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Concert Review: Bon Jovi at the ACC

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Jon Bon Jovi has spent the past 30 years honing and perfecting the ideal arena rock experience. He and his band play with energy, passion, audience engagement and stage spectacle, all the while delivering a fresh set list every night.

The touring juggernaut is one of the surest acts in the business, all but guaranteeing a near three-hour intermission-less set featuring 20-25 hits all performed with an infectious enthusiasm, particularly on the part of the ageless lead signer.

The downside of producing such a consistently entertaining product – if you could even call it a 'downside' – is that it creates an awfully high standard for every future show. And when you've played the Air Canada Centre more than any other band, minute flaws inevitably start to reveal themselves.

The band's Saturday night show at the ACC was supposed to have an added special layer, stemming from a controversial decision by MLSE to honour Bon Jovi with a banner to hang in the rafters a la Maple Leaf legends and age-old Stanley Cup triumphs. Whether it was the pathetic flimsiness of the banner, itself, or the stuffy, corporate feel to the pre-show 'ceremony', it certainly started things off on an odd foot.

From there, it was the typically reliable parade of crowd favourites, albeit with some ever-so-slight differences.

Even as Toronto native Phil X performed admirably as Bon Jovi's temporary guitarist (he'll travel with the band for all of their Canadian dates), the absence of Richie Sambora was evident, with the band lacking a musical counterpoint to Jon's vocals (particularly on "Wanted Dead or Alive"). Their ever-so-slightly-off sound wasn't helped by technical  issues that plagued a handful of songs, most notably "(You Want to) Make a Memory" (Jon took the problems in stride at first, but seemed to grow frustrated as they persisted).

Did any of these minor flaws take away from what was still an awfully fun night of great music? Not if you ask any of the people in attendance at the sold-out, 20,000-seat venue, who infused the show with plenty of life.

Wanted: this pink down jacket from Pop Up 120

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Opening this past spring on the Ossington strip, Pop Up 120 is a "rotating pop up shop concept that features a unique, dynamic brand, event or exhibition each season." Conceived by the wholesale distribution company, AgencyOne, the pop up shop strives to act as a mouthpiece for emerging fashion brands, promoting brand awareness to the Toronto community at large.

As a huge fan of Danish fashion, I was pretty excited to learn Denmark's Ganni is the second label to grace Pop Up 120 since the store's inception, and will stick around until February 2014. Ganni was founded in 2000 in Copenhagen and the label produces classic pieces with contemporary design details. Upon visiting the shop I spotted plenty of angora knits in neutral colours, sensible ankle boots and court shoes in suede and patent leather, wool coats cut like menswear, and Ganni's signature line of vintage-inspired lingerie.

Perhaps it was the particularly frigid night air this past weekend, or perhaps it's all the pink coats I've been dreaming about, but the Down to Earth jacket in Rose Smoke was an immediate favourite. A classic down jacket in an unexpected dusty pink, this piece wins for being soft and light while keeping you plenty toasty in the dead of winter. If you're concerned that the pink is a bit too Barbie for an adult woman, consider that the utilitarian silhouette of the down jacket is a nice counterbalance to the sugary shade.

$320. Available at Pop Up 120, 120 Ossington Ave., 416-703-2916

Chef's Secret: How to make Charlotte Langley's Bouillabaisse

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Chef Charlotte Langley, who runs the show at seafood resto Catch, has shared her recipe for bouillabaisse, a Provençal staple chock full of fresh fish. This hearty dish — which chef refers to as her “party soup” — originally came about as a way to cut costs at the Whalesbone restaurant in the nation’s capital, resulting in rave reviews. “It’s inspired by a lobster bisque,” Langley notes. Chef always goes with the freshest fish available and, to jazz it up, tosses more seafood in the mix. “It’s good for this time of year — it’s sorta spicy and it’ll warm you up!” 

 

See recipe here

 

Weekend Warrior: Whisky Live, The Royal Agricultural Winter Fair, David Cronenberg: Evolution, The National Women's Show

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It's Friday and the weekend is fast approaching. Need things to see or do? We've got you covered. In this edition: TIFF's first major original exhibition, a winter fair at Exhibition Place, a celebration of the Day of the Dead and more. 

Whisky Live

When: Nov. 1
Where: The Westin Harbour Castle 
Details: Toronto hosts the eighth annual Whisky Live today at the Westin Harbour Castle landmark hotel at 1 Harbour Square. The event will feature live entertainment, a buffet, and naturally, unlimited whisky tastings galore from local and international vendors. Tickets can be bought online.


The National Women's Show

When: Nov. 1-3
Where: Metro Toronto Convention Centre 
Details: Ladies, treat yourselves to the ultimate girls day out. This weekend-long show combines food and wine samping with shopping at over 450 vendors, celebrity guests, makeovers, and the opportunity to check out some of the latest products just for women. 


The Royal Agricultural Winter Fair

When: Nov. 1-10
Where: Canadian National Exhibition
Details: Celebrate Canadian agriculture at The Royal, beginning this weekend. Perfect for kids and adults alike, this annual fair offers food vendors, a petting zoo, The Royal Horse Show, a butter carving gallery, square dancing, and a chance to talk to and learn from Canadian farmers who produce naturally delicious local meats, cheeses, veggies and more.


David Cronenberg: Evolution 

When: Nov. 1-Jan. 19
Where: TIFF Bell Lightbox
Details: The TIFF Bell Lightbox debuts it's first major original exhibition this weekend, featuring a "loosely chronological" overview follwing the great David Cronenberg's career as a filmmaker. Curated by TIFF Director Piers Handling and Artistic Director Noah Cowan, the exhibition is divided into three sections tracing the theme of human evolutionary development throughout Cronenberg's work. Tickets can be bought online, or at the Lightbox. 


Dia de los Muertos 

When: Nov. 3
Where: Evergreen Brick Works
Details: Take a trip to the always-scenic Evergreen Brick Works this Sunday for a celebration of Latin American culture. Featuring all-day family friendly entertainment, this post-Hallows Eve event will feature a traditonal Mayan opening ceremony, a chocolate skull building workshop, and a Mexican Market selling favourites like churros, tamales, and salsa picante. 

The Rock 'n' Roll Revival Hour: RAA, Two Hours Traffic, Paul Langlois, The Last Pogo Jumps Again and Rob Ford tweets from T.O. rockers

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Advantage RAA

Juno Award-nominated band Rural Alberta Advantage have announced that they will head into the studio to begin work on a new album scheduled for release in 2014. With said announcement, the trio will also be playing a few select concerts in the United States and Canada. Sadly, no Toronto date has been announced. But we're initiating a write-in campaign starting now. The Rural Alberta Advantage was founded in 2002 and includes the current incarnation of Paul Banwatt (drums) and Amy Cole (keys, percussion, backing vocals), along with founder Nils Edenloff (singer/songwriter).

 

Two Hours Traffic announce farewell tour

East Coast rock stalwart Two Hours Traffic has called its quits and have announced a farewell tour that includes a stop in Toronto on Dec. 12 at Lee's Palace. The band posted a statement on their website that reads, in part,

"To all of our friends and fans. After 12 years of making music together we have decided that Foolish Blood will be our final album. We want to make it clear that we are not breaking up due to any personal problems within the band or because of any creative issues – it is just the right time. We want to thank all of you from the bottom of our hearts for the love and support we have received over the past decade. We have travelled farther and met more wonderful people than we could have ever imagined. When we started playing music together in our parents’ basements in 2001 our only intention was to write our own songs and hopefully get to play them for an audience. We truly feel fortunate that we have been able to do that for as long as we have."

Check out the video for their song "Amour Than Amis" below.

 

Hip to be solo

Paul Langlois of seminal Canadian rock band The Tragically Hip has announced his second solo album Not Guilty scheduled for release on Nov. 5. through Ching Music. The guitarist will also embark upon a Canadian tour that includes a stop in Toronto's Horseshoe Tavern on Nov. 28. With The Tragically Hip, Langlois has released more than 12 albums and was inducted into Canada's Hall of Fame. The album, Fix This Head, was recording in Bath, Ont. at The Bathouse Recording Studio with the help of fellow musicians Jeff Montgomery, Mauro Sepe and fellow Hip band member Rob Baker. For a taste of the new album check out the single "Watching You" below:
 

 

Hey ho let's go… to the last pogo?

Canada's most infamous punk concert, The Last Pogo, along with other key events and happenings from punk's first wave in the 1970s in Toronto was chronicled in a film dubbed The Last Pogo Jumps Again, which played to a sold-out screen at the 2013 Canadian Music Week. The film returns for a short run from Nov. 1-7 at Big Picture Cinema, 1035 Gerrard Street East. The film features rare concert footage including The Last Pogo at the Horseshoe Tavern, and a rare recording of Kurt Cobain covering Toronto band The Viletones's "Possibilities."

The Last Pogo Jumps Again trailer from Colin Brunton on Vimeo.

 

Our favourite Rob Ford related tweets from T.O. musicians:

Evening Hymns (@eveninghymns): "The new rule: if one side picks a crackhead as our mayor then we get to pick the next one and they can't vote."

Dave Bidini (@hockeyesque): "i bet R Ford comes out crying like a baby cause it's what cowardly bullies do. DONT BUY IT."

Hollerado (@hollerado): "Yaaaay!!!!! Get outta town rob ford."

Ron Sexsmith (@RonSexsmith): "A friend of mine was looking to buy a car with the most awards and high praise I said "How about the Ford Accolade?" RS"

Dan Mangan (@danmanganmusic): "How many Rob Ford costumes can we expect at parties tonight? #halloween #crack"

And the winner is: Katheleen Edwards (@kittythefool): "Smoking crack doesn't make you a bad person. But deceit, denial, and blatant incompetence while holding public office does."

 

Post City Interview: Larry King in Toronto for stage show My Jewish Soul II

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People recognize Larry King around the world. Small town, big city, it doesn’t matter. Such is the legacy of the CNN newsman who made history as the host of Larry King Live for 25 years before retiring from the show in 2010 (he has since returned with a vengeance, hosting Larry King Now on Hulu). With some free time on his hands, King decided to put together a one-man show of sorts, with some stories from the trenches and thoughts on life. With more than 60,000 interviews under his belt, as well as more than a few wives, we’re sure he has plenty to talk about. The show is slated for Nov. 3 at the Eglinton Grand.

What can we expect from your show on Nov. 3 in Toronto and is it similar to the one-man show you were scheduled to perform here a while back when we first had a chat?
We are going to have a lot of fun in Toronto. I always have a lot of fun. I try to make it funny. I bring the audience into it. I take questions from the audience. 

I love your Drake Hands video, a funny new Internet meme. Any chance the two of you will meet up while you’re here?
If we could do another hands video, I would love to. I had a great time with Drake. If they arranged it again in Toronto, I would be happy to do it.

You’re celebrating a birthday this month (November). What are you hoping to do to celebrate?
My wife is planning an 80th birthday celebration. I don’t know if I am happy about 80, but I guess it is better than the alternative. I want to be surprised, but I don’t want to have a heart attack from the surprise. I can’t believe I am 80. When I was a kid, I never knew anyone who was 80. My father died at 46. My brother is 76.… Who knew?

In the big scheme of things, is “the news” better now, with so much access, or worse?
In many cases, it was better years ago in the age of Edward R. Morrow, those people at CBC, Huntley and Brinkley. It wasn’t getting it first; it was getting it right. It wasn’t about them; it was about the story. Fox news, MSNBC, too, it is all about them, not the story.

Favourite interview?
Too many, probably Sinatra. Mandela, greatest figure of the 20th century.

The one that got away?
Fidel Castro. I would love to have gotten him. The longest-running leader ever. I was in Havana, still trying to get him. I never give up.

Who would play you in the movie version of your life and why?
Gary Busey because he’s nuts. 

For tickets and information go to www.larryking.ca.

Sewell: would Bay Street go for random police checks?

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I’ve been trying to understand the challenges facing young men in Toronto, particularly young black men and others of colour being stopped by Toronto police in “carding” incidents or street checks. More than 350,000 of these incidents occur over a year, or almost 1,000 times a day. 

The Toronto Star has published a number of analytical features on this police practise, and the Toronto Police Services Board is concerned enough to schedule a public meeting on the matter this month.

Here’s an analogy I’ve found helpful. The police decide that white-collar crime is a problem in the city. They’ll need to create a database of all those who might be involved so that when an incident occurs they can immediately question the most likely suspects.

To get the information for the database, officers flood into the Financial District to stop and question the most likely suspects, namely well-dressed white men between the ages of 40 and 60 years. Women are less likely to hold senior positions in financial companies, so they need not be stopped, nor men of colour for the same reason. 

Officers are told to stop members of the target group and ask them a series of questions: name, home address, date of birth, workplace and position in the company, marital status. They are also required to note facial hair, hair style, any tattoos or other skin markings and clothing.

Those stopped will be required to allow police to look into briefcases, and often they will be frisked. Police put pressure on those stopped to gain consent for these intrusions. If that doesn’t work, they often find a way to charge those who don’t co-operate, calling it obstructing police.

An important task is to identify associates of those stopped. So, officers learn who knows who: networks are very helpful in sorting out who might be involved in a crime. This information is entered into a database so any officers can access it at any time. Those stopped have no access to this data and have no idea whether the information police have gathered about them is incriminating or accurate. Data is kept for seven or more years.

Police brush aside complaints about carding. They say it makes the city safer. They say it’s not racial profiling. They say it’s entirely legal for police to ask anyone questions, and those with nothing to fear will have no trouble co-operating.

One can easily imagine that few businessmen would permit police to intrude in this manner. 

The difference between white businessmen resisting and young black men resisting is one of power: the former have the resources to threaten legal action, and the latter don’t, and some have been beaten up and arrested for refusing to answer.

The similar practise in New York City, called “stop and frisk,” has just been declared unconstitutional by the courts, and Bill de Blasio, the leading candidate to be elected mayor on Nov. 5, has said he will stop the practise. Here, no elected person will speak up on the practise for fear of being attacked by the police association and officers, something that has occurred to those who have spoken up in the past. 

Toronto police are so confident they are doing the right thing that they are modifying the practise to call it “community engagement,” and the data collected will be called “community safety notes.”

One knows that government is going down the wrong track when it engages in such Orwellian euphemisms. 

Post City Magazines’ columnist John Sewell is a former mayor of Toronto and the author of a number of urban planning books.

First Draught: a boozy lager for the dark days of fall

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The weather is finally starting to cooperate with the schedule of beers that I had planned to write about, because there would have been no way to handle a dark, rich and slightly sweet monster like the Grande Cuvée Doppelbock on one of those sunny and hot days we had earlier this autumn.

Before the current preference for dry alcoholic drinks, doppelbocks were traditionally brewed as sweet, boozy lagers meant for celebrating the harvest and for welcoming the short, dark days of late October. Modern versions tend to be more fully fermented so that they have more of the booze and less of the sweetness.

This one pours a chestnut brown with reddish tinges, and it has a resilient, mocha-coloured, rocky head. The aroma is sweet with alcohol and notes of toasted dark bread and figgy dried fruit. The flavour has a moderate dose of caramel sweetness, along with black cherries, raisins and plums, and there is a warming heat from the booze.

Big October beers that lean heavily on malt deserve to be paired with a special occasion dinner built around roasted meat. Something rich — like duck, goose or heritage pork — that comes served with a slightly tart sauce would be perfect. Doppelbocks are also in the vanguard of beers waging a campaign to be a dessert drink. This one would go well with anything sweet that has chocolate or coffee at its core.

Typical for doppelbocks, there is very little hop bitterness in this beer, and that makes it a great one for those who want something complex without the mouth pucker.

The LCBO has recently listed another beer from Les Trois Mousquetaires: the excellent Baltic porter (also part of the Grande Cuvée series), which is worth checking out for an interesting and traditional take on that style.

Les Trois Mousquetaires Grande Cuvée Doppelbock, $9.90 for a 750 ml bottle, LCBO #359430

In addition to covering beer, new restaurants and food trucks for Post City, David Ort writes about food and drink for several Toronto publications including his own site, Food With Legs. He is also the author of the upcoming Canadian Craft Beer Cookbook. For more of his thoughts on food, beer and life in general, follow him on Twitter or get in touch at [email protected].

Cover story: a profile of Kurt Browning

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Looking back at his illustrious career, Kurt Browning is still amazed at the incredible opportunities that figure skating has afforded him over the years. 

From skating for Queen Elizabeth II to being named Canada’s athlete of the year, winning four titles at the World Figure Skating Championships and carrying the Canadian flag at the 1994 Olympics, the figure skater, father, Guinness World Record holder and TV personality is preparing for his next great adventure, as a judge on the upcoming season of CBC’s Battle of the Blades. 

Sometimes my career confuses me,” says the 47-year-old, from his home in Forest Hill. “I just think to myself, ‘Holy crap, that guy has done a lot,’ and then I go, ‘Wait a minute, that’s you. All you’ve done is skate.’ ” 

When Browning first began figure skating, he never dreamed of competing on the world stage. Instead, he and his parents saw it as a way to improve his hockey skills as a kid growing up on a 360-acre farm in the foothills of central Alberta. Practising at the nearest arena in Caroline, a sleepy town of around 500 people, Browning describes what he remembers of his childhood with a single word: “freedom.” 

“I was on a horse or skating on a pond or sledding on a big hill, and I didn't have a lot of restrictions,” he says. 

Browning’s first skating competition came at the age of 12 in Lacombe, Alta., where the young athlete found himself completely unprepared, his coach having given him less than a day to learn his 90-second long program.

“I started the competition, and after about 15 seconds, I completely forgot (the program), so I just made it up as it went,” he says. “I came third out of six, so I got a medal. To this day it’s still one of my nicest, coolest medals.”

At the age of 16, Browning’s family moved to Edmonton, forcing him to leave his hockey bag behind, instead dedicating his time on the ice to honing his figure skating skills. After that, it wasn’t long before Browning was lacing up with some of the best skaters in the country and competing internationally. 

Six years later, in 1989, Browning won his first World Championship at age 22. 

“The first one kind of came out of nowhere,” he says. “I think I was the only one that thought I could win, and when it happened it was a surprise to the world.” 

Browning says he “barely won” his second world title in 1990 while battling through an injury, but by his third world title in 1991 he knew there was nothing stopping him. 

“That was the most confident moment of my career,” he says. 

After tucking his third world title under his belt, Browning decided to take part in the Canadian adaptation of Stars on Ice in 1991 and has been an institution for the show ever since. In its 23 years in Canada, Browning has appeared in all 240 performances, and approximately 850 Stars on Ice shows internationally throughout his career. 

“I missed half of one of those shows due to the plane being delayed, and that’s it,” he says. “I kind of feel a sense of ownership of that brand that I don’t deserve on paper.” 

Browning’s next major international competition came at the 1992 Winter Olympic Games, where he placed sixth while competing with a back injury. After failing to reach the podium, Browning returned to the World Figure Skating Championships with a renewed sense of determination. 

“I stayed competing just to win Worlds one more time, so that I could prove to myself that I would have won the Olympics if I had been healthy,” Browning notes. 

After winning his fourth world title in ’93, Browning competed at the Winter Olympic Games again in 1994, finishing fifth. 

Though not a Torontonian by birth, Browning decided to move to the big city in ‘92 when he started dating his now-wife, Sonia Rodriguez, a principal dancer with the National Ballet of Canada. The couple now lives in Forest Hill with their two sons, Gabriel and Dillon, surrounded by neighbours who provided a backbone of support when times got tough.

In August 2010, over 80 firefighters were called to the home to extinguish a three-alarm blaze. It all started when a rainstorm left several inches of water in Browning’s Porsche. 

Browning used a leaf blower in an attempt to dry his car out and prevent it from getting mouldy. However, things swiftly spiralled out of control. 

“I was in the garage, and my phone rang, and I couldn’t hear the person who was talking to me [over the leaf blower], so I went back inside the house. While I was in the house, something went wrong and the fire started.”

The fire quickly spread through the garage, and by the time the fire department arrived 18 minutes later, the house was fully engulfed in flames. It was over two and a half years before Browning was able to re-enter his home, but through that devastating experience many of Browning’s Forest Hill neighbours came to the aid of him and his family. 

One neighbour in particular, who had lost her home in a fire years earlier, provided the Browning family with clothing and food and helped them find a place to stay. 

“She knew exactly what we were going through, she knew exactly what we needed, and she was simply awesome,” he says. “So now she gets tickets to every skating thing I ever do.”

Now that they’ve settled back into their home, Browning says he and his family can often be found at Tokyo Sushi and Ferraro restaurants on Eglinton Avenue West, strolling through Forest Hill on sunny days for a frozen yogourt, and skating at the Granite Club on Bayview Avenue. 

Browning made his return to the small screen a year before the fire broke out in 2009, as part of the CBC TV show Battle of the Blades, which pairs professional hockey players with female figure skaters in a skating competition. 

After three seasons co-hosting the show with Ron MacLean, Browning is now both hosting and judging in season four. He’s joined by fellow figure skater Jamie Salé and former NHL player and CBC hockey commentator P. J. Stock on the panel.

“I have been so intimately involved with the whole thing for three years,” Browning says of the show. His new duo role sees him giving his two cents on the performances, requiring him to step back and adopt a more impartial attitude. “I think I’m a bigger part of the show now, but a smaller part of the family, and I already miss that.” 

In the meantime, Browning just looks at the transition as yet another twist in his ever-evolving career as a professional skater. 

“I have the weirdest job — I never know what I’ll be doing next,” he says. “But I come home, and being papa is the best job that I really have.”

Cover story: a profile of Ross Petty

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He’s the guy Toronto theatre-goers love to hate every holiday season. For more than a quarter of a century Canadian actor and producer Ross Petty has been the target of extreme heckling as the villain in his annual pantomime.

“I put one foot onstage and the whole audience goes crazy booing me,” Petty says, admitting he’s probably the only actor around who actually enjoys being jeered at.

This year is sure to be no different: Petty is set to play Ogopogo the evil sea wizard in his production of The Little Mermaid, a musical adaptation of Hans Christian Andersen’s timeless fairy tale.

Make no mistake, though Petty’s production is based loosely on the fish-focused tale, the content is largely Canadian. The Little Mermaid herself — played by Stratford musical theatre star Chilina Kennedy — has been relocated to Toronto Harbour, and Petty’s villainous character is modelled after a lake monster reportedly seen in central B.C.

After playing his characters in drag for the past two years — he played the evil stepmother in Snow White last season — Petty decided it was time to ditch his feminine garb for something more masculine … and scaly.

“I don’t always want to be in a dress,” he says. “Ogopogo is a decidedly male evil presence of the water world.”

One of the reasons Petty continues producing pantomimes from year to year, through his company Ross Petty Productions, is to witness how purely entertaining — and engaging — his creations are to his audiences.

Spectators are encouraged to yell and cheer, and children are invited onstage to be part of the action.

“It’s such an accessible way to see theatre,” Petty says about the panto experience.

Petty has a knack for casting a diverse array of Canadian talent in his shows.

This year, Canadian Idol season one finalist Marc Devigne plays the Handsome Prince while fan favourite Dan Chameroy returns as Dame Plumbum (re-cast from last year’s Snow White as the Little Mermaid’s aunt). Redhead beauty Jordan Clark, winner of So You Think You Can Dance Canada season four, will make an appearance as Ogopogo’s assistant.

“I’m delighted with the cast I have,” Petty says.

Despite the shows’ colourful sets, fantastical imagery and fairy tale  storylines, Petty says that a majority of his audience tends to be adults.

“We involve a lot of humour for adults — it flies right over the kids’ heads,” Petty says, adding that the actors leave room for ad lib commentary in each performance that ties into the local news of the day.

“We have a lot of Rob Ford references in our shows,” he says.

A performer at heart, Petty says he always knew he wanted to act.

Born in Winnipeg, from an early age he involved himself in drama clubs at school.

Though he studied English at the University of Manitoba, earning a bachelor of arts degree, Petty says he couldn’t wait to graduate and begin his career.

His mother was interested in theatre and was always supportive of his pursuits.

“She always said, ‘Hey, you love doing this, so let’s hope luck is on your side.’ ”

Hopping across the pond, Petty started his professional career in London, England where work opportunities seemed more plentiful. The first gig he landed was singing at a nightclub in Glasgow called Caesar’s Palace where he fronted a line of dancing ladies.

He also found work in London’s West End, performing in Belle Starr, a musical starring Betty Grable. He later sang in Paris, at the famed cabaret the Lido, for six months. 

But he’d always harboured a dream to perform on Broadway and soon moved to New York City.

Living in Manhattan, Petty says, had a tremendous impact on how he approached his career. He immersed himself in the theatre world, saw every show he could and took acting and singing lessons.

“I took advantage of being in the environment of such a showbiz-focused city,” Petty says.

His tenacity paid off, and Petty made his Broadway debut in American playwright Arthur Kopit’s play Wings. 

He also toured in a summer theatre production of Cole Porter’s Anything Goes, a riot of a show in which he starred along with screen legend Ginger Rogers and comedian Sid Caesar.

Petty found success on the small screen as well, landing a recurring role on the ABC daytime soap All My Children, playing the shady manager of a nightclub singer.

Despite a burgeoning career in the U.S., a touring production of Sweeney Todd (in which Petty played the title role) brought him to Toronto. The actor met his future wife, ballet dancer (and now artistic director of the National Ballet of Canada) Karen Kain at the Royal Alexandra Theatre while the show was in production there. Petty decided to stick around, and the couple married within a year. This year marks their 30th wedding anniversary.

Though he and Kain are busy with their own artistic pursuits, a weekly date night at a local restaurant near their home in North Toronto keeps them both grounded, Petty says.

“People’s lives are so complicated and busy,” he says. “To be able to sit at a table with your partner at end of the week and lay it all out there, I think it’s important.”

Shortly after he and Kain met, Petty began producing his own shows in Toronto. He did so, in part, because of the unpredictability of being an actor in show business.

“I didn’t always want to be at the mercy of casting directors and producers,” he says.

Eventually, his productions became part of the city’s holiday fabric.

He’s been producing his seasonal family musicals at The Elgin theatre for 18 years; before that he co-produced them at the Royal Alex.

“People come up to me saying, ‘My parents took me and now I’m taking my kids.’ It gives me great pride that I’ve been around all this time and given such pleasure to so many children,” Petty says.

Aside from his pantos, Petty still takes on roles in film and TV, as well as voice-over work.

The one constant theme throughout his career is that he’s almost always cast as the villain, he says. Although some performers resent being pigeonholed, Petty says he doesn’t mind.

“There’s something about my presence,” he says. “I’ve always played bad guys — they’re always the [most] interesting roles.”

Cover story: a profile of Demetrius Joyette

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Demetrius Joyette thought he’d found his ticket out of the classroom. The North York actor began acting professionally in elementary school, and soon saw it as a way out of the daily classroom grind. Ironically, that’s exactly where his career ended up taking him.

“When I was young, [acting] meant I didn’t have to go to school,” says the 20-year-old from his home in the city’s north. 

Today, the baritone-voiced actor with a commanding first name can be found roaming around the halls of his new school, playing alpha male Mike Dallas on the hit show Degrassi. 

“To be on a show that is so proud to be Canadian is such an honouring experience,” Joyette says. “Everyone in my generation grew up with it.” 

Early on in his career, the fledgling actor would often play hooky, enabling him to appear in a growing number of commercials for the likes of Jell-O and McDonald’s.  

However, it wasn’t until a turn on the medical drama Doc that Joyette’s acting chops garnered attention among his peers. 

Though set in New York City, the show, starring country music’s Billy Ray Cyrus, was filmed here in Hogtown. An eight-year-old Joyette played the best friend to Cyrus’s son — a role that resulted in a Young Artist Award nomination.

At that time, it was Mr. Cyrus, not his daughter, who was far more recognizable, though Joyette notes that the musician-slash-actor was a down-to-earth guy, devoid of celebrity airs. 

And yes, Joyette met Miley — before her attention-grabbing ways took hold. 

“She was so young,” he says. “I think it's awesome that she’s blown up to be as big as she’s gotten.”  

It was around this time that the fledgling actor first watched the Emmy-nominated Degrassi, currently enjoying its 13th season.

The show’s refusal to shy away from realities like teenage  pregnancy impressed Joyette, whose current onscreen persona has dealt with a number of issues, including a friend’s suicide. 

“I thought it was so interesting that they brought these teen issues to the forefront [of the show],” he notes.

Joyette’s own schooling experience followed a less traditional path. After a year in Vaughan Road Academy’s Interact program, he opted to complete his high school education online, freeing up more time to work on his budding acting career. 

However being on a show centred around high school allowed him to return to that experience, growing up and acting alongside best friends and former castmates Munro Chambers and Justin Kelly whom he’d met while working on the Family Channel show The Latest Buzz. 

“I definitely feel like the social environment on Degrassi is very similar to [high school],” he says. “You go on set, you do your work — but at the same time you’re still joking around.” 

Before moving to North York approximately four years back, Joyette spent the majority of his formative years in downtown T.O. Eventually he decided he needed to escape the congestion, settling into his current home in the Yonge and Finch area. 

No matter which part of the city he lives in, Joyette is a Torontonian through and through — much like Drake, Degrassi’s biggest grad.

In his off-time, the athletically inclined Joyette can often be found shooting hoops with friends at Edithvale Park, playing pool at various halls along Yonge Street, and cruising around the neighborhood on his bike. Hockey, however, isn’t quite his thing. Unlike his Degrassi character, who is captain of the hockey team, Joyette’s on-ice talents pale in comparison. 

Much like high school, Joyette realizes that his time on the cultish show must come to an end. In the meantime, he’s been working on expanding his oeuvre and most recently can be seen in director Kimberly Peirce’s adaptation of Stephen King’s horror classic Carrie, which premiered in October. 

Acting in the supernatural flick was a slight deviation from Joyette’s typical roles on teen dramas and Family Channel sitcoms. In the film he plays the best friend of Tommy Ross, the kid who takes social outcast Carrie to the prom. 

Initially, Joyette was intimidate by the prospect of sharing screen time with the film’s star, Chloë Grace Moretz. Now, however, he relishes the chance of working with her again.

“Chloë [is] an absolutely phenomenal person — very nice, very down-to-earth and very focused,” he notes. 

Working on the Carrie set afforded Joyette a completely different filming experience: the mood was far more sombre than what he was accustomed to and, the actors tended to stay in “the zone.” Of course, the chilling subject matter contributed to the general atmosphere. 

“In TV you have a tight ship,” Joyette says. Movies provide the means for fleshing a scene out more as opposed to working with a strict TV timeline. And the end result? 

“It’s exhilarating to see yourself in a movie theatre on a huge gigantic screen,” he says.

Carrie, however, isn’t his first movie: Joyette stepped onto the big screen in Blizzard, back in 2003. The Christmas film was directed by LeVar Burton of Reading Rainbow and Star Trek fame. 

“[Burton] explained everything [to me] because I was so young,” Joyette says, noting that he was involved in some highly emotional scenes.  

Ving Rhames, who Joyette worked with on the TV series Kojak, is an actor that really helped him develop his skills. 

"A lot of times with big actors, it’s intimidating because they’re in their own world. [Rhames has] worked on so much and been around for so long [yet] helped me develop.”

Ever-aspirational, Joyette hopes to build on his career in Los Angeles over the next few years, following in the footsteps of fellow Degrassi grads Shenae Grimes and Nina Dobrev, who have since made over-the-border waves with their respective roles on 90210 and The Vampire Diaries. Joyette, however, still intends to spend the majority of his time in his home and native land. 

“I don’t know if I would be stationed there,” he says of L.A., adding that he still prefers Canadian winters to the sunny beaches of California. 

“This is my home, and even through winter, I still love being here.”

Cover story: a profile of Sarah Gadon

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“It is not in my nature to enjoy a red carpet or a photo call.”

Spoken by any other actress, this might be hard to believe, but Sarah Gadon isn’t your average artist. After taking roles in esteemed director David Cronenberg's latest two films — A Dangerous Method and Cosmopolis — the 26-year-old was quickly dubbed one to watch, recognized as a TIFF Rising Star and featured on a number of magazine covers and in fashion editorials.

This, however, is not what drives her. Currently in Belfast filming Dracula Untold, her next feature, we speak with Gadon about the pressures faced by young women in the spotlight, her focus on her work and how the homebody reboots in North Toronto.

It soon becomes clear Gadon is wise beyond her 26 years, being sharp, passionate and talented to boot, which helps to explain why she’s been noted so swiftly. The petite, flaxen-haired thespian got her start in the entertainment business at the age of 10, working on TV series La Femme Nikita.

As with many Canadian actors, she forged her career in television, steadily gaining recognition by taking bit parts in the likes of Are You Afraid of the Dark? and This Is Wonderland, while also doing voice work. Through 2008 to 2011, the young actress landed recurring parts on three prime-time CBC shows: dramas The Border and Murdoch Mysteries along with the cultish Being Erica.

But the young actress wasn’t only catching the eye of those in Canadian television. In 2011, Cronenberg cast her alongside Michael Fassbender, Viggo Mortensen and Keira Knightley in A Dangerous Method, his period piece about Sigmund Freud and Carl Jung. Since then, her career has taken off — premieres in Cannes, Venice and San Sebastian, working with Jake Gyllenhaal in Enemy, Robert Pattinson (twice!) and, most recently, Julianne Moore.

But when asked about it, Gadon remains level-headed: “I guess from the outside it may seem like a ‘rapid ascension,’ but for me, it feels just like I’ve been steadily working for the past four years.”

And she has been. In addition to her acting, she is balancing being a student at University of Toronto in the cinema studies department, which has shaped her career (she’s currently taking a semester off to film).

“Sometimes I wonder if my theory background has made me too dogmatic in my approach to my craft,” Gadon notes. “But then again, I don’t think I would be where I am today if I didn’t believe in things like auteur theory.”

Such humble responses might be construed as false modesty, but with Gadon it suggests a driven quality and focused intensity. “I think when you are ambitious, you continually set goals for yourself,” she says. “And when you achieve them, they can seem marginal because you are always trying to move forward.”

Throughout her rise, Gadon has displayed a profound professionalism, a characteristic that she best expressed at the 2012 Cannes International Film Festival when she quipped: “I’ve been turning into a pumpkin at midnight. I haven’t wandered onto anyone’s yacht.”

In an age when celebrity is synonymous with overexposure and extra-cinematic escapades, such a statement comes as a refreshing change. Yet for Gadon, it is not just a question of privacy, but something far more complex.

“I try to avoid the media in my off time,” she says. “Mostly because I feel uncomfortable being a body on display.”

Indeed, Gadon is intensely aware of how media representations can affect the realities of young women. “Growing up,” she says, “I would always buy fashion magazines to read about the actresses on the covers, but inevitably the articles on the inside would feature little about their work and more about their beauty routine or fashion preferences. I always found this frustrating, that women in film had such a narrow outlet to discuss their work. I think about it often as I do press — I try to emphasize my work and untie it from a strictly visual representation of myself.”

In 2012, Gadon addressed our culture’s warped infatuation with celebrity and image when she played a doomed superstar in Brandon Cronenberg’s (a.k.a. Cronenberg Junior) Antiviral. Casting her in the already twisted film made it all the more perfectly perverse: would the up-and-coming star share the fate of her character and be similarly destroyed by our relentless fascination with stardom? It goes without saying that the answer is no.

“Sarah is fantastically talented and a pleasure to work with,” notes Brandon Cronenberg. “Her approach to the character was great from the start, which made my job very easy.”

Currently, Gadon has no shortage of upcoming projects. Next year, she will see her blockbuster debut in Marc Webb’s highly anticipated The Amazing Spider-Man 2. There, the actress will share the screen with a roster of boldfaced names: Andrew Garfield, Emma Stone, Jamie Foxx and Paul Giamatti. However, when asked if she could discuss this role, her simple answer evoked a mountain of non-disclosure agreements: “No.”

Currently, she is filming Dracula Untold, which she describes as “a perfect balance between a Gladiator-style action film and a classic love story.”

This year at TIFF — a festival that she credits with having helped her “grow into an international artist” — she had two films: Denis Villeneuve’s Enemy and Amma Asante’s costume drama Belle. (“I had been itching to work with a strong female director,” she says of Belle, but concedes the long days in corsets was a drag.)

Gadon also just wrapped Maps to the Stars, her third project with David Cronenberg where, along with Julianne Moore, she will be seen with Mia Wasikowska and John Cusack and be reunited with Pattinson, her co-star in Cosmopolis.

When talking about Cronenberg, Gadon’s modesty is evident again: “I feel privileged every time I am asked to work on one of his films.” Although working with the revered Canadian director “has quite simply changed [her] life,” some things have remained the same.

At the end of the day, Gadon is quick to call herself “a homebody,” declaring: “I ache for Toronto when I’m not home.” Missing the likes of Dark Horse coffee, the farmers’ market at Wychwood Barns and Pilates at Misfit Studio, Gadon also loves returning to her North Toronto stomping grounds. Describing visiting her parents after a long trip, she waxes nostalgic about weekend mornings that involve eating “Gryfe’s bagels, Kristapsons smoked salmon, with Pusateri’s whipped cream cheese,” while watching the arts show CBS Sunday Morning and poring over the Sunday New York Times.

Even with all the glamour, gowns and red carpets, Gadon’s greatest pleasures remain simple: “It’s my favourite thing in the world … lazy Sundays with my family in North Toronto.”