Museum, 327 Bloor St. W.
Details: The history of the humble sneaker, from the 19th century through to present day, will be exhibited at The Bata Show Museum. The first of its kind in North America, the exhibit will look at the past 150 years of sneaker culture and exhibit over 100 sneakers, quite a sight for the shoe-a-holic. Designs from Christian Louboutin, Prada and other designers will be presented and rare sneakers from brands like Nike, Converse and Reebok will be featured.

New chef collective aims to show Toronto that the west isn’t always the best

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In a review last summer, The Globe’s Chris Nuttall-Smith slighted the east end’s culinary prowess. “To eat out in Leslieville is to tumble back into the mid-2000s, to give into cheap little rooms, recidivist ideas and cramped expectations,” he asserted. But a handful of east side chefs, restaurateurs and bar owners has banded together to form the East End Dinner Club, which aims to combat the area’s (sometimes) dowdy dining reputation.

This coming Monday, the collective — which includes chefs Matthew Sullivan (Skin+Bones), Dan Pantano (Glas), John Sinopoli (Table 17), Sean Simons (Goods & Provisions) and others — is planning to show the rest of Hogtown that the east is where they ought to feast. And while they show off the culinary talent that resides in Riverside and Leslieville, the collective also plans to raise some dough for FoodShare’s Field to Table Schools program, which aims to engage students with hands-on agricultural learning initiatives.

For $100, guests will indulge in a six-course meal, with each course prepared by a different chef. Chef Sullivan (of Skin+Bones, where the event is being hosted) will open the feast with an amuse bouche of albacore toro with camelina seed, fennel pollen and burnt citrus.

Further details can be found here

Five must-see films from Hot Docs 2013

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Bigger and arguably better than ever, the 20th annual Hot Docs begins tonight, featuring two weeks of evocative, fascinating and at times unnerving looks into the world around us. From anarchistic collectives to prison states to explorations of mental illness and the sex trade, Hot Docs offers a wide range of compelling films. The trouble is finding the right one (or dozen).

There are many to choose from; below, we offer a few top picks.

The Manor

Hot Docs’ opening night film is discomforting and unforgettable. As told by an indecisive son, a portrait of a very human and often unattractive family unfolds before us. Shawney is uncertain about his family business: a strip club and hotel in Guelph, Ontario. His father is stubborn, his mother is frail, his brother lives in his parent’s basement and their employees have been jailed for drugs and assault. This is the cast of characters we follow for three years as Shawney tries to help his family, his business and himself.
April 25, 9:30 p.m., Bloor Hot Docs Cinema; April 29, 12 p.m., TIFF Bell Lightbox 1

The Defector: Escape from North Korea

From director Ann Shin, this stunning and tension-filled doc follows a smuggler named Dragon as he leads a group of North Korean defectors from their totalitarian state to freedom in Thailand. With hidden cameras and point-of-view re-creations, Shin’s access is astounding, and the film is instantly captivating.
Apr 27, 9 p.m., Scotiabank 4; Apr 29, 3:30 p.m. Scotiabank 3; May 4, 6:30 p.m., The Regent

NCR: Not Criminally Responsible

This powerful Canadian entrant delves into mental illness and the ways in which our society struggles to deal with it. Sean Clifton is at the centre; a man recovering from mental disorder that saw him attack a woman outside a shopping mall in Cornwall, Ontario over a decade ago. We follow Clifton from the hospital to his home, all while hearing the reactions of his victim and her family, who try to cope with the trauma of the incident and the fact that Clifton (who is not criminally responsible) is now free.
April 28, 9:30 p.m., Isabel Bader Theatre; Apr 30, 3:30 p.m. Scotiabank 3; May 5, 1 p.m., TIFF Bell Lightbox 2

Who Is Dayani Cristal?

A stunning look at immigration policy in the United States, this film — from director Marc Silver and producer/narrator Gael Garcia Bernal — puts a compelling and human face on the struggle faced by many trying to get into the United States. In one half of the film, Silver interviews the people who are tasked with the job of identifying the bodies of migrant hopefuls who died in the desert while crossing the border. One such body is marked with a tattoo that reads “Dayani Cristal.” Silver looks to find out who he is and connect with his family, while Bernal himself recreates the trek this man and so many others made through Mexico to seek freedom on the other side of a fence.
April 27, 12 p.m., Bloor Hot Docs Cinema; April 29, 4 p.m., Isabel Bader Theatre; May 5, 9:30 p.m., TIFF Bell Lightbox 1

Terms and Conditions May Apply

Cullen Hoback’s documentary is startling, informative and instantly uncomfortable. In a meticulous and humourous fashion, Hoback goes through the ever-changing world of online privacy, exploring not only what personal information gets put online, but why companies are so interested in obtaining it. Even if you already think nothing is private in the online world, there are far more staggering revelations in this film, which leads up to a fascinating encounter between Hoback and Facebook founder Mark Zuckerberg.
April 26, 1:30 p.m., Isabel Bader Theatre; April 28 6 p.m., The ROM Theatre; May 3, 2 p.m., Hart House Theatre