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What to Watch at TIFF 2013: day one

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The Toronto International Film Festival has descended upon the city, and with hundreds of choices, picking the right film to see can be overwhelming. We’ll be bringing you recommendations every day, from major Hollywood features to compelling docs — the best from around the world. These are films that deserve to be seen, either during the festival or after.

 

Blue is the Warmest Colour

Rating: 4.5/5

This year’s Palme d’Or winner is intimate, startling and emotional, and for better or worse, it will be talked about for a long time. A very close and watchful camera follows the 17-year-old Adèle (Adèle Exarchopoulos) as she explores her sexuality and forms a relationship with the older Emma (Léa Seydoux), confronting personal and professional issues along the way.

The camera stays steady on Adèle for most of the film, whether she is eating, drinking or simply staring. The three-hour run time makes this a lengthy movie, but it’s paced exceptionally well; several explicit sex scenes, including one that seems to go on for 10 minutes, may challenge some viewers.

Directed with care and dedication by French-Tunisian filmmaker Abdellatif Kechiche, it’s a coming-of-age story grounded in reality, with honest humour and authentic conversation. It’s a gripping and potent film, one that will certainly be memorable for some time — if you can handle it.

Sept. 5, Winter Garden Theatre, 7 p.m.
Sept. 7, Scotiabank 4, 2 p.m.

 

Only Lovers Left Alive

Rating: 4/5

Here is a film starring Tom Hiddleston and Tilda Swinton as a vampire lovers who sleep all day and rove around at night pondering the mysteries of life.

The pair make a most striking on-screen couple in this quiet and atmospheric picture that touches on loneliness, love and destruction. To be sure, it’s a peculiar film, with random bits of humour and contemplative conversations on the past, present and future of humankind.

Hiddleston plays Adam, who calls humans “zombies” and is the more awkward and uncertain one in the couple. Swinton plays his wife of some centuries now, named Eve (of course), who is more assertive and confident, traveling across the globe to visit him in his desolate and dark apartment in Detroit.

The film changes upon a visit from Eve’s younger sister, a vampire named Ava, played with brilliant teenage waywardness by Mia Wasikowska. While her presence increases the activity and noise in this tempered film, it is simply another chapter in the lives of two people who have been through everything and seen it all.

Sept. 5, Ryerson Theatre, 9 p.m.
Sept. 7, Bloor Hot Docs Cinema, 12:15 p.m.

 

Tim’s Vermeer

Rating: 4.5/5

Penn and Teller — yes, the Penn and Teller who perform magic, debunk myths and simply entertain as a very odd couple — bring to us this mind-blowing documentary about inventor Tim Jenison.

Jenison, a man who is very successful but who has never painted seriously in his life, believes he knows how Dutch master Johannes Vermeer crafted his famous paintings in the 17th century, and thinks that he can do the same, scientifically, of course.

Part investigation and part character study, Tim’s Vermeer is about dedication, determination and science taken to the extreme, told in a light-hearted yet spellbinding way. Penn and Teller add quite a bit of wit to a film that is both refreshing and staggering. Masterfully chronicling years upon years of unbelievably meticulous work by Jenison — I hesitate to give away his hypothesis and method — we end up with an astounding piece of work that cannot be missed.

Sept. 5, TIFF Bell Lightbox 1, 6:30 p.m.
Sept. 6, Scotiabank 2, 1:30 p.m.

Fifty fades of blue: Jeanne Beker picks out the jazziest jeans for fall

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From boot cut to skinny, Jeanne goes back to the basics this fall and picks her favourite pairs of blue jeans.

 

WINNER: MOM KNOWS BEST
MOTHER from BELLA, 498 Eglinton Ave. W., $260
“These are exactly like the jeans I used to wear in the late ’60s. There’s a nice kind of fade to them, and there’s a nice quality to this denim. Very comfy and very soft.”

 

 

 

 

 

FROM ITALY WITH LOVE
DIESEL from FIVEOSEVEN, 498 Eglinton ave. W., $300
“What I like about these is the incredibly light weight. There’s a good amount of stretch. They’d be great to wear if you get hot, and they’re pretty hot looking!” 

 

 

ROMANCING THE (RHINE)STONES
EDIT JEANS from THE BAY, 176 Yonge St., $100
“These, from my Edit line, are very user-friendly. The rise isn’t ultra high, just enough to hug you in the right places. They’re definitely very feminine.”

 

 

 

 

JT’S TOUCH
WILLIAM RAST from THE BAY, 3401 Dufferin St., $190
“This is Justin Timberlake’s brand! Hey, if you’re a 65-year-old bubbie with a hot body and you want to wear faded jeans with studs, this is the way to go.”

 

 

 

 

 

SLIM IS ALWAYS IN
FIDELITY DENIM from OVER THE RAINBOW, 101 Yorkville Ave., $198
“There’s lots of stretch to these, so you know they’ll fit tight and look really cool. These are great, sexy little jeans. And I love the zippers at the bottoms.”

 

 

 

 

 

 

A CLASSIER ALTERNATIVE
FRAME from MENDOCINO, 2901 Bayview Ave., $205
“These look like a good, basic, faded denim jean! The rise isn’t too, too low, and they’ve got cute sitching going down along the inside. Absolutely classic.”

 

 

 

 

FROM SOMEBODY TO…
NOBODY from LILEO, 55 Mill St., $330
“These are great because they’re quite plain and simple, and they’ve got this beautiful stiching along the side. They’ve also got a nice amount of stretch.”

 

 

 

 

DISTRESSED DAYS
ADRIANO GOLDCHMIED from HONEY,
2901 Bayview Ave., $295
“For those that love that distressed look, this is a classic distressed jean. It’s a cigarette leg, so it’s pretty skinny. They look like they’ve been around forever!”

 

 

 

 

BELTS (from left to right): Salvatore Ferregamo, $325, from HOLT RENFREW; Closed, $298, from LILEO; Brave, $80, from BRAVELEATHER.COM; M0851, $70, from M0851; Suzi Roher, $325, from FREDA'S ORIGINALS; Prada, $355, from HOLT RENFREW; Aldo, $20, from ALDO; Suzi Roher, $540, from ANDREW'S; Anne Taylor, $48, from ANNE TAYLOR

 

 

The Real Jerk is reopening — apparently for real this time

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Fans of longstanding Jamaican spot The Real Jerk were outraged last year when landlords evicted the business seemingly out of the blue. But The Real Jerk’s team vowed to come back, and it looked like they would be setting up shop at a new condo nearby until residents got flustered about the liquor licence application. Now the restaurant has secured a new location, and it’s apparently ready to open soon.

Owner Ed Pottinger told Global News that he’s found a new home for his business at Gerrard and Carlaw. Video footage shows that the new location will be taking over the former site of The Playpen at 842 Gerrard St. E., which was a relatively short-lived venture from veteran restaurateur Johnny K (who wasn’t immediately available for comment).

Global reports that the majority of staff will be returning, and that if all goes well, the new Real Jerk could be open in less than three weeks.

[Global News]

Coming soon to Davenport: Working Title, a new menswear shop from the owners of Lost & Found

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The team behind Dundas West’s popular café-cum-clothing shop, Lost & Found, is slated to launch a new store this week. Lost & Found owners Jonathan Elias and Justin Veiga have dubbed their sophomore retail project Working Title.

The new store, which officially opens Thursday, will carry high-quality menswear with a selection that spans from classic cuts to avant-garde statement pieces. Expect to see brands such as Engineered Garments, MHL, Patrik Ervell and Gitman Bros., as well as a curated collection of art and photography books that the owners have sourced from across the globe. The basement bookstore will also act as a gallery space.

Working Title’s launch party kicks off at 7 p.m. tonight.

Working Title, 126A Davenport Road, 416-551-1085

Drink This: The Cocktail Parlor’s South of France

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Right in the heart of soon-to-be TIFF central sits The Cocktail Parlor. A swishy new addition to the libations scene, this upscale watering hole is fit with an awe-inspiring bar and a novella of a cocktail menu. Denizens are bound to receive an impromptu history lesson from head mixologist Wes Galloway, who possesses an encyclopedic knowledge of all things booze-related.

Galloway’s signature cocktail is the South of France ($19), which he’s been working on for two years, tweaking until perfect. The drink is a heady mix of absinthe, Sauvignon Blanc, mint and a house-made ginger tincture.

“Anise and sauvignon blanc share lots of volatile molecules,” Galloway says, referring to their chemical composition. Topped off with crushed ice, the result is a drink that tastes like black licorice, but possesses more subtlety than, say, sambuca.

As for all that jazz about absinthe making one go mad, that’s a load of bollocks. Just ask Galloway.

The Cocktail Parlor at Storys, 11 Duncan St., 416-367-5151

Karolyne Ellacott is a features editor at Post City Magazines. She pedals around town in heels, eating sandwiches and drinking cocktails. She writes about that, and about about other stuff too. She is also on Twitter.

For more must-try Toronto cocktails, check out our Pinterest page

 

Momofuku’s master chef: a profile of David Chang

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You walk into Momofuku and it doesn’t feel like any place else — at least any place else in Toronto. The three-storey restaurant complex  hums with a vibe of effortless cool.

Now, there are plenty of cool places in Toronto — places such as the Thompson Hotel, the Black Hoof and Grand Electric. Momofuku isn’t like those places. And though its chef and owner, David Chang, is a cursing and drinking rock star, his place is somehow welcoming and impressive at the same time. But the 36-year-old Chang, who cut his teeth at some of New York’s best restaurants, who sells his ramen noodles for $15, doesn’t care much for cool.

“Cool is pretty transient and subjective, so we just try to listen to our employees and what feels right to us as a group,” Chang writes in an e-mail, unavailable for a conversation, though where exactly he was no one would say.

“I don’t feel like we have transformed American food tastes — we just wanted to make good food that is accessible to everybody.”

Good food, however, is available in spades in Toronto. This month, as the city transforms into Hollywood North, expect any and all of your favourite celebrities to be upstairs at Shoto, Momofuku’s exclusive top-floor restaurant, where the tasting menu begins at $150. Odds are, Chang will be right there, carousing with his bold-faced clientele.

But who is David Chang, and how did he become the face of a new food empire?

Raised in northern Virginia, the Korean-American comes from affluence. His father and his father’s friends were his first financial backers, but the James Beard Award–winning chef didn’t become a star overnight. He had no idea what he wanted to do after college, and when he started cooking in New York, he rose through the ranks like anyone else. Silver spoon aside, nothing about Chang was anointed.

And though ramen is now available on virtually half of the menus in the GTA — largely due to Chang’s influence — chef remains humble about his place in the culinary art world.

“Ramen was here before Momofuku in Toronto, and I am certain that it will be here long after Momofuku,” writes Chang.

In February, Bon Appetit magazine called Momofuku “the most important restaurant in America,” so his tendency to downplay his own influence is interesting. Of course, the guy’s a salesman, as well as an artist.

And he’s certainly not afraid of speaking his mind. Liquored up, he gave a talk in 2009 with Anthony Bourdain and had this to say about San Francisco: “F**kin’ every restaurant in San Francisco is just serving figs on a plate. Do something with your food.”

As chef continues laying out his foundation in Toronto, where two can dine royally at his Noodle Bar for $100, he must realize he’s arrived in a city that doesn’t traditionally reward boasters from New York.

Donald Trump is currently getting his tail handed to him, and New York’s nightclub king Peter Gatien came to Toronto full of bluster when he opened Circa, his $5 million nightclub that closed after three years. It’s hard to make it across the border, where a different sort of style earns rewards. Is it possible that Toronto won’t get what Chang is trying to do?

“Yes, a city can not like our restaurant, but this only challenges us to evolve and to be better,” writes Chang. “We try to pay respect to a variety of culinary traditions, with the underlying goal of making our food taste very good.”

Of course we want our restaurant food to taste good, but more and more, a restaurant is like a show. And the chef is the star. But just because a concept is popular in one place doesn’t necessarily mean it will work somewhere else.

Chang, who produces a dirty and beautiful food journal for McSweeney’s, has the magic touch. There’s an atmosphere in his restaurant that’s somehow inclusive and cool.

Maybe the reason so many chefs think they’re Gordon Ramsay, I write to Chang, is because reality TV shows are giving cooks a big head.

“People can criticize reality TV — it’s an easy target, but at the end of the day, anything that helps raise food awareness, which it certainly has, is a good thing,” he writes. 

“How do you pick your people?” I ask.

“The first thing they must know is that working in our kitchen is a team effort,” writes Chang.

Reading Chang’s answers to my questions — and later discovering in a gossip column that chef was actually in Toronto, spotted at the Shangri-La Hotel, in shorts, in the very same week that my wife and I ate his food — I try to match the life of a celebrity cook with his media image and the experience we had at his grand Toronto restaurant. Being an outspoken bad boy is just the right look for reality television, but when you want to become a brand that’s global, it’s easier offering innocuous sound bites.

Questions the chef chose not to answer were about which Toronto restaurants he likes and which ones he doesn’t. Clearly, the man wants to welcome the city to his table.

“We need to always strive to be better and improve upon our mistakes. We do this to make sure that everyone has a great time when they spend their hard-earned money with us,” writes Chang. “We are very appreciative of Toronto and we want to be great neighbours.”

The crib guru

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If The Dude from The Big Lebowski needed an interior designer to fix up his living space, he’d call Damon Snider.

Snider hit the ground running after started his Type-D design firm, making a name for himself as a man-cave specialist. His Twitter handle says it all: TheDudeRefined.

Recently, Snider has been featured in a number of newspaper articles in addition to an appearance on The Morning Show with Liza Fromer. His dude aesthetic is unique, and he stumbled upon it by accident.

The 2010 Forest Hill Collegiate Institute grad drifted from personal training to graphic design to building furniture, but when he decided to fix up his own living space everyone took notice.

Snider brought over his made buddies to hang out and see his work and he noticed that they were quite impressed. But the true test was when he brought some women over, but they were also impressed by his style surroundings. 

Snider soon founded Type-D Living and became an interior designer. Instead of focusing on more high-end clientele or families, Snider set his sights on the average Joe for Type-D.

“I wanted to focus on these guys who if not for me would have posters on the wall or beanbag chairs or random pieces of furniture,” Snider says. 

It’s a field that Snider felt he couldn’t have anticipated, when he was in high school, as back then he floated along hoping that he’d find exactly what it is he wanted to do for the rest of his life. Interior designing it turns out was the answer.

He found himself loving the freedom of working for himself, the creativity that he gets to express and that no job was ever the same. Another perk of the job was helping his fellow man.

“A lot of these guys don’t know what they really want, so I get to express myself, and they sort of hang on to my words and trust my judgment,” Snider says. 

Snider says he excelled in virtually every class, but finding that perfect job wasn’t easy. He suggests to high school students who were as stuck as he was to stick with it to find their calling.

“My only advice is that you won’t know exactly what you want to do and everybody is nervous and scared and trying to figure it all out, but there’s definitely time for that whole process to make sense of it.”

Miracle on 87th Street

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Monica Smiley, a 2005 Thornlea Secondary School grad, anxiously picks up the phone, dials a few numbers and waits. She has made a half dozen calls so far, asking stores to meet with her and look at her product, Eighty Seventh St., a series of fashion-inspired greeting cards  for any ocassion (she recently produced a beautiful 2013 holidays line) that she built from the ground up.

Smiley’s journey started as early as age nine, when she had dreams of being a fashion designer. She was transfixed and fascinated by the mere idea of fashion designers sketching. By the time she reached Thornlea, the margins of her notebooks were overflowing with thin little fashion figures. The sketches helped make the time at school bearable.

Noticing Smiley’s talent was Thornlea fashion teacher Ms. Culdery, who took Smiley under her wing. She gave Smiley the support she needed and provided substantial assistance when it came time to apply for university. “I was always certain of what I wanted to do,” Smiley says. “I was pretty confident in my skills. She just developed them further.” Additionally, art teacher Mr. Kauder showed Smiley appreciation for her drawings. He was the type of  teacher that many students were intimidated by, so his approval gave her the confidence to believe that she could make a career out of her passion.

“When professional people notice what you’re doing and reward you, it encourages you to keep going," Smiley says.

But soon, facing the reality that fashion designers were part of a dying breed, she felt she had to alter her goals to make her dreams a reality. So she began a greeting card company, which allowed her to turn her passion for fashion illustrating into a job and gave her nearly complete control. “I love that it’s all me, it’s completely creative,” Smiley says. “I can do anything. There aren’t too many guidelines, except the categories like birthdays and holidays, but I like putting my own twist on that.”

Despite not having any experience with running a company, she had retailers clamouring for her fashion-inspired greeting cards for any ocassion. Now she’s looking at expanding her business beyond Canadian borders. But it was her time at Thornlea that prepared her for her career in art. The demanding courses combined with her strong work ethic helped her create something she now loves.

Physics to cosmetics

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When Linda Stephenson, founder and creator of Toronto-based cosmetics company Mèreadesso, left her North Toronto all girls high school, she was in for a bit of a shock. With math and science her favourite subjects at Branksome Hall, the keen teen decided to try for a bachelor of science degree at Toronto’s U of T.

At university, Stephenson was exposed to a different world. “Maybe 20 per cent of the class was female; in physics maybe five per cent of us were female,” she notes.

While at Branksome, Stephenson was oblivious to the fact that the sciences were a field that attracted significantly more males than females. 

In fact, while at high school, Stephenson excelled not only in the sciences but math as well, something she now feels may not have been possible if she attended school with boys.

“The key is that when it came to subjects that I loved and naturally gravitated towards — math, physics, chemistry — there was no issue of whether it’s correct for a girl to take these subjects. I was completely gender-blind,” Stephenson says.

In retrospect, she credits her girls-only school for giving her an optimal environment for exploring those subjects.

While working away at high school, Stephenson aced tests in physics, chemistry and math but  found herself floundering in English, something she feels had to do in part with the subject’s subjectivity. Stephenson spent hours of her young high school life rewriting assignments and working on extra credits. Her English teacher, Norm McCrae, grew to be a great influence in her life. As Stephenson got to know McCrae better, McCrae became a mentor figure in her life.

The encouragement to rework her assignments to something she felt was amazing in part came from McCrae, and the impact she left in her life is still there today.

“To this day, when I write something and I say, ‘Oh, that’s a dangling participle,’ ” Stephenson says, “and I’m like, ‘Oh my gosh, she’s still in my head! She’s still there!’ ”

Now at the helm of Mèreadesso, she strives to make her company an international brand, hoping to bring her product in to the U.S. next year, and her success is something she can trace back to her early days in high school.

Stomping the boards

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After graduating from Cardinal Carter School for the Arts, Sarah Magni headed to New York City and used her sizable artistic talents to take a stab at show business including a stint with the acclaimed Upright Citizen’s Brigade and an Off-Broadway sketch comedy show.

But she might never have accepted an offer from the prestigous American Musical and Dramatic Academy and had such a profound experience if it wasn’t for a particular school guidance counsellor that set her straight.

It was the first time going that far without her parents. Would she be able to make it on her own for that long? Magni wasn’t too sure so she turned to her high school guidance counsellor, Mr. Duckworth, who also was faced with a similar dilemma when leaving high school.

“He said just do it or else you’re just going to spend the rest of your life regretting it, and if you don’t like it then you just come home,” she says, remembering.

In retrospect it was a fairly easy decision she says, but she couldn’t have seen it that way at the time.

She made the leap to the New York theatre school, and she loved it.

“I’m glad that I did, I definitely would have regretted it. I think that was a turning point for me, that conversation,” Magni says. After her New York City theatrical experience, she came back home and started Thatz Showbiz, a musical theatre camp in Vaughan.

“I’m able to give this gift to other kids and watch them grow,” Magni says of her program.

“I still love performing and I still continue to do that. Both make me very happy.” 

So far she has managed to do both. She manages the school and tours around her solo show Stamped: A Story About Daniel, based on her experiences with her autistic brother Steven. The show was a real crowd pleaser at last year’s Toronto Fringe Festival.

Still, Cardinal Carter Academy for the Arts plays a major role in her life. She regularly stays in touch with her high school friends, and one of them who graduated from the school’s dance program now teaches for her at Thatz Showbiz.

Magni also tries to stay in touch with her former guidance counsellor, who was a big help in her life, and she still looks back fondly at her time in high school.

“I think it was a really great environment,” she says. “Maybe I’m biased, but I think we had the best teachers anywhere.”

Too Close to Call: Type Books vs. Ben McNally Books

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With Literacy Month here, we paid a visit to iconic bookstores Type Books (Spadina/St. Clair) and Ben McNally Books (Bay/Richmond). Who’s poised to take the title of best indie bookstore in Toronto.? You make the call. 

Type Books

vs.

Ben McNally Books

(Co-owner) Joanne Saul, Type Books, 2006 Owners and year opened:
 
Ben McNally, Ben McNally Books, 2007
Impossible! My top three would have to include My Car, Anne of Green Gables and Mill on the Floss. Favourite books of all time: The Master and Margarita by Mikhall Bulgakov. The two interlocking narratives are remarkable; funny in places, profound in others.
The holidays for sure, but Mother’s Day is a close second. Busiest time of the year: October is our busiest time. We have at least one event almost every night.
What is an e-reader? Thoughts on e-readers: I don’t think about e-readers.
A $1,200, XL edition of Harry Benson: The Beatles from Taschen. Priciest title in the store: Taking My Time by Joel Meyerowitz. It retails for $750.
Sarah Polley, Michelle Williams and Atom Egoyan, to name a few. Most notable customer: I would have difficulty picking one at the expense of others. Lots of our customers are publicly active in various ways.
(I’ll be) making a donation to Word-Play, a non-profit reading and writing enrichment program for school-age kids that runs out of our Queen Street location. Plans for Word on the Street and Literacy Month: We’ll be selling books at the Random House Remarkable Reads Booth at the Word on the Street.
     
427 SPADINA RD.   366 BAY ST.

 

 

Toronto’s Dîner en Blanc transforms a dismal parking lot into a magical dining experience

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An hour before Toronto’s second official Dîner en Blanc was slated to commence, 1,600 people were eagerly checking their emails because they still hadn’t a clue where this year’s event was going to take place. Last year, 1,400 people gathered at Fort York (in the rain no less!). Part of this international pop-up dinner party’s magic is that guests don’t know where they’re headed to until the eleventh hour (6 p.m. in this case).

Once attendees were informed to gather at Shuter and Mutual, pilgrims decked in all-white togs began to scurry over to the dinner site. Each duo of guests (registration is limited to pairs) came to the venue toting white chairs, collapsible tables, white tablecloths, china dinner services and three-course meals packed into picnic baskets. Some keeners brought crystal chandeliers with them, others ornate bouquets of white orchids, while still others brought simple splashes of colour, including a yellow dahlia in a glass.

Since its inception, the Hogtown incarnation of Dîner en Blanc has expanded every year (this year’s wait-list was in the thousands). As people trickled into the venue — a large, grey parking lot just west of Regent Park — a squadron of volunteers directed attendees with militant precision.

There was a distinctly Toronto feel to the event: it was organized, it was surrounded by concrete with a skyscraper backdrop and it was subject to banal bureaucracy (all other Dîner en Blanc events are BYOB, but because of city bylaws, organizers of the Toronto incarnation of the pop-up dinner must supply the booze).

Despite the popularity of the event, many attendees were a bit disappointed when they arrived at the parking lot venue. But as dinner setup wrapped up, living statues, acrobats and burlesque dancers began to traipse around the tables, injecting the crowd with a touch of whimsy.

French yé-yé tunes and ’50s-style crooners provided the musical backdrop as the parking lot transformed from dismal urban blight into a magical space for one evening. After the traditional lighting of the sparklers, a live band took the stage and people began laughing and dancing, and some started brazenly drinking red wine (once the white and the bubbly ran out).

Dîner en Blanc Toronto co-founder Nicholas Wong read about the New York incarnation of the international event a few years ago and decided to stage a renegade Dîner en Blanc at the Distillery District in 2011. Dîner en Blanc, which began in Paris 25 years ago, has spread across the globe, with sister events taking place everywhere from Mexico City to Kigali to Singapore.