Home Blog Page 60

Maple Leafs AGM Hayley Wickenheiser on Olympic glory and her vision for the future of hockey

0
hayley wickenheiser future of hockey

When Hayley Wickenheiser walks into Scotiabank Arena, it’s with the quiet certainty of someone who’s lived several lifetimes on the ice. Olympic champion, then emergency medicine doctor and now assistant general manager for the Toronto Maple Leafs, she’s stepped into yet another role — an advocate working to break down the financial barriers that keep young Canadians from the sport she loves most. 

Has your journey as an Olympic athlete and now a doctor changed the way you think about youth sports? 

You go full circle in your career, from being a kid, to competing at the highest levels, back to being a kid again when you’re helping kids. In our country we have a movement pandemic where we need to get kids active and off screens. The whole concept of getting back to unstructured play is really something that matters a lot to me. That kids don’t even necessarily need to be coached or in structured ice time — they can just be playing hockey or any sport anywhere. 

Do you have a message for young girls in hockey? 

Just enjoy the game and find what you love about it because that will take you to the places you dream of going — the Olympics, the PWHL [Professional Women’s Hockey League], whatever it is. Women in hockey can have a job in hockey now, whether it’s playing, management, off ice. There are more opportunities than ever.

Did you have a pre-game ritual as a player that has carried over into your role with the Toronto Maple Leafs? 

I wasn’t very superstitious. I always ate three and a half hours before. I used to juggle before I warmed up. Now I still have a pre-game routine when I come to games, but I usually try to walk to the games and listen to my tunes. There’s not much else to it.

Can you tell us a little bit about this charity initiative you’re supporting?

It’s called Kruger Big Assist, where communities across Canada can nominate their community association to receive a $25,000 award to go toward accessibility and inclusivity. So that could mean just about anything. I’m
really honoured and proud to be back.

Why is access to sports — specifically hockey, and specifically right now — so important? 

I mean, everyone knows that it’s tough times across the economy — food’s expensive, living is expensive and hockey is extremely expensive. With the cost of skates and sticks, I don’t know how my parents did it with three kids in hockey when I was coming up, so I can’t imagine families today. Knocking down barriers — whether that’s the cost of play, equipment, or ice time — is going to keep more kids in the game and give them more opportunities. 

Now that you’re living in Toronto, any favourite spots to grab a coffee? 

Balzac’s in the Distillery.

Where do you like to spend time in the city? 

I love to be on my bike on the Lakeshore or any path in the city. 

Favourite local athlete? 

Wendel Clark.

What’s your top Toronto memory so far? 

Watching the Jays fever and just the excitement in the city. I think it’s been a long time since people rallied like that as Canadians and Torontonians. Not being here that long, that was something very cool to see.

On that note, there’s a moment from the 2002 Olympics that has resurfaced online several times. It’s the clip of you after a game, talking about the American team having the Canadian flag on the floor in their dressing room, and you said: “Now I want to know if they want us to sign it.” Have you seen the video resurfacing, and with the Olympics approaching this winter, is there anything you’d add to that moment now? 

I have never seen it. I mean, I certainly know what I said and did, but I’ve never seen it. Maybe it’s very prevalent now because of the climate of the world. I have no regrets — I’m very proud of it and I’d just say: see you in February. 

Review: The Sound of Music is perfect holiday theatre fare in Toronto

0
Kevin Earley (Captain Georg von Trapp) and Cayleigh Capaldi (Maria Rainer) with the von Trapp Children (l to r) Ariana Ferch (Liesl), Eli Vander Griend (Friedrich), Ava Davis (Louisa), Benjamin Stasiek (Kurt), Haddie Mac (Brigitta), Ruby Caramore (Marta), Luciana VanDette (Gretl) in 'The Sound of Music' (Photo: Jeremy Daniel)
Kevin Earley (Captain Georg von Trapp) and Cayleigh Capaldi (Maria Rainer) with the von Trapp Children (l to r) Ariana Ferch (Liesl), Eli Vander Griend (Friedrich), Ava Davis (Louisa), Benjamin Stasiek (Kurt), Haddie Mac (Brigitta), Ruby Caramore (Marta), Luciana VanDette (Gretl) in 'The Sound of Music' (Photo: Jeremy Daniel)

Families far and wide have spent countless evenings watching Julie Andrews sing her heart out in the movie The Sound of Music, especially around the holidays. Now a new theatrical production brings the beloved musical to the Princess of Wales Theatre, just in time to rekindle those nostalgic vibes for a new generation.

The Sound of Music remains one of the great feel-good stories, originally performed on Broadway in 1959. It is set in the Austrian Alps at the outset of the Second World War. It follows Maria, a spirited young postulant who becomes governess to the seven children of widowed naval captain Georg von Trapp. With warmth, love, and plenty of music, she wins over the household and, yes, falls for the captain just as the Nazi occupation threatens their idyllic world. In the end, the family makes a daring escape over the Alps, choosing freedom and one another over submission to the regime.

There are, of course, so many classic and gorgeous songs in this musical.

There is a lot to love in this production, but the standout is Cayleigh Capaldi as a pitch perfect Maria. She has everything going for her: a stunning voice, expressive acting, charm, warmth. The stage is literally alive with Capaldi’s performance.

Cayleigh Capaldi (Maria Rainer) in The Sound of Music in Toronto
Cayleigh Capaldi (Maria Rainer) in The Sound of Music. (Photo: Jeremy Daniel)

Following closely behind her is the ensemble of von Trapp children, who deliver a number of pitch-perfect moments. Ariana Ferch gives a lovely turn as Liesl, the eldest, although each child shines in their own way.

Highlights include the songs ingrained in the collective cultural psyche, such as “My Favorite Things,” where Capaldi’s enthusiasm quickly wins over the Mother Abbess as well as the audience. And, of course, “Do-Re-Mi,” when Capaldi works her magic on the von Trapp children, converting them one by one.

Even Sound of Music novices will recognize many of the songs even if they’ve never seen the movie or show, and smiles will be plastered across faces in short order.

But the production isn’t all lighthearted fun. The draping of swastikas across the stage in Act Two as the von Trapps plan their escape stands in stark contrast to the mountain-romping joy of Act One—a reminder that hate has a history, and one we should never forget.

Kevin Earley (Captain Georg von Trapp) and Cayleigh Capaldi (Maria Rainer) in The Sound of Music. (Photo: Jeremy Daniel)
Kevin Earley (Captain Georg von Trapp) and Cayleigh Capaldi (Maria Rainer) in ‘The Sound of Music’. (Photo: Jeremy Daniel)

Is it perfect? No. Some performances are uneven, the sets are sparse, and given that it’s 2025, it might have been wise to incorporate more diversity into the cast despite the Austrian setting. But the strength of the leads—including Kevin Earley as Captain von Trapp—is more than enough to overcome the minor hiccups and make this production worth seeing.

We were, of course, hoping for a sing-along at the end of the night, but it never materialized. Instead, we were left to our own off-key warbling of “Do-Re-Mi” on the drive home—and for days afterward.

Go see The Sound of Music. It’s a wonderful production arriving at exactly the right moment.

The Sound of Music runs until Jan. 4 at the Princess of Wales theatre.

The top 10 holiday comedy shows in Toronto right now

0
Rizz The Season
Rizz The Season

The holidays are here, and whether you’re full of festive cheer or on the verge of a tinsel-induced meltdown, Toronto’s comedy scene has the perfect dose of hilarious relief.

We’ve wrapped up 10 of the city’s funniest shows to get you through the season. So grab your ugliest sweater, prepare your best audience suggestion, and let’s dive into the comedy that will make your December merry and very bright.

1. Invasion: Christmas Carol: A serious performance of A Christmas Carol gets rightfully ruined by a different celebrity guest “invader” every night (featuring Colin Mochrie, Andrew Phung, and more).

  • Where: The Assembly Theatre (1479 Queen St. W.)
  • When: December 2 – 14 

2. Chris and Christel Christmas Collection: An eight-year holiday tradition featuring circus acts, burlesque, music, and an abundance of laughs. Hosted by the award-winning Christel Bartelse and Chris Sawchwyn

  • Where: VideoCabaret / Deanne Taylor Theatre (10 Busy St.)
  • When: December 18
3. Robin Hood: The Panto: Toronto’s massive annual musical comedy tradition that mixes a fairy tale with pop songs, local satire, and loud audience participation.
  • Where: Winter Garden Theatre (189 Yonge St.)
  • When: Throughout December
 4. Rizz the Season: Second City’s edgy, adult-only holiday revue featuring an “unhinged” mix of sketches and songs skewering modern life.
  • Where: Second City Toronto (1 York St.)
  • When: Select dates in December

5. Potato Potato’s Second Annual Grade Four Holiday Pageant Extravaganza: A song-filled sketch revue where the “tater tots” weaponize their theatre degrees to tackle politics, climate change, and the true meaning of Christmas.

  • Where: Comedy Bar (945 Bloor St. W.)
  • When: December 11 & 13

6. Holiday Ham: A Variety Show: Holiday Ham is a variety show hosted by Tom Hearn (JFL, Hulu) featuring Toronto’s funniest comedians, festive games, musical moments, celebrity drop-ins and a special interview with Andrew Phung (Run the Burbs, Burger Battle) , Mary Berg (MasterChef Canada, The Good Stuff with Mary Berg)!

  • Where: The Rivoli (334 Queen St. W.)
  • When: December 19
Tom Hearn
Tom Hearn

7. The Goodtimes 21st Anniversary Sing-Along Pajama Show: A heartwarming, chaotic festive musical party where pyjamas are encouraged and FREE homemade cookies! 

  • Where: Paradise Theatre (Bloor W)
  • When: December 21

8. Surviving the Season: Holiday Edition: A late-night stand-up showcase and “Ugly Sweater” competition dedicated to roasting the stress of family gatherings and holiday shopping.

  • Where: Comedy Bar (945 Bloor St. W.)
  • When: December 12 @ 11:30 PM

9. Crush Christmas: A high-energy improv show where comedians take audience suggestions to mock everything you love to hate about the holidays. 

  • Where: Comedy Bar Danforth (2800 Danforth Ave.)
  • When: Saturdays in December

10.  New Year’s Eve Comedy Extravaganza: Ring in 2026 at the legendary Massey Hall with host Colin Mochrie and headliner Mike Rita for a night of elite stand-up and improv.

  • Where: Massey Hall (178 Victoria St.)
  • When: December 31

There’s a cozy boutique hotel an hour outside Toronto that gives major ‘The Holiday’ vibes

0
the liberty inn caledon

If you’ve ever wished you could check into an art gallery, not just walk through one, The Liberty Inn in Caledon is just about that. An hour from Toronto, this five-suite boutique inn blends wellness, craft and history — but the real headline is that nearly every surface, plate, tile and detail has been made by hand. 

The Liberty Inn sits in a restored 19th-century post office at 1498 Cataract Rd. — one of those red-brick landmarks you’ve dreamed about staying in. Inside, the bones of the heritage building remain, but the interiors look a lot like the mood board of someone who collects craft magazines and spends weekends in antiques shops. 

liberty inn

Soft taupes, hand-rubbed millwork, exposed limestone, checkered tilework and custom transom windows hint at a space where nothing is generic. Cozy and quaint, this retreat feels like stepping into Kate Winslet’s adorable English countryside cottage in popular festive movie The Holiday.

Co-owner Jacqui Liberty, a Caledon-based ceramicist and founder of Soft Fire Ceramics, spent two years designing and hand-making nearly 10,000 tiles used across the inn. The backsplash in the kitchen, the bathroom floors, the fireplace surrounds — each one is crafted, glazed and imperfect in the way only handmade touches can be. 

the liberty inn suite

If that wasn’t enough, Liberty then did all the dishes, too. Every plate, mug, bowl and vase found in the suites was hand-crafted by the owner, each infused with the care it deserves. 

Most hotels buy dishes by the case. This is the only one where the plates were thrown by the owner, fired in a local kiln and carried into the rooms while the grout was still drying. 

The suites, designed in collaboration with Tiffany Leigh Design, lean into a warm, countryside minimalism: curved headboards, velvet throw pillows, heirloom-style lighting, handcrafted cabinetry and original materials.

Think: an old stone wall paired with a sculptural table lamp; a stack of local art books next to a fire-glowing stove; clay vessels filled with wildflowers; espresso cups that look like they came straight off the wheel that morning. 

the liberty inn kitchen

Even the kitchens feel like galleries — farmhouse sinks with brass taps, bespoke dish racks and displays of Liberty’s ceramics arranged artfully. 

Up the street, Liberty runs her own studio, where guests can actually take part in a pottery class — the same craft practice that shaped the inn. It’s a rare full-circle experience: sleep among the ceramics, then learn to throw your own. There’s something special about the way it reframes the stay as a creative retreat rather than just a weekend away. 

Outside, the inn’s private spa circuit has major Scandinavian influences — cedar hot tubs, a barrel sauna and a cold plunge arranged beneath string lights and surrounded by pines. 

the liberty inn spa circuit

The spa, the wood, the textures and the warm glow of lanterns all echo the tactile language of the interiors. 

The Liberty Inn also collaborates with five local artists, each commissioned to create new work that aligns with the inn’s themes of serenity, grounding and history. The pieces appear throughout the suites; paintings, prints and sculptural accents that nod to the region’s landscape and the building’s legacy. 

the liberty inn caledon bedroom

Instead of curating a collection from elsewhere, the inn builds its art ecosystem from its own community. It’s Caledon telling its own story. 

What makes The Liberty Inn so compelling is the choice to restore rather than rebuild, honouring the building’s past lives (post office, speakeasy, family home) rather than erasing them. The embrace of slowness, craft and touch in a world of mass production. 

A Toronto chef just took home Top Chef Canada — and Matty Matheson had the most Matty reaction

0
SnapInsta Ai 3779591398421496506

Toronto chef Coulson Armstrong just became Canada’s newest Top Chef (and actor/restaurateur Matty Matheson has a serious reason to celebrate his protégé’s win, but let’s start with last night’s crowning!)

Armstrong was named the winner on Tuesday night’s Season 12 finale of Top Chef Canada, after a season that put the 41-year-old and nine other chefs through challenges ranging from film-festival spreads to a Bocuse d’Or-inspired showdown. In the “One Night Only” finale, Armstrong beat chef Alex Kim, the Vancouver-based culinary director at Vancouver’s Five Sails Restaurant.

After the credits rolled, celebrations quickly moved online.

“CANADA’S TOP CHEF,” Armstrong captioned an Insta pic of himself with his family.

 

View this post on Instagram

 

A post shared by Coulson Armstrong (@coulsoncooks)

Top Chef Canada judge and food writer Mijune Pak jumped into Armstrong’s Instagram comments after the finale, calling him a fantastic chef, father and husband who “brought home the bacon” for his family! Guest judge and Toronto restaurant mogul Janet Zuccarini also congratulated him on a win she said was “so well deserved.”

The win is also a big one for Toronto’s food scene. Armstrong has cooked in some of the city’s most respected kitchens, including a long stint in the Oliver & Bonacini world at Auberge du Pommier and Canoe, before joining Matheson to help build out his growing restaurant universe.

At Prime Seafood Palace, the Queen West steak-and-seafood room that’s landed on several best-restaurant lists, Armstrong has been serving an array of dishes, including black pepper-crusted filet mignon, pristine New Zealand bluefin tuna and meticulously sourced shellfish. He was also the culinary director at Bar Clams, Matheson’s now-closed East Coast-inspired diner on Dundas West.

In a Streets of Toronto Q&A at the start of the season, Armstrong said his decision to compete was driven by his family and his team at Our House Hospitality. The first episode was filmed at a packed St. Lawrence Market on a Sunday morning; it was a chaotic setting he described as “overwhelming but exciting,” and a moment where he paused to take in what the competition would demand.

And when Matheson found out Armstrong had joined Top Chef Canada?: “He said one thing to me — you better win. That’s it.”

If anything, a national TV win, especially one cheered on in real time by his famously loud boss, is likely to make it even harder to snag a table the next time Armstrong is on the line.

“BEST CHEF IVE EVER MET IN MY LIFE PERIOD! LOVE YOU FOREVER,” Matheson raved on Instagram after Armstrong was awarded the title.

 

View this post on Instagram

 

A post shared by MATTY MATHESON (@mattymatheson)

This new husband-and-wife-owned pizzeria might be the most Italian thing in Toronto

0
SnapInsta Ai DLvALPFs0Wd

Attention all pizza lovers! Don’t walk past the corner of Bathurst and Bloor unless you want to be drawn in by the sights and smells of freshly baked, authentic pizza. Pizzeria Fornace is a family-run take-out joint that’s been serving up fierce competition for the larger spots across the city since it opened earlier this year.

Since before they moved to Toronto from Italy ten years ago, husband and wife duo Elona and Astrit Elezi have worked in the food and beverage industry and have harboured the dream of one day opening their own space to invite customers to indulge in authentically crafted pizza. After raising young kids and navigating health problems, they decided it was finally time and found what they consider to be the ideal location.  

SnapInsta Ai 3694347587565916698

“We fell in love with this space,” Elona says. “As soon as we saw it, we said, ‘This is it.’ It was nice and the right location. It was just how we imagined it.”

That space is 562 Bloor Street, where, no matter the time of day, you’ll see a selection of freshly made sliced roman-style pizza that’s light, crispy, and perfect for enjoying while on the go. If you’re interested in a box, you can pick up 12- or 16-inch Neapolitan pizza. Whichever you choose, you can be certain its crafted with 00 flour and sauces that have been imported straight from Italy. In fact, Elona says the goal at Pizzeria Fornace is to use “as many ingredients from Italy as possible.”  

The must try is the mushroom pizza what’s made with a white sauce, mozzarella, and an Italian truffle oil. Other popular favourites are the vegetable pizza topped with roasted zucchini and eggplant, and a spicy salami pizza.

At Pizzeria Fornace, you’ll also find a selection of chunky sandwiches which are made with the same bread as the pizza crust. A famed prosciutto crudo with mozzarella has already become a staple, while a hot soppressata and a turkey with basil pesto continue to build a fan base. Then, for the full Italian experience, don’t miss out on getting a taste of the tiramisu made in house.

SnapInsta Ai DNlO9gwtk s

Prefer to pick something up for later? Pizzeria Fornace also has flavour-packed frozen pastas for sale, like the ravioli, cannelloni, and signature lasagne. These are restaurant-quality meals that can be enjoyed right in your home this winter.  

SnapInsta Ai DL9 jdxIYV5

“We’re making it easy because we know life is really busy and nobody has the time,” says Enora.

Since opening earlier this year, Enora says Pizzeria Fornace has seen an overwhelmingly positive and “welcoming” response to the neighbourhood, even more so than she has expected.

“They were so supportive,” she says about their repeat loyal customers. “Never in my ten years of experience here in Toronto have I seen a neighbourhood this supportive.”  

Yorkville blooms: Don’t miss the stunning Fleurs de Villes NOËL floral extravaganza opening today

0
Fleurs de Villes NOËL
Fleurs de Villes NOËL

Looking for a warm pop of colour as the days turn short and the city is shrouded in grey and white? One of the most beautiful holiday traditions is making its grand return to the Bloor-Yorkville neighbourhood. Fleurs de Villes NOËL, the five-day floral extravaganza, is back for its fourth annual celebration from Dec. 3-7.

Fleurs de Villes NOËL is a free, self-guided activation that transforms Yorkville’s decidedly trendy streets into a playful winter wonderland, all thanks to fresh flowers.

This year, these skilled floral artists are taking inspiration from the beloved carol, “The 12 Days of Christmas,” to create their stunning installations. Expect more than 25 unique floral pop-ups throughout the area, each one a festive work of art.

 

View this post on Instagram

 

A post shared by Fleurs de Villes (@fleursdevilles)

You can take a leisurely stroll and discover these beautiful creations at various spots, including the Manulife Centre, Holt Renfrew Centre, Village of Yorkville Park, The Anndore House, and The Colonnade.

The 411 on this Festive Flower Hunt

  • What: Fleurs de Villes NOËL, a self-guided trail of fresh floral installations.

  • Where: Throughout the Bloor-Yorkville neighbourhood, starting at The Anndore House.

  • When: Dec. 3-7, daily from 10 a.m. to 9 p.m. (though organizers suggest touring during daylight hours for the best view).

Fleurs de Villes is a luxury brand known for turning cities into works of art through floral installations, celebrating local talent everywhere they go. Their partnership with the Bloor-Yorkville BIA continues to brighten of Toronto’s holiday calendar.

While in Yorkville, be sure to check out some of the city’s best shops. Here is our guide.

The Toronto Symphony Orchestra tests out the city’s warmest and most stylish winter coats

0
fashion dec TSO feature pic copy

We invited a few members of the Toronto Symphony Orchestra to put the city’s coolest (and cosiest) coats and winter accessories to the test — carolling style. ‘Tis the season for warm layers, festive traditions and non-stop holiday music. 

Catch these would-be carollers live at Roy Thomson Hall for Home Alone in Concert, Dec. 4–7, TSO Holiday Pops, Dec. 10–11 and Messiah, Dec. 16–21.

Kayla Burggraf, flute

Toronto Symphony Orchestra wearing a winter coat from Andrews

A. Pompom toque, $80

B. Felted scarf, $95

C. Cashmere crewneck sweater, $675

D. Wool-mohair coat, $1,145 

Flutist Kayla Burggraf wore a textured teal coat that’s a cosy blend of wool, mohair and alpaca, paired with an equally cosy, super soft brushed cashmere sweater. And if those two layers weren’t already warm enough for a Toronto winter, she donned a cable knit toque and matching scarf for a carolling-ready outfit. Andrews, 2901 Bayview Ave. 

Joe Kelly, percussion

Toronto Symphony Orchestra wearing a brown Good Neighbour coat 

E. Oversized wool coat, $789, Good Neighbour, 1212 Yonge St.

F. Heritage scarf, $78, Roots, 1 Bass Pro Mills Dr. 

As the TSO’s assistant timpani and percussionist, Joe Kelly needs all the flexibility he can get to play the cymbals and keep the beat, even while carolling — so this roomy, oversized coat is the perfect fit. With a fun, vintage-inspired patterned scarf on top, this double-wool look is both in tune with the weather and with this season’s top trends.

Ah Young Kim, violin

Toronto Symphony Orchestra wearing a Sentaler coat 

G. Maxi hooded wrap coat, $3,450

For a super seasonal look, violinist Ah Young Kim sported a head-to-toe red outfit from local alpaca wool–focused brand Sentaler. The maxi wrap coat is floor-length to stay insulated from those Toronto winds, and it features an oversized hood — to keep out the snow from her eyes while she’s focusing on striking the right chords on her violin. Sentaler, 55 Avenue Rd. 

Matthew Hakkarainen, associate concertmaster and violin

Toronto Symphony Orchestra wearing a houndstooth Good Neighbour coat

H. Textured scarf, $195

I. Wool sweater, $305

J. Houndstooth coat, $770

The relaxed fit of this houndstooth wool coat on TSO concertmaster and violinist Matthew Hakkarainen is perfect for a carolling adventure — there’s plenty of space for layering (such as this icy blue merino crewneck) to battle sub-zero temperatures. Paired with a subtly festive light green scarf, he’s ready to play “O Christmas Tree” and “Jingle Bells” all night long. Good Neighbour, 1212 Yonge St.

Want more fashion? 

For Jeanne Beker’s top denim picks in Toronto, click here. 

Meet the fine-dining chef turning food bank donations into gourmet meals

0
best i can do

On Tuesday mornings at the Fort York Food Bank, before most people have finished their first coffee, chef Maddy Goldberg is already doing a lap of the shelves, scouting her ingredients for the day.

There’s no menu, no prep list, no spreadsheet of purveyor orders — just donations, a tiny budget and the basics she can usually count on: milk, eggs, potatoes, onions. Everything else is a surprise.

SnapInsta Ai 3631112779161325475

“I walk around for the first 10 minutes,” she says. “I’m picking things, but I’m normally sort of picking maybe one to two items that excite me and those are the things I start to conceptualize a dish around.”

Sometimes it’s acorn squash because it’s fall. Sometimes it’s a random bottle of tahini. Recently, a donated blender opened up an entire world of sauces and dips. Whatever she lands on, she has about two hours to turn it into a hot lunch for roughly 100 clients plus a team of volunteers.

“It’s a full adrenaline rush kind of energy,” she says. “But then it’s also just very wholesome… I’m literally feeding the cutest, sweetest clients who are so grateful that I’m cooking for them.”

When she left for university, it wasn’t for culinary school but for social work at the University of Guelph. At the same time, she was quietly building a second language: food. She started cooking in middle school, spending entire days trying to recreate restaurant dishes. In university, cooking out of necessity very quickly turned into cooking for a small army.

“Initially it was just to feed myself and then it was suddenly like I’m feeding all my friends,” she says. “I was feeding like 20 people at university almost every day.”

 

View this post on Instagram

 

A post shared by Maddy Goldberg (@maddygoldberg)

A Toronto restaurateur she met through social media pushed her to share what she was doing. Goldberg started a food Instagram in 2014, perfectly of its era, called Cook Eat Sleep Repeat — a riff on “Eat Sleep Rave Repeat.” From there came a string of side gigs in the food industry.

By year five of university, she’d worked with a handful of companies and realized the thing that lit her up most wasn’t casework but cooking. She enrolled at George Brown and eventually landed in the kitchens of Mary Be Kitchen, Aloette and later Salon, where she got a crash course in fine dining. The experience confirmed something she’d felt for a while: she loved the intensity of kitchen life, but not the distance between the food and the people eating it.

“Everyone there… thought of food as like a sport,” she says of her time at Aloette. “They wanted to be the best, work the hardest, have the most groundbreaking food, win all the accolades. I loved the intensity of fine dining and the hard work… but the actual food felt very unapproachable. I just liked feeding people.”

She was also stunned by the level of waste. “People had warned me before but I don’t think it’s that obvious how kind of insane food waste is,” she says. “There’s so much perfection in food… so where does the not-perfect food go? It’s not cute.”

 

View this post on Instagram

 

A post shared by Maddy Goldberg (@maddygoldberg)

When COVID hit and fine dining temporarily became burger takeout, Goldberg eventually stepped away and leaned into private dining. It started with one pandemic-friendly, distanced dinner for six in someone’s backyard. She posted photos on Instagram, cooked a few more dinners, posted those too — and suddenly, the DMs started rolling in.

The model suited her perfectly: small groups, bespoke menus, essentially no food waste, and the chance to fold in the fundraising brain she’d had since her LiveStrong-bracelet-obsessed childhood.

“At Aloette they would charge essentially the same thing [for dinner],” she says. “In fine dining they’re wasting at least 10 per cent of their costs. I was like, I’m going to have no waste, so I’ll donate 10 per cent of the cost of every dinner to a charity of the host’s choice.”

About a year into running her business, Goldberg took herself to Europe, spending a month and a half in Italy to get serious about pasta. On that trip, she started thinking more formally about what she wanted her career in Toronto to look like when she came back. The private dinners were staying. But she wanted something more directly tied to community.

“I knew I wanted to do more,” she says. “I was like, where, how am I going to give back?”

Back in Toronto, she came across a post: Fort York Food Bank was looking for volunteers on Tuesday mornings. She had the time — and a very particular skill set.

“I messaged them and said, hey, I’m a chef, I used to work at Aloette and I’m interested in volunteering Tuesday mornings,” she says. “They were so excited.”

Before the pandemic, Fort York had a hot meal program alongside its grocery pick-up. During COVID, it shifted to a grocery-store-style model and kept it. When Goldberg reached out, the team was looking to bring back hot lunches.

SnapInsta Ai 2854218407118401297

“So I kind of helped reignite this hot meal program,” she says. “Now there’s I believe there’s a hot lunch as well as groceries at the food bank all five days of the week. I just do it one day, but there’s four other chefs or people that do it.”

She’s been there for “just over three years” — long enough that designing lunch out of whatever’s on hand has become a weekly ritual. The system is simple but extremely improvisational. Goldberg hunts for “fun produce” first — anything seasonal or local that catches her eye. When that’s lean, she looks for interesting pantry items: a jar of tahini, a random condiment, something she can build a dish around for a hundred people.

Recently, the arrival of a simple blender felt like a luxury. “I started doing a lot of blended stuff,” she says. “I made sauces. I love sauces.” One day, that meant turning donated chickpeas into a full hummus plate: homemade hummus, eggs, cucumber salad and pita.

“Hummus is something that so many people assume you just buy,” she says. “Especially at a food bank — it’s hummus, it’s probably not homemade. So it was exciting for me to bring that to the food bank.”

Most recently, this past Tuesday, roasted red peppers became a silky romesco sauce for pasta. It’s still very much work — she compares the rush to the buzz of a dinner rush on the line — but the vibe at Fort York is different from the closed-off world of fine dining.

“I grew up in Toronto so Toronto as a community is so important to me,” she says. “I grew up in the city taking the subway every day to school from a very, very young age. And as much as the city is beautiful and amazing, the reality is there’s so much food insecurity… so much food is getting wasted while so many people are going hungry.”

“What I’m doing at the food bank is taking really, really simple ingredients and making that a meal that feeds a lot of people,” she says. “We’re so easily disconnected from our food and it’s so easy to order Uber Eats now. And then at the same time those same people are complaining about the cost of living in Toronto.”

Her suggestion is small but radical: pay attention to what’s already in your fridge.

“If you spend a bit of time thinking about what’s in your fridge or what might go bad or picking up one ingredient at the grocery store and trying to make dinner with it, that’s something that will actually help change the food system in so many ways,” she says. “Being inspired to cook with what you have is an amazing way to help your community without realizing it, to be honest.”

“Obviously, you can donate to a food bank too,” she adds. “That never hurts.”

A lavish immersive masquerade show is opening in Toronto and it looks like a moody fairytale

0
Transcen|Dance Project presents Ophis
Courtesy SVP Photography

Toronto’s getting its very own version of New York City’s Sleep No More — and this time, you actually have a chance to get tickets. 

After a completely sold-out debut earlier this year, Ophis, the city’s seductive, choose-your-own-adventure Medusa myth, is returning to The Great Hall this January. The remount comes from Transcen|Dance Project, the company that first brought large-scale immersive theatre (the run-where-you-want, follow-who-you-want kind) to Toronto with hits like Eve of St. George and A Grimm Night. Think moody lighting, masked audiences, eerie corridors and choreography so close you can hear the dancers breathe. 

“I tend to like things that lean a little darker,” says artistic director Julia Cratchley. “I like things that have some sexiness to it, some mystery to it. I love working in worlds that have some sort of fantasy or magic quality to it because it creatively allows us to do so much more.” 

And yes — Toronto really is doing this now. If you’ve ever wished Sleep No More (the award-winning immersive theatre production in New York City) would spawn a northern cousin, this is it. 

Audiences enter wearing masks and are let loose across four floors of the historic Great Hall, discovering hidden scenes, one-on-one encounters and an entirely reimagined Medusa — one who isn’t a monster, but a woman reclaiming power. “Everyone’s experience can be quite different,” Cratchley says. “There are four to six scenes happening at once, so you’re always choosing whose story you’re going to follow.” 

Cratchley (a rare breed of choreographer-director-producer hybrid and the brain behind this whole fever dream) describes Ophis as a “choose-your-own-adventure meets haunted house” experience — minus the jump scares, plus a lot more seduction. The show unfolds in simultaneous storylines, meaning every audience member sees something different…and misses a hundred other things. 

Transcen|Dance Project presents Ophis
Courtesy SVP Photography

“Even if you came last time, you didn’t actually see the whole show,” Cratchley laughs. “It’s impossible. And we’re adding even more this round.” 

While the myth of Medusa has been borrowed, rewritten and feminist-reclaimed countless times, Ophis weaves together several lesser-known retellings with Cratchley’s own interpretations. The result is a version of Medusa who is vulnerable, powerful, misunderstood and magnetic — far from the villain audiences might expect. “I love villains,” she says. “One of the reasons I love them is that they’re often so misunderstood. With Medusa, I wanted to find the vulnerability in her and give her some of her power back.” 

Cratchley’s inspiration came years ago, when she saw a Medusa ballet in London and realized the story was ripe for an immersive world. Cue several years of research, reading modern reinterpretations and crafting multiple intersecting plotlines (because this show runs up to six scenes at once).

“It’s such a misunderstood story,” she says. “I wanted to give Medusa her power back — without losing the parts of her that are messy or heartbreaking.” 

The entire production is scored by award-winning Canadian composer Owen Belton, whose atmospheric music basically functions as its own character. Cratchley built the choreography and narrative alongside Belton’s score, creating something that feels like stepping into a living dream. “His score is so incredible,” she says. “I feel like you could just go into the building and listen to the music and have an experience.” 

Transcen|Dance Project presents Ophis
Courtesy SVP Photography

Ophis debuted to overwhelming demand, the kind that leaves entire weeks sold out and audiences begging for more shows. The production also earned two Dora Award nominations — including Outstanding Production — which made a remount feel inevitable. 

“You always wish you had more time the first round,” Cratchley says. “A remount lets us expand scenes, add new moments, deepen storylines, and create more intimate encounters. The world just gets richer.” She adds, “For me, I think this is our best show, so it’s exciting to take it up another notch.” 

And while the show attracts theatre people, the majority of the crowd? Not at all. 

“We call them the muggles,” Cratchley jokes. “People who don’t normally go to dance or theatre, but love an experience. They come for the adventure and accidentally fall in love with contemporary dance.” As she puts it: “We’re the only ones doing it like this in Canada — and you’ve got to be a little bit crazy to make these shows.” 

In other words: it’s the show your nightlife friend, your art-lover friend and your “I don’t usually do theatre” friend can all enjoy together. 

Ophis will run from Jan. 9–18 at The Great Hall, with tickets ranging from $60 for general admission to $110 for VIP and $160 for a special Behind the Curtain experience. 

    If you missed Ophis the first time, don’t make that mistake again. Between the masks, the mythology, the four floors of roaming freedom, and this upcoming year’s expanded storyline, the show is set to be one of Toronto’s most hypnotic theatre events of the winter. 

    Beloved Toronto cafe and bar warns it might not make it to 2026

    0
    SnapInsta Ai 3297690767245276070
    Buvette Pacey

    After months of slow days and mounting costs, the owner of a popular queer-owned neighbourhood bar-bistro in Toronto’s downtown east end says the future of her café is far from guaranteed.

    Buvette Pacey opened in late 2023 in a small storefront near Queen and Parliament, in the former Runner Market space. Late last month, owner Shabri Kapoor (better known to regulars as “Pacey’s mom” thanks to the café’s cute canine mascot) posted a candid appeal on Instagram. In it, she told followers that “our little spot is struggling,” in part due to low foot traffic and high rent, and that unless things pick up in the next two months, she may have to shut the café’s doors for 2026.

     

    View this post on Instagram

     

    A post shared by Buvette Pacey (@buvette_paceyto)

    “We know it’s a struggle for everyone right now, but anything you can afford to spend with us will help towards keeping us open and part of this community,” Kapoor said in the post, noting that any money people can afford to spend at the café over the next couple of months will go directly toward keeping it open and rooted in the community.

    “Personally, of everything Buvette has accomplished so far, I am most proud of the community we’ve been able to foster– creating a safe & friendly Third Space for so many of you (and if I’m being honest– the safe space I didn’t know I so desperately needed myself). We love being your sapphic wine bar; your Wednesday chess club; your daily coffee fix; your makeshift office for those gloomy WFH days, when you need a martini to get through that last meeting.”

    “If you’ve visited us over the last 2 years and enjoyed your time here, we would LOVE to see you from now until January: bring your friends, your families, and of course, your pups! Make reservations. Book your holiday parties with us. Buy wine from our bottle shop. Check out our new holiday wine packs. Treat yourself to a coffee or cocktail from our curated menu.”

    Kapoor ended her post with a promise to continue nurturing the “beautiful East-End community” if the café keeps going through the next year, saying patrons can expect more pop-ups, events and “more magic.”

    The café runs as a neighbourhood coffee shop, serving espresso drinks, chai and matcha lattes made with beans from local roaster Fahrenheit Coffee. Wine and beer service runs from 11 am until closing, with a list that leans heavily toward low-intervention wines. You can also enjoy seasonal cocktails (starting at 5 pm) alongside a snack menu that highlights queer and BIPOC producers, like empanadas made by the bar manager’s mom, dips from local kitchens and cheeses sourced from indie Toronto shops!

    The response to Kapoor’s appeal was immediate.

    “You’re one of our faves and an essential in the neighbourhood! “ Hang in there!!” one user commented, while another promised, “I will be there much more often for breakfast. Such a gem in the neighbourhood and would hate to lose it.” A third chimed in: “Noted. Will spread the word, and will pick up some wine for my holiday gatherings!”

    Toronto author and LGBTQ advocate Rowan Jetté Knox, who also co-owns the east-end bookstore-bar Understory, posted a heartfelt slideshow about Buvette Pacey to Instagram.

    The slides spotlight the café’s cute interior, seasonal drinks, sapphic wine nights and pastry case (“And their scones,” one caption notes), before ending with a simple plea: stop in for a drink and help keep the space alive.

    “So much love for queer-owned small business,” he wrote in the post.

     

    View this post on Instagram

     

    A post shared by Rowan Jetté Knox (@rowanjetteknox)

    Buvette Pacey is located at 141 Berkeley St, near Queen and Parliament.

    Toronto just got a new spot serving up naan tacos and butter chicken burritos on College Street

    0
    Bollywood Tacos

    If you love Indian food and you love Mexican, there’s a new restaurant in Toronto that you’re probably going to love: The Bollywood Tacos.

    The College Street spot is the city debut of the Oshawa-born brand, which first opened in 2019, and it’s bringing the same delicious and completely customizable menu that made the original a big hit.

    SnapInsta Ai 3340436085097745190

    Founder Rajeev Ganesan, a Scarborough native originally from Sri Lanka, built the concept around one simple idea: why choose between Indian and Mexican food when you can merge the best of both? After experimenting with swapping tortillas for naan and layering Indian proteins like butter chicken and paneer into familiar Mexican formats, the formula stuck — and people kept coming back.

    The fusion works  — maybe even better than you’d expect.  Indian and Mexican cuisines both thrive on heat, spice, smoky sauces and carbs that do the heavy lifting. Swap a tortilla for naan, drizzle mint chutney where you’d expect salsa, tuck butter chicken into a taco — and you’ve got one deliciously tasty meal.

    Bollywood Tacos

    The menu revolves around three-piece tacos ($18) topped with pico, purple cabbage, pickled onion, mint chutney and the house Bollywood sauce. Proteins include curry chicken, curry lamb, butter chicken, shrimp tikka, paneer tikka and chana masala, covering vegetarian and vegan options. If tacos aren’t your thing, you can also get a burrito, bowl, nachos or even poutine with the same fillings.

    Everything starts mild, letting you control the heat with hot sauce or pickled Thai chilies. Sides include naan, saffron rice, guac and extra sauce, while desserts include gulab jamun for Indian traditionalists and churros with caramel for the Mexican-inspired end of the spectrum.

    The College Street location is built for quick, grab-and-go meals, keeping the focus where it should be: on the food.

    The Bollywood Tacos is located at 530 College Street. Follow them on Instagram: @thebollywoodtacos