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Tony Aspler’s Weekly Wine Pick: a Sicilian white that makes a great match for cheese

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The Fiano grape is pretty well exclusive to Italy’s Campania province and to Sicily; this comes from Sicily. It’s golden in colour, and has a medium weight with a minerally nose of tropical fruit. It offers a richly extracted, creamy mouth feel.

Food match: ratatouille; runny cheeses.

 

Miopasso Fiano, 2011, Sicily, $14.95. Vintages #326793

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards and has been inducted into the New York Media Wine Writers’ Hall of Fame. He can be heard on 680News.

Weekend Warrior: The Ex, Sail-In Cinema, Yogathon, The Price is Right, Mabuhay Philippines Festival

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It’s Thursday, and the weekend is fast approaching. Need stuff to see or do? We’ve got you covered. In this edition, Toronto’s favourite fair hits town, sun salutations galore, a movie festival on the lake and more.

Sail-In Cinema

When: Aug. 15 to 17
Where: Sugar Beach
Details: Who doesn’t want to watch films projected onto a two-sided floating movie screen in Toronto Harbour? This year’s Sail-In Cinema is screening Ghostbusters (Aug. 15), The Princess Bride (Aug. 16) and Back to the Future (Aug. 17).


Canadian National Exhibition

When: Aug. 16 to Sept. 2
Where: Exhibition Place
Details: This annual fair will feature concerts, celebrity chef demos, parades, rides, competitions and more. Aviation enthusiasts won’t want to miss the annual air show, which will be taking place during the last three days of the fair. Also: the cronut burger.


 

Yogathon

When: Aug. 17
Where: Yonge-Dundas Square
Details: The second annual Yogathon will consist of 108 sun salutations being performed in 11 cities across Canada this Saturday. The event raises money for Care for Children.


The Price is Right Live!

When: Aug. 18
Where: Molson Canadian Amphitheatre
Details: The stage version of the popular game show is coming to Toronto this weekend. Members of the audience will be selected as contestants and then put through the show’s typical challenges, including Plinko.


Mabuhay Philippines Festival

When: Aug. 16 to 18
Where: Harbourfront Centre
Details: One of the largest celebrations of Filipino culture in Canada, this festival will have a performance by the Fiesta Filipina Dance Troupe, a parade, a chef cook-off and more.

Concert Review: Black Sabbath at the ACC

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Its been difficult to pinpoint exactly how to respond to Ozzy Osbourne in his latter years. Do we laugh at his mumbling Ozzy-isms and perpetually oblivious state of being, or do we take pity on this sad, strange man?

However you feel about the Prince of Darkness, it was hard to perceive his lost demeanour as anything more than a distraction in what was otherwise a superb Black Sabbath show at the Air Canada Centre on Wednesday night.

Though eager to entertain (he worked hard to gain audience participation during the show-opening “War Pigs”), Osbourne was consistently off-key and lacked the range to really deliver on some of his Sabbath classics. His age clearly showed in his stage persona, as wrinkles and a perceptible fatigue were visible through his dark mascara and wet black hair.

Osbourne’s rough, throaty vocal performance wasted what was a phenomenal effort from his still-capable band members. Guitarist Tony Iommi served up a sharp, piercing sound that ripped through the ACC, particularly during “Iron Man,” while bassist Geezer Butler was far from what his first name would indicate, enhancing the show’s frenzied and remarkably energetic feel.

No performance, however, raised as many impressed eyebrows among the 14,000 in attendance as hyper-aggressive drummer Tommy Clufetos, who was standing in for Bill Ward (they couldn’t agree on contractual issues). Clufetos won many fans with a stunning five-minute mid-show drum solo.

Outside of Ozzy, Sabbath put on a lively two-hour show that proved them to be more than just a nostalgia act (for further proof, look at the band’s recent rise to number one on the billboard charts with the recently-released 13). But when a group’s one squeaky wheel happens to be their lead singer, it’s hard not to notice.

First Draught: Opa’s Gose, Beau’s interpretation of a classic German beer

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Gose seems to be the craft beer of the moment in Ontario these days. In the spring, Amsterdam Brewery and Great Lakes Brewery got their Maverick & Gose collaboration onto LCBO shelves, and as of July, Opa’s Gose from Beau’s All Natural Brewing Co. is now available across the province.

The style is based on the historical beers of Leipzig, which had a slightly saline flavour from the mineral salts that were naturally dissolved in the local water. Many of the breweries were based in Goslar and the water was drawn from the Gose river.

Opa’s Gose pours a hazy but bright yellow-orange halfway between white grapefruit and orange juice. The two-finger foamy head dissipates fairly quickly and leaves some lacing on the side of the glass.

The beer smells of citrus peel, cracked wheat and banana, along with some slightly sour notes. The flavour includes more orange, coriander and a surprising touch of sweetness on the finish.

This beer was originally made for the Beau’s Oktoberfest celebration (a great party, held annually at the brewery in Vankleek Hill, Ontario) in 2010 and was released as number five in the Wild Oats series. Earlier versions were criticized for being too salty, so in recognition of the fact that tastes vary, Beau’s has included a cloth bag, with an extra packet of salt in it, with each bottle.

Sea salt is included in the beer recipe, so it’s a good idea to take a sip before adding more. I found that with a little extra, the mouth-feel becomes rounder and the fruit flavours are sharpened so that I could taste a hint of apricot. Too much and the beer takes on an unpleasant metallic and bitter edge.

Beau’s Opa’s Gose, $7.85 for a 600 mL bottle, LCBO #343921

In addition to covering beer, new restaurants and food trucks for Post City, David Ort writes about food and drink for several Toronto publications including his own site, Food With Legs. He is also the author of the upcoming Canadian Craft Beer Cookbook. For more of his thoughts on food, beer and life in general, follow him on Twitter or get in touch at [email protected].

Theatre Review: Entertaining Mr. Sloane

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I know a film critic who not only refuses to watch the trailers of the movies he’s assigned to review, but he doesn’t even IMDB them beforehand. It’s a strange notion in our age, when one can basically know everything about a movie (or a play) without even bothering to watch it. Since I haven’t read Joe Orton’s Entertaining Mr. Sloane, I thought Soulpepper’s latest production was the perfect choice to attend “blind.”

Upon entering the theatre, the stage, set in a theatre-in-the-round style that is becoming a familiar technique of Soulpepper’s, is enshrouded by a bright red curtain. As the lights dim, British rock music blares and we catch our first glimpse of Sloane (David Beazely), sporting a harshly dyed blonde hairdo of which Draco Malfoy would be envious, pacing around the stage with a cocksure swagger.

The curtains rise and we see that Kath (Fiona Reid) is taking in Mr. Sloane as a lodger. He is to stay in the living room that belongs to her and her father, Kemp (Michael Simpson). Kath also has a brother, Ed (Stuart Hughes), who stops in from time-to-time, despite his cold relationship with his sister and father.

While both siblings are instantly taken with Sloane’s boyishly good looks, their father is wary of the mysterious fellow. In fact, it’s during Sloane and Kemp’s first scene when the influence of another playwright becomes obvious: Harold Pinter.

Pinter is fond of the lurking weasel that is about to unleash some psychological and physical damage to the other unsuspecting characters. This recognition of mine was not accidental. Pinter’s influence on Orton is evident throughout his entire (yet brief) career.

Instead of one lurking weasel, there are three in this play: Sloane, Kath and Ed. They are all hiding their own selfish concerns, longings and ugliness, which are ready to be released the moment they think they’ve lost what they most yearn for.

Beazely does well dancing between a psychological and physical ruthlessness while also portraying the vulnerability that comes with being a young lost lad. It’s Beazely’s Soulpepper debut, and it’s a good one.

The real joys of the play are the performances by Hughes and Reid. Hughes, who I last witnessed (with his own brand of cocksure swagger) as John Procter in The Crucible, is almost unrecognizable as Ed, with his Tom Selleck ’stache, his stylish suits and his biting humour. Even Hughes’ physical movement onstage is a revelation: he’s a blowhard who also aches for connection.

But Reid is the star of the show to me. Her portrayal of Kath is a voracious mix of a cunning sexual predator and a helpless wannabe mother. She gives the character depth and pathos. Just like Hughes, her physical movements are very telling of who Kath is: scurrying around, cleaning and tidying up, attempting to keep up appearances — mostly for herself.

Though the end of act one drags on a bit, credit must be given to director Brendan Healy, who keeps the play tightly wound in reality with just the right amount of Ortonesque punch.

And as much as I liked the theatre-in-the-round-setting when I watched Soulpepper’s A Christmas Carol last year, I don’t think it worked well with this particular play (especially when the set had to be reversed during the second act to give the audience an alternative viewpoint).

If you happen to be in the Distillery District and want to find some cool refuge from the heat while witnessing some terrific acting, then, by all means, see Entertaining Mr. Sloane. But if you happen to miss it, don’t worry your pretty little head.

I don’t think seeing the play “blind” had anything to do with my liking — or disliking — of the play. It’s just not my cuppa tea.

Entertaining Mr. Sloane, Soulpepper Theatre Company. Runs until Aug. 24

Cottage Couture: Jeanne Beker picks seven comfy cardigans for summer

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Jeanne Beker cozies up to the campfire in her selection of comfy cardis perfect for your late summer getaway.

 

WINNER:

JOHN & JENN FROM TNT, 368 EGLINTON AVE. W., $149
“This is a wonderful sweater. It has a great flow to it. It’s got the whole stripes thing going on. It would look perfect over a black dress. This is a fantastic way to enter the late summer and early fall.”

 

 

 

BIG RED
 JOE FRESH FROM JOE FRESH,11 REDWAY RD., $29
“I can see women throwing this one on at the cottage for sure. It’s just so cozy. It also has got a nice shawl collar. You can totally wear it around the campfire.” 

 

 

FLOWER POWER
PINK TARTAN FROM PINK TARTAN, 77 YORKVILLE AVE., $395
“This has got a classic line to it. It’s a very elegant cardigan, and the satin panels in the front with the digital photo print? Just gorgeous! This is very, very chic. With a pair of skinny black jeans, you can go anywhere with this one.” 

 

 

 

A BIT OF PUNK NEVER HURT
ONETEASPOON FROM OUT ON A LIMB, 1755 AVENUE RD., $190
“This is a very funky, fun sweater. Great for the summer. When you think of a beaded sweater, you think of something quite fancy, but it has a great, sporty feel to it. And, I always love a zipper on a sweater.” 

 

 

THE NATURAL CHOICE
CAMELLIA FROM WANT BOUTIQUE, 9301 BATHURST ST., $141
“I really love the beauty of this sweater. The print is great. It has a certain romance about it, too. It has got great attention to detail. It’s a very feminine sweater, and it would look great over a summer dress, especially during cooler nights.”

 

 

 

MINIMAL CHIC
HALSTON HERITAGE FROM THE BAY, 3401 DUFFERIN ST., $350
“This just has a great sense of elegance to it, yet it’s the kind of sweater you can dress up or down. It’s always great to have a three-quarter-sleeved, boxy-style sweater in your wardrobe.”

 

 

 

LITTLE BLUE RIDING HOOD
LINE KNITWEAR FROM OVER THE RAINBOW, 101 YORKVILLE AVE., $199
“I just love this Navajo-inspired sweater from Line. It has got great little bell sleeves, a wonderful hood and it has got lovely detailing. It would look fantastic with denim, particularly white jeans.”

 

 

 

 

Drink This: Northwood’s Lady Grey Sour

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A stone’s throw from Christie Pits, Northwood has been a welcome addition to the neighbourhood. Locals perch on seats overlooking the Bloor West street scene, or they sit by the bar while Ana Wolkowski pours her simple yet elegant cocktails.

The bar manager, who hopped over from Disgraceland down the street, was aiming for an accessible cocktail menu with reasonably priced tipples. Her signature drink is the so-called Lady Grey Sour ($10).

Wolkowski infuses rye with her house blend of Earl Grey tea, featuring a black tea base alongside notes of lavender, rose hip, rose petal and bergamot. The beverage is finished with both fresh lemon juice and lemonade simple syrup, and is jazzed up with some freshly cracked black pepper.

The result? A cocktail that's slightly sweet and soothing — a welcome end to the day.

Northwood, 815 Bloor St. W., 416-846-8324

Karolyne Ellacott is a features editor at Post City Magazines. She pedals around town in heels, eating sandwiches and drinking cocktails. She writes about that, and about about other stuff too. She is also on Twitter.

For more must-try Toronto cocktails, check out our Pinterest page

 

The man behind Captain Canuck’s mask

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What credentials does an actor need to play a Canadian superhero? Based on the choice of Toronto’s Kris Holden-Ried, as the new Captain Canuck, the requirements are a resonant, commanding voice, a chameleon-like ability to juggle multiple identities and lots of Canuck cred.

In a career full of Cancon (Lost Girl and The Tudors are just a few of the actor’s best-known credits), this may just be Holden-Ried’s most Canadian role yet: he’s voicing the homegrown hero in a new animated web series.

But who is Captain Canuck? Quite simply, he’s our country’s socially conscious answer to Superman, Batman and all those other tights-clad American heroes who dominate the comic book universe. (Yes, like his U.S. counterparts, Captain Canuck does his crime-fighting in tights. But unlike them, he refuses to use lethal violence.)

You’re forgiven if you haven’t heard of the Captain, though, because, although he was conceived in 1975, he’s only just now back in the headlines thanks to a reboot by a small Toronto-based creative team. Starting with a series of webisodes that launched on Canada Day, Holden-Ried and Co. are hoping to make Captain Canuck the idol of a whole new generation of Canadians and eventually put him on television.

Understandably, Holden-Ried is psyched about his new role as a masked crime-fighter.

“It was a really nice fit,” he says of the gig. “Every kid’s fantasy is being a superhero, and many times I’ve fantasized about being one, too.”

As an only child growing up on a farm outside Toronto, Holden-Ried spent lots of time playing in the woods, “fighting goblins or whatever” in a fantasy world inspired by the sci-fi books that were his go-to reading. (The Lord of the Rings, Robert Jordan’s The Eye of the World and David Eddings’ work, for those who are curious.)

His penchant for fantasy fits well with his uncanny ability to live out several identities simultaneously (just like Captain Canuck! See above.) His high school drama experience made him want to pursue acting, but the aspiring thespian was being groomed by his father to be a successful businessman. “For him, business was the be-all and end-all,” Holden-Ried says. “When I said I wanted to be an actor, my father said, ‘No way. You’re going to  business school.’ ”

Holden-Ried conceded to his father’s wishes and enrolled in Concordia’s international commerce program. With acting forgotten, Holden-Ried the business student cultivated yet another alter ego: competitive pentathlete. (Modern pentathlon is a five-event sport consisting of shooting, swimming, fencing, riding and cross-country running. Count on Holden-Ried to excel at a sport with an identity crisis.) His childhood swimming and horseback riding had led to his winning junior nationals at age 18, and Holden-Ried’s ulterior motive for choosing Concordia was to train with the national fencing team in Montreal.

“When I said I wanted to be an actor, my father said, ‘No way.’ ”

It was, strangely, his devotion to his sport that landed Holden-Ried back in the acting world. High-level sports entail expense, and three years on the national pentathlon team were no exception. Due to inadequate funding in Canada, Holden-Ried bankrolled his athletics himself and consequently wound up in debt.

“Pentathlon was a European sport mostly, so I was travelling to Europe once a month for World Cups,” he explains.

“And I was just totally broke. I was already working a bartending job, training six hours a day and doing university.”

Needing cash, Holden-Ried decided to answer the kind of dubious newspaper ad one would only answer in desperation. A small talent agency was seeking talent, if the talent was willing to pay to get head shots taken.

“It was kind of one of those, sort of … ill repute–type ones,” says Holden-Ried, grasping for words. Regardless, he took the plunge, and somehow the first audition that came up was more or less tailor-made for him, despite one small sticking point: his complete lack of professional acting experience.

It was a starring role — Ivanhoe in the TV movie Young Ivanhoe — and called for a lead who could horseback ride and fence — but also who could act.

“After five callbacks and a nerve-racking two weeks of screen testing with the director saying, ‘No, you don’t have it. I can’t cast you,’ he finally gave the part to me,” recalls Holden-Ried. “And it was the beginning of all this.”  

After his whirlwind initiation into the business, or “trial by fire,” as he calls it, Holden-Ried had little trouble landing roles, popping up in numerous TV movies and series (including Degrassi: The Next Generation: how’s that for Canadian cred?).

Yet three years into his burgeoning career (with his father’s dream of a son’s business degree permanently shelved and the pentathlon sidelined), Holden-Ried quit acting.

He didn’t miss the pentathlon, but he missed its clear-cut rules, and the objectivity of sport.

“I was really in a weird place mentally,” he explains, “because I come from a very structured, sports-driven world, where, you know, you train this hard, you’ll drop your time by half a second. All of a sudden, I was in the acting world, and I had nothing to gauge my success by.” His insecurity about his own abilities got the better of him. 

Like any good athlete, though, he got back on the horse. And since he’s a pro, before he got back on the horse, he hired a coach. With the encouragement of actor Michael Ironside, Holden-Ried began training with accomplished performer and teacher Janine Manatis, whom he credits with giving him his skill base.

“She basically taught me how to be authentic and then how to put that into the context of work and creating character,” he says.

His work since is a testament to what he learned. As fans of the show will already know, Holden-Ried is currently at work on the fourth season of Lost Girl, in which he plays a werewolf named Dyson.

The show is based in Toronto, so in his downtime, Holden-Ried is busy at his Toronto home in yet another incarnation: father to his five-year-old son.

When they’re not shopping at Rowe Farms or the St. Lawrence Market, Holden-Ried and his son might be found watching the Captain Canuck webisode yet again. The show has found a fan in the younger Holden-Ried. After all, he’s only just figuring out that his dad is a man with at least one alternate identity.

Wanted: this pair of urban cyclist-approved commuter pants by Levi’s

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If you are a commuter cyclist in the city, you understand the complications and obstacles that may arise on your daily commute.

Beware of loose pants, as getting them caught in your bike is a wipeout waiting to happen. Unexpected rain can pretty much ruin your hopes of arriving at the office looking neat and presentable. A gradually falling waistband can mean an eyeful for the unlucky dude riding behind you. And there’s also the chance that your excessively sweaty legs are producing some interesting patches on your khaki trousers.

Levi’s Commuter Series was conceived as a stylish solution to all of these problems and a great many more. Providing highly functional yet good-looking pieces for the urban cyclist, the Commuter Series takes classic Levi’s garments and updates them with thoughtful details, such as reflective lining for better visibility. As a commuter cyclist myself, I can say with great certainty that this is a line created by people who understand what it’s like spending a significant amount of time on a bike.

The 511 Commuter Trouser, now available at Lost & Found on Dundas West, is a must-have from the series. Based on the slim silhouette of the classic 511, these pants are more breathable and have a higher rise, making them easier to move around in with little risk of showing too much backside. They’re also water-resistant, dirt-resistant and odour-resistant, so unexpected rain or excessive sweating will no longer put a damper on your fly entrance to any place ever again. Reinforcement in the seat and back pockets means these have a longer life span than the average pants, and the Scotchlite reflective tape on interior cuffs, plus U-lock storage in the waistband, make these every cyclist’s dream pants.

You can make this dream a reality right now for $108. While these are currently available only for men, I’m hopeful that they will be attainable for us ladies within a short matter of time.

$108. Available at Lost & Found, 1255 Dundas St. W.

TIFF Cinematheque presents a retrospective of French filmmaker Leos Carax

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Since its debut at Cannes last year, Leos Carax’s Holy Motors has been dazzling audiences lucky enough to experience it. An immersive and surrealistic journey, Holy Motors marked Carax’s triumphant return to the big screen after a 13 year feature-film hiatus.

From August 9 to 13, TIFF Cinematheque presents a retrospective of Carax’s limited but powerful film portfolio, showing all five of his features, and Carax himself will be in attendance at several screenings.

Boy Meets Girl

This black-and-white 1984 drama — Carax’s first film — is intimate and atmospheric. It’s also the first time Carax collaborated with one of his favourite actors, Denis Lavant. He plays Alex, a forlorn soldier who wanders into a party and meets a similarly depressed Mireille. So forms a liaison that revels in the mystery of the night, a dreamy and melancholic journey of young love.
Aug. 9, 6:30 p.m.

 

Bad Blood

Lavant returns as a thief in this thriller that plays off a very common Carax theme: tragic love. This beloved cult film is magical and surreal, and features one of the most memorable scenes in French film history as Carax’s careful camera follows Lavant as he dances wildly down a Paris street to David Bowie’s “Modern Love.”
Aug. 10, 6 p.m. Carax in attendance.

 

Holy Motors

A unique movie to be sure, Holy Motors is imaginative, thought-provoking and downright bizarre as we follow the mysterious Monsieur Oscar in his limo through one lonely night as he goes from job to job. Lavant once again stars, crossing paths with Kylie Minogue and Eva Mendes, among others.
Aug. 10, 9:15 p.m. Carax in attendance.

 

The Lovers on the Bridge

Perhaps Carax’s most ambitious work, a troubled production led to an imaginative, far-reaching romantic fantasy that boasts spectacle after spectacle. It follows two drifters who meet serendipitously, fall in love and take to crazed celebrations and adventures of excess and magic. The exuberance of the film parallels the passionate, crazed love, a path filled with fireworks, dancing and fire-breathing.
Aug. 11, 4:30 p.m. Carax in attendance.

 

Pola X

Prior to Holy Motors, Carax had not made a feature since 1999’s controversial and graphic Pola X, a romantic thriller inspired by Herman Melville’s Pierre: or, The Ambiguities. Sexual tension abounds in the life of Pierre as he resides in Normandy with his watchful mother and adoring fiancée. His attention is divided once more, however, when he meets a wandering woman who turns out to be his half sister — the daughter of one of his father’s mistresses. The two begin an illicit romance, shown in a graphic and unsimulated sex scene, but like many of Carax’s other characters, these lovers are star-crossed.
Aug. 13, 9:00 p.m.

 

Too Close to Call: Pan vs. Pantheon

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This month we pair Pan on the Danforth with Pantheon in anticipation of — what else? — the 20th annual Taste of the Danforth. Which legendary Hellenic joint is more heavenly? You choose.

Pan

vs.

Pantheon

Chris Christodoulou (pictured, co-owner with wife, Soula). Owner
 
John Troupis (pictured, co-owner with Nick Parussis).
Garlic is a big part of Greek Cuisine. It goes with everything. Greek ingredient you can’t live without? I’d have to say feta cheese.
Souvlaki — you know exactly what it is. Souvlaki or gyros? I prefer souvlaki — it’s healthier.
Aphrodite — she’s prettier! Dionysus or Aphrodite? Both — they go hand in hand!
The dolmades — stuffed grape leaves. It’s a family recipe with fresh mint, which makes a huge difference. Have any of your yia yias recipes made it onto the menu? Our chicken soup is made the traditional way. It’s soothing and healing in the cold winters in the villages. 
Glyfada is one of the best-kept secret areas in Greece. It’s an unbelievable combination of the mountains and the beach. Best place to head to in Greece? Depends on whether your married or single. If you're married, all of Greece. If you're single, head to Ios Island — or Athens.
We have a big tent and 14 people working on food preparation. Are you doing anything special for Taste of the Danforth? Yeah — were getting lots of water and staff for the restaurant!
I don’t know! But a well-known fact is that everybody's using “Opa!” Little-known fact about the Greeks? We don't give up that easily!
516 DANFORTH AVE.   407 DANFORTH AVE.

 

 

 

 

 

Tony Aspler’s Weekly Wine Pick: a rich and lively South African red

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One of the best-value red wines at Vintages. It’s a richly extracted full-bodied wine with a spicy, smoky nose of blackberries and black olives. It has a sweet and savoury taste backed by lively acidity.

Food match: barbecued meat, fresh Parmesan

 

Porcupine Ridge Syrah, 2012, South Africa, $14.95. Vintages #595280

Post City Magazines’ wine columnist, Tony Aspler, has written 14 books on wine and food. Tony also created the Ontario Wine Awards and has been inducted into the New York Media Wine Writers’ Hall of Fame. He can be heard on 680News.